Titus (1655) by Rembrandt

Titus - Rembrandt - 1655

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Artwork Information

TitleTitus
ArtistRembrandt
Date1655
Mediumoil
Dimensions63 x 77 cm
Art MovementBaroque,Tenebrism
Current LocationMuseum Boijmans van Beuningen, Rotterdam, Netherlands

About Titus

The artwork “Titus” was painted by Rembrandt in 1655. This oil painting, measuring 63 by 77 centimeters, epitomizes the distinctive characteristics of the Baroque and Tenebrism art movements. This portrait is part of the collection at the Museum Boijmans van Beuningen in Rotterdam, Netherlands. The painting presents an intimate and evocative representation of a young boy, presumably Titus, Rembrandt’s son.

The artwork captures the subject in a moment of quiet contemplation, emphasizing the emotional depth and introspective nature typical of Rembrandt’s portraiture. The use of chiaroscuro, a hallmark of Tenebrism, is evident in the strong contrasts of light and shadow, highlighting the boy’s youthful face and the texture of his clothing. His face is lit from one side, drawing attention to the thoughtful expression and the details of his features, while the rest of the scene fades into the rich, dark background, characteristic of Baroque painting.

The subject dons a red garment, which adds a warm tone and contrasts with the otherwise muted colors. His flowing golden hair echoes the luminosity of his skin, further dramatized by the surrounding darkness. A sense of immediacy and personal connection with the viewer is established by the boy’s direct gaze and the positioning of his hands on a book before him, which could imply intellectual pursuits or scholarly inclination. The use of impasto is visible in the build-up of paint on the book’s pages and in the folds of the fabric, adding textural depth to the painting.

The painter’s signature, “Rembrandt f. 1655”, is discreetly placed on the lower region, affirming both the authenticity and the temporal context of the work. The overall composition and masterful handling of light exemplify Rembrandt’s expertise in creating portraits that are both realistic and deeply psychological, a testament to his enduring influence in the history of art.

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