The artwork titled “Thomas Howard, Second Earl of Arundel” is a notable work by the distinguished artist Anthony van Dyck, emblematic of the Baroque art movement. As a portrait, it delves into the representation of one of the most prominent figures of the time, capturing not only his physical likeness but also the essence of his status and character.
In the artwork, Thomas Howard is depicted in a seated position, exuding an aura of nobility and calm composure. The Earl is dressed in the fashion of the aristocracy of the Baroque period, with a dark, elegantly tailored coat that contrasts with the stark white of the lace collar, which was a sartorial hallmark of the era. His attire hints at his wealth and high social standing, further evidenced by the careful detail provided in the depiction of the luxurious fabrics and the golden elements, such as the ring on his finger, that subtly catch the light.
The subject’s gaze is serene yet penetrating, directed outward towards the viewer, suggesting confidence and intellect. His facial expression is rendered with meticulous attention, allowing a glimpse into the subject’s personality, which seems contemplative and dignified. The hand placement is deliberate, with one hand holding a book—a symbol of learning and an indicator of the Earl’s interest in the arts and scholarship.
In the background, the painter has artfully incorporated an opulent curtain on the left and a glimpse of a natural landscape to the right. This combination of interior luxury and exterior vista serves to illustrate the breadth of the sitter’s domain and influence, as well as to create a balance within the composition. Anthony van Dyck’s masterful work is a testament to the grandeur and depth that portraiture achieved during the Baroque period.
