The artwork, titled “Vier weisse felder,” was created by the artist Max Bill in 1969. It is an example of the Concretism art movement and falls under the abstract genre.
The artwork features a minimalistic composition with a primary focus on a cross-like structure situated at the center. This structure is defined by two intersecting lines, each comprised of segments in distinct colors: blue, green, red, and yellow. These lines divide the canvas into four white quadrants. The use of clean lines and geometric precision typifies the Concretism style, emphasizing clarity, order, and a lack of representational content. The stark contrasts in color within the intersecting lines create a balance and harmonious intersection against the otherwise blank background.
