The artwork titled “Three Figures,” created by Thomas Hart Benton in 1916, belongs to the art movements of Post-Impressionism and Synchromism, and is categorized as a nude painting (nu).
This evocative piece features an abstract depiction of three intertwined figures. Dominated by rich, earthy tones, the artwork employs a bold use of color and form to convey movement and depth. The figures, though not detailed in a realistic manner, are harmonized into a fluid composition that navigates through a spectrum of dark and luminous hues. Each figure is uniquely shaded, creating a tapestry-like effect that is both immersive and dynamic. The convergence of these forms elicits a sense of unity and rhythm, characteristic of Benton’s stylistic influences, blending the painterly qualities of Post-Impressionism with the vibrant, color-centric ideals of Synchromism.
