The artwork “Untitled, 99G201” was created by Abie Loy Kemarre in 1999 and is an exemplar of Native Art, specifically within the abstract genre. Kemarre’s work is often reflective of her cultural heritage and explores the visual language of her Aboriginal ancestry through contemporary forms.
This particular artwork presents a rich tapestry of intricate patterns that dominate the canvas. The monochromatic palette is interrupted by the rhythmic movement of shapes that suggest a deep connectivity between elements. The use of space and form generates an optical vibration, inviting the viewer to decipher the underlying narratives or meanings. As is characteristic of abstract art, the piece does not immediately reveal a clear subject but instead engages the observer through its complex, layered composition and the evocation of a visceral response to the interplay of lines and textures.
The absence of color serves to emphasize the artist’s skillful manipulation of line and pattern, and underscores the connectivity of all components within the artwork. The undulating forms create a sense of dynamism, making the otherwise static medium appear almost in motion. This piece would not only complement but also challenge the viewer’s perception and understanding of Native Art’s contribution to the broader discourse of abstract art.