The artwork titled “Untitled (Variations around La Poupée)” by artist Hans Bellmer, dates from approximately 1932 to 1934. This piece falls within the genre of sketch and study, demonstrating Bellmer’s explorative and intricate artistic approach during this period.
In the artwork, one observes a surrealistic sketch that merges human and architectural elements. A prominent figure, with delineated outlines resembling both a human form and structural components, occupies the central focus of the piece. The head is depicted with a brick-like texture, incorporating a window-like opening, which evokes a sense of both confinement and openness. Within the torso area, there are intricate, interconnected segments that give the impression of both machinery and organic forms. These segments are reminiscent of anatomical dissections interwoven with abstract patterns. Surrounding the figure are various undulating lines and shapes, adding to the surreal, dream-like quality of the work. The composition’s detailed and imaginative nature reflects Bellmer’s fascination with the interplay between form, imagination, and the subconscious.