The artwork titled “Vier überlagerte Zonen,” created by Max Bill in 1966, belongs to the Concretism art movement and falls under the genre of abstract art. The composition showcases Bill’s distinctive methodology, encapsulating the essence of geometric abstraction and mathematical precision characteristic of Concretism.
The artwork presents a deliberate geometric arrangement where a central square is prominently displayed, intersecting with various triangular and quadrilateral forms. The central square is rendered in a deep purple hue, bordered by overlapping shapes in shades of blue and grey. The intersecting zones create a sense of layered depth and spatial complexity. The precision in the alignment and the use of a controlled color palette highlights the artist’s intention to evoke a visual balance and harmony, which is a hallmark of Max Bill’s oeuvre. The artwork embodies the principles of Concretism, focusing on the concrete reality of the forms and color relations, devoid of any representational references.
