Virgin of the Passion (c.1450 – c.1500) by Orthodox Icons

Virgin of the Passion - Orthodox Icons - c.1450 - c.1500

Artwork Information

TitleVirgin of the Passion
ArtistOrthodox Icons
Datec.1450 - c.1500
Art MovementLate Byzantine/Palaeologan Renaissance (c. 1261–1453)

About Virgin of the Passion

The artwork “Virgin of the Passion” is a fine example of a religious icon crafted in the period between 1450 and 1500. Belonging to the art movement known as Late Byzantine or Palaeologan Renaissance, which lasted from around 1261 until the fall of Constantinople in 1453, this icon is part of a series depicting the Virgin Mary, Mother of God. It is a testament to the significance of iconography within the Orthodox Christian tradition and stands as a relic of a pivotal era in the history of Byzantine art.

The artwork presents an intimate portrait of the Virgin Mary, portrayed with a solemn and deep gaze. She is garbed in a traditional dark robe with golden highlights indicating the presence of holy light and divine grace. Embracing her is the figure of the Christ Child, clinging close to his mother, symbolizing the human connection between mother and child and the divine relationship between God and humankind.

The technical execution is characterized by meticulous attention to detail, with delicate facial features and an intricate depiction of the garments. The background flaunts a cracked, golden surface, which has gradually developed through age and adds a sense of antiquity and veneration to the piece. The icon’s surface exhibits prominent craquelure, a network of fine cracks, suggesting the passage of time and the historical value of the piece.

The artist, part of a tradition of anonymous icon painters, utilizes a traditional palette and technique to endow the figures with a transcendent and otherworldly aura, which is emblematic of Orthodox iconography. The halos around the heads of the Virgin and Christ are indicative of their sanctity, and the figures are depicted against a gold-leaf background that symbolizes the heavenly realm.

As with many icons of its time, the formal and spiritual elements combine to serve not just as a work of art but as an object of veneration and contemplation, inviting the viewer to reflect on the spiritual themes it embodies. The icon’s purpose extends beyond aesthetic appeal, aiming to lead the faithful into a deeper understanding of the mysteries of the faith it so reverently depicts.

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