The roofs (1876 – 1877) by Paul Cezanne

The roofs - Paul Cezanne - 1876 - 1877

Artwork Information

TitleThe roofs
ArtistPaul Cezanne
Date1876 - 1877
Art MovementPost-Impressionism

About The roofs

The artwork titled “The Roofs” is a creation of the celebrated artist Paul Cézanne, conceived between the years 1876 and 1877. Exemplifying the Post-Impressionist movement, this cityscape offers a unique perspective on urban architecture and the environment of that epoch. The genre of the artwork, cityscape, is a reflection of Cézanne’s interest in the structural composition and interplay of urban forms and color.

In “The Roofs,” the viewer is presented with an array of building tops interspersed with chimney stacks. The angle suggests a high vantage point, overlooking a dense arrangement of houses. Cézanne’s brushwork is visibly loose, giving life to the varying textures of the roofing materials and the walls. The color palette is somewhat subdued, with earthy tones dominating the scene, yet there are highlights of red on the rooftops and chimneys, indicating their earthenware material.

The sky in the artwork is depicted with broad, swirling brushstrokes, hinting at movement and a dynamic atmosphere. The clouds are rendered with a mixture of blues and greens, contributing to a sense of depth and volume.

Cézanne’s technique in applying paint creates a sense of abstraction while maintaining a recognizable depiction of the buildings. The buildings themselves are not detailed; rather, they are reduced to simple shapes and forms. This abstraction is one of the characteristics that align the artwork with the Post-Impressionist movement, which sought to move beyond the naturalism of Impressionism towards a more expressive and conceptual representation of subjects.

Overall, “The Roofs” stands as a testament to Cézanne’s ability to transition from the fleeting moments captured by his Impressionist contemporaries to a more structured and enduring vision of the world, foreshadowing the eventual advent of Cubism and other modernist movements. The painting invites contemplation on the harmony between man-made structures and the enveloping skies, as interpreted through the distinctive Post-Impressionist lens of one of the late 19th century’s most influential artists.

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