“The Stoning of St. Stephen” is a religious etching by Rembrandt dated to 1635, part of the Baroque art movement. The artwork measures 10 x 9 cm and portrays a religious scene. It is held in a private collection.
The artwork vividly captures the chaotic and violent moment of St. Stephen’s martyrdom, the first Christian martyr. The focal point is the figure of St. Stephen in the center, who appears to be on his knees, gazing upwards as if looking towards the heavens, possibly in a gesture of divine appeal or forgiveness. He is surrounded by an enraged crowd of figures who are actively participating in his stoning; their faces are contorted with emotion and aggression. Some figures are hoisting stones above their heads, poised to strike, while others seem to be shouting or jeering. The composition is dense and animated, with the figures closely packed together, highlighting the brutality of the event.
Rembrandt’s masterful use of light and shadow adds to the drama, with the play of light beautifully rendering the folds of clothing and body expressions. The dynamic lines and sketch-like quality of the etching create a sense of movement and urgency. The setting appears to be a nondescript area, with some architectural structures faintly seen in the background, keeping the main focus on the figures and the act of violence. Despite the small scale of the work, Rembrandt effectively communicates the intensity of the scene and the tumultuous emotions involved.