The artwork titled “Vittorio,” created by Lynda Benglis in 1979, is a prominent example of the Minimalism art movement and exemplifies the genre of sculpture.
The sculpture presents an organic and fluid form, enveloped in a lustrous, golden surface. The undulating texture and irregular contours evoke a sense of both movement and stillness, characteristic of Benglis’ work in this period. The piece, with its gleaming finish, stands in stark contrast to the simplicity often associated with Minimalism, suggesting a departure within the movement toward more expressive and tactile interpretations. The artwork engages the viewer through its dynamic form and reflective surface, inviting contemplation on the nature of materials and the essence of form.
