The artwork titled “Voice” by Robert Morris, created in 1974, is an exemplary piece from the Minimalism art movement, falling under the genre of installation art.
The artwork features a seemingly sparse arrangement of rectangular white objects placed methodically within a stark, minimally decorated room. These objects, which resemble benches or blocks, are positioned in a manner that invites interaction or contemplation, yet maintains an air of austerity and precision. The walls of the room are also white, enhancing the minimalistic aesthetic and creating a sense of continuity and purity within the space. The lighting is utilitarian, provided by overhead fluorescent lights, which cast an even, unembellished glow over the setting. This installation by Morris exemplifies the minimalist philosophy of stripping away the superfluous to focus on form, space, and the essence of the objects themselves.
