“The Toilette,” an artwork executed in pastel by Edgar Degas in 1897, embodies the Impressionist movement with its free brushwork and a focus on light and movement. This piece, measuring 60 by 61 centimeters, falls within the genre of nude painting (nu). Degas’ approach to capturing the human form is evident in the delicate and yet vivid strokes that define the composition of the artwork.
In the artwork, the viewer is presented with an intimate scene of a woman during her toilette, a moment of personal care and grooming. The woman’s body is bent over a basin, with her back towards the viewer, and she appears to be washing or engaged in some aspect of personal hygiene. The pastel medium allows for a subtle interplay of colors, creating soft textures and gentle gradients that evoke a sense of warmth and immediacy.
The application of color is rich and varied, depicting the naturalistic tones of human skin, contrasted against the cooler blues and greens of the basin and surroundings. A touch of vibrant red to the left of the composition draws the eye, adding a dynamic quality to the scene. In the background, a framed artwork or mirror introduces a secondary element of interest, hinting at the environment in which the woman is situated. Degas’ masterful use of pastel is a testament to his innovative techniques within the Impressionist movement, providing an enduring legacy of his dedication to exploring the beauty of everyday life and the human figure.