The artwork named “Venus de Arles,” created by Yinka Shonibare in 2018, belongs to the contemporary and postcolonial art movements and is a sculpture genre.
The sculpture presents an intriguing modern interpretation of classical themes with distinct elements of postcolonial commentary. A striking figure, reminiscent of the classical form, is adorned in vibrant, patterned fabric that evokes African textiles, signifying a cultural amalgamation or reappropriation. The figure’s head is replaced with a globe, symbolizing global identity and interconnectedness, as well as the influence of colonial history. The sculpture holds an apple in one hand, possibly alluding to themes of knowledge, temptation, and the classical mythologies surrounding the figure of Venus. This artwork, while rooted in classical references, engages deeply with contemporary themes of identity, globalism, and cultural hybridity.
