The artwork, titled “Untitled (101 Spring Street)” created by Donald Judd in 1969, falls under the Minimalism art movement and encompasses both sculpture and installation genres. This artwork exemplifies Judd’s minimalist philosophy, characterized by clearly defined forms and industrial materials, shaping spaces through simplicity and precision.
The artwork is a large, box-like construction rendered in polished metal. Positioned within a serene interior setting, it commands the space with its stark geometric structure. The box is open at both ends, creating a passageway that invites viewers to experience the interior void, which remains undisturbed yet integral to the composition. The pristine, reflective surface of the metal interacts subtly with light, adding depth and dimension, echoing the minimalist emphasis on purity of form and material. Set against an all-encompassing background with large windows allowing natural light, the artwork’s materiality and spatial arrangement reinforce its minimalist ethos, creating a harmonious balance between the sculpture and its architectural environment.
