The Virgin Worshipped by Angels and Saints (c.1500) by Albrecht Durer

The Virgin Worshipped by Angels and Saints - Albrecht Durer - c.1500

Artwork Information

TitleThe Virgin Worshipped by Angels and Saints
ArtistAlbrecht Durer
Art MovementNorthern Renaissance
Current LocationAlbertina, Vienna, Austria

About The Virgin Worshipped by Angels and Saints

“The Virgin Worshipped by Angels and Saints” is a woodcut by Albrecht Dürer, created around the year 1500. The piece belongs to the Northern Renaissance art movement and is part of the “Life of the Virgin” series. It is characterized as a religious painting, and you can find this artwork at the Albertina museum in Vienna, Austria.

The woodcut depicts a scene where the Virgin Mary is seated on a throne, and numerous angels and saints are gathered around her in a display of veneration. Mary is the central figure, positioned slightly off-center to the left, exuding an aura of calm and sanctity as she assumes a posture conveying both serenity and authority. Her facial expression projects benevolence and tranquility.

Surrounding Mary are angels, some of whom are playing musical instruments, while others are attentively watching her or engaging in acts of worship. The angels create a harmonious celestial atmosphere, and their presence signifies the sacredness of the event. The saints, distinguishable by their varied attributes and attire, representing various walks of life and historical periods, are portrayed in an array of poses that suggest reverence and admiration towards Mary.

The intricate architectural setting suggests the interior of a grand church or cathedral, with arches, columns, and richly detailed stonework contributing to the scene’s depth and grandeur. The background includes additional characters, like an angel appearing to a sleeping figure on an upper level, possibly symbolizing a biblical story or theological concept.

Overall, the woodcut is a meticulously crafted work that demonstrates Dürer’s masterful skill in creating detailed imagery and rich textures, a hallmark of his style and the Northern Renaissance’s emphasis on precision and complexity.

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