The artwork under discussion is known as “Virgin of the Burning Bush (Palekh),” attributed to the tradition of Orthodox Icons. Created circa 1850, this icon is executed in tempera, a medium utilizing pigment mixed with a water-soluble binder such as egg yolk. The piece belongs to the genre of religious iconography, focusing on the Virgin Mary, Mother of God, and is part of a series dedicated to her veneration.
This intricate and symbolic artwork features a central circular depiction of the Virgin Mary holding the Christ Child, surrounded by a star-like pattern, suggestive of the ‘burning bush’—a theophany of prefiguration from the Old Testament, now interpreted in a Christian context. The four points of the star expand outwards, each filled with figures in various scenes, possibly representing Biblical events or saints. The rich color palette is dominated by blues, reds, and gold, traditional in iconography, indicating divinity, passion, and sanctity.
Surrounding the central image are various smaller scenes and depictions of angelic beings situated within the points of the star, as well as along the margins of the artwork. Each smaller scene is detailed and serves as a narrative or theological complement to the central motif, inviting contemplation from the believer. The text inscribed upon the artwork likely offers liturgical or scriptural references integral to understanding the icon’s full religious significance.
Set against a gold background, common in iconography to symbolize the heavenly realm, the entire composition resonates with spiritual depth and serves as an object of devotion, meditation, and prayer. The use of tempera gives the colors a depth and vibrancy that would have aided in engaging the devout and enhancing the icon’s ability to inspire reverence.
