“The Station of the Cross – Fourteenth Station,” created by Barnett Newman between 1965 and 1966, stands as a representative specimen of the Color Field Painting movement. This abstract artwork encapsulates Newman’s approach towards minimalism and monumental simplicity, focusing on the emotional resonance through color and form.
The artwork features a predominantly white expanse, bordered by a narrow, vertical band of a muted, earthy tone on the left side. The composition is stark and free of intricate details or figures, emblematic of Newman’s exploration of existential themes and spiritual contemplation. The minimalist color palette and austere structure present a meditative space, aspiring to evoke profound introspection within the viewer.