The artwork in question is an untitled piece created by Salvador Dali in 1942. It was designed for a campaign against venereal disease and reflects Dali’s involvement within the Surrealism art movement. The genre of the artwork can be classified as symbolic painting, as it conveys a message through various symbols and imagery rather than direct representation.
The artwork presents a hauntingly surreal scene teeming with symbolic content and nocturnal hues. On the left, a large, shadowy profile of a face, possibly a soldier’s, owing to the visible uniform cap with an insignia that resembles military attire, dominates the canvas. The complexion is rendered in a vivid green, harmonizing with the overall cool-toned palette.
In stark contrast, the right side of the artwork is occupied by three identical figures, presumably females, connected at the torso and perched atop a pedestal, with their forms wrapped in drapery that clings to their bodies, reminiscent of classical sculpture. Behind them, a large, glowing yellow orb—perhaps suggestive of a diseased cell or a celestial body—emanates light and is circled by birds or insects, which might symbolize the transmission of disease or the pervasive nature of the problem Dali addresses.
The background merges a desolate landscape with an ominous sky, contributing to the surreal and dream-like atmosphere of the piece. Collectively, the elements within the artwork evoke a contemplative yet unsettling mood, and the use of symbolism invites diverse interpretations, aligning with the surrealistic intent to disrupt normative understandings and engage the subconscious.