The Virgin and Child with Saint Anne (1510) by Leonardo da Vinci

The Virgin and Child with Saint Anne - Leonardo da Vinci - c.1503 - c.1519

All Artwork Images

Artwork Information

TitleThe Virgin and Child with Saint Anne
ArtistLeonardo da Vinci
Datec.1503 - c.1519
MediumOil on Panel
Dimensions112 x 168 cm
Art MovementHigh Renaissance
Current LocationLouvre, Paris, France
Location Created Milan, Italy

About The Virgin and Child with Saint Anne

“The Virgin and Child with Saint Anne” is a remarkable artwork by Leonardo da Vinci, one of the foremost artists of the High Renaissance period. Created in the Milan territory approximately between 1503 and 1519, da Vinci used oil on panel as his medium, reflecting the era’s artistic advancements. The artwork measures 112 x 168 cm and falls within the genre of religious painting. This revered piece forms part of the collection at the Louvre in Paris, France, where it continues to be a point of fascination for visitors from across the world.

The artwork depicts a serene and intimate scene of the Virgin Mary seated on the lap of her mother, Saint Anne. Saint Anne’s figure is large and reassuring, placed in a stable, somewhat pyramidal form which anchors the composition. Her gaze is directed tenderly downwards towards Mary and the Christ child. The Virgin Mary, cloaked in soft hues, gracefully leans forward to interact with her son, Jesus, who is depicted as a lively child engaging with a lamb, symbolizing his future sacrifice. The treatment of their drapery showcases Leonardo’s mastery of rendering fabric with realistic folds and textures.

In the background, we encounter an enthralling landscape that recedes into misty, bluish mountains, a signature element of Leonardo’s use of aerial perspective that imparts depth and vastness to the scene. A luminous sky above transitions smoothly into the far-reaching backdrop, hinting at the divine setting of the narrative. The figures are modeled with soft, subtly shaded contours, an application of Leonardo’s famous sfumato technique, which lends a sense of volume and roundness to their forms and enlivens their gentle expressions with a lifelike quality.

The deeply human emotional connection between the three figures is palpable and is enhanced by their physical closeness and interaction. The artwork as a whole resonates with themes of divinity interwoven with earthly affection, characteristic of the Renaissance’s humanistic approach to religious subjects. It remains a quintessential example of Leonardo’s profound ability to blend the realms of the earth and heaven into a single frame of timeless artistry.

Other Artwork from Leonardo da Vinci

More High Renaissance Artwork

Scroll to Top