Untitled #100 is an abstract artwork created by Howardena Pindell in 1979, which falls under the movement of Lyrical Abstraction. The genre of the artwork is abstract, implying a composition free from direct representation and rooted in the emotional and expressive potentialities of color, form, and gesture.
The artwork is characterized by a dense and intricate composition, consisting of numerous circular forms that appear akin to confetti or cellular structures. Exploring texture and color, the work is an accumulation of various materials and hues, resulting in a rich tapestry that invites contemplative engagement. The array of circles in different sizes and colors creates a sense of depth and movement across the surface. The underlying canvas peeks through the layers of elements, suggesting a complex groundwork beneath the vibrant constellation of shapes. The edges of the composition are raw and irregular, enhancing the organic feeling of the piece.
Touches of paint intersperse the circular forms, providing accents that draw the viewer’s eye and create a dynamic visual rhythm. The tactile quality of the artwork is palpable, with materials seemingly layered and possibly extending out from the plane of the canvas, suggesting a blurring of boundaries between painting and sculpture. The overall effect is one of a harmonious chaos, where form and color interplay freely, fostering an active and immersive visual experience for the onlooker.
