The artwork, titled “The position of Mary in the tomb (Fragment),” was created by the artist Duccio between 1308 and 1311. It is executed using tempera on wood and falls under the Proto Renaissance art movement. This religious painting is part of the series known as “Maesta.”
In the artwork, we observe a deeply evocative scene where several figures, likely apostles, are gathered around the Virgin Mary as she is laid to rest. The expressions of grief and solemn reverence are palpable among the group. The painterly technique showcases the intricate details of the drapery and the tender interaction between the figures, characteristic of Duccio’s mastery in conveying emotion and depth. The use of gold leaf in the halos signifies the sanctity of the figures and adds a radiant, divine aura to the composition. The structural elements, such as the texture of the tomb and the delicate hues in the garments, further demonstrate the artist’s attention to detail and adherence to the stylistic elements of the Proto Renaissance period.
