Entitled “The Trickster”, this sculpture was crafted by Betye Saar in 1994. It falls under the genre of sculpture and is associated with the Postcolonial art movement.
The artwork is composed of a tall, rectangular structure with a predominantly industrial aesthetic. The primary material appears to be metal, characterized by a rusty, weathered surface that contributes to its aged and robust appearance. The front displays a grid of small, circular indentations that create an intriguing textural element. Towards the top, a narrow, elongated section extends upwards, capped with a spiked protrusion. Two red elements within central circular forms on the main body conspicuously resemble eyes, evoking a sense of watchfulness or vigilance. Added to this visual complexity are chains and a key that adorn the upper portion, suggesting themes of confinement or unlocking hidden narratives. The overall composition of the sculpture emanates an aura of mystery and subversion, aligning with the notion of a ‘trickster’.
