“Untitled #211” by Cindy Sherman, created in 1989, is a notable work within the Feminist Art movement. As part of her “History Portraits” series from 1988 to 1990, this photographic artwork exemplifies Sherman’s exploration of identity, gender, and representation through the lens of historical portraiture.
The artwork presents a meticulously constructed and evocative portrait featuring Sherman herself in elaborate costume and makeup, channeling the style often seen in classical paintings. The profile view displays exaggerated facial features and a richly adorned headpiece, contributing to a dramatic and theatrical effect. Layers of intricate clothing, including pearls and a detailed headscarf, complete the historical aesthetic. Sherman’s use of artifice and disguise serves as a critical examination of how identity and femininity are constructed and perceived across different contexts and eras.
