The artwork titled “Tribune of Speakers” by Kazimir Malevich, dated 1920, is a notable piece within the Suprematism art movement. This piece, categorized as a sketch and study, features geometric abstraction central to Suprematist principles.
The artwork consists of a sequence of geometric shapes rendered in black and red, set against a textured beige background. The sequential arrangement includes triangles, a square, a rectangle, and a circle, illustrating a methodical study in compositional dynamics and spatial relationships. The shapes are precise and stark, creating a sense of order and balance that reflects the Suprematist ideology of reducing art to fundamental geometric forms. The simplicity and clarity of the composition emphasize Malevich’s pursuit of the pure essence of art through abstraction.