The artwork titled “Yemaya” was created by Harmonia Rosales in 2019 and belongs to the postcolonial art movement. It is a religious painting and part of the series called “The Orisha’s (2019)”. The artwork depicts a striking portrayal of a figure with water and fish playfully encircling the face, suggesting a deep connection to marine …
The artwork, “Yemaya Meets Erinle,” by Harmonia Rosales is a religious painting that was created in 2019. It belongs to the series “The Orisha’s (2019)” and is categorized under the Postcolonial art movement. In the artwork, two central figures are prominently depicted. An interaction is taking place between the depicted male figure, clothed in a …
The artwork, titled “The Sleep of Reason Produces Monsters (America),” was created by artist Yinka Shonibare in 2008. This photographic piece is attributed to the Contemporary and Postcolonial art movements and classified within the photo genre. The artwork depicts a richly dressed figure with a 17th-century baroque attire, slumped over a table while surrounded by …
THE SLEEP OF REASON PRODUCES MONSTERS (AMERICA) (2008) by Yinka Shonibare Read More »
The artwork titled “THE SLEEP OF REASON PRODUCES MONSTERS (ASIA)” was created by Yinka Shonibare in 2008. Executed using photography, this piece is a notable contribution to the Contemporary and Postcolonial art movements. The photograph falls under the genre of photo art. In the artwork, a figure is depicted resting their head on a table, …
THE SLEEP OF REASON PRODUCES MONSTERS (ASIA) (2008) by Yinka Shonibare Read More »
“The Sleep of Reason Produces Monsters (Australia)” is a photographic artwork created by Yinka Shonibare in 2008. This contemporary piece fits within the postcolonial art movement and is characterized by its photographic genre. The artwork depicts a person in vibrant, patterned attire draped over a table, seemingly in slumber, surrounded by an array of night …
THE SLEEP OF REASON PRODUCES MONSTERS (AUSTRALIA) (2008) by Yinka Shonibare Read More »
The artwork “The Sleep of Reason Produces Monsters (Europe)” by Yinka Shonibare, created in 2008, is a photographic piece belonging to the Contemporary and Postcolonial art movements. This photograph, which falls under the genre of photo, is a compelling exploration of European sociopolitical commentary through an allegorical tableau. In the artwork, the central figure appears …
THE SLEEP OF REASON PRODUCES MONSTERS (EUROPE) (2008) by Yinka Shonibare Read More »
The artwork “The Swing (after Fragonard)”, created by Yinka Shonibare in 2001, is an exemplar of contemporary and postcolonial art, encapsulated within the genre of sculpture. Rendered in a three-dimensional space, the artwork reinterprets Jean-Honoré Fragonard’s iconic Rococo painting “The Swing” through a modern, postcolonial lens. A headless mannequin, dressed in elaborate and colorful period …
THE SWING (AFTER FRAGONARD) (2001) by Yinka Shonibare Read More »
“The Townley Venus” is a 2017 sculpture by contemporary artist Yinka Shonibare. This artwork belongs to the postcolonial art movement and is a striking representation within the genre of sculpture. The sculpture depicts a classical feminine figure adorned in vibrant, patterned fabric. Shonibare reinterprets the traditional form by replacing the figure’s head with a globe, …
The artwork named “Venus de Arles,” created by Yinka Shonibare in 2018, belongs to the contemporary and postcolonial art movements and is a sculpture genre. The sculpture presents an intriguing modern interpretation of classical themes with distinct elements of postcolonial commentary. A striking figure, reminiscent of the classical form, is adorned in vibrant, patterned fabric …
The artwork titled “VENUS DE MILO (AFTER ALEXANDROS)” by Yinka Shonibare, created in 2016, belongs to the Contemporary and Postcolonial art movements and falls under the sculpture genre. The artwork is a modern reinterpretation of the classic Venus de Milo, portraying the familiar form with a distinct and vibrant twist. This sculpture stands elegantly on …
VENUS DE MILO (AFTER ALEXANDROS) (2016) by Yinka Shonibare Read More »
The artwork titled “WILLY LOMAN. THE RISE AND FALL (AVARICIOUS AND PRODIGAL)” created by Yinka Shonibare in 2009, utilizes the medium of photography. It belongs to the Contemporary and Postcolonial art movements, and is classified under the genre of photo. The subject of the artwork captures a striking and thought-provoking scene. A group of nude …
WILLY LOMAN. THE RISE AND FALL (AVARICIOUS AND PRODIGAL) (2009) by Yinka Shonibare Read More »
The artwork titled “WILLY LOMAN. THE RISE AND FALL (PARADISE)” was created in 2009 by the contemporary and postcolonial artist Yinka Shonibare. Employing photography as the medium, this piece falls within the genre of photo art. The composition of the artwork presents a dramatic and theatrical scene set in what appears to be an industrial …
WILLY LOMAN. THE RISE AND FALL (PARADISE) (2009) by Yinka Shonibare Read More »
The artwork titled “ADAM AND EVE” was created by Yinka Shonibare in 2013. This contemporary piece falls under the Postcolonial art movement and is classified as a sculpture. The artwork depicts the biblical figures Adam and Eve standing beneath a large, lush tree adorned with green leaves and bright fruits. The figures are dressed in …
The artwork, titled “APHRODITE OF KNIDOS (AFTER PRAXITELES),” was created by Yinka Shonibare in 2017. It belongs to the contemporary, postcolonial art movement and falls within the genre of sculpture. The sculpture reinterprets the classical statue of Aphrodite of Knidos, originally sculpted by Praxiteles. Shonibare’s version features a mannequin-like figure adorned in vibrant, patterned fabric …
APHRODITE OF KNIDOS (AFTER PRAXITELES) (2017) by Yinka Shonibare Read More »
The artwork, titled “APOLLO OF THE BELVEDERE (AFTER LEOCHARES)”, is a sculpture crafted by the contemporary postcolonial artist Yinka Shonibare in 2017. This piece stands as a testament to the contemporary art movement with deep postcolonial echoes, exploring themes of cultural identity and globalization. The sculpture depicts a human-like figure, draped in brightly-patterned, traditional African …
APOLLO OF THE BELVEDERE (AFTER LEOCHARES) (2017) by Yinka Shonibare Read More »
The artwork, titled “BOY ON GLOBE,” was created by Yinka Shonibare in 2014. It falls within the movements of contemporary art and postcolonial art, and is classified in the genre of sculpture. The sculpture depicts a headless boy balancing on a large globe, which serves as the base of the piece. The boy is dressed …
The artwork, titled “WINDY CHAIR I (ORANGE AND BLUE)”, was created in 2014 by artist Yinka Shonibare. It belongs to the Contemporary and Postcolonial art movements and falls under the genre of sculpture. The artwork presents a dynamic and fluid composition, mimicking the movement suggested by wind. The piece is characterized by its vibrant color …
WINDY CHAIR I (ORANGE AND BLUE) (2014) by Yinka Shonibare Read More »
The artwork titled “Winged Victory of Samothrace,” created by Yinka Shonibare in 2017, belongs to the Contemporary and Postcolonial art movements and is a sculpture. The artwork reimagines the classical statue of Nike, the ancient Greek goddess of victory. This rendition maintains the iconic pose with outstretched wings and flowing garments, but is distinctively covered …
WINGED VICTORY OF SAMOTHRACE (2017) by Yinka Shonibare Read More »
“WOMAN SHOOTING CHERRY BLOSSOMS” is a sculpture created in 2019 by the contemporary artist Yinka Shonibare. The artwork belongs to the genres of contemporary and postcolonial art. The sculpture depicts a female figure engaging in an unconventional and imaginative act—shooting cherry blossoms from a firearm. The figure is dressed in vibrant, patterned attire, indicative of …
WOMAN SHOOTING CHERRY BLOSSOMS (2019) by Yinka Shonibare Read More »
“BRONZE (BLUE & RED)” is a 2018 sculpture created by the renowned artist Yinka Shonibare. This piece belongs to the Contemporary and Postcolonial art movements and is categorized within the sculpture genre. The artwork is a dynamic and vibrant piece, characterized by its flowing, ribbon-like forms. The sculpture predominantly features bold hues of blue and …
The artwork, “CAKE MAN II,” created by Yinka Shonibare in 2014, belongs to the Contemporary and Postcolonial art movements and falls under the genre of sculpture. The composition captures the essence of critical reflection on the aftermath of colonialism and the complexities involved in contemporary society. In the artwork, a life-sized figure is seen bending …
The artwork, titled “CANNON BALL HEAVEN,” was created by the artist Yinka Shonibare in 2011. It is a sculpture belonging to the genres of Contemporary and Postcolonial art. The sculpture vividly portrays a dynamic scene featuring two life-sized figures positioned around a large, prominent cannon. The figures are dressed in vibrant and elaborately patterned clothing, …
The artwork titled “CAPITOLINE VENUS (LOUVRE)” is a sculpture created by the artist Yinka Shonibare in 2017. This piece is associated with the Contemporary and Postcolonial art movements. The sculpture presents a reimagined form of the classical Venus, standing on a traditional pedestal. The figure is distinctively modernized with a body covered in vibrant, patterned …
CAPITOLINE VENUS (LOUVRE) (2017) by Yinka Shonibare Read More »
“Cheeky Little Astronomer” is a sculpture crafted by Yinka Shonibare in 2013, falling under the categories of contemporary and postcolonial art movements. The artwork portrays a vibrant figure seated on the edge of a wooden chair, peering through a brass telescope. The figure is adorned in an array of brightly colored, patterned clothing that melds …
CHEEKY LITTLE ASTRONOMER (2013) by Yinka Shonibare Read More »
“CHEEKY LITTLE ASTRONOMER II” is a sculpture created by Yinka Shonibare in 2015, and it is a work within the Contemporary and Postcolonial art movement. The sculpture exemplifies Shonibare’s exploration of themes related to colonialism, identity, and history. The artwork depicts a seated figure with a striking combination of a globe for a head and …
CHEEKY LITTLE ASTRONOMER II (2015) by Yinka Shonibare Read More »
The artwork named “CHEEKY LITTLE ASTRONOMER III,” created by the artist Yinka Shonibare in 2018, is a contemporary sculpture that engages with themes of postcolonial art. Shonibare is renowned for his thought-provoking works that often explore issues of cultural identity, colonial history, and globalization. In the artwork, a small child’s figure, clad in vibrant, patterned …
CHEEKY LITTLE ASTRONOMER III (2018) by Yinka Shonibare Read More »
The artwork, titled “CLEMENTIA,” was created by Yinka Shonibare in 2018. It is a sculpture falling under the Contemporary and Postcolonial art movements. The artwork features a figure dressed in vibrant, patterned fabric in yellow, pink, blue, and red, characteristic of Dutch wax prints often used in African attire. The figure’s head is replaced with …
The artwork, named “CUPID BENDING A BOW,” is a sculpture created by the artist Yinka Shonibare in 2018. This work of art belongs to the Contemporary and Postcolonial art movements. This striking sculpture depicts a figure of Cupid, the classical Roman god of love, characterized by wings and a bow. Unlike traditional depictions, the head …
The artwork entitled “David (After Michelangelo)” by Yinka Shonibare, created in 2016, belongs to the genres of Contemporary and Postcolonial art. This sculpture is a reinterpretation of Michelangelo’s iconic statue of David, merging classical aesthetics with contemporary themes. The sculpture presents a headless figure, clothed in a vibrant, richly patterned fabric that appears to be …
DAVID (AFTER MICHELANGELO) (2016) by Yinka Shonibare Read More »
“Diary of a Victorian Dandy: 17.00 Hours” is a photographic artwork created by Yinka Shonibare in 1998. This piece belongs to the contemporary and postcolonial art movements and falls within the genre of photography. The artwork, part of a series, captures an elaborately staged scene reflective of a Victorian-era social gathering, with Shonibare himself featuring …
DIARY OF A VICTORIAN DANDY. 17.00 HOURS (1998) by Yinka Shonibare Read More »
The artwork titled “DISCOBOLUS (AFTER NAUKYDES)” was created by Yinka Shonibare in 2017. This sculpture belongs to the Contemporary and Postcolonial art movements. The artwork depicts a stylized human figure, standing erect on a pedestal. The figure is adorned in a vibrant, patterned bodysuit featuring bold hues of orange and blue. The head of the …
DISCOBOLUS (AFTER NAUKYDES) (2017) by Yinka Shonibare Read More »
The artwork titled “DISCUS THROWER (AFTER MYRON)” is a contemporary sculpture created by Yinka Shonibare in 2016. As part of the contemporary and postcolonial art movements, this piece is a reimagining of the classical Greek sculpture, encapsulating themes and visual elements distinctive of Shonibare’s artistry. The sculpture depicts a dynamic figure caught in the motion …
DISCUS THROWER (AFTER MYRON) (2016) by Yinka Shonibare Read More »
The artwork titled “DORIAN GRAY,” created by the artist Yinka Shonibare in 2001, is a photographic piece that falls within the genres of Contemporary and Postcolonial art. It is presented as a photograph and explores themes reflective of these movements. In the artwork, a distinguished figure clad in formal attire gazes intently at their reflection …
“DREAMSCAPE,” created by artist Yinka Shonibare in 2002, is a work of photography that resides within contemporary and postcolonial art movements. This piece, characterized as a photo, visually explores themes pertinent to its genre and medium. The artwork depicts a surreal landscape featuring various forms that rise from an undulating terrain of sand dunes. Each …
“END OF EMPIRE,” created by Yinka Shonibare in 2016, is a contemporary postcolonial sculpture. The artwork depicts a seesaw supporting two figures dressed in vibrant, patterned clothing typical of Shonibare’s signature batik fabric. Both figures have globes for heads, exemplifying the artist’s exploration of themes related to colonialism, globalization, and cultural identity. The seesaw, finely …
The artwork, titled “FAKE DEATH PICTURE (THE DEATH OF CHATTERTON, HENRY WALLIS)” by Yinka Shonibare, was created in 2011. This piece is a photographic work within the Contemporary and Postcolonial art movements. The genre of the artwork is photography. In the artwork, a figure lies on a bed in what appears to be an attic …
FAKE DEATH PICTURE (THE DEATH OF CHATTERTON, HENRY WALLIS) (2011) by Yinka Shonibare Read More »
The artwork titled “FAKE DEATH PICTURE (THE DEATH OF LEONARDO DA VINCI IN THE ARMS OF FRANCIS I)”, created by Yinka Shonibare in 2011, is a photograph. It belongs to the Contemporary and Postcolonial art movements. The genre of this piece is photography. The artwork is a carefully staged tableau that reimagines the famous historical …
“FAKE DEATH PICTURE (THE DEATH OF ST FRANCIS, BARTOLOMEO CARDUCHO)” is a photograph created by Yinka Shonibare in 2011. This contemporary and postcolonial artwork portrays a dramatic scene with a composition reminiscent of classical paintings. It delves into themes of history, culture, and identity, embodying the genre of photo art. The artwork presents a vivid …
The artwork, titled “FAKE DEATH PICTURE (THE SUICIDE LEONARDO ALENZA),” created by artist Yinka Shonibare in 2011, is a piece belonging to the contemporary and postcolonial art movements. Executed in the medium of photography, this genre of art is characterized by a vivid and elaborate staging of the subject matter. In the artwork, a figure …
FAKE DEATH PICTURE (THE SUICIDE LEONARDO ALENZA) (2011) by Yinka Shonibare Read More »
The artwork titled “FAKE DEATH PICTURE (THE SUICIDE, MANET)” is a piece by Yinka Shonibare, created in 2011. This work employs the medium of photography and is a notable addition to the Contemporary, Postcolonial art movement. The genre of this photographic piece fits within the broader spectrum of photo art. In this artwork, the scene …
FAKE DEATH PICTURE (THE SUICIDE, MANET) (2011) by Yinka Shonibare Read More »
The artwork, “FARNESE HERCULES” by Yinka Shonibare, created in 2017, is a significant piece within the realms of Contemporary and Postcolonial art. This sculpture reinterprets classical themes by infusing them with modern, culturally rich elements. It belongs to the genre of sculpture and showcases the artist’s distinctive style, integrating traditional African textiles into the fabric …
“FLOWER POWER KIDS (DUELING)” is a sculpture created by artist Yinka Shonibare in 2014. This contemporary artwork, which falls under the genre of postcolonial art, depicts a dynamic and intriguing scene that is expressive and culturally resonant. The artwork showcases two child figures with spherical, globe-like heads, engaging in a duel with floral sabers. The …
FLOWER POWER KIDS (DUELING) (2014) by Yinka Shonibare Read More »
“Food Faerie” is a sculpture created by Yinka Shonibare in 2009, exemplifying the art movements of Contemporary and Postcolonial art. The artwork presents a richly detailed and thought-provoking piece that aligns with Shonibare’s broader oeuvre. The sculpture depicts a headless female figure adorned in vibrant, patterned clothing reminiscent of traditional African textiles, highlighting the intricate …
The artwork, titled “GAY VICTORIANS,” was created by the artist Yinka Shonibare in 1999. This piece belongs to the art movements of Contemporary and Postcolonial art, and it falls under the genre of sculpture. This work is a striking representation of two headless, Victorian-era styled figures dressed in elaborate garments. The vibrant and eclectic fabrics …
The artwork titled “GENERAL OF TIVOLI,” created by Yinka Shonibare in 2018, is a sculpture categorized under the contemporary and postcolonial art movements. This piece vividly exemplifies Shonibare’s exploration of complex themes such as identity, colonialism, and cultural hybridity, achieved through his distinctive use of vibrant textiles and historical references. The sculpture presents an armless …
The artwork titled “GIRL BALANCING KNOWLEDGE III,” created by artist Yinka Shonibare in 2017, belongs to the Contemporary and Postcolonial art movements. This sculptural piece encapsulates themes central to these art movements, exploring complex ideas about knowledge, balance, and cultural identity. The artwork portrays a young girl on one foot, seemingly defying gravity as she …
GIRL BALANCING KNOWLEDGE III (2017) by Yinka Shonibare Read More »
“Girl Balancing Knowledge IV,” created by Yinka Shonibare in 2018, is a contemporary sculpture belonging to the postcolonial art movement. The artwork, characterized by its vibrant colors and intricate patterns, symbolizes the interplay of knowledge and balance in a multicultural context. The artwork features a stylized figure of a girl, exquisitely dressed in a brightly …
GIRL BALANCING KNOWLEDGE IV (2018) by Yinka Shonibare Read More »
The artwork titled “GIRL BALLERINA,” created by Yinka Shonibare in 2007, falls within the genres of Contemporary and Postcolonial art, specifically categorized as a sculpture. This piece exemplifies Shonibare’s engagement with contemporary themes through the lens of postcolonial critique. In the artwork, a headless ballerina sculpture is adorned in a colorful and intricately designed dress …
The artwork titled “HIGH TEA I,” created by Yinka Shonibare in 2015, belongs to the Contemporary, Postcolonial art movement and is classified as a sculpture. The piece exemplifies the artist’s engagement with themes of colonialism, identity, and globalization. The artwork features a meticulously crafted figure dressed in elaborate and colorful attire, reminiscent of Victorian fashion …
“Impaled Aristocrat” is a sculpture created by Yinka Shonibare in 2013, reflecting the Contemporary and Postcolonial art movements. The artwork is a captivating fusion of historical commentary and modern conceptualism, encapsulating the themes prevalent in Shonibare’s oeuvre. The sculpture depicts a headless figure, dressed in a combination of Western and African-inspired attire. The red jacket …
The artwork entitled “INVISIBLE MAN” created by Yinka Shonibare in 2018 belongs to the Contemporary and Postcolonial art movements and is categorized as a sculpture. The artwork presents a life-sized figure adorned in vibrant, patterned attire that merges African and European aesthetics, characteristic of Shonibare’s exploration of cultural hybridity. The figure is depicted in a …
“JUSTICE FOR ALL,” crafted by artist Yinka Shonibare in 2019, exemplifies the Contemporary and Postcolonial art movements. This sculpture, known for its genre, is a striking representation combining eclectic attributes that provoke thoughtful reflections on justice and societal equity. The artwork features a headless female figure adorned in vibrant, traditional African attire, indicative of Shonibare’s …
The artwork titled “LEISURE LADY WITH PUGS” is a sculpture created by Yinka Shonibare in 2001. It belongs to the Contemporary and Postcolonial art movements. The sculpture presents a headless female figure dressed in elaborate, colorful, and intricately patterned attire, reminiscent of Victorian fashion but made with African textiles. The lady is depicted engaging in …
LEISURE LADY WITH PUGS (2001) by Yinka Shonibare Read More »
“Magic Ladder Kid VI” is a sculpture created by the artist Yinka Shonibare in the year 2018. The artwork belongs to the contemporary and postcolonial art movements. It depicts a child on a ladder, exploring themes of ascension and potentiality within a postcolonial narrative. The artwork showcases a child-like figure climbing a steeply inclined ladder. …
The artwork titled “MATERIAL II” was created by the artist Yinka Shonibare in the year 2018. This piece falls under the categories of Contemporary and Postcolonial art movements, and is a sculpture by genre. The artwork showcases an abstract form characterized by dynamic curves and elaborate patterns. Dominated by a vibrant color palette, it features …
“MATERIAL VI” is an exquisite sculpture created by renowned artist Yinka Shonibare in 2019. This artwork belongs to the Contemporary and Postcolonial art movement. As a genre, the sculpture embodies intricate, dynamic forms and vibrant colors, exemplifying Shonibare’s thematic exploration and innovative artistry. The artwork is a striking composition of twisting and flowing forms, predominantly …
The artwork titled “MEDUSA EAST,” created by Yinka Shonibare in 2015, employs the medium of photography and belongs to the contemporary and postcolonial art movements. This photographic piece, categorized within the genre of photo art, depicts a striking representation inspired by the mythological figure of Medusa. In the artwork, a person is shown with an …
The artwork, “MEDUSA NORTH,” created by Yinka Shonibare in 2015, is a photographic piece that falls within the Contemporary and Postcolonial art movements. It is classified under the genre of photography. The artwork showcases a striking portrait encased in a detailed, circular frame with intricate patterns. The central figure, referencing the mythological figure Medusa, features …
“MEDUSA SOUTH” is a 2015 photographic artwork by Yinka Shonibare, falling under the contemporary and postcolonial art movements. This piece exemplifies Shonibare’s exploration of postcolonial themes through the medium of photography, embodying a genre that blends traditional mythological elements with contemporary artistic expression. The artwork portrays an individual with an expression of alarm or surprise, …
The artwork titled “MEDUSA WEST” is a photographic piece created by Yinka Shonibare in 2015. Representing the genre of Contemporary and Postcolonial art, this photograph stands as an exemplary piece within the contemporary art movement. Depicting a modern reinterpretation of the mythical Medusa, the artwork combines vibrant fabrics with striking visual design. “MEDUSA WEST” features …
The artwork, titled “Mr. and Mrs. Andrews Without Their Heads,” was created by the artist Yinka Shonibare in 1998. Falling under the Contemporary and Postcolonial art movements, this work is a sculpture that explores themes of identity, colonial history, and cultural hybridity. In the artwork, there are two headless mannequins dressed in vibrant, African-inspired textiles …
MR. AND MRS. ANDREWS WITHOUT THEIR HEADS (1998) by Yinka Shonibare Read More »
“Mrs Pinckney and the Emancipated Birds of South Carolina,” crafted by Yinka Shonibare in 2017, exemplifies the postcolonial contemporary art movement. This artwork, a sculpture, depicts a headless female figure standing on a globe, adorned in a vividly colored dress reminiscent of traditional West African textiles. The sculpture is striking in its use of symbolism …
MRS PINCKNEY AND THE EMANCIPATED BIRDS OF SOUTH CAROLINA (2017) by Yinka Shonibare Read More »
“ODILE & ODETTE IV” by Yinka Shonibare, created in 2005, is a photographic artwork representing the contemporary and postcolonial art movement. The striking piece falls under the genre of photography and exemplifies the artist’s distinctive approach to exploring themes of identity, cultural hybridity, and historical narratives. The artwork portrays two figures, each adorned in elaborately …
“PAN” is a 2018 sculpture by Yinka Shonibare, associated with the Contemporary and Postcolonial art movements. This artwork features a striking, dynamic figure adorned in vivid, patterned fabric. The figure lacks a traditional head and is instead topped with a globe, suggestive of global identity and cross-cultural connections. Its outstretched arm and poised stance convey …
“PLANETS IN MY HEAD, PHILOSOPHY” is a 2011 sculpture by the artist Yinka Shonibare, belonging to the Contemporary and Postcolonial art movements. The artwork exemplifies a genre of sculpture. The artwork depicts a figure dressed in an eclectic and colorful ensemble that combines vibrant patterns and textures, indicative of Shonibare’s distinctive style. The figure lies …
PLANETS IN MY HEAD, PHILOSOPHY (2011) by Yinka Shonibare Read More »
The artwork titled “PLANETS IN MY HEAD, PHYSICS,” created by Yinka Shonibare in 2010, belongs to the contemporary and postcolonial art movements. It falls under the genre of sculpture, presenting a thought-provoking composition that encapsulates the artist’s signature exploration of cultural identity and scientific inquiry. The artwork features a life-sized figure of a child, adorned …
PLANETS IN MY HEAD, PHYSICS (2010) by Yinka Shonibare Read More »
The artwork titled “RED LANTERN KID,” created by Yinka Shonibare in 2018, falls under the movement of Contemporary and Postcolonial art. This sculpture exemplifies the genre through its creative and thought-provoking portrayal. The sculpture depicts a figure clad in vibrantly colored, patterned attire that stands out against a neutral background. The figure’s head is represented …
“Refugee Astronaut II,” created by Yinka Shonibare in 2016, is a sculptural artwork that falls within the realms of contemporary and postcolonial art. The artwork illustrates a heightened sense of displacement and global cultural interconnections through the medium of a three-dimensional figure dressed in vibrant patterns and colors. The central figure in the artwork is …
“Revolution Kid (Calf)” is an artwork created by the contemporary and postcolonial artist Yinka Shonibare in the year 2012. This sculpture is an embodiment of Shonibare’s distinct artistic style, characterized by vibrant textile patterns that often reference colonial history and cultural identity. The artwork depicts a figure with a calf’s head, dressed in an elaborate …
The artwork, named “REVOLUTION KID (FOX),” is a sculpture created in 2012 by the esteemed artist Yinka Shonibare. Identified with the Contemporary and Postcolonial art movements, this piece exemplifies the genre of sculpture and conveys a distinct narrative through its form and symbolism. In the artwork, a fox-headed figure clad in vibrant, patterned clothing is …
The artwork, titled “SCRAMBLE FOR AFRICA,” was created by Yinka Shonibare in 2003. It belongs to the Contemporary and Postcolonial art movements and is categorized as a sculpture. The artwork depicts a wooden table surrounded by figures dressed in vibrantly patterned, traditional African fabrics. These figures, which are headless, are positioned in various postures that …
The artwork depicted, titled “SPACEWALK (FABRIC WORKSHOP PHILADELPHIA),” was created by Yinka Shonibare in 2002. This piece is associated with the contemporary and postcolonial art movements and falls within the genre of sculpture. The artwork portrays two astronaut figures seemingly floating in space, connected by umbilical-like cords. Both figures are clad in vibrant, patterned fabrics …
SPACEWALK (FABRIC WORKSHOP PHILADELPHIA) (2002) by Yinka Shonibare Read More »
“The Furietti Old Centaur,” a sculpture by Yinka Shonibare, created in 2018, belongs to the contemporary and postcolonial art movements. This artwork, evocative of Shonibare’s distinctive style, embodies a fusion of historical elements and modern commentary. The piece stands as an exemplary illustration of postcolonial narratives in contemporary art. The artwork features a centaur, an …
THE FURIETTI OLD CENTAUR (2018) by Yinka Shonibare Read More »
The artwork titled “THE LAST SUPPER (AFTER LEONARDO)”, created by Yinka Shonibare in 2013, represents the Contemporary and Postcolonial art movements. This artwork, which is categorized as a sculpture, is a reinterpretation of Leonardo da Vinci’s iconic “The Last Supper”. The artwork portrays a lavish and vibrant dinner scene, markedly distinct from da Vinci’s original …
THE LAST SUPPER (AFTER LEONARDO) (2013) by Yinka Shonibare Read More »
The artwork titled “THE SLEEP OF REASON PRODUCES MONSTERS (AFRICA)” by Yinka Shonibare, created in 2008, is a photographic piece that belongs to the Contemporary and Postcolonial art movements. This photography-based artwork reflects the genre of photo and encapsulates themes pertinent to the era and the cultural context in which it was produced. The artwork …
THE SLEEP OF REASON PRODUCES MONSTERS (AFRICA) (2008) by Yinka Shonibare Read More »
The artwork, titled “All Power to the People,” was created by Faith Ringgold in 1970. This piece is a part of the postcolonial art movement and falls into the genre of posters. The artwork features a striking composition with a bold red background. In the foreground, three silhouetted figures are depicted—an adult male holding a …
All Power to the People (1970) by Faith Ringgold Read More »
The artwork titled “American Collection #4: Jo Baker’s Bananas” was created by Faith Ringgold in 1997. This piece is part of the Feminist Art and Postcolonial art movements, and it belongs to the figurative genre. The artwork features a vibrant scene set against a dynamic and colorful background. Central to the composition are five female …
American Collection #4: Jo Baker’s Bananas (1997) by Faith Ringgold Read More »
The artwork in question is titled “American People #15: Hide Little Children,” created by the artist Faith Ringgold in 1966. This piece belongs to the postcolonial art movement and is characterized as figurative. The artwork presents an evocative and complex scene featuring various faces interwoven within an abundance of foliage and branches. The human faces, …
American People #15: Hide Little Children (1966) by Faith Ringgold Read More »
The artwork titled “American People #19: US Postage Stamp Commemorating the Advent of Black Power,” created by Faith Ringgold in 1967, belongs to the Postcolonial art movement and is categorized as a figurative genre of art. The piece is a striking and evocative composition that captures the historical and cultural context of the Black Power …
“American People Series #4: The Civil Rights Triangle,” created by Faith Ringgold in 1963, is a noteworthy contribution to the Postcolonial art movement. This artwork, classified within the portrait genre, encapsulates the intense and turbulent essence of the Civil Rights Movement. The artwork depicts five figures, predominantly African-American men, rendered with simplified and bold features, …
American People Series #4: The Civil Rights Triangle (1963) by Faith Ringgold Read More »
“Echoes of Harlem,” created in 1980 by the artist Faith Ringgold, belongs to the postcolonial art movement and falls within the figurative genre. The artwork depicts an intricate and vibrant tapestry that captures the essence of Harlem through a multitude of faces that reflect a diverse and dynamic community. The artwork showcases an array of …
The artwork, titled “Freedom of Speech,” was created by Faith Ringgold in 1990. It belongs to the Postcolonial art movement and is categorized within the figurative genre. The artwork is a visual representation influenced by the style of the American flag. The traditional stars and stripes are used as a conceptual framework, where the blue …
The artwork titled “Jazz Stories: Mama Can Sing, Papa Can Blow #1: Somebody Stole My Broken Heart” was created by Faith Ringgold in 2004. It is a prominent piece within the Postcolonial art movement and belongs to the figurative genre. The vibrant tapestry presents a dynamic scene of jazz musicians and a singer, characterized by …
The artwork titled “Matisse’s Model (The French Collection, Part I: #5),” was created by Faith Ringgold in 1991. This piece is associated with the Art Movements of Postcolonial Art and Feminist Art, and it falls under the genre of figurative art. The artwork portrays a vivid and dynamic composition, brought to life with a variety …
Matisse’s Model (The French Collection, Part I: #5) (1991) by Faith Ringgold Read More »
The artwork titled “Slave Rape #1: Fear Will Make You Weak” was created by Faith Ringgold in 1972. Belonging to the Feminist Art and Postcolonial Art movements, this piece falls under the genre of portraiture. The artwork features a portrait of a woman rendered with pronounced and vivid elements, set against a background of vibrant …
Slave Rape #1: Fear Will Make You Weak (1972) by Faith Ringgold Read More »
“Slave Rape Story Quilt,” created by Faith Ringgold in 1985, is a significant piece associated with the Postcolonial and Feminist Art movements. This figurative artwork incorporates quilt-making techniques and narrative elements to address the harrowing realities and histories of enslaved African Americans. The quilt is a testament to the intersection of art and activism, aiming …
“Sonny’s Quilt,” created by artist Faith Ringgold in 1986, is a vibrant representation within the Postcolonial art movement and falls under the genre of cityscape. The artwork captures a scene intricately woven with urban elements. This striking piece features a bustling cityscape dominated by a bridge, meticulously detailed with bright, bold colors and geometric patterns. …
“Tar Beach #2,” created by Faith Ringgold in 1990, belongs to the Feminist Art and Postcolonial art movements. This cityscape artwork employs vibrant colors and intricate details to convey a powerful narrative. The artwork portrays a vivid and lively city scene beneath a night sky illuminated with stars. In the foreground, a family is gathered …
“The Flag is Bleeding #2 (American Collection #6)” is a figurative artwork by Faith Ringgold, created in 1997, and it is associated with the Postcolonial art movement. The artwork presents a poignant commentary on American society, using potent imagery and symbolism to convey its themes. The artwork features a prominent depiction of the American flag, …
The Flag is Bleeding #2 (American Collection #6) (1997) by Faith Ringgold Read More »
The artwork titled “The United States of Attica,” created by Faith Ringgold in 1972, falls under the genres of Conceptual Art and Postcolonial Art. Presented in the form of a poster, this piece is notable for its socio-political commentary and its alignment with the Conceptual Art movement’s emphasis on ideas and critique. The artwork depicts …
The United States of Attica (1972) by Faith Ringgold Read More »
The artwork titled “We Came to America” by Faith Ringgold, created in 1997, falls under the postcolonial art movement and belongs to the figurative genre. The piece vividly portrays numerous anguished African American figures in the water, with the Statue of Liberty prominently positioned in the foreground. A large ship, presumably a slave ship, is …
The artwork titled “Woman on a Bridge #1 of 5: Tar Beach” was created by Faith Ringgold in 1988. It belongs to the Postcolonial art and P&D (Pattern and Decoration) movements and is categorized under the genre of figurative art. The artwork depicts a richly narrative scene set on a rooftop, illustrating a moment of …
Woman on a Bridge #1 of 5: Tar Beach (1988) by Faith Ringgold Read More »
The artwork titled “5 Umezebi St., New Haven, Enugu” was created by Njideka Akunyili Crosby in 2012. It falls under the Postcolonial art movement and belongs to the genre of genre painting. The artwork portrays an intimate setting, likely a domestic scene involving several individuals gathered together in a room. Each character appears engaged in …
5 Umezebi St., New Haven, Enugu (2012) by Njideka Akunyili Crosby Read More »
The artwork, titled “And We Begin to Let Go,” was created by Njideka Akunyili Crosby in 2013 and belongs to the Postcolonial art movement. The piece is a genre painting that portrays elements of everyday life and cultural identity. In the artwork, a seated figure is central, depicted with a sense of introspection and calmness. …
And We Begin to Let Go (2013) by Njideka Akunyili Crosby Read More »
The artwork titled “As We See You. Dreams of Jand” was created by Njideka Akunyili Crosby in 2017. It belongs to the Postcolonial art movement and is classified under the genre of interior art. The artwork depicts a complex and layered interior scene, meticulously capturing a variety of objects and visual elements that appear to …
As We See You. Dreams of Jand (2017) by Njideka Akunyili Crosby Read More »
“Bush Babies,” created by Njideka Akunyili Crosby in 2017, is a notable work of postcolonial art in the flower painting genre. The artwork explores themes central to postcolonial discourses and cultural identity. The artwork features lush, verdant foliage rendered in a layered, intricate manner. Amidst the greenery, subtle figurative elements appear, blending seamlessly with the …
The artwork, titled “Bush Girl,” was created by Njideka Akunyili Crosby in 2015. It is part of the Postcolonial art movement and falls within the genres of interior and flower painting. The artwork features a complex and layered composition that integrates collaged elements with painted surfaces. Dominated by a large indoor plant that overlaps with …
The artwork titled “Cassava Garden” was created by Njideka Akunyili Crosby in 2015. It belongs to the Postcolonial art movement, with its genre classified under interior and flower painting. The artwork, “Cassava Garden,” is a complex and layered composition that features a dense overlay of foliage, predominantly of cassava plants, interspersed with textile patterns and …
Cassava Garden (2015) by Njideka Akunyili Crosby Read More »
The artwork, titled “Cradle Your Conquest,” was created by Njideka Akunyili Crosby in the year 2012. It belongs to the Postcolonial art movement and is categorized as a genre painting. The artwork presents a rich tapestry of visual elements that merge together to form a complex narrative. It depicts two figures in an intimate pose, …
Cradle Your Conquest (2012) by Njideka Akunyili Crosby Read More »
“Dwell. Aso Ebi” by Njideka Akunyili Crosby, created in 2017, is a mixed media artwork within the Postcolonial art movement and falls under the genre painting category. The artwork depicts a domestic interior scene with a woman seated at a table. She is clad in a brightly patterned dress, which reflects the blending of African …
Dwell. Aso Ebi (2017) by Njideka Akunyili Crosby Read More »
The artwork titled “Efulefu. The Lost One” was created by Njideka Akunyili Crosby in 2011. This piece belongs to the Postcolonial art movement and is categorized as genre painting. The artwork depicts an intimate scene rich with cultural elements conveyed through a collage-like composition. Central to the piece are two figures engaged in a dance, …
Efulefu. The Lost One (2011) by Njideka Akunyili Crosby Read More »
The artwork titled “Facets. Screen Wall,” created by Njideka Akunyili Crosby in 2016, belongs to the Postcolonial art movement and is categorized within the interior genre. In “Facets. Screen Wall,” the viewer is presented with a textured surface that closely resembles a screen partition within an interior space. The composition is dominated by a patterned …
Facets. Screen Wall (2016) by Njideka Akunyili Crosby Read More »
The artwork titled “For Services – Victoria Regina,” crafted by artist Njideka Akunyili Crosby in 2013, is a notable piece within the Postcolonial art movement and falls under the genre of portraiture. This distinguished work engages with themes central to postcolonial discourse and personal identity. The artwork portrays a dark, somber image dominated by deep …
For Services – Victoria Regina (2013) by Njideka Akunyili Crosby Read More »
The artwork titled “Garden Thriving,” created by Njideka Akunyili Crosby in 2016, belongs to the Postcolonial art movement. This genre painting, characterized by its interior setting, depicts a scene that merges domestic space with lush vegetation. In the artwork, a couple is seated intimately at a table within an interior space that opens to a …
Garden Thriving (2016) by Njideka Akunyili Crosby Read More »
“Grandmother’s Parlour,” created by Njideka Akunyili Crosby in 2016, is an interior artwork belonging to the Postcolonial art movement. In this elaborate composition, the artist intricately combines various elements to recreate a domestic setting rich in cultural and historical significance. The artwork depicts a detailed view of a parlour adorned with various household items, each …
Grandmother’s Parlour (2016) by Njideka Akunyili Crosby Read More »
The artwork “Her Widening Gyre” by Njideka Akunyili Crosby, created in 2011, is a part of the Postcolonial art movement and falls under the genre of genre painting. The artwork portrays an intimate scene where two individuals are depicted in a close embrace. The figures, with their intertwined bodies, are placed against a vibrant and …
Her Widening Gyre (2011) by Njideka Akunyili Crosby Read More »
“Home. As You See Me,” created by Njideka Akunyili Crosby in 2017, is an exemplary work within the Postcolonial art movement, belonging to the interior genre. The artwork meticulously captures a domestic setting, laden with intricate details that reveal the artist’s narrative and cultural reflections. The artwork portrays an elaborately decorated interior with an evident …
Home. As You See Me (2017) by Njideka Akunyili Crosby Read More »
The artwork titled “Home. Say It Loud” by artist Njideka Akunyili Crosby, created in 2017, is a significant piece within the postcolonial art movement. The genre of the artwork is interior, depicting a domestic space through the lens of cultural and historical narrative. The artwork portrays a richly detailed interior scene that combines everyday household …
Home. Say It Loud (2017) by Njideka Akunyili Crosby Read More »
The artwork titled “I Always Face You, Even When It Seems Otherwise” by Njideka Akunyili Crosby, created in 2012, belongs to the Postcolonial art movement and is classified within the genre of genre painting. The artwork presents a vivid and dynamic scene featuring a group of figures engaged in an intimate, everyday interaction. The composition …
I Always Face You, Even When It Seems Otherwise (2012) by Njideka Akunyili Crosby Read More »
“Ike Ya,” created by Njideka Akunyili Crosby in 2016, belongs to the Postcolonial art movement and is classified as a genre painting. The artwork is a striking representation of intimate domestic life, composed with meticulous attention to detail, color, and context. The artwork features a domestic scene with two figures positioned in a room. The …
“I Refuse to Be Invisible” is an artwork conceived by the artist Njideka Akunyili Crosby in the year 2010. The piece belongs to the Postcolonial art movement and falls under the genre of genre painting. The artwork portrays a vibrant and complex scene of social interaction, featuring multiple figures in varying postures and attire. Each …
I Refuse to Be Invisible (2010) by Njideka Akunyili Crosby Read More »
“I See You In My Eyes,” created by Njideka Akunyili Crosby in 2015, is an evocative piece of postcolonial art situated within the genre of interior artworks. The artwork vividly amalgamates various influences, reflecting the artist’s unique cultural perspective and enriching the genre with a blend of personal and historical narratives. The artwork depicts an …
I See You In My Eyes (2015) by Njideka Akunyili Crosby Read More »
The artwork entitled “I Still Face You,” created by Njideka Akunyili Crosby in 2015, belongs to the Postcolonial art movement and falls within the genre painting category. The artwork depicts a vivid and intimate scene featuring a group of individuals gathered around a table in a domestic setting. The figures are adorned in richly patterned …
I Still Face You (2015) by Njideka Akunyili Crosby Read More »
The artwork entitled “Janded,” created by the artist Njideka Akunyili Crosby in 2012, is a notable piece within the postcolonial art movement. This portrait exemplifies Crosby’s exploration of cultural identity, personal history, and the intersection of diverse experiences. The artwork features a subtly rendered, dark-toned portrait of a woman, predominantly captured with muted and shadowy …
“Mama, Mummy and Mamma (Predecessors #2)” is a genre painting created by Njideka Akunyili Crosby in 2014 as part of the Postcolonial art movement. The artwork depicts an intricate domestic scene through a layered and collage-like technique, characteristic of Crosby’s unique style. The artwork portrays a contemplative woman leaning over a table laden with various …
Mama, Mummy and Mamma (Predecessors #2) (2014) by Njideka Akunyili Crosby Read More »
The artwork titled “Mother and Child” was created by Njideka Akunyili Crosby in 2016. This piece is a part of the postcolonial art movement and exemplifies the genre painting genre. It captures the intimate and everyday moments of life, embodying cultural and historical narratives in its visual representation. In the artwork, a woman with her …
Mother and Child (2016) by Njideka Akunyili Crosby Read More »
The artwork, titled “Nkem,” was created by Njideka Akunyili Crosby in 2012. It is a notable piece from the Postcolonial art movement and belongs to the genre painting category. The artwork portrays a figure rendered in mixed media, blending elements of collage and painting. The figure stands in a relaxed pose, leaning against a shaded …
The artwork titled “Nwantinti,” created by Njideka Akunyili Crosby in 2012, is a distinguished piece within the Postcolonial art movement and falls under the genre painting category. The artwork portrays a deeply intimate and tender scene set in a domestic environment. Dominated by a warm color palette, the central focus is on a couple intertwined, …
“Nyado. The Thing Around Her Neck,” created in 2011 by Njideka Akunyili Crosby, is a genre painting that falls under the postcolonial art movement. The artwork portrays intricate elements and textures, reflecting the artist’s distinctive style and multifaceted approach to visual storytelling. The artwork depicts a scene with two figures within a domestic or social …
Nyado. The Thing Around Her Neck (2011) by Njideka Akunyili Crosby Read More »
The artwork titled “Obodo (Country, City, Town, Ancestral Village),” created by artist Njideka Akunyili Crosby between 2018 and 2019, is a notable representation within the Postcolonial art movement. This cityscape genre piece epitomizes the amalgamation of urban landscape with cultural heritage, reflecting the artist’s intricate narrative on identity and place. In the artwork, a contemporary …
Obodo (Country, City, Town, Ancestral Village) (2018 – 2019) by Njideka Akunyili Crosby Read More »
“Portals,” created by Njideka Akunyili Crosby in 2016, is a work that fits within the Postcolonial art movement, specifically within the genre painting and interior genres. The artwork depicts a vibrant and intricate interior setting featuring a seated figure amidst a richly patterned environment. The scene is alive with striking details, such as the bold, …
The artwork, titled “Predecessors,” was created by Njideka Akunyili Crosby in 2013. It is a notable piece in the Postcolonial art movement and falls under the genre of genre painting. This artwork intricately blends personal and historical narratives, reflecting themes prevalent in postcolonial discourse. “Predecessors” is composed of two panels that delve into the intimate …
The artwork titled “Re Branding My Love,” created by Njideka Akunyili Crosby in 2011, is an exemplary piece within the Postcolonial art movement and is classified under the genre of genre painting. The artwork portrays an intimate scene, likely of a couple in a domestic setting, lying down close to each other. The background features …
Re Branding My Love (2011) by Njideka Akunyili Crosby Read More »
The artwork titled “See Through” by Njideka Akunyili Crosby, created in 2016, belongs to the postcolonial art movement and falls within the genre of interior art. The artwork presents an intricately detailed and layered scene that combines elements of both interior settings and cultural motifs. It features a room adorned with a patterned wallpaper that …
The artwork titled “Something Split and New”, crafted by Njideka Akunyili Crosby in 2013, belongs to the Postcolonial art movement. Measuring 213 x 282 cm, this genre painting encapsulates the intricate interplay of cultural and personal narratives. The artwork presents a domestic scene featuring five figures in an intimate setting. The scene includes a colorful …
Something Split and New (2013) by Njideka Akunyili Crosby Read More »
The artwork, “Something Split and New” by Njideka Akunyili Crosby, created in 2013, resides within the Postcolonial art movement and fits into the genre painting category. In “Something Split and New,” the artwork depicts a scene of social interaction with five figures, each engaged in casual discourse within a domestic interior. The composition integrates a …
Something Split and New (2013) by Njideka Akunyili Crosby Read More »
“Sunday Morning (Predecessors #3)” is a piece created by Njideka Akunyili Crosby in 2014, belonging to the postcolonial art movement and falling under the genre of interior art. The artwork captures an intricately detailed and culturally rich interior scene that blends modern and traditional elements. In the artwork, a living room scene is presented, dominated …
Sunday Morning (Predecessors #3) (2014) by Njideka Akunyili Crosby Read More »
The artwork, created by Njideka Akunyili Crosby in 2016 and titled “Super Blue Omo,” is a genre painting associated with the Postcolonial art movement. “Super Blue Omo” depicts an intimate interior scene where a woman sits on a sofa, engaging the viewer with her relaxed posture. To her left, a television, reminiscent of a past …
Super Blue Omo (2016) by Njideka Akunyili Crosby Read More »
The artwork titled “Tea Time in New Haven, Enugu” created by Njideka Akunyili Crosby in 2013 is a notable example of postcolonial art and falls under the genre of interior scenes. The composition presents a domestic setting featuring a dining table laden with everyday items such as food packages, utensils, and beverages. The chairs and …
Tea Time in New Haven, Enugu (2013) by Njideka Akunyili Crosby Read More »
The artwork titled ““The Beautyful Ones Are Not Yet Born” Might Not Hold True For Much Longer,” created by Njideka Akunyili Crosby in 2013, belongs to the Postcolonial art movement and represents the genre of genre painting. This piece delves into the complexities of Nigerian identity and culture through a masterful blend of collage and …
“The Beautiful Ones,” created by renowned artist Njideka Akunyili Crosby in 2012, is a portrait that utilizes mixed media techniques. This artwork is a significant piece within the Postcolonial art movement. The artwork features a dark-skinned individual with short hair and glasses. The figure is positioned against a backdrop that includes various images collaged together, …
The Beautiful Ones (2012) by Njideka Akunyili Crosby Read More »
The artwork, “The Beautyful Ones, Series #2,” created by Njideka Akunyili Crosby in 2013, exemplifies the postcolonial art movement and falls under the portrait genre. The artwork portrays the image of a young individual dressed in an eclectic ensemble of green and yellow, standing confidently against a composite backdrop. The subject’s attire is meticulously detailed, …
“The Beautyful Ones,” Series #2 (2013) by Njideka Akunyili Crosby Read More »
Njideka Akunyili Crosby’s “The Beautyful Ones” Series #3,” created in 2014, is a notable example of Postcolonial art and falls within the genre painting category. The artwork, part of a series, reflects Crosby’s unique approach to portraying intimate and domestic scenes infused with cultural and historical significance. The artwork features two young children, depicted with …
“The Beautyful Ones” Series #3 (2014) by Njideka Akunyili Crosby Read More »
The artwork titled “The Beautyful Ones, Series #4” was created by Njideka Akunyili Crosby in 2015. Falling within the Postcolonial art movement, it is a portrait that epitomizes the intricate layers of identity, culture, and history. The artwork portrays a young girl clad in a white dress, reminiscent of innocence and purity, juxtaposed against a …
“The Beautyful Ones,” Series #4 (2015) by Njideka Akunyili Crosby Read More »
The artwork “The Beautyful Ones Series #5” created by Njideka Akunyili Crosby in 2016 is a portrait painting that belongs to the Postcolonial art movement. The piece masterfully blends elements that highlight the artist’s distinctive style and cultural commentary. In the artwork, a young child is seated, exuding an air of solemnity. She is adorned …
“The Beautyful Ones” Series #5 (2016) by Njideka Akunyili Crosby Read More »
The artwork is titled “The Beautyful Ones” Series #7,” created by the artist Njideka Akunyili Crosby in 2018. Executed in mixed media, this piece is a part of the Postcolonial art movement and measures 152 x 108 cm. The genre of this artwork is portrait. The artwork depicts a young child, clad in a bright …
“The Beautyful Ones” Series #7 (2018) by Njideka Akunyili Crosby Read More »
The artwork, titled “The Beautyful Ones” Series #8, was created by Njideka Akunyili Crosby in 2018. It belongs to the art movement known as Postcolonial art and falls under the genre of portraiture. The artwork presents a young child dressed in traditional attire, standing in a domestic setting filled with a mixture of modern and …
“The Beautyful Ones” Series #8 (2018) by Njideka Akunyili Crosby Read More »
The artwork titled ““The Beautyful Ones” Series #9” was created by Njideka Akunyili Crosby in 2018. It belongs to the postcolonial art movement and is categorized within the portrait genre. The artwork presents a vivid and complex scene featuring three individuals in an interior setting. The background is detailed with various elements, including books, shelves, …
“The Beautyful Ones” Series #9 (2018) by Njideka Akunyili Crosby Read More »
The artwork titled “Then You Lost Me” was created by Njideka Akunyili Crosby in 2013. This artwork falls within the domain of Postcolonial art and is classified as a portrait. The artwork portrays a contemplative figure of a woman, rendered with a striking combination of realism and abstract elements. The woman, depicted with a dignified …
Then You Lost Me (2013) by Njideka Akunyili Crosby Read More »
“The Rest of Her Remains” by Njideka Akunyili Crosby, created in 2010, is an exemplary piece from the Postcolonial art movement and falls within the genre of genre painting. The artwork captures an intimate scene centered on the tender portrayal of a resting individual, who appears to be a woman, lying on a bed. The …
The Rest of Her Remains (2010) by Njideka Akunyili Crosby Read More »
“The Twain Shall Meet,” created by Njideka Akunyili Crosby in 2015, is a significant piece within the Postcolonial art movement and is categorized under the interior genre. The artwork depicts a detailed still-life scene set within an interior space, highlighting a table adorned with various objects and framed pictures. The artwork features a circular table …
The Twain Shall Meet (2015) by Njideka Akunyili Crosby Read More »
The artwork “Thread” by Njideka Akunyili Crosby, created in 2012, falls under the postcolonial art movement and is categorized as a genre painting. The artwork presents an intimate scene featuring a female figure partially enmeshed in a complex, layered collage of visual elements. The subject appears to be reclined on a richly patterned surface, composed …
The artwork, titled “Wedding Portrait,” was meticulously created by Njideka Akunyili Crosby in 2012. This painting is reflective of the postcolonial art movement and belongs to the genre of genre painting. It captures intimate and domestic scenes, offering a glimpse into culturally significant moments. In the artwork, there is a striking composition that combines acrylic …
Wedding Portrait (2012) by Njideka Akunyili Crosby Read More »
“Wedding Souvenirs,” created by the artist Njideka Akunyili Crosby in 2016, belongs to the Postcolonial art movement and embodies interior and portrait genres. The artwork presents a visual narrative positioned within a domestic space adorned with intricate patterns and commemorative wedding items. The artwork displays a central figure of a woman dressed in a vibrant …
Wedding Souvenirs (2016) by Njideka Akunyili Crosby Read More »
The artwork, titled “When the Going Is Smooth and Good,” was created by Njideka Akunyili Crosby in 2017 and belongs to the postcolonial art movement. It falls under the genre of genre painting. The artwork depicts a scene of social interaction, likely at a social gathering or party. It features several figures engaged in dance …
When the Going Is Smooth and Good (2017) by Njideka Akunyili Crosby Read More »
“Witch Doctor Revisited,” created in 2011 by Njideka Akunyili Crosby, is a notable piece within the Postcolonial art movement and falls under the genre of genre painting. The artwork portrays a female figure standing in an interior space richly adorned with a collage of images and patterns, reflecting on the socio-cultural narratives and identities. In …
Witch Doctor Revisited (2011) by Njideka Akunyili Crosby Read More »
The artwork titled “22 and Cheetah” was created by Emma Amos in 1983. This piece falls under the Postcolonial art and Fiber art movements and is classified as a portrait. In the artwork, a depiction of a male figure dressed in a white athletic uniform, marked with the number “22,” is seen energetically dribbling a …
The artwork, titled “Equals,” was created by Emma Amos in 1992. It belongs to the Postcolonial Art and Fiber Art movements and is categorized within the figurative genre. The artwork portrays a dynamic and vividly colored scene with a central figure that appears to be in motion. The backdrop features an abstract representation of the …
The artwork, titled “Identity,” was created by Emma Amos in 2006. It is a part of the Feminist Art and Postcolonial Art movements and belongs to the genre of portraiture. This compelling piece portrays a woman looking confidently outward, her gaze straight and formidable, embodying strength and resilience. The portrait is rendered with a mix …
“Valued” is a figurative artwork created by Emma Amos in 1999. It belongs to the art movements of postcolonial art and fiber art. The artwork portrays four male figures standing side by side, each with different physiques and attire. The background features a pattern of light, abstract shapes and lines, complemented by a border composed …
