622 Edgar Degas Paintings

Edgar Degas

Edgar Degas was a French artist famous for his paintings, sculptures, prints, and drawings. He was born in Paris in 1834 and is known for his depictions of ballerinas, racehorses, and everyday scenes of Parisian life. Degas was a leading figure in the Impressionist movement and is considered one of the greatest artists of the 19th century. He had a unique style and techniques, using pastels, oil paints, and charcoal to create his art. Degas' work continues to be admired and studied by art lovers and scholars around the world.

1. Portrait Of James Tissot

Portrait Of James Tissot

The artwork titled "Portrait of James Tissot," created by Edgar Degas between 1867 and 1868, is an oil on canvas measuring 59 5/8 by 44 inches (151.4 by 112 cm). Currently housed at the Metropolitan Museum of Art in New York, the piece features a contemplative James Tissot seated amidst a studio space, dressed in casual attire with an air of introspection. The background is adorned with framed paintings, subtly emphasizing the artistic milieu that surrounds the subject, encapsulating an intimate and reflective moment in the life of a fellow artist.

2. At the Café

At the Café

"At the Café" is an oil on canvas painting created around 1877 by Edgar Degas, a prominent figure in the Impressionism movement. The artwork portrays two figures in an intimate café setting, encapsulating a moment of everyday life, which is characteristic of genre painting. The composition's use of light and shadow and the captured mood reflect Degas's unique artistic technique and perspective. This painting is currently held in the Fitzwilliam Museum at the University of Cambridge in the United Kingdom.

3. At the Cafe des Ambassadeurs

At the Cafe des Ambassadeurs

The artwork titled "At the Cafe des Ambassadeurs" by Edgar Degas, created in 1885, is a pastel piece representative of the Impressionism art movement and categorized under the genre of genre painting. Currently housed in the Musée d'Orsay in Paris, France, the artwork depicts a vibrant and dynamic scene within a café, showcasing Degas's characteristic use of color and light to capture a fleeting moment of everyday life. The composition features overlapping figures, with a particular focus on a central female figure in a bustling environment, rendered with expressive and lively brushwork indicative of the artist's mastery in capturing the essence of contemporary urban scenes.

4. At the Milliner's

At the Milliner's

The artwork titled "At the Milliner's" by Edgar Degas, created around 1882, exemplifies the Impressionist movement and is a genre painting executed in pastel. Displayed at the Museum of Modern Art (MoMA) in New York City, this piece captures the intimate moment of women engaging with various hats in a millinery shop. The composition and use of soft, delicate strokes reveal Degas' keen observation of everyday scenes and his skill in rendering light and texture, characteristic of his atmospheric style.

5. At the Milliner's

At the Milliner's

"At the Milliner's," created by Edgar Degas circa 1905-1910 using pastel, exemplifies the Impressionism movement and genre painting. Currently housed in the Musée d'Orsay in Paris, France, the artwork captures a candid, intimate scene of a milliner's workshop. Rendered with delicate yet dynamic strokes, the composition invites the viewer into the bustling space where women engage with an array of colorful hats and fabrics, evoking the tactile and visual richness of the millinery trade.

6. At the Milliner's

At the Milliner's

"At the Milliner's," created by Edgar Degas in 1882, is a pastel artwork representative of the Impressionism art movement and falls under the genre of genre painting. The artwork depicts a scene within a millinery shop, where a woman tries on a hat while standing in front of a screen or mirror. Behind the screen, another figure is visible, perhaps an attendant or another customer. The use of pastel gives the painting a soft, textured appearance, and the choice of colors creates a warm, inviting atmosphere, emphasizing the everyday activities and intimate moments of the subjects' lives.

7. At the Milliner's

At the Milliner's

"At the Milliner's" is a pastel artwork created by Edgar Degas in 1883, belonging to the Impressionism movement. This genre painting, which measures 76 by 85 cm, beautifully captures a moment in a millinery shop where two women are seen interacting with hats. Depicting the elegance and fashion of the time, the women are engrossed in their exploration of the various headpieces showcased. Their detailed attire and the rich, warm colors contribute to the intimate, yet vibrant atmosphere of the scene. This artwork is housed in the Thyssen-Bornemisza Museum in Madrid, Spain.

8. At the Milliner's

At the Milliner's

"At the Milliner's" is an Impressionist genre painting created by Edgar Degas in 1881, using pastel as the medium. The artwork, measuring 69.2 x 69.2 cm, is housed in the Metropolitan Museum of Art in New York City. The painting portrays two women engaged in the intimate activity of trying on or examining hats, an everyday scene of the time. Degas' mastery in rendering delicate textures and the interplay of light and shadow is evident, as well as his focus on capturing contemporary life and fashion. The composition, with its subtle color palette and detailed depiction of fabric and accessories, exemplifies Degas' contribution to the Impressionist movement.

9. At the Mirror

At the Mirror

"At the Mirror" is an Impressionist genre painting by Edgar Degas, created approximately between 1885 and 1886. Exhibited at the San Diego Museum of Art, this pastel artwork captures an intimate moment of a woman as she adjusts her hair in front of a mirror. Degas' adept use of soft, subdued colors and delicate brushstrokes creates a serene and introspective atmosphere, characteristic of his mastery in depicting everyday scenes. The artwork underscores the artist's fascination with capturing fleeting moments of private life, enhanced by the reflective surface of the mirror which adds depth and complexity to the composition.

10. At the Races

At the Races
  • Artwork Name: At the Races
  • Year: c.1876 - c.1877
  • Medium: oil,canvas

The artwork titled "At the Races," created by Edgar Degas circa 1876-1877, is an oil painting on canvas, exemplifying the Impressionist movement. This genre painting captures the intimate and spontaneous nature of a moment at the races, depicting figures in vibrant attire, engaged under the shelter of a green umbrella. The composition highlights Degas' skillful use of color and light, creating a dynamic and atmospheric scene that immerses the viewer in the lively environment of the racecourse.

11. Dancers

Dancers
  • Artwork Name: Dancers
  • Year: c.1899
  • Medium: pastel

"Dancers," created circa 1899 by Edgar Degas, is a pastel artwork that belongs to the Impressionism art movement and falls under the genre of genre painting. Held in a private collection, the artwork depicts dancers in vibrant hues, capturing the dynamic motion and ethereal quality characteristic of Degas' fascination with ballet. Executed with a masterful use of pastels, the composition highlights the delicate interplay of light and color, rendering a vivid and evocative portrayal of the dancers' grace and elegance.

12. Dancers

Dancers
  • Artwork Name: Dancers
  • Year: c.1895 - c.1900
  • Medium: oil,canvas

The artwork, titled "Dancers," was created by Edgar Degas circa 1895-1900 using oil on canvas. It is an example of Impressionism and falls under the genre painting category. Currently housed in a private collection, the artwork vividly depicts a scene of ballerinas preparing for a performance, characterized by Degas's delicate brushwork and keen observation of movement and light. The composition captures an intimate moment of the dancers' routine, highlighting the grace and poise inherent in their profession.

13. Dancers

Dancers
  • Artwork Name: Dancers
  • Year: c.1900
  • Medium: pastel
  • Dimensions: 95.6 x 68 cm

The artwork, entitled "Dancers," is a pastel piece created around 1900 by the artist Edgar Degas. Falling within the Impressionist movement, this genre painting measures 95.6 by 68 centimeters and is housed at the Memorial Art Gallery at the University of Rochester in Rochester, NY, USA. The artwork depicts a vivid and dynamic scene of dancers, characterized by Degas' masterful use of color and expressive brushwork, encapsulating the grace and energy of the dancers in motion.

14. Dancers

Dancers
  • Artwork Name: Dancers
  • Year: c.1897 - c.1901
  • Medium: pastel

The artwork titled "Dancers," created by Edgar Degas circa 1897 to circa 1901, is a pastel piece that embodies the Impressionism art movement. This genre painting is held in a private collection. The composition depicts a group of ballerinas, captured in motion, their delicate tutus rendered with soft, nuanced strokes. The figures are intricately positioned, suggesting elegance and fluidity, all set against a background that evokes the atmosphere of a rehearsal or a backstage setting. This piece exemplifies Degas' mastery in portraying movement and the ephemeral qualities of light and color.

15. Dancers at the Barre

Dancers at the Barre

"Dancers at the Barre," crafted by Edgar Degas circa 1900 to 1905, exemplifies the Impressionist movement through its genre painting style. Rendered in oil on canvas, the artwork portrays two ballerinas at the barre against a vibrant, textured backdrop. The dancers are captured in a candid moment of practice, their forms defined by dynamic brushstrokes and an emphasis on the play of light and shadow. Currently housed in the Phillips Collection in Washington, DC, this piece reflects Degas' fascination with the grace and discipline of ballet, evoking a poignant sense of movement and quiet diligence.

16. Dancers at the Barre (study)

Dancers at the Barre (study)

The artwork, titled "Dancers at the Barre (study)" by Edgar Degas, is an oil painting on canvas created between 1876 and 1877. This piece exemplifies the Impressionist movement and falls under the genre of sketches and studies. Currently housed in the British Museum in London, UK, the artwork depicts a moment of elegance and poise as it captures ballerinas practicing at the barre through fluid and expressive brushstrokes. The delicate rendering and use of light and shadow highlight Degas' mastery in representing the grace and discipline of dancers.

17. Dancers at the Old Opera House

Dancers at the Old Opera House

"Dancers at the Old Opera House," created circa 1877 by Edgar Degas, is a pastel artwork characteristic of the Impressionism art movement. This genre painting depicts a scene within an opera house, capturing ballerinas mid-performance. The composition focuses on the ethereal quality of the dancers, with their delicate movements rendered in soft, light strokes. The background features the theater's interior, with audience members faintly discernible in the balconies, lending a sense of space and context to the dynamic and graceful scene.

18. Dancers Backstage

Dancers Backstage

The artwork, titled "Dancers Backstage," was created by Edgar Degas in 1872 using oil on canvas and is a notable example of the Impressionism art movement. This genre painting captures an intimate scene of ballerinas preparing backstage amidst a lush and somewhat indistinct setting, demonstrating Degas' mastery in depicting the nuances of light and movement. The soft, fluid brushstrokes and muted color palette evoke a sense of quiet anticipation and the ephemeral beauty of the moment.

19. Dancers Backstage (detail)

Dancers Backstage (detail)

"Dancers Backstage (detail)," created by Edgar Degas between 1876 and 1883, is an Impressionist genre painting. The artwork depicts a scene backstage with a focus on the intricate interplay of light and shadow, capturing the fleeting and candid moments that characterized the Impressionist movement. Degas masterfully uses soft, blended brushstrokes to convey the textures and subtleties in the ballerina's attire and surroundings, painting a vivid portrayal of the backstage atmosphere. The impressionistic use of color and form invites the viewer to experience the transient beauty of the scene, emphasizing the spontaneous and intimate nature of the dancers' world.

20. Jeantaud, Linet and Laine

Jeantaud, Linet and Laine

"Jeantaud, Linet and Laine" is an oil on canvas portrait created by Edgar Degas in 1871. Representing the Impressionism art movement, the artwork measures 38 by 46 centimeters and is housed in the Musée d'Orsay in Paris, France. The painting depicts three men in an intimate and somewhat somber setting, showcasing Degas's characteristic use of muted tones and attention to the emotional depth of his subjects.

21. Jerome Ottoz

Jerome Ottoz
  • Artwork Name: Jerome Ottoz
  • Year: 1875 - 1876
  • Medium: oil,cardboard

"Jerome Ottoz," created by esteemed artist Edgar Degas between 1875 and 1876, is an oil painting on cardboard that falls within the Impressionism movement. This poignant portrait captures the subject with a sense of depth and realism, employing rich, dark tones and a masterful play of light and shadow. Currently held in a private collection, the artwork reflects Degas's skillful technique and his ability to convey profound human expression within the constraints of the medium.

22. Jockey

Jockey
  • Artwork Name: Jockey
  • Year: 1862

The artwork "Jockey," created in 1862 by the esteemed artist Edgar Degas, belongs to the Impressionism movement and falls under the genre painting category. The artwork depicts a jockey riding a horse, sketched in a minimalist manner using predominantly blue tones. Degas captures the dynamic pose and essence of movement with elegant simplicity, characteristic of his impressionistic style. The sketch’s sparseness allows the viewer to focus on the fluidity and energy of the scene, reflective of Degas' keen observational skills and his ability to convey motion and emotion with economy of line.

23. Jockey

Jockey
  • Artwork Name: Jockey
  • Year: 1882
  • Medium: charcoal

The artwork titled "Jockey," created by Edgar Degas in 1882, is a charcoal sketch and study that embodies the characteristics of the Impressionism art movement. This piece, currently housed at the Ashmolean Museum in Oxford, UK, captures the dynamic posture and focused expression of a jockey in motion. The artist's deft use of charcoal highlights the fluidity of the figure, illustrating the energy and precision inherent in the subject's moment of action.

24. Jockey in Blue on a Chestnut Horse

Jockey in Blue on a Chestnut Horse

The artwork entitled "Jockey in Blue on a Chestnut Horse," created by Edgar Degas around 1889, is a masterful oil painting on panel that reflects the Impressionist art movement. The genre painting captures a dynamic and serene moment of a jockey donning a blue attire atop a chestnut horse, highlighted by Degas' characteristic brushstrokes that evoke a sense of movement and vitality. The artwork is currently housed in the Virginia Museum of Fine Arts in Richmond, Virginia.

25. Jockeys

Jockeys
  • Artwork Name: Jockeys
  • Year: 1886
  • Medium: pastel,paper

The artwork titled "Jockeys" by Edgar Degas, created in 1886, is a pastel on paper piece belonging to the Impressionist movement and classified as genre painting. Currently housed in the Hill-Stead Museum in Farmington, Connecticut, the artwork captures the essence of a quiet yet anticipatory moment before a horse race. The jockeys, adorned in their vibrant racing attire, are seen seated atop their horses, readying themselves for the impending race. The scene is set against a tranquil, verdant landscape, emphasizing Degas' skillful use of color and light to convey both tension and serenity.

26. Jockeys

Jockeys
  • Artwork Name: Jockeys
  • Year: c.1885 - c.1900
  • Medium: pastel

The artwork titled "Jockeys," created by Edgar Degas circa 1885 to circa 1900, is a pastel piece belonging to the Impressionism art movement. As a genre painting, the artwork captures a moment of equestrian activity with dynamic use of color and light, characteristic of Degas' style. This composition depicts jockeys on horseback in a lively scene, emphasizing spontaneous movement and vivid emotion. Currently housed in a private collection, "Jockeys" exudes a sense of immediacy and realism, evocative of Degas’ mastery in portraying contemporary life.

27. Jockeys

Jockeys
  • Artwork Name: Jockeys
  • Year: 1881
  • Medium: oil,canvas
  • Dimensions: 26.3 x 39.8 cm

Titled "Jockeys," this artwork was painted by Edgar Degas in 1881 using oil on canvas. It exemplifies the Impressionism art movement and measures 26.3 x 39.8 cm. This genre painting is located in the Yale University Art Gallery in New Haven, Connecticut. The artwork portrays a dynamic scene with a close-up view of jockeys on horseback, adorned in colorful, vibrant attire, capturing the essence of movement and the competitive atmosphere of horse racing.

28. Jockeys

Jockeys
  • Artwork Name: Jockeys
  • Year: 1895
  • Medium: oil,canvas

"Jockeys," an oil on canvas created by Edgar Degas in 1895, is an Impressionist genre painting currently held in a private collection. The artwork captures the dynamic scene of jockeys on horseback, characterized by energetic brushstrokes and a lively depiction of movement and light. The muted, earthy tones convey a sense of motion and fleeting moments typical of the Impressionist style, rendering a vivid and immediate experience of a day at the races.

29. Portrait of Mme. Rene De Gas, born Estelle Musson

Portrait of Mme. Rene De Gas, born Estelle Musson

The artwork, titled "Portrait of Mme. Rene De Gas, born Estelle Musson," was created by Edgar Degas between 1872 and 1873. Rendered in oil on canvas, this painting belongs to the Impressionism movement and fits within the genre of portraiture. The composition depicts a woman arranging a vibrant bouquet of flowers, her serene expression and poised posture captured in a stylized yet naturalistic manner characteristic of Degas' work. The warm, muted background contrasts harmoniously with the vivid colors of the flowers and the woman's attire, creating a balanced and intimate portrayal.

30. Portrait of Princess Pauline de Metternich

Portrait of Princess Pauline de Metternich

"Portrait of Princess Pauline de Metternich," an Impressionist oil on canvas work by Edgar Degas around 1860, measures 40 x 28.8 cm and is housed in the National Gallery in London, UK. The artwork presents a serene depiction of the princess, where Degas employs a soft color palette and delicate brushwork to capture her elegance. The background, adorned with subtle patterns, enhances the aristocratic aura of the subject. The artwork exemplifies the signature style of Degas, characterized by its detailed rendering and subtle yet expressive composition.

31. Portrait of Rene De Gas

Portrait of Rene De Gas

The artwork, "Portrait of Rene De Gas" by Edgar Degas, created in 1855, is an oil painting on canvas belonging to the Realism art movement and falls under the portrait genre. The artwork depicts a solemn, contemplative young individual, captured with precise detail and intimate expression. The subject is dressed in dark clothing with a distinctive red ribbon tied at the collar, set against a similarly dark, minimalist background, highlighting the subject's features and evoking a sense of depth and introspection typical of Degas' early portrait work.

32. Portrait of Rene-Hillaire De Gas

Portrait of Rene-Hillaire De Gas

The artwork, "Portrait of Rene-Hillaire De Gas," created by Edgar Degas in 1857, is an oil painting on canvas that resides in the Musée d'Orsay in Paris, France. A notable example of the Realism art movement, the portrait depicts an elderly man seated on a striped sofa, exuding a dignified yet contemplative demeanor. Dressed in a formal black coat, white shirt, and light trousers, he holds a cane casually in his hand, adding to the poised representation. The painting's meticulous attention to detail and realistic portrayal encapsulates the essence of portraiture from that period.

33. Portrait of Zacherie Zacharian

Portrait of Zacherie Zacharian

The artwork, titled "Portrait of Zacherie Zacharian," was created by Edgar Degas in 1886. Executed in pastel, this piece belongs to the Impressionism movement and comes under the genre of portraiture. The artwork showcases an individual in a contemplative pose, adorned with a hat and holding what appears to be a walking cane, with a background rendered in subtle, diffused colors that accentuate the subject's features. Currently, it is part of a private collection.

34. Project for Portraits in a Frieze - Three Women

Project for Portraits in a Frieze - Three Women

The artwork, entitled "Project for Portraits in a Frieze - Three Women," created by Edgar Degas in 1879, belongs to the Impressionism movement and falls under the genre of sketch and study. Currently residing in a private collection, the artwork features three women captured in varying postures and attire. Rendered with a combination of delicate lines and expressive undertones, Degas’ study intricately portrays the essence and demeanor of the subjects, highlighting his exceptional skill in capturing the subtleties of human forms and expressions.

35. Promenade by the Sea

Promenade by the Sea

"Promenade by the Sea," crafted by Edgar Degas around 1860 using oil on canvas, is a genre painting situated within the Impressionism art movement. The artwork, currently held in a private collection, depicts a serene coastal scene with two individuals on horseback, immersing in the tranquility of their surroundings. Degas’ subtle and muted color palette, along with his delicate brushstrokes, convey the ethereal quality of the moment, emphasizing an intimate connection between humanity and nature.

36. Racehorses

Racehorses
  • Artwork Name: Racehorses
  • Year: c.1895 - c.1900
  • Medium: pastel

"Racehorses," crafted by Edgar Degas circa 1895-1900, is a pastel artwork representative of the Impressionism movement and falls within the genre of genre painting. Currently housed at the National Gallery of Canada in Ottawa, the artwork depicts a scene of jockeys mounted on their racehorses. The piece showcases Degas's adept use of pastels to capture motion and life, emphasizing the dynamic and fleeting nature of the moment with an impressionistic style that focuses on the play of light and the atmosphere of the scene.

37. Racehorses

Racehorses
  • Artwork Name: Racehorses
  • Year: 1884
  • Medium: oil,canvas

"Racehorses," created by Edgar Degas in 1884, is an oil painting on canvas belonging to the Impressionism movement. Classified under genre painting, the artwork captures a dynamic scene of jockeys on horseback set against a picturesque countryside landscape. The riders are adorned in colorful attire, evoking the energy and excitement of horse racing. Currently held in a private collection, this piece exemplifies Degas' mastery in portraying movement and light, key characteristics of Impressionist art.

38. The Dance Studio

The Dance Studio

"The Dance Studio," created by Edgar Degas circa 1878, is a pastel artwork representative of the Impressionism movement and falls under the genre of genre painting. Presently located in a private collection, the artwork captures a moment within a ballet studio, rendered with delicate lines and soft hues. The central figure, a ballerina adjusting her dress, is enveloped in a milieu of dancers, illustrating Degas's keen observation and intimate portrayal of ballet dancers' daily practices. The piece is characterized by its dynamic composition and use of pastel to convey the texture and movement of the dancers’ tutus and the studio’s ambiance.

39. The Dancing Examination

The Dancing Examination

"The Dancing Examination," created by Edgar Degas in 1880 using pastel, is an Impressionist genre painting measuring 63.4 by 48.2 cm. The artwork, which is housed in the Denver Art Museum in Denver, Colorado, US, depicts three young ballerinas in white tutus during an examination, capturing a moment of poised anticipation and informal interaction. The warm tones and delicate technique exhibit Degas's masterful use of pastel to convey texture and light, as well as his keen observation of movement and human form.

40. The Daughter of Jephtha

The Daughter of Jephtha

"The Daughter of Jephtha" is an oil on canvas painting by Edgar Degas, created between 1859 and 1860. This artwork, housed at the Smith College Museum of Art in Northampton, MA, US, falls under the genre of religious painting and is associated with the Impressionism art movement. The artwork depicts a vivid scene with several figures, including a central group in animated discussion and activity, a rider on horseback, and a procession in the background. The combination of dynamic figures and rich color palette reflects both the tension and the narrative depth of the biblical tale being portrayed.

41. The Daughter of Jephtha (study)

The Daughter of Jephtha (study)

"The Daughter of Jephtha (study)" is an oil on canvas artwork by Edgar Degas, created between 1859 and 1860. Measuring 36.2 by 27.8 cm, this piece exemplifies Degas' early endeavors in the Impressionist movement and is categorized as a sketch and study. The artwork is presently held in a private collection. The scene depicted suggests a biblical narrative with figures in bold colors and dynamic postures against a backdrop of subtle earth and sky tones.

42. The Duchess de Montejasi and her daughters Elena and Camilla

The Duchess de Montejasi and her daughters Elena and Camilla

The artwork titled "The Duchess de Montejasi and her daughters Elena and Camilla" was created by Edgar Degas around the year 1876. This oil on canvas piece, measuring 66 by 98 centimeters, is a portrait belonging to the Impressionism art movement. Currently housed in a private collection, the artwork features the Duchess de Montejasi seated with her two daughters, Elena and Camilla, each enveloped in a somber and contemplative atmosphere. The figures are depicted in dark attire against an undefined, muted background, reflecting Degas' mastery in portraying human expressions and capturing the essence of intimate family moments.

43. The Entrance of the Masked Dancers

The Entrance of the Masked Dancers

"The Entrance of the Masked Dancers" by Edgar Degas, created approximately between 1879 and 1882, is a pastel artwork belonging to the Impressionism art movement. This genre painting forms part of the collection at the Clark Art Institute in Williamstown, Massachusetts, USA. The artwork depicts dancers, dressed in vibrant costumes, preparing for their performance. Degas captures the ephemeral elegance and the behind-the-scenes moments of the performers, using his signature soft, expressive pastel strokes to convey movement and atmosphere.

44. The Fallen Jockey

The Fallen Jockey

"The Fallen Jockey" is an oil-on-canvas work by Edgar Degas, created circa 1896-1898 and exemplifies the Impressionism movement. Categorized as a genre painting, this artwork vividly depicts a dramatic moment where a jockey has fallen to the ground while the horse, in mid-gallop, continues onward. Set against a backdrop of grassy terrain and a sky tinged with clouds, Degas captures the tension and motion in this scene. The painting currently resides in Kunstmuseum Basel, Basel, Switzerland.

45. The False Start

The False Start

"The False Start," created by Edgar Degas circa 1869-1870, is a genre painting executed in oil on panel. Representing the Impressionist movement, the artwork captures the moment preceding a horse race, typified by dynamic composition and a focus on the effects of light and movement. The scene depicts jockeys preparing for the race amidst a backdrop of spectators under a covered grandstand, evoking the atmosphere of anticipation and excitement. Currently housed at the Yale University Art Gallery in New Haven, Connecticut, this painting exemplifies Degas' keen observational skills and his interest in contemporary leisure activities.

46. The festival of the owner

The festival of the owner

"The Festival of the Owner," crafted by Edgar Degas between 1876 and 1877, is an Impressionist nude painting. The artwork exudes the signature vibrant and fluid brushstrokes characteristic of the Impressionist movement. It depicts several women in various states of undress and positions within a luminous and intimate setting. The use of light and shadow, combined with the experimental portrayal of the human figure, speaks to Degas' mastery in capturing both the physicality and the ethereal essence of his subjects.

47. The Green Dancer

The Green Dancer

"The Green Dancer," created in 1879 by Edgar Degas, is a pastel artwork rooted in the Impressionism movement and measures 66 x 36 cm. This genre painting, housed at the Thyssen-Bornemisza Museum in Madrid, Spain, depicts a ballerina in a vibrant green tutu, poised gracefully amid a backdrop of blurred figures similarly clad in dance attire. Degas masterfully captures the fluidity and dynamism of the dancer's motion using vibrant hues and dynamic brushstrokes, epitomizing the fleeting moments favored by Impressionist artists.

48. Woman at a Window

Woman at a Window
  • Artwork Name: Woman at a Window
  • Year: 1872
  • Medium: oil,cardboard
  • Dimensions: 61.3 x 45.9 cm

"Woman at a Window," created by Edgar Degas in 1872, is an oil painting on cardboard embodying the Impressionist art movement. The genre painting, measuring 61.3 by 45.9 centimeters, depicts a contemplative woman by a window, bathed in subdued light that casts a silhouette, adding a sense of depth and introspection. Subtle strokes and harmonious colors echo the ephemeral quality of light and shadow, eluding details while capturing the essence of the moment. This poignant piece is currently housed in the Courtauld Gallery in London, UK.

49. Woman at Her Bath

Woman at Her Bath

"Woman at Her Bath," created by Edgar Degas between circa 1893 and 1898, is an oil on canvas artwork that exemplifies the Impressionist movement. Presently housed in the Art Gallery of Ontario in Toronto, Canada, this nude painting depicts an intimate and private moment of a woman bathing, rendered with Degas's characteristic focus on light, color, and the human form. The composition captures the serene and contemplative nature of the scene, employing a soft and muted palette intertwined with fluid brushstrokes that convey both the physical and emotional nuance of the subject.

50. Woman at Her Toilette

Woman at Her Toilette

"Woman at Her Toilette," a pastel artwork created by Edgar Degas between approximately 1895 and 1900, belongs to the Impressionism art movement and is classified as a genre painting. The artwork captures a private, intimate moment of a woman engaged in her toilette, with the setting being richly textured and the colors modulated softly to portray the woman’s delicate, contemplative pose. The scene is composed with a reflective mood, heightened by the presence of everyday objects like a pitcher and washbasin, emphasizing the personal and introspective nature of the moment depicted.

51. Woman at Her Toilette

Woman at Her Toilette

"Woman at Her Toilette," crafted by Edgar Degas in 1876-1877, is a pastel painting belonging to the Impressionism movement and falls under the genre of nude painting (nu). The artwork is currently housed at the Norton Simon Museum in Pasadena, California. The artwork depicts a nude woman in a domestic setting, positioned with her back toward the viewer as she engages in her toilette. The scene is intimate and personal, characterized by Degas’ masterful use of light, shadow, and color, capturing a natural, candid moment in the woman's routine. The background features warm, textured wallpaper and simple furnishings, adding to the sense of a private, everyday scene delicately rendered through pastel.

52. Woman at Her Toilette

Woman at Her Toilette

The artwork titled "Woman at Her Toilette" is a distinguished piece by Edgar Degas, created in 1905 using pastel on paper. Measuring 69.7 x 72.4 cm, this work is part of the Impressionism movement and falls under the genre of nude painting (nu). It is currently housed at the Art Institute of Chicago in Chicago, IL, USA. The artwork depicts a nude woman engaged in the intimate act of her toilette, characterized by Degas' signature use of vibrant colors and expressive brushwork, capturing the subtleties of light and form in a private moment.

53. Woman at Her Toilette

Woman at Her Toilette

"Woman at Her Toilette," a pastel artwork created circa 1892 by Edgar Degas, belongs to the Impressionism movement and is currently held in a private collection. Measuring 63 by 48 cm, the artwork depicts a nude scene, capturing an intimate moment of a woman engaged in her toilette routine. Rendered with vivid yet delicate strokes, the composition highlights the naturalism and candidness emblematic of Degas' approach, emphasizing the interplay of light and color to evoke a sense of immediacy and realism.

54. Woman at the Window

Woman at the Window

The artwork titled "Woman at the Window" by Edgar Degas, created using pastel, exemplifies the Impressionism art movement and belongs to the genre of sketch and study. Currently held in a private collection, the artwork depicts a contemplative woman in a red dress, positioned near a window. The study is characterized by loose, expressive strokes and a muted color palette, capturing a moment of quiet introspection and offering a glimpse into Degas's adept handling of light and form.

55. Woman Brushing Her Hair

Woman Brushing Her Hair

"Woman Brushing Her Hair" is a pastel artwork created by Edgar Degas around the year 1889. Representing the Impressionism art movement and categorized as a genre painting, the artwork depicts a woman engrossed in the intimate act of grooming her hair. The scene is rendered with delicate lines and soft, muted tones, capturing a quiet, mundane moment with an air of quiet introspection. The disarray on the dressing table and the soft textures of her surroundings emphasize the realism and intimacy of the composition. This piece is part of a private collection.

56. At the Races

At the Races

The artwork, titled "At the Races," was created by Edgar Degas between 1868 and 1872 using oil as the medium. It belongs to the Impressionism movement and falls under the genre of genre painting. Currently, the piece resides in a private collection. The artwork captures the essence of a day at the racetrack, with jockeys poised atop their horses and spectators mingling in the foreground, all set against a backdrop of soft, diffuse light that evokes a sense of immediacy and movement characteristic of the Impressionistic style.

57. At the Races

At the Races

"At the Races," created by Edgar Degas between approximately 1874 and 1877, belongs to the Impressionism movement and falls within the genre painting and landscape genres. The artwork depicts a scene at a horse race, characterized by vivid depictions of riders and horses in motion against a backdrop of rolling hills and a cloud-filled sky. Degas captures the dynamic energy of the event and the varied expressions and postures of the participants and spectators, presenting a moment brimming with anticipation and activity. The artwork’s composition and use of color reflect Degas's skillful integration of realism and impressionist techniques.

58. At the Races - Before the Start

At the Races - Before the Start

The artwork titled "At the Races - Before the Start," created by the artist Edgar Degas between circa 1885 and circa 1892, is an oil painting on canvas. This piece falls within the Impressionism movement and belongs to the genre painting category. It is housed at the Virginia Museum of Fine Arts in Richmond, Virginia, United States. The artwork portrays a group of jockeys on horseback, poised in anticipation before the commencement of a race, capturing the tension and quiet expectancy of the moment in an open, pastoral setting.

59. At the Races. the Start

At the Races. the Start

The artwork titled "At the Races. The Start," created by Edgar Degas between 1861 and 1862, is an oil painting on canvas that exemplifies the Impressionist movement. It is a genre painting, currently housed at the Fogg Museum (Harvard Art Museums) in Cambridge, Massachusetts, U.S. The artwork captures the dynamic and anticipatory moment at the start of a horse race, with lively figures and horses set against a vibrant backdrop, illustrating Degas' keen observation of movement and light.

60. At the Stables, Horse and Dog

At the Stables, Horse and Dog

The artwork titled "At the Stables, Horse and Dog," created circa 1861 by Edgar Degas, is an oil painting on canvas representing the Impressionism movement, specifically categorized under animal painting. It is part of a private collection. The painting depicts a serene stable scene, with a poised horse standing beside a contented dog amidst a bed of straw, exuding a sense of tranquil coexistence between the two animals.

61. Portraits at the Stock Exchange

Portraits at the Stock Exchange

The artwork, titled "Portraits at the Stock Exchange," is an oil on canvas genre painting created by Edgar Degas between 1878 and 1879. It is an exemplary piece of the Impressionist movement and measures 100 x 82 cm. Currently housed in the Musée d'Orsay in Paris, France, the painting captures a moment at the stock exchange, emphasizing the interactions and attire of the individuals present. The dark, muted palette and the focus on the nuances of light and shadow reflect Degas's impressionistic style, bringing to life the atmosphere and dynamic of the financial milieu of that era.

62. A Visit to the Museum

A Visit to the Museum

"A Visit to the Museum" by Edgar Degas, created circa 1879-1885, is an Impressionist genre painting that illustrates a scene within a museum. The artwork depicts a woman, viewed from behind, who seems engrossed in observing the exhibits. The loose brushstrokes and soft color palette typify the Impressionist focus on capturing the impression of a moment, highlighting both the delicate rendering of the woman's attire and the indistinct, blurred background that suggests the museum's interior.

63. Ballerina and Lady with a Fan

Ballerina and Lady with a Fan

"Ballerina and Lady with a Fan," created by Edgar Degas in 1885, is a pastel on paper artwork belonging to the Impressionism movement. Measuring 66 x 51 cm, this genre painting is housed at the Philadelphia Museum of Art in Philadelphia, Pennsylvania, USA. The artwork vividly portrays a scene inside a ballet studio, capturing the elegance and grace of a ballerina in a vibrant orange tutu, accompanied by the poised figure of a lady holding a fan in the foreground. Additional dancers in softer blue and green costumes can be seen in the background, adding depth and dynamism to the composition, while Degas' masterful use of pastel brings a tactile softness and expressive quality to the overall piece.

64. Ballerinas Adjusting Their Dresses

Ballerinas Adjusting Their Dresses

The artwork, titled "Ballerinas Adjusting Their Dresses," was created by Edgar Degas circa 1899 using pastels. It belongs to the art movement of Impressionism and is classified as a genre painting. Currently held in a private collection, the artwork depicts several ballerinas engaged in the intimate act of adjusting their costumes. Degas masterfully captures the subtleties of light and color, emphasizing the fleeting moments of preparation before a performance.

65. Ballet at the Paris Opera

Ballet at the Paris Opera

The artwork, titled "Ballet at the Paris Opera," is a pastel painting created by Edgar Degas in 1877. This piece falls within the Impressionism art movement and is categorized as genre painting. Currently housed in the Art Institute of Chicago, the artwork depicts an evocative scene of ballet, with tender attention to the poise and grace of the dancers. The use of pastel medium adds a delicate texture, enhancing the ethereal and fleeting nature characteristic of Degas's works on this subject.

66. Dancers Bending Down

Dancers Bending Down

"Dancers Bending Down," created by Edgar Degas in 1885, is a pastel artwork representing the Impressionist movement and falls within the genre painting category. The masterpiece, which resides in a private collection, vividly captures a moment of graceful motion as two ballerinas are seen bending towards the floor, immersed in their dance. The use of rich, warm hues and intricate detail exemplify Degas's skill in pastels, while his characteristic focus on ballet brings a dynamic energy to the scene. The artwork elegantly portrays the beauty and transience of dance, encapsulating the delicate interplay of light and movement.

67. Dancers Climbing the Stairs

Dancers Climbing the Stairs

The artwork titled "Dancers Climbing the Stairs," created by Edgar Degas between approximately 1886 and 1890, employs oil on canvas to capture a scene reflective of the Impressionist movement. This genre painting depicts a group of ballet dancers engaging in practice, highlighting the movement, grace, and discipline involved in their art. The warm, almost ethereal light pervading the scene adds a soft, dreamlike quality, characteristic of Impressionist techniques. Each dancer seems absorbed in their own moment, creating a sense of both collective and individual dedication to their craft.

68. Dancer's Dressing Room

Dancer's Dressing Room

"Dancer's Dressing Room," created circa 1878 by the renowned artist Edgar Degas, is an exquisite pastel masterpiece that exemplifies the Impressionist movement. This genre painting poignantly captures an intimate moment in which a ballerina is being attended to by two figures, presumed to be her costume assistants, in preparation for a performance. The artwork, characterized by its delicate rendering and vibrant hues, resides in a private collection. The scene is imbued with the quiet sense of anticipation and meticulous care that preludes a dancer's moment on stage, showcasing Degas' profound ability to portray the ephemeral and behind-the-scenes aspects of ballet.

69. Dancer Seated (study)

Dancer Seated (study)

The artwork titled "Dancer Seated (study)" is a pencil drawing created by Edgar Degas in 1872. It belongs to the Impressionism movement and falls under the genre painting category. The composition features a young dancer seated, captured in a moment of stillness. Rendered in soft strokes, the piece evokes a sense of quiet introspection, characteristic of Degas' delicate handling of his subjects. The dancer's pose and the nuanced play of light and shadow highlight Degas' masterful technique and his keen observation of the human form. This artwork is currently held in a private collection.

70. Dancer Seen from Behind and 3 Studies of Feet

Dancer Seen from Behind and 3 Studies of Feet

The artwork, "Dancer Seen from Behind and 3 Studies of Feet" by Edgar Degas, dating to approximately 1878, is a sketch and study created during the Impressionism movement. The composition showcases a dancer viewed from the back, adorned in a tutu, poised gracefully. It also includes three detailed studies of ballet feet, capturing the delicate and precise nature of ballet postures. Degas employs soft, yet deliberate strokes and a muted color palette to emphasize the elegance and poise of the dancer, a hallmark of his keen observational skills and artistic finesse within the realm of Impressionistic studies.

71. Dancers in a Box

Dancers in a Box

The artwork, titled "Dancers in a Box," is a pastel piece by Edgar Degas, created around the year 1884. As a characteristic representation of the Impressionist movement, the genre painting vividly captures an intimate moment between two dancers. The vibrant yet delicate strokes typical of Degas' style evoke a sense of motion and transient beauty. Currently housed at the Kelvingrove Art Gallery and Museum in Glasgow, UK, the artwork stands as a testament to Degas' masterful ability to imbue everyday scenes with profound artistic expression.

72. Dancers in a Studio

Dancers in a Studio

"Dancers in a Studio," created by the artist Edgar Degas circa 1884, employs the pastel medium and is a quintessential example of the Impressionism art movement. Classified as a genre painting, the artwork depicts a group of ballerinas, evidently in a dance studio, engaged in various states of preparation and rehearsal. The use of pastel brings a soft, delicate quality to the composition, capturing the graceful movements and poised stances of the dancers. The painting resides in a private collection, making it a cherished piece of art that continues to convey the beauty and discipline inherent in the world of ballet.

73. Dancers in a Studio

Dancers in a Studio

"Dancers in a Studio," created by Edgar Degas between circa 1900 and circa 1905, is an oil painting on canvas that belongs to the Impressionism movement and falls under the genre painting category. The artwork, held in a private collection, depicts ballet dancers in a studio, engaging in what appears to be rehearsal activities. Characteristic of Degas's fascination with the world of ballet, the composition captures the fleeting, candid moments of dancers preparing, their forms rendered with a harmonious blend of movement and stillness. The use of varied textures and vibrant yet subtle hues highlights Degas’s masterful technique and his deep observation of light, movement, and human form.

74. Dancers in Blue

Dancers in Blue

"Dancers in Blue," an oil on canvas painted by Edgar Degas in 1895, epitomizes the Impressionist art movement. Residing in the Musée d'Orsay in Paris, France, this genre painting captures a dynamic moment in the lives of ballet dancers, portrayed in elegant blue costumes. The artwork reflects Degas's mastery in depicting movement, light, and the intimate yet vibrant atmosphere of the dance world. The ethereal depiction of the dancers, enhanced by the soft, blended colors and fluid brushwork, immerses the viewer in the ephemeral grace and beauty of the performance.

75. Jockeys at Epsom

Jockeys at Epsom

"Jockeys at Epsom," created by Edgar Degas between 1861 and 1862, is an oil on canvas artwork that exemplifies the Impressionist movement and falls under the genre painting category. The artwork, presently held in a private collection, vividly captures the dynamic scene of jockeys and their horses preparing for a race. Degas employs a masterful handling of light and movement, characteristic of Impressionism, to depict the tension and anticipation of the moment. The composition is both energetic and intimate, drawing the viewer into the pre-race atmosphere integral to the sport of horse racing.

76. Jockeys before the Start with Flagpoll

Jockeys before the Start with Flagpoll

"Jockeys before the Start with Flagpoll," created by Edgar Degas in 1879, is a genre painting executed on cardboard and measures 180 x 74 cm. As a part of the Impressionism movement, the artwork is currently housed at the Barber Institute of Fine Arts in Birmingham, UK. The artwork depicts jockeys mounted on their horses, poised with a sense of heightened anticipation and readiness before the start of a race, with a flagpole prominently dividing the composition. The use of light and color captures the fleeting moment and the essence of the experience, which is characteristic of Degas' exploration of modern life within the Impressionist idiom.

77. Jockeys in the Rain

Jockeys in the Rain

The artwork, named "Jockeys in the Rain," is a pastel genre painting created by Edgar Degas in 1886, associated with the Impressionism art movement. Measuring 47 by 63.5 cm, this piece is housed in the Burrell Collection in Glasgow, UK. The painting vividly depicts a group of jockeys on horseback enduring a rain shower, with Degas' masterful use of pastel capturing the atmospheric effects of rain and the dynamic posture of the horses and riders.

78. Jokeys Training

Jokeys Training

The artwork, titled "Jockeys Training" and created by Edgar Degas between 1883 and 1890, exemplifies the Impressionist art movement and belongs to the genre painting category. The artwork masterfully captures the dynamic and vibrant scene of jockeys training their horses amidst the verdant surroundings. Degas' use of soft brushstrokes and a rich color palette conveys a sense of movement and naturalism, which is characteristic of the Impressionist style, while highlighting the energy and discipline inherent in the activity.

79. Josephine Gaujean

Josephine Gaujean
  • Artwork Name: Josephine Gaujean
  • Year: 1867
  • Medium: oil,canvas
  • Dimensions: 61.2 x 45.7 cm

Created by Edgar Degas in 1867, the artwork "Josephine Gaujean" exemplifies the Realism art movement. It is rendered using oil on canvas and measures 61.2 by 45.7 cm. This portrait captures the subject, Josephine Gaujean, seated and adorned in dark clothing with a somber expression highlighted against a contrasting background. The meticulous brushwork and measured composition reflect Degas' adherence to Realist principles. Currently, this painting is housed in the Isabella Stewart Gardner Museum, also known as Fenway Court, in Boston, Massachusetts.

80. Kneeling Nude

Kneeling Nude

The artwork, titled "Kneeling Nude," is a pastel piece by Edgar Degas, created around 1888. It belongs to the Impressionism movement and is categorized under the genre of nude painting (nu). The artwork is characterized by its intimate portrayal of a female figure in a vulnerable, kneeling position, rendered with the delicate yet expressive strokes typical of Degas' mastery with pastels. The nuanced use of color and form serves to highlight the contours and texture of the human body, conveying a sense of both physical presence and emotional depth. Currently, this piece is part of a private collection.

81. Lake and Mountains

Lake and Mountains

The artwork "Lake and Mountains," created by Edgar Degas circa 1890-1893, is a pastel on paper that exemplifies the Impressionism movement. This landscape piece, currently held in a private collection, showcases a serene and idyllic scene of a lake surrounded by vibrant and textured mountains. The blending of colors and the delicate application of pastels evoke a sense of tranquility and natural beauty, characteristic of the Impressionist style. Degas captures the essence of the landscape with an ethereal quality, inviting viewers to immerse themselves in the peaceful and restorative embrace of nature.

82. Landscape

Landscape
  • Artwork Name: Landscape
  • Year: c.1890 - c.1892
  • Medium: pastel

The artwork, titled "Landscape" by Edgar Degas, dates from approximately 1890 to 1892. Created using pastel, this piece is a notable contribution to the Impressionism movement, reflecting the genre of landscape. The artwork depicts a serene, expansive natural scene, characterized by rugged, towering rock formations in the foreground and a vast, meticulously detailed background of rolling hills and sky. The artist's skilled use of pastel conveys the subtle interplay of light and shadow, imbuing the scene with a gentle, atmospheric quality that is both tranquil and evocative.

83. Landscape

Landscape
  • Artwork Name: Landscape
  • Year: c.1890 - c.1893
  • Medium: pastel

The artwork titled "Landscape," executed in pastel by Edgar Degas circa 1890 to 1893, belongs to the Impressionism art movement and represents the landscape genre. Currently held in a private collection, the artwork exhibits a serene and natural scene, with rolling hills and a winding path immersed in earthy tones and subtle shades. The impressionistic technique is evident through the fluid blending of colors and the emphasis on capturing the ephemeral quality of light and atmosphere within the landscape.

84. Landscape at Valery-sur-Somme

Landscape at Valery-sur-Somme

"Landscape at Valery-sur-Somme," created by Edgar Degas in 1854, is an oil painting on canvas executed during the Impressionist movement. As a private collection piece, this landscape artwork exhibits a rustic scene featuring prominent vertical tree trunks in the foreground and a windmill alongside a thatched cottage nestled within the landscape. The artwork is characterized by the use of diffused light, muted colors, and textured brushstrokes, which collectively contribute to an atmospheric depiction of the tranquil French countryside.

85. Race horses

Race horses
  • Artwork Name: Race horses
  • Year: 1885 - 1888
  • Medium: pastel,panel

"Race Horses," created by Edgar Degas between 1885 and 1888, is a pastel work on panel reflecting the Impressionist art movement and the genre painting style. The artwork, housed at the Philadelphia Museum of Art in Philadelphia, PA, depicts jockeys mounted on their horses, set against an expansive landscape. The composition captures the vibrant and dynamic essence of the race track, characterized by vivid colors, fluid lines, and a sense of motion typical of Degas' works. The scene is rendered with an expressive interplay of light and shadow, showcasing Degas' mastery in portraying both the grace of the horses and the anticipation of the race.

86. Race Horses at Longchamp

Race Horses at Longchamp

"Race Horses at Longchamp," a genre painting by Edgar Degas, created between 1871 and 1874, is a notable work within the Impressionist movement. Executed in oil on canvas, the artwork measures 34 x 41.9 cm and is currently housed in the Museum of Fine Arts in Boston, Massachusetts. The painting captures the rear view of jockeys riding racehorses, set against the serene backdrop of Longchamp, a famous racecourse near Paris. Degas' keen observation of posture and movement is evident, emphasizing the dynamic interaction between the riders and their mounts. The use of muted tones and the informal composition typify Degas' impressionistic style, offering a glimpse into the world of equestrian sports.

87. Racehorses at Longchamp

Racehorses at Longchamp

"Racehorses at Longchamp," a genre painting rendered by Edgar Degas in 1874, exemplifies the Impressionist movement. The artwork captures a group of jockeys mounted on their horses, congregating at the Longchamp racecourse. The piece is characterized by a subdued color palette and a dynamic composition, embodying the transient nature of the scene. Degas' treatment of light and shadow, as well as his attention to the posture and attire of the jockeys, imbues the canvas with a sense of immediacy and movement, reflecting the vibrancy of the race track.

88. Racehorses at Longchamp

Racehorses at Longchamp

"Racehorses at Longchamp," created by Edgar Degas between 1873 and 1875, is an oil painting on canvas representative of the Impressionism movement and belongs to the genre painting category. The artwork captures a lively scene at the Longchamp Racecourse, depicting jockeys and their horses, seemingly in preparation for the race. The composition is characterized by vibrant colors and dynamic brushstrokes, emphasizing movement and the overall atmosphere of anticipation and activity. The background features a pastoral landscape, adding depth and contrast to the foreground's chaotic energy.

89. Racehorses before the Stands

Racehorses before the Stands

"Racehorses before the Stands," created by Edgar Degas in 1872, is an oil painting on canvas that belongs to the Impressionism art movement and genre painting category. The artwork, currently housed in the Musée d'Orsay in Paris, France, depicts a scene at a racetrack with jockeys atop their horses positioned before the stands. The stands are filled with spectators, capturing the anticipation and energy of the moment. Degas masterfully employs light and shadow to bring a dynamic and realistic atmosphere to the painting, which is characteristic of his impressionistic style.

90. Racehorses in a Landscape

Racehorses in a Landscape

"Racehorses in a Landscape" is a pastel artwork crafted by Edgar Degas in 1894. This piece is part of the Impressionist movement and falls under the genre of genre painting. Measuring 48 by 64 centimeters, the artwork is housed in the Thyssen-Bornemisza Museum in Madrid, Spain. The artwork depicts a dynamic scene in which racehorses are calmly navigating a verdant landscape, evoking a sense of motion and tranquility amidst the riders' vibrant attire.

91. Reclining Nude

Reclining Nude
  • Artwork Name: Reclining Nude
  • Year: c.1883 - c.1885
  • Medium: pastel
  • Dimensions: 33 x 41.9 cm

"Reclining Nude" is a distinguished pastel artwork by Edgar Degas, created circa 1883-1885. It represents the Impressionist movement and is executed in the genre of nude painting (nu). The dimensions of the artwork are 33 x 41.9 cm, and it resides in a private collection. The artwork exhibits a figure in a reclining pose, rendered with tender hues and soft contours characteristic of Degas's pastel technique, evoking a sense of intimate tranquility amidst an undefined yet warm background.

92. Red Ballet Skirts

Red Ballet Skirts

"Red Ballet Skirts," a pastel artwork created circa 1897 to 1901 by Edgar Degas, is an exemplary piece from the Impressionism movement, housed in the Kelvingrove Art Gallery and Museum in Glasgow, UK. The artwork, a genre painting, depicts three ballerinas adorned in vibrant red skirts. Degas masterfully captures the graceful, fluid movements of the dancers, utilizing a rich palette and dynamic brushwork to convey the energy and vibrancy of the ballet scene.

93. Rehearsal

Rehearsal
  • Artwork Name: Rehearsal
  • Year: 1879
  • Medium: oil,canvas
  • Dimensions: 46 x 61 cm

The artwork, titled "Rehearsal," created by Edgar Degas in 1879, is an oil painting on canvas representing the Impressionism art movement. This genre painting, measuring 46 by 61 cm, is part of the Frick Collection in New York City, NY, US. The painting vividly captures a moment during a ballet rehearsal, featuring a violinist playing while surrounded by ballet dancers in various stages of practice. Bathed in natural light filtering through tall windows, this composition exemplifies Degas' keen observation of everyday scenes, his masterful portrayal of movement, and his exquisite ability to depict light and atmosphere.

94. Repetition of the Dance (detail)

Repetition of the Dance (detail)

"Repetition of the Dance (detail)," created by Edgar Degas in 1877, is a genre painting within the Impressionism art movement. The artwork captures a vivid scene from a ballet rehearsal, showcasing ballerinas in various stages of practice. The fluidity of the dancers' movements is rendered with soft brushstrokes and a warm color palette, emphasizing the grace and dedication inherent in their craft. The composition's intimate focus on the dancers, combined with the play of light and shadow, provides a glimpse into the strenuous yet elegant world of ballet, a recurring theme in Degas' oeuvre.

95. The Invalid

The Invalid
  • Artwork Name: The Invalid
  • Year: c.1868 - c.1873
  • Medium: oil,canvas

The artwork titled "The Invalid" was created by Edgar Degas circa 1868 to 1873, using oil on canvas. Classified under the Impressionism art movement, this piece is a portrait that resides in a private collection. The artwork evokes deep emotional resonance, featuring a somber figure reclining pensively with a downcast gaze, adorned in dark and muted tones. The subtle interplay of light and shadow enhances the melancholic ambiance, emphasizing the subdued and reflective mood of the subject.

96. The Jewels

The Jewels
  • Artwork Name: The Jewels
  • Year: c.1886
  • Medium: pastel

"The Jewels" created by Edgar Degas around 1886, is a pastel artwork belonging to the Impressionism movement. This genre painting, currently housed in the Kelvingrove Art Gallery and Museum in Glasgow, UK, depicts an intimate scene. The artwork features two figures engrossed in the contemplation of jewels, which highlights Degas' mastery in capturing everyday moments and his deft use of pastel to convey texture and depth in the ambient light. The soft blending of colors and expressive brushstrokes exemplify the quintessential elements of Impressionist artistry.

97. The Jockey

The Jockey
  • Artwork Name: The Jockey
  • Year: c.1887
  • Medium: pastel

"The Jockey," created by Edgar Degas around the year 1887, exemplifies the Impressionist art movement through its use of pastel medium. This genre painting depicts a rider, delicately portrayed in motion upon a galloping horse, capturing the dynamic essence of equestrian life. The artwork is distinguished by vibrant colors and fluid strokes that convey a sense of immediacy and energy. Currently housed at the Philadelphia Museum of Art in Philadelphia, PA, US, the artwork stands as a testament to Degas's masterful ability to encapsulate the fleeting moments of contemporary life.

98. The Little Milliners

The Little Milliners

"The Little Milliners," created by Edgar Degas in 1882, is a pastel artwork exemplifying the Impressionism movement and falls under the genre painting category. The artwork portrays two women meticulously crafting or arranging hats, encapsulating a moment of everyday labor with a delicate interplay of color and texture. Degas' mastery in using pastel beautifully captures the intimate and industrious atmosphere of the scene, reflecting his keen observation of daily life.

99. The Mante Family

The Mante Family

"The Mante Family," crafted by Edgar Degas circa 1889, is a pastel portrait that epitomizes the Impressionist movement. Currently held in a private collection, the artwork features three figures, rendered with delicate and nuanced strokes characteristic of Degas' mastery in pastels. The composition captures a nuanced moment of domestic life, infused with the artist's keen observation of light and texture. The choice of medium and Degas' distinctive impressionistic approach imbue the scene with a sense of intimacy and immediacy, offering a compelling glimpse into the personal sphere of the depicted subjects.

100. The Milliner

The Milliner

"The Milliner," created by Edgar Degas around 1882, is a pastel artwork belonging to the Impressionism movement and falls under the genre painting category. The artwork depicts a milliner, or hat-maker, engaged in her craft. Utilizing the pastel medium, Degas masterfully captures the intricate details and textures, elegantly portraying the nuances of everyday life with a vibrant yet contemplative ambiance. The scene is dominated by warm earth tones and cooler blue hues, showcasing the artist's deft handling of light and shadow to create a compelling and evocative composition.

101. The Millinery Shop

The Millinery Shop

The artwork, titled "The Millinery Shop," was created by Edgar Degas circa 1855 and belongs to the Impressionism art movement. The genre of this piece is genre painting. The artwork illustrates a scene within a millinery shop, where a woman is engaged in the meticulous task of examining a hat. Surrounded by an assortment of vividly colored, elaborately adorned hats, the artwork captures the intricacies and subtleties of daily life, characteristic of Degas' impressionistic style. The soft, diffuse lighting and the delicate brushstrokes convey a sense of intimacy and attention to detail.

102. The Millinery Shop

The Millinery Shop

"The Millinery Shop," an oil painting on canvas by Edgar Degas, created in 1884, exemplifies the Impressionist movement. This genre painting measures 99.4 x 110.2 cm and is housed at the Art Institute of Chicago in Chicago, Illinois, USA. The artwork captures a scene in a hat shop, depicting a woman engaged in examining a bonnet, surrounded by various elaborate hats displayed on stands. Degas employs a warm, rich color palette and precise brushwork to convey the textures and intricate details of the hats and the scene, highlighting his keen observation skills and his ability to capture intimate moments of everyday life.

103. The Morning Bath

The Morning Bath
  • Artwork Name: The Morning Bath
  • Year: 1883
  • Medium: pastel,paper
  • Dimensions: 70.5 x 43.2 cm

"The Morning Bath," crafted by Edgar Degas in 1883 using pastel on paper, is an exemplary piece within the Impressionist movement. The artwork, measuring 70.5 by 43.2 centimeters, is housed at the Art Institute of Chicago in Chicago, Illinois. The painting captures the intimate genre of nude art, portraying a woman engaged in her morning bath routine. The composition features intricate details and soft hues, emphasizing Degas' keen observation of light and form, characteristic of the Impressionist style.

104. The Nurse

The Nurse
  • Artwork Name: The Nurse
  • Year: 1872 - 1873
  • Medium: oil,canvas

"The Nurse," created by Edgar Degas between 1872 and 1873, is an oil painting on canvas exemplifying the Impressionist movement and genre painting. Currently held in a private collection, the artwork portrays a dimly lit interior scene, capturing a nurse seated in a chair, seemingly deep in thought or observation. The composition is enhanced by the warm, earthy color palette and the textural brushstrokes that evoke a sense of quiet introspection and domestic intimacy. The artwork's mood is contemplative, invoking the stillness and the solemn duty of the nurse within her environment.

105. Woman Combing Her Hair

Woman Combing Her Hair

"Woman Combing Her Hair," created by Edgar Degas circa 1894, is an oil painting on canvas belonging to the Impressionism movement and falls under the portrait genre. The artwork depicts a woman engaged in the intimate and everyday act of combing her hair, captured with a mastery of light and shadow characteristic of Degas' style. The subject's body and hair dominate the composition, rendered with dynamic brushstrokes that convey a sense of movement and texture. The background remains abstract and blurred, emphasizing the central figure and adding to the painterly quality of the work.

106. Woman Combing Her Hair

Woman Combing Her Hair

The artwork "Woman Combing Her Hair," created by Edgar Degas between 1888 and 1890, is a pastel piece reflecting the Impressionist movement. The genre of the artwork is a nude painting (nu), depicting a woman in the intimate act of combing her hair. The use of pastel medium enhances the subtle interplay of light and shadow, capturing the delicacy of the human form and the quiet intimacy of the moment. The artwork is characterized by Degas' masterful application of color and texture, creating a sense of depth and vibrancy.

107. Woman Combing Her Hair

Woman Combing Her Hair

The artwork titled "Woman Combing Her Hair," created by Edgar Degas in 1894, employs the medium of pastel and belongs to the Impressionism art movement. Measuring 70.6 x 83 cm, the piece resides in a private collection and is categorized as a sketch and study. The artwork portrays a woman with her back to the viewer, engaged in the intimate act of combing her long, flowing hair. Rendered in soft, warm tones, Degas captures the elegance and subtlety of the moment with his masterful use of pastels, emphasizing the textures and natural grace of his subject.

108. Woman Combing Her Hair in front of a Mirror

Woman Combing Her Hair in front of a Mirror

"Woman Combing Her Hair in front of a Mirror," an oil on canvas portrait by Edgar Degas, painted circa 1877, is an exemplary piece of the Impressionism movement. The artwork features a close portrayal of a woman arranging her hair in front of a mirror, capturing a moment of intimate, everyday life with soft, textured brushstrokes and a muted color palette. This arresting piece is currently housed in the Norton Simon Museum in Pasadena, California.

109. Woman Drying her Arm

Woman Drying her Arm

"Woman Drying her Arm" is a pastel artwork created by Edgar Degas around 1884, showcasing the artist's affiliation with the Impressionism movement. The painting, with dimensions of 54.5 x 65.5 cm, captures a scene of a nude female figure engaged in the intimate act of drying her arm. Rendered in soft, muted tones, the artwork's delicate brushstrokes emphasize the subtle contours and textures of the woman's form against a minimalist background. The piece resides within a private collection and exemplifies Degas's ability to depict candid, private moments with a striking sense of realism and delicacy.

110. Woman Drying Her Hair

Woman Drying Her Hair

The artwork titled "Woman Drying Her Hair," created by Edgar Degas using pastels between approximately 1893 and 1898, is a distinguished piece from the Impressionism movement. This painting, classified within the nude painting genre, is currently housed at the Brooklyn Museum in New York City. It depicts a nude woman engaged in the intimate, everyday act of drying her hair, rendered with delicate and fluid pastel strokes that capture the subtle play of light and shadow on the human form, characteristic of Degas' masterful technique and his keen interest in the human condition.

111. Woman Drying Herself

Woman Drying Herself

"Woman Drying Herself," created by the renowned Impressionist artist Edgar Degas between circa 1893 and 1898, is a graphite drawing that belongs to the genre of nude painting (nu). The artwork depicts a woman engaged in the intimate act of drying herself with a towel, intricately capturing the nuances of human form and movement. The use of warm tones and the careful attention to light and shadow is indicative of Degas's Impressionist style, emphasizing the texture and realism of the scene. This piece resides in a private collection, exemplifying Degas's exceptional ability to portray the private and candid moments of everyday life.

112. Woman Drying Herself

Woman Drying Herself

"Woman Drying Herself," created by Edgar Degas in 1886, exemplifies the Impressionist movement through the medium of pastel. The artwork, a nude painting (nu), gracefully captures a moment of intimate post-bathing routine. Utilizing a delicate and rich color palette, Degas skillfully renders the woman's form as she dries herself, her body intricately depicted with soft, expressive strokes. Housed at the Philadelphia Museum of Art in Philadelphia, PA, the artwork showcases Degas's adept mastery in portraying both the human figure and the subtly complex interplay of light and shadow.

113. Woman Drying Herself

Woman Drying Herself

The artwork "Woman Drying Herself" by Edgar Degas, created circa 1896 to 1898, is a pastel piece that epitomizes the Impressionist movement and belongs to the genre of nude paintings (nu). Currently housed in the Scottish National Gallery in Edinburgh, UK, the composition presents a nude female figure engaged in the intimate act of drying herself. The artist employs warm and earthy tones to render the soft contours of the woman's body, contrasted with the vibrant background, thus capturing a moment of private routine with remarkable delicacy and fluidity.

114. Ballet at the Paris Opéra

Ballet at the Paris Opéra

The artwork "Ballet at the Paris Opéra," created by Edgar Degas between 1877 and 1878, is an exemplar of the Impressionist movement and falls within the genre of genre painting. This painting vividly captures the essence of a ballet performance at the Paris Opera, featuring a group of ballerinas elegantly poised and dancing amidst a richly detailed and atmospheric setting. The composition, characterized by its dynamic motion and ethereal quality, reflects Degas's keen observation and nuanced portrayal of movement and light, emblematic of the Impressionist style.

115. Ballet Class, the Dance Hall

Ballet Class, the Dance Hall

The artwork, "Ballet Class, the Dance Hall" by Edgar Degas, created in 1880, is an oil painting on canvas measuring 81.6 x 76.5 cm, belonging to the Impressionism movement and categorized as a genre painting. It is housed in the Philadelphia Museum of Art, Philadelphia, PA, US. The painting captures a moment in a ballet studio where dancers, in tutus, are seen practicing at the barre, with other figures likely engaged in various activities related to the dance class. The composition skillfully conveys the dynamic and disciplined environment of a dance rehearsal, highlighting Degas' interest in ballet and his ability to depict movement and everyday scenes with grace and precision.

116. Ballet Dancers

Ballet Dancers

"Ballet Dancers," an oil painting on canvas created by Edgar Degas between approximately 1895 and 1900, is a remarkable example of Impressionism and genre painting. This artwork, housed in the National Gallery in London, UK, captures the grace and elegance of ballet dancers in a fleeting moment. Degas' masterful use of light and color, along with his loose, expressive brushwork, evokes the dynamic movement and atmospheric ambiance of the dance scene, offering a glimpse into the intimate world of the performers.

117. Ballet Rehearsal

Ballet Rehearsal

"Ballet Rehearsal," created circa 1875 by Edgar Degas, is an Impressionist genre painting executed in pastel. The artwork depicts a group of ballet dancers, likely in the midst of rehearsal, captured in varying poses and moments of preparation and instruction. The composition intricately conveys the dynamism and atmosphere of the ballet studio, with the dancers rendered in a soft, diffused light and enveloped in a backdrop that emphasizes movement and fluidity. Degas’s skilled use of pastel brings out the delicate textures of the dancers' tutus and the surrounding space, exemplifying the decorative and spontaneous qualities of the Impressionist movement.

118. Ballet Rehearsal

Ballet Rehearsal

"Ballet Rehearsal," created by Edgar Degas in 1873, is an exemplar of the Impressionist movement and a distinguished piece within the genre of genre painting. The artwork, using delicate brushstrokes and a softened palette, depicts a scene of young ballerinas practicing under the guidance of an instructor, set within a spacious dance studio illuminated by natural light streaming through large windows. Such a portrayal reflects Degas' fascination with capturing ephemeral moments of everyday life and his keen interest in the world of ballet, imbuing the scene with a sense of animated grace and disciplined elegance.

119. Ballet Rehearsal

Ballet Rehearsal

"Ballet Rehearsal" is an oil painting on canvas created by Edgar Degas in 1891. This genre painting belongs to the Impressionism art movement and is housed at the Yale University Art Gallery in New Haven, Connecticut. The artwork vividly captures ballet dancers engaged in their practice, showcasing Degas' keen observation of movement and his adept use of color and light to convey the dynamic atmosphere of a ballet rehearsal room.

120. Ballet Scene

Ballet Scene

"Ballet Scene" by Edgar Degas, created circa 1879, is a pastel artwork belonging to the Impressionism art movement and categorized as genre painting. The artwork, held in a private collection, captures the dynamic grace and poise of ballet dancers. Degas' masterful use of pastel brings an ethereal quality to the dancers' tutus and the fluidity of their movements, set against a softly blurred, impressionistic background. The delicate hues and the meticulous attention to the nuances of light and shadow exemplify Degas' innovative approach to capturing the fleeting moments of everyday life.

121. Ballet Scene

Ballet Scene

The artwork, entitled "Ballet Scene," created by Edgar Degas circa 1885, employs oil on canvas as its medium. This piece is a quintessential example of the Impressionism movement, encapsulating the genre painting style. Currently held in a private collection, the artwork captures an intimate and dynamic moment within a ballet environment, characterized by Degas's hallmark use of soft, vibrant colors and fluid, almost ethereal brushstrokes. The scene depicts ballet dancers in various stages of preparation and performance, providing a glimpse into the grace and disciplined world of ballet through an impressionistic lens.

122. Ballet Scene

Ballet Scene

The artwork, titled "Ballet Scene," was created by Edgar Degas around the year 1893, utilizing oil paint on canvas. It falls under the Impressionism movement and is categorized as genre painting. Currently, it resides in a private collection. The artwork depicts a fleeting moment in a ballet rehearsal, featuring ballerinas in delicate, flowing tutus, captured with loose and expressive brushstrokes characteristic of Degas' style. The composition conveys a sense of movement and grace, with a focus on the intricate details of the dancers' attire and the ambiance of their surroundings.

123. Ballet Scene

Ballet Scene

The artwork "Ballet Scene," created circa 1898 by Edgar Degas, employs pastel as its medium and belongs to the genre of genre painting within the Impressionist movement. The artwork portrays a dynamic and colorful tableau of ballet dancers, captured in various poses and movements, set against a richly textured backdrop. The use of vivid colors and expressive strokes epitomizes the Impressionist focus on light, movement, and the ephemeral beauty of everyday scenes.

124. Dancers in Foyer

Dancers in Foyer

The artwork, titled "Dancers in Foyer," was crafted by Edgar Degas between 1887 and 1890. Belonging to the Impressionism art movement, this genre painting is a distinguished example of Degas's masterful portrayal of ballet dancers, a subject he frequently explored. The composition captures a moment within a dance studio, where ballerinas are depicted in various stages of preparation and practice amidst the subtle play of light and shadow. The use of pastel tones and dynamic positioning of the figures evoke a sense of movement and spontaneity, characteristic of the Impressionist style.

125. Dancers in Green

Dancers in Green

"Dancers in Green," created around 1878 by Edgar Degas, is a pastel artwork embodying the essence of Impressionism and classified within the genre of genre painting. The artwork showcases three female dancers in delicate, flowing green tutus, captured in an elegant moment of movement amidst a richly textured background, characterized by a symphony of vibrant hues. This masterful composition, held in a private collection, exemplifies Degas' profound ability to portray the grace and dynamism of ballet dancers, illustrating his distinctive style and meticulous attention to detail.

126. Dancers in the Wings

Dancers in the Wings

"Dancers in the Wings" is an Impressionist oil painting on canvas created circa 1885 by the artist Edgar Degas. The artwork, which measures 61 by 50 centimeters, belongs to the genre of genre painting and is currently held in a private collection. The painting depicts a scene of ballet dancers captured in a candid moment behind the scenes, defined by dynamic brushstrokes and a rich palette that evokes the atmosphere of a theater. The composition reveals Degas' mastery in portraying movement and the subtleties of human gestures.

127. Laundry Girls Ironing

Laundry Girls Ironing

The artwork, created by Edgar Degas in 1884, is titled "Laundry Girls Ironing" and is an oil painting on canvas. It falls within the genre painting category and is associated with the Impressionist movement. The artwork is currently housed at the Musée d'Orsay in Paris, France. The scene depicted shows two women engaged in the laborious task of ironing, one apparently exhausted or yawning and the other focused intently on her work. The muted tones and textured brushstrokes characteristic of Degas' technique artistically convey the everyday life and toil of the working class during this period.

128. Leaving the Bath

Leaving the Bath
  • Artwork Name: Leaving the Bath
  • Year: c.1900 - c.1905
  • Medium: pastel
  • Dimensions: 78 x 79 cm

"Leaving the Bath" is a pastel artwork created by Edgar Degas circa 1900-1905, and it is classified within the Impressionism movement. Measuring 78 by 79 cm, this nude painting (nu) captures an intimate moment of a figure exiting the bath. The artwork, housed in a private collection, showcases Degas' mastery of pastel medium with its rich textures and vibrant use of color, reflecting his fascination with the human form and the fluidity of motion. The subject is depicted in a moment of vulnerability, emphasizing the transient nature of such everyday activities.

129. Leaving the Bath

Leaving the Bath

"Leaving the Bath" is an artwork by Edgar Degas, created in 1885. It belongs to the Impressionism art movement and is a nude painting (nu). The artwork depicts a woman in an intimate, private moment, captured as she is bent over, possibly drying herself after a bath. Using his signature pastel technique, Degas employs a combination of rich, warm colors and soft, fluid strokes to create an evocative and dynamic composition that exudes a sense of immediacy and movement. The piece exemplifies his masterful ability to portray the human figure with both sensitivity and expressiveness.

130. Rest

Rest
  • Artwork Name: Rest
  • Year: c.1893
  • Medium: pastel

"Rest," created by Impressionist artist Edgar Degas circa 1893, is a genre painting crafted using pastel. Currently held in a private collection, the artwork exemplifies Degas's delicate and radiant use of pastel mediums. It portrays a serene and intimate scene, capturing a moment of repose with soft, flowing lines and a harmonious blend of colors. The composition emphasizes the gentle curvature of the reclining figure, enveloped in a palette dominated by shades of blue and warm earth tones.

131. Rest

Rest
  • Artwork Name: Rest
  • Year: 1893

The artwork entitled "Rest" by Edgar Degas, created in 1893, is a genre painting that belongs to the Impressionism art movement. The painting depicts a tranquil scene where the softness of colors and fluidity of forms convey a sense of serenity and repose. The artwork employs a pastel color palette to enhance the dreamlike quality of the depicted moment, characteristic of Degas' fascination with capturing the subtleties of light and human expression.

132. Rest on the bed

Rest on the bed

"Rest on the Bed," crafted by Edgar Degas between 1876 and 1877, belongs to the Impressionism movement and is classified as a sketch and study. The artwork depicts a woman reclining on a bed, captured in a casual and somewhat introspective pose. The simplicity of the sketch, characterized by soft and deliberate strokes, emphasizes the artist’s focus on the natural posture and serenity of the subject. The use of monochromatic shades skillfully highlights the contours and relaxed disposition of the figure, offering a glimpse into Degas' meticulous study of human form and intimate, everyday scenes.

133. Ballet Scene from Robert la Diable

Ballet Scene from Robert la Diable

The artwork "Ballet Scene from Robert la Diable," created in 1872 by Edgar Degas using oil on canvas, measures 66 by 54.3 centimeters. Degas, a prominent figure in the Impressionist movement, encapsulates genre painting in this piece. The artwork depicts a dramatic ballet performance set within a richly detailed theater. Illuminated dancers, appearing ethereal and ghostly, are captured mid-movement against a dark, atmospheric background. The scene is observed by an engaged audience in the lower portion of the painting, adding depth and emphasizing the contrast between the stage's light and the auditorium's shadow.

134. Ballet Scene from Robert la Diable (detail)

Ballet Scene from Robert la Diable (detail)

"Ballet Scene from Robert la Diable (detail)," painted by Edgar Degas in 1871, is an oil on panel artwork that belongs to the Impressionism movement and the genre painting category. The artwork captures a moment from the ballet performance of "Robert la Diable," portraying an evocative scene bathed in dramatic lighting. The audience is depicted in the foreground, shrouded in darkness, while the ballet dancers in the background are illuminated, creating a stark contrast that emphasizes the ethereal quality of the performance. The use of light and shadow, a hallmark of Degas' style, adds depth and dimension to the artwork, inviting viewers to immerse themselves in the vivid theatrical atmosphere.

135. Ballet School

Ballet School

The artwork, titled "Ballet School," by Edgar Degas, was created in 1873 during the Impressionism movement and falls under the genre of genre painting. The artwork vividly portrays a lively scene within a ballet school, brimming with young ballerinas engaged in various activities. The composition and use of light capture the fleeting moments of preparation, practice, and informal interaction among the dancers, vividly illustrating the everyday life of a ballet school. Degas' delicate brushstrokes and keen observation are evident, making the artwork a remarkable representation of both the elegance and mundanity of the dancers' routines.

136. Bather by the Water

Bather by the Water

"Bather by the Water," created circa 1903 by Edgar Degas, is a pastel artwork exemplifying the Impressionist movement and falls within the genre of nude painting or "nu". The artwork, housed in a private collection, depicts a woman bathing, captured with delicate yet expressive strokes. The nude figure, rendered in warm tones, stands gracefully by the water's edge, immersed in her modest routine. The background features a serene, natural setting, adding to the tranquil atmosphere of the scene. Degas' masterful use of pastel creates a soft, harmonious blend of colors, highlighting his adeptness at capturing the subtleties of light and form.

137. Bathers on the grass

Bathers on the grass

The artwork titled "Bathers on the Grass," created by the artist Edgar Degas between 1886 and 1890, is rendered in pastel on paper. This piece exemplifies the Impressionism movement and falls within the genre of nude painting (nu). The artwork depicts two nude figures resting on a grassy surface, showcasing Degas' characteristic use of light and color to capture the naturalism and intimacy of the scene.

138. Beach at Ebbe

Beach at Ebbe
  • Artwork Name: Beach at Ebbe
  • Year: 1869 - 1870
  • Medium: pastel
  • Dimensions: 18 x 61 cm

The artwork "Beach at Ebbe," created by Edgar Degas between 1869 and 1870, is a pastel piece embodying the Impressionist art movement. Measuring 18 x 61 cm, this landscape genre artwork is currently held in a private collection. The artwork depicts a serene beach scene at low tide, showcasing soft, pastel hues that create a tranquil atmosphere. Seemingly uninhabited stretches of sand meet the gentle waves of the ocean, while subtle figures in the distance and delicate textures add depth, capturing the ephemeral beauty of nature with an impressionistic touch.

139. Beach Scene

Beach Scene
  • Artwork Name: Beach Scene
  • Year: 1877
  • Medium: oil,canvas
  • Dimensions: 46 x 81 cm

"Beach Scene," created in 1877 by Edgar Degas, is an oil on canvas painting measuring 46 by 81 cm. The artwork, located in the National Gallery in London, UK, is an example of the Impressionist art movement and falls under the genre painting category. The scene depicts a tranquil beach setting, with a man attending to a reclining figure under a parasol. Nearby, beachgoers of various ages stroll along the shore, while sailboats dot the horizon. The composition captures the serene atmosphere of a leisurely day at the seaside, emphasizing the everyday beauty captured through Degas' Impressionist lens.

140. Beach with Sailing Boats

Beach with Sailing Boats

The artwork, titled "Beach with Sailing Boats," was created around 1869 by Edgar Degas. It belongs to the Impressionism art movement and is classified within the landscape genre. The artwork depicts a serene seashore scene characterized by a tranquil beach where a few figures are scattered along the shore, and a set of sailing boats are seen gliding on the calm waters under an expansive and subtly tinted sky. The soft, muted tones and delicate brushwork evoke a gentle, almost dreamlike atmosphere, embodying the quintessential qualities of Degas's impressionistic style.

141. Bedtime (Woman Extinguishing Her Lamp)

Bedtime (Woman Extinguishing Her Lamp)

"Bedtime (Woman Extinguishing Her Lamp)," created by Edgar Degas circa 1883, is an Impressionist oil painting on canvas, measuring 33 x 38 cm, and currently held in a private collection. The artwork depicts a nude woman poised to extinguish a lamp, captured in a moment of quiet intimacy. The scene, rendered with Degas's characteristic use of light and color to convey movement and atmosphere, illustrates a personal, almost voyeuristic glimpse into the subject's bedtime routine. The combination of loose brushwork and softly illuminated tones encapsulates the ephemeral, delicate nature of the Impressionist movement.

142. Before the Ballet (detail)

Before the Ballet (detail)

The artwork titled "Before the Ballet (detail)" was created by Edgar Degas between 1890 and 1892. Degas, a prominent artist of the Impressionist movement, rendered this piece as a genre painting. The artwork features an abstract blend of muted colors with a signature visible at the lower left corner. This piece epitomizes Degas' impromptu yet meticulous capturing of everyday moments, reflecting his masterful technique and deep understanding of form and movement.

143. Dancers, Pink and Green

Dancers, Pink and Green

"Dancers, Pink and Green" is an oil on canvas painting created in 1890 by the renowned artist Edgar Degas, a prominent figure within the Impressionist movement. The artwork, characterized as a genre painting, measures 82.2 x 75.6 cm and depicts a group of ballerinas in a scene filled with motion and grace. The composition showcases Degas' adeptness at capturing the fluidity and dynamism of dance through his delicate handling of color and light, with the dancers adorned in vibrant pink and green costumes set against a backdrop of warm, richly textured hues.

144. Dancers, Pink and Green

Dancers, Pink and Green

The artwork "Dancers, Pink and Green" by Edgar Degas, created in 1894, exemplifies the Impressionist movement using pastel as its medium. This genre painting depicts two ballet dancers captured in a moment of poised elegance, characterized by their vibrant pink and green attire. The softly blended hues and dynamic composition highlight Degas' keen observation of ballet life, drawing viewers into the intimate and ephemeral nature of the scene. Currently held in a private collection, the artwork reflects Degas' mastery in portraying movement and light with delicate yet expressive strokes.

145. Dancers Practicing at the Barre

Dancers Practicing at the Barre

"Dancers Practicing at the Barre," created by Edgar Degas in 1877, is a quintessential example of Impressionist genre painting rendered in oil on canvas. The artwork, measuring 75.6 x 81.3 cm, illustrates two young ballet dancers engrossed in their practice at the barre. The composition captures a moment of delicate concentration, with the figures depicted in light, airy tutu dresses set against a textured, warm-toned wall. Degas's masterful use of light and shadow, and his keen attention to the subtleties of human movement, lend the piece a sense of grace and realism, characteristic of his renowned works in the Impressionist movement.

146. Dancers Relaxing

Dancers Relaxing

"Dancers Relaxing," created by Edgar Degas circa 1885, is a pastel artwork categorized under the Impressionism movement and represents the genre painting style. It presently resides within a private collection. The artwork captures an intimate and candid moment of ballet dancers in repose, rendered with delicate and expressive pastel strokes that highlight Degas' acute observation of movement and form. The composition, rich in texture, showcases the nuanced interplay of light and shadow, lending a sense of immediacy and realism to the serene yet dynamic scene.

147. Dancers Resting

Dancers Resting

"Dancers Resting," created in 1879 by Edgar Degas, is an exemplary pastel work of the Impressionist art movement. This genre painting depicts two ballerinas in a moment of respite, characterized by Degas' signature use of light and shadow to capture the fleeting essence of movement and repose. The artwork conveys a sense of introspection and calm, with the dancers seated and slightly hunched over, their delicate tutus blending effortlessly with the pastel hues of the background. Currently housed in the Museum of Fine Arts in Boston, Massachusetts, this piece demonstrates Degas' fascination with ballet and his innovative approach to capturing the subtleties of everyday life.

148. Dancer Standing (study)

Dancer Standing (study)

The artwork, titled "Dancer Standing (study)," was created by Edgar Degas in 1872 using pastel as the medium. This piece belongs to the Impressionism art movement and falls under the genre of genre painting. Currently housed in a private collection, the artwork showcases a ballerina in profile, poised with grace and elegance. The delicate use of pastels conveys a soft yet dynamic depiction of the dancer, capturing the fleeting moment with a light touch characteristic of Degas' studies of ballet dancers. The background remains minimally detailed, allowing the figure of the dancer, adorned in a traditional ballet costume, to stand out as the focal point of the composition.

149. Dancers tying shoes

Dancers tying shoes

"Dancers Tying Shoes," created by Edgar Degas in 1883, is an oil painting on canvas that belongs to the Impressionism art movement. Spanning dimensions of 70.5 x 200.7 cm, this genre painting captures the intimate, behind-the-scenes moment of ballet dancers preparing by tying their shoes. The artwork illustrates Degas' keen interest in depicting the grace and routine of dancers, showcasing their poised yet casual gestures amidst a muted palette, emphasizing both the elegance and the labor involved in their art.

150. Dancer Tilting

Dancer Tilting
  • Artwork Name: Dancer Tilting
  • Year: c.1883
  • Medium: pastel
  • Dimensions: 69.2 x 51.8 cm

"Dancer Tilting," created circa 1883 by Edgar Degas, is a genre painting rendered in pastel and stands as a quintessential example of Impressionism. The artwork measures 69.2 by 51.8 centimeters and is currently held in a private collection. The artist, Degas, renowned for his depictions of ballet dancers, masterfully captures the delicate grace and dynamic motion of a dancer in mid-performance. The composition features a ballerina in a vibrant tutu, captured in a moment of poised elegance, with her body fluidly tilting, arms extended, and one leg elegantly elevated. The pastel medium imparts a softness and vibrancy, enhancing the impressionistic effect, while the background’s blurred, abstract strokes evoke the atmosphere of a performance space.

151. Dancer with a Bouquet Bowing

Dancer with a Bouquet Bowing

"Dancer with a Bouquet Bowing," created by Edgar Degas in 1877, is a pastel work reflective of the Impressionist art movement and belongs to the genre painting category. The artwork, housed in the Musée d'Orsay in Paris, France, portrays a ballet dancer taking a bow while holding a bouquet. Other dancers and elements of the backstage scene, rendered with soft, delicate strokes, surround the central figure. The piece captures a fleeting moment with a sense of elegance and grace, characteristic of Degas's style and the broader Impressionist emphasis on light, color, and movement.

152. Dancer with a Bouquet of Flowers

Dancer with a Bouquet of Flowers

The artwork titled "Dancer with a Bouquet of Flowers," created by Edgar Degas in 1878, is a pastel piece representing the Impressionism movement. Measuring 40 x 50 cm, this genre painting is currently housed at the Rhode Island School of Design Museum in Providence, RI, US. The artwork depicts a scene of ballet dancers, with one central figure holding a bouquet while surrounded by fellow performers. The use of pastel lends a soft, ethereal quality to the dancers' costumes, highlighting the dynamism and grace intrinsic to Degas’ oeuvre.

153. Leon Bonnat

Leon Bonnat

The artwork titled "Leon Bonnat" is a portrait created by Edgar Degas in 1863. Executed in oil on panel, this piece is associated with the Impressionism art movement and is currently part of a private collection. The portrait features a male figure rendered with a palette of muted tones, highlighting the artist's adept use of light and shadow. The subject is depicted with a thoughtful expression, gazing off to the side, dressed in period attire, conveying both a sense of dignity and introspection. The brushwork is both delicate and precise, characteristic of Degas' nuanced approach to capturing the human form and emotion.

154. Les Pointes

Les Pointes
  • Artwork Name: Les Pointes
  • Year: 1877 - 1878
  • Medium: oil,canvas
  • Dimensions: 50 x 61 cm

"Les Pointes," created by Edgar Degas between 1877 and 1878, is an oil on canvas painting measuring 50 by 61 centimeters. This Impressionist genre painting, currently held in a private collection, portrays a ballet dancer in a poised arabesque, captured with the soft brushstrokes and delicate play of light characteristic of Degas' artistic style. The verdant backdrop and the nuanced depiction of the dancer's tutu embody the dynamism and fleeting beauty that are hallmarks of Impressionism.

155. Little Dancer Fourteen Years Old

Little Dancer Fourteen Years Old

"Little Dancer Fourteen Years Old" is a sculpture created by Edgar Degas in 1881, as part of the Impressionist movement. The artwork portrays a young ballet dancer wearing a tutu and ballet slippers, captured in a poised stance with her arms held behind her back. The sculpture conveys a vivid sense of realism and delicacy through its detailed depiction, emphasizing Degas's keen interest in capturing the grace and discipline of ballet performers. The use of mixed materials, including a fabric tutu and a satin ribbon, adds to the lifelike quality of the piece, illustrating the artist's innovative approach to sculpture.

156. Little Girl Carrying Flowers in Her Apron

Little Girl Carrying Flowers in Her Apron

The artwork, titled "Little Girl Carrying Flowers in Her Apron," is an oil on canvas painted by Edgar Degas circa 1860 to 1862. Falling under the Impressionism art movement, this portrait depicts a young girl, delicately holding flowers in the apron of her dress. The scene captures a sense of innocence and grace, characteristic of Degas' ability to portray intimate moments with subtle emotion. Currently, this piece belongs to a private collection.

157. Lowering the Curtain

Lowering the Curtain

"Lowering the Curtain," created around 1880 by Edgar Degas, is an exquisite pastel artwork that exemplifies the Impressionist movement. This genre painting, privately held in a collection, captures a dynamic and vivid scene of ballet dancers at a pivotal moment. The artwork illustrates Degas' signature interest in movement and the human form, depicting the dancers in vibrant, swirling costumes under a descending stage curtain. The application of pastel lends a dreamlike quality to the piece, enhancing the ethereal and lively atmosphere inherent to Degas' portrayal of the ballet.

158. Ludovic Halevy Speaking with Madame Cardinal

Ludovic Halevy Speaking with Madame Cardinal

The artwork "Ludovic Halevy Speaking with Madame Cardinal," created by Edgar Degas around 1876 to 1877, is a pastel portrait that exemplifies the Impressionist movement. Measuring 26.7 x 17.5 cm, the piece is currently held in a private collection. The artwork depicts a conversation between Ludovic Halevy, shown in a dark suit and top hat with a white shirt, and Madame Cardinal, whose back is turned towards the viewer. She is adorned in a striking red and black checkered shawl that stands out against the muted background. The soft, blurred lines and the subtle play of light and color are characteristic of Degas' Impressionist style.

159. Madame Alexis Rouart and Her Children

Madame Alexis Rouart and Her Children

The artwork titled "Madame Alexis Rouart and Her Children," created circa 1905 by Edgar Degas, exemplifies the Impressionism movement through the medium of pastel. This genre painting captures a domestic scene with a sense of intimate realism and emotional depth. Presently housed in the Petit Palais in Paris, France, the artwork depicts Madame Alexis Rouart accompanied by her children, showcasing Degas's skillful use of color and light to create a vivid, evocative composition. The scene is imbued with a sense of narrative and personal connection, characteristic of Degas's poignant and observational style.

160. Madame Camus with a Fan

Madame Camus with a Fan

"Madame Camus with a Fan," painted by Edgar Degas in 1870, is an oil-on-canvas portrait that exemplifies the artist's engagement with Impressionism and Japonism. In the artwork, Madame Camus is depicted with an air of solemnity, seated with an elegant fan in hand, rendered in soft, muted tones. The background features a warm, reddish hue, further accentuating the contemplative mood of the scene. Degas’ use of lighting and shadow, as well as his focus on the delicate details of the surroundings, reflects the influence of Japanese art on his approach, bringing a unique fusion of cultural aesthetics to the Impressionist movement.

161. Madame Deitz-Monin

Madame Deitz-Monin

The artwork, titled "Madame Deitz-Monin," was created by Edgar Degas in 1879 using pastel. It falls within the Impressionism art movement and is a portrait. The piece depicts a woman in profile, adorned in a soft, brimmed hat that casts a subtle shadow over her face. Her expression is serene, and the use of pastel lends a delicate and airy quality to the image. The artist's skillful rendering of texture and light underscores the quiet elegance and grace of the subject.

162. Ukrainian Dancers

Ukrainian Dancers

The artwork, titled "Ukrainian Dancers" and created by Edgar Degas in 1895, is a pastel piece that embodies the genre painting style within the Impressionism art movement. The artwork portrays Ukrainian dancers captured in dynamic poses, with vibrant colors and fluid lines highlighting the movement and energy of their dance. The pastel medium allows Degas to utilize a rich palette, effectively conveying both the texture and rhythm of the dancers' attire and motions. This artwork is part of a private collection, indicating its special value and significance to its owner.

163. Scene from the Steeplechase - the Fallen Jockey

Scene from the Steeplechase - the Fallen Jockey

"Scene from the Steeplechase - the Fallen Jockey," painted by Edgar Degas in 1866, is an oil on canvas work associated with the Impressionism movement and classified as a genre painting. Currently held in a private collection, the artwork captures the intense and dramatic moment of a steeplechase horse race where a jockey has fallen to the ground while horses gallop past. Degas uses rich colors and dynamic composition to convey the motion and chaos of the scene, highlighting the vulnerability of the fallen jockey amidst the race.

164. Scene of War in the Middle Ages

Scene of War in the Middle Ages

"Scene of War in the Middle Ages," an oil-on-canvas painting by Edgar Degas, was created in 1865 and belongs to the art movement of Neoclassicism. The artwork, a history painting, measures 85 by 147 centimeters and is housed in the Musée d'Orsay in Paris, France. The artwork depicts a chaotic and tumultuous battlefield scene, with figures on horseback engaged in combat and strewn bodies of the fallen. The dark, turbulent sky and stark landscape evoke the brutality and despair of war during the medieval period.

165. Seascape

Seascape
  • Artwork Name: Seascape
  • Year: 1869
  • Medium: pastel

"Seascape," created by Edgar Degas in 1869 using pastel, is an exemplar of the Impressionist movement. The artwork, a captivating marina genre piece, is housed in the Musée d'Orsay in Paris, France. The artwork depicts a serene ocean horizon under a vast, cloudy sky. The subtlety in the pastel work and the muted tones convey a tranquil and contemplative atmosphere, characteristic of Degas' impressionistic approach.

166. Seated Bather

Seated Bather
  • Artwork Name: Seated Bather
  • Year: 1899
  • Medium: pastel,paper
  • Dimensions: 51 x 51 cm

"Seated Bather," a pastel painting on paper created by Edgar Degas in 1899, is an evocative example of the Impressionist movement. The artwork, measuring 51 by 51 centimeters, belongs to the genre of nude painting (nu) and is currently held in a private collection. It depicts a bather seated with her back facing the viewer, surrounded by rich and vibrant colors that characterize Degas' distinct use of pastels. This intimate portrayal captures the serene yet dynamic interplay of light and shadow on the human form, a testament to Degas' mastery in depicting everyday scenes with profound artistic insight.

167. Seated Dancer

Seated Dancer
  • Artwork Name: Seated Dancer
  • Year: 1881 - 1883
  • Medium: pastel,paper
  • Dimensions: 62 x 49 cm

"Seated Dancer," a genre painting by renowned artist Edgar Degas, exemplifies the Impressionist movement. Created between 1881 and 1883, this artwork utilizes pastel on paper and measures 62 by 49 centimeters. The piece is currently housed in the Musée d'Orsay in Paris, France. In the artwork, Degas portrays a dancer seated, tying her ballet shoe, capturing a moment of quiet preparation with his characteristic sensitivity to light and movement. The use of soft pastels enhances the delicate texture of the ballerina's tutu and the subtle play of light on her skin, illustrating a transient moment with exquisite artistic finesse.

168. The Riders

The Riders

"The Riders," crafted by Edgar Degas between 1875 and 1876, stands as a prominent work within the Impressionist movement, categorized under the genre painting genre. The artwork depicts several horsemen ambling through an expansive, serene countryside, characterized by muted tones and a softness typical of the Impressionist style. The figures and their mounts are positioned against a backdrop of rolling green fields, evoking a sense of calm and natural beauty. Degas' masterful use of light and shadow, combined with the fluidity of the riders' forms, captures a moment of leisurely equestrian activity, immersing the viewer in the tranquil ambiance of the scene.

169. The Savoy Girl

The Savoy Girl
  • Artwork Name: The Savoy Girl
  • Year: 1860
  • Medium: oil,canvas
  • Dimensions: 61 x 45.7 cm

"The Savoy Girl," an oil painting on canvas by Edgar Degas, dates back to 1860 and is an exemplar of the Impressionism movement. This portrait measures 61 x 45.7 cm and is housed at the Rhode Island School of Design Museum in Providence, RI, USA. The artwork depicts a young girl adorned in traditional attire, including a white bonnet and a large, pleated collar. Degas' use of warm, subtle tones emphasizes the serene expression and delicate features of the subject, giving the viewer a glimpse into the cultural and artistic milieu of the time.

170. The Star

The Star
  • Artwork Name: The Star
  • Year: 1871 - 1881
  • Medium: pastel,paper

"The Star" is a pastel on paper artwork by Edgar Degas, created between 1871 and 1881 during the Impressionist movement. This genre painting, located at the Art Institute of Chicago in Chicago, Illinois, US, captures the elegance and poise of a ballet dancer performing under the spotlight. Dominated by warm tones and fluid brushstrokes, the artwork portrays a ballerina in mid-performance, surrounded by other dancers in motion, reflecting Degas's keen interest in the ephemeral beauty and dynamic movement of the ballet.

171. The Star - Dancer on Pointe

The Star - Dancer on Pointe

"The Star - Dancer on Pointe," crafted by Edgar Degas circa 1877-1878, is an exemplary work of the Impressionist movement, categorized as a genre painting. This artwork, presently housed at the Norton Simon Museum in Pasadena, California, depicts a ballerina poised gracefully on pointe. The delicate brushstrokes and use of soft, pastel hues highlight the dancer's elegance and the ephemeral quality of the moment captured.

172. The Star (Dancer on Stage)

The Star (Dancer on Stage)

"The Star (Dancer on Stage)", created by Edgar Degas circa 1878, is a pastel artwork belonging to the Impressionism movement. This genre painting, housed in the Musée d'Orsay in Paris, France, depicts a ballet dancer performing under the vibrant stage lights. The composition captures the grace and poise of the dancer mid-performance, her form highlighted against an abstract and warmly colored background. Degas' masterful use of pastel medium accentuates the delicate textures of the dancer's tutu and the ethereal atmosphere of the stage setting, encapsulating the fleeting elegance of ballet.

173. The Start of the Hunt

The Start of the Hunt

"The Start of the Hunt" is an oil-on-canvas genre painting by Edgar Degas, created circa 1863 to circa 1865, and belonging to the Impressionism art movement. The artwork, measuring 70 by 89 cm and housed in a private collection, captures an evocative depiction of a hunt's commencement. Set against a pastoral landscape bathed in a warm, golden light, several horsemen, dressed in characteristic red hunting jackets and black riding hats, prepare for the pursuit. Their poised yet relaxed demeanor successfully conveys the calm before the excitement of the hunt, underscoring Degas' mastery in portraying human activities within their natural environments.

174. The Step with Battement

The Step with Battement

"The Step with Battement," created by Edgar Degas in 1879, is a pastel artwork that belongs to the Impressionism movement and falls within the genre painting category. Currently held in a private collection, the artwork depicts ballerinas in a dance studio, rendered with expressive brushstrokes and a dynamic composition characteristic of Degas' fascination with ballet dancers. The delicate play of light and shadow enhances the ethereal beauty of the dancers' tutus and the graceful movements captured in mid-dance, embodying the essence of Impressionist techniques and Degas' meticulous observation of his subjects.

175. The Toilette

The Toilette
  • Artwork Name: The Toilette
  • Year: c.1884 - c.1886
  • Medium: pastel

"The Toilette," a pastel artwork by Edgar Degas, created circa 1884-1886, exemplifies the Impressionist movement and falls within the genre of nude painting (nu). The artwork is currently housed in a private collection. It depicts a nude figure, viewed from the back, engaged in the intimate act of washing at a basin, with a focus on the naturalistic portrayal of light and texture that is characteristic of Degas’ works.

176. The Toilette

The Toilette
  • Artwork Name: The Toilette
  • Year: 1897
  • Medium: pastel
  • Dimensions: 60 x 61 cm

"The Toilette," created by Edgar Degas in 1897, is a pastel artwork measuring 60 x 61 cm and is representative of the Impressionism art movement. This nude painting (nu) intricately captures a woman engaged in her personal grooming routine. The artwork demonstrates Degas's masterful use of pastel colors and dynamic brushstrokes to convey the intimate and delicate moment. The scene is imbued with warmth and a sense of privacy, characterized by the artist's focus on the nuances of light and texture.

177. The Toilette after the Bath

The Toilette after the Bath

"The Toilette after the Bath," created by Edgar Degas circa 1886-1890, is a pastel artwork housed in a private collection. Belonging to the Impressionism movement, this piece exemplifies the genre of nude painting (nu). The artwork depicts a woman in the act of drying herself after bathing, rendered with delicate pastel strokes that capture the softness of the human form and the intimate moment. The muted color palette and the subtle use of light and shadow emphasize the impressionistic style, portraying the transient qualities of light and the private nature of the scene.

178. Woman Ironing

Woman Ironing

The artwork titled "Woman Ironing" was created by Edgar Degas around 1887 using oil on canvas. This genre painting belongs to the Impressionism art movement. In the artwork, a woman is depicted in the act of ironing, her figure prominently positioned at the center, engaging in the meticulous task. The light captures the textures of the fabrics and the subtleties of the domestic environment, highlighting Degas' precise attention to detail and his characteristic exploration of everyday life scenes.

179. Woman Ironing

Woman Ironing
  • Artwork Name: Woman Ironing
  • Year: 1869
  • Medium: oil,canvas
  • Dimensions: 92 x 74 cm

The artwork, titled "Woman Ironing," was created by Edgar Degas in 1869 using oil on canvas. This genre painting, which falls within the Impressionism art movement, measures 92 by 74 centimeters. It is currently housed at the Neue Pinakothek in Munich, Germany. The composition presents a woman engrossed in the domestic activity of ironing, capturing the delicate balance between the mundane task and the inferred grace of the protagonist. The use of soft, muted tones and fluid brushstrokes emphasizes the artist's focus on the naturalistic depiction of a momentary scene in everyday life.

180. Woman Ironing

Woman Ironing
  • Artwork Name: Woman Ironing
  • Year: 1884 - 1886
  • Medium: oil,canvas
  • Dimensions: 80 x 63.5 cm

"Woman Ironing," created by Edgar Degas between 1884 and 1886, is an oil painting on canvas that measures 80 by 63.5 centimeters. The work is a prime example of the Impressionism art movement and falls into the genre of genre painting. The artwork portrays a woman engaged in the domestic task of ironing, captured with Degas's characteristic keen observation of everyday life. The use of warm and muted colors, combined with the soft, blurred lines, emphasizes the mundane nature of the activity while also imbuing the scene with a sense of quiet dignity and introspection. Currently, this piece resides in the Walker Art Gallery in Liverpool, UK.

181. Woman Ironing (Silhouette)

Woman Ironing (Silhouette)

The artwork, titled "Woman Ironing (Silhouette)" by Edgar Degas, was created in 1873 using oil on canvas. Demonstrating the stylistic characteristics of the Impressionism movement, this genre painting captures a domestic scene with a silhouetted figure of a woman engaged in the act of ironing. The somber tones and subtle brushwork convey a sense of quiet diligence. This notable piece is currently housed in the Metropolitan Museum of Art (Met) in New York City, NY, US, reflecting Degas's adeptness at portraying everyday moments with nuanced realism.

182. Woman Leaving Her Bath

Woman Leaving Her Bath

"Woman Leaving Her Bath," created by Edgar Degas between circa 1886 and circa 1888, is a pastel artwork that belongs to the Impressionism movement and falls within the genre of nude painting (nu). The artwork captures a candid and intimate moment, depicting a woman in the act of rising from her bath. The scene reveals the delicate play of light on her skin and the subtle, expressive movements of her figure. Richly colored with an emphasis on the warm tones, the background suggests an interior space that enhances the sense of privacy and immediacy. Currently held in a private collection, the artwork exemplifies Degas's masterful use of pastels to convey texture and mood.

183. Woman Leaving Her Bath

Woman Leaving Her Bath

"Woman Leaving Her Bath," created by Edgar Degas in 1877 and executed in pastel, is a quintessential example of the Impressionism movement. Currently housed in the Musée d'Orsay in Paris, France, the artwork measures 23 by 31 centimeters and belongs to the genre of nude painting. The artwork depicts a woman, partially covered by a white cloth, stepping out of her bath, exuding an intimate and candid scene that captures the subtleties of light and form characteristic of Degas' style.

184. Woman Leaving Her Bath

Woman Leaving Her Bath

"Woman Leaving Her Bath," created by Edgar Degas in 1898, is a pastel artwork belonging to the Impressionist movement. Measuring 95 x 81 cm, the piece, classified under the genre of nude painting (nu), is housed in the Kunstmuseum Solothurn in Solothurn, Switzerland. The artwork depicts a woman stepping out of her bath, her figure rendered with delicate, expressive strokes of pastel that capture the softness of her skin and the play of light on her body. Behind her, another figure holds a towel or robe, poised to wrap around her. The background features an array of vibrant colors, emphasizing the intimate moment and creating a dynamic contrast that highlights the figures.

185. Woman on a Sofa

Woman on a Sofa

The artwork, titled "Woman on a Sofa," was created by Edgar Degas in 1875. Executed in pen and ink, this piece belongs to the Impressionism movement and falls under the genre painting category. The portrayal captures a woman seated on a sofa, with a distinct blend of subtle detail and expressive strokes. The simplicity of the medium contrasts beautifully with the complexity of the figure's clothing and posture, encapsulating the nuanced observation characteristic of Degas' work.

186. Woman on a Terrace (Young Woman and Ibis)

Woman on a Terrace (Young Woman and Ibis)

The artwork titled "Woman on a Terrace (Young Woman and Ibis)" was created by Edgar Degas in 1857 using oil on canvas. As an impressionist genre painting, it is presently housed in the Metropolitan Museum of Art in New York City. The artwork portrays a woman draped in a blue cloak, standing on a terrace with her head turned slightly away, her hand touching her shoulder. Brilliantly colored ibises adorn the scene, adding a striking contrast to the muted backdrop of the terrace and the cityscape beyond.

187. Woman Putting on her Gloves

Woman Putting on her Gloves

"Woman Putting on her Gloves" is an oil on canvas painting created circa 1877 by Edgar Degas, a prominent figure in the Impressionist movement. The artwork, a genre painting, depicts a woman in an intimate, candid moment as she sits and delicately puts on her gloves. Rendered in Degas' characteristic style, the scene captures a fleeting moment of everyday life with a focus on the subtleties of light and shadow. The painting resides in a private collection, exemplifying the artist’s masterful ability to convey the quiet elegance and intricate details of domestic scenes.

188. Before the Curtain Call

Before the Curtain Call

The artwork titled "Before the Curtain Call" by Edgar Degas, created in 1892, is a pastel piece belonging to the Impressionist movement. Measuring 51 by 34 cm, this genre painting captures an intimate and contemplative moment of two figures, presumably dancers, in a backstage setting. The artist's masterful use of pastel creates soft, atmospheric tones that render the figures with a delicate, ethereal quality. Housed at the Wadsworth Atheneum in Hartford, Connecticut, the artwork reveals Degas's fascination with the behind-the-scenes aspects of theater and dance, exploring the quieter, reflective moments that precede a performance.

189. Before the Performance

Before the Performance

"Before the Performance," created by Edgar Degas between 1896 and 1898, is an oil on canvas artwork that embodies the Impressionist movement. This genre painting, measuring 46.7 x 62.9 cm, is currently housed at the Scottish National Gallery in Edinburgh, UK. The artwork portrays a group of ballet dancers in a scene likely set backstage before a performance. The artist skillfully employs vivid colors and dynamic brushstrokes to capture the movement and anticipation of the dancers, illustrating Degas' fascination with the world of ballet and his keen observation of human forms in motion.

190. Before the Race

Before the Race

"Before the Race," created by Edgar Degas circa 1882-1884, is an oil painting on panel situated within the Impressionism movement and classified as a genre painting. This artwork, which resides in a private collection, vividly captures the moments preceding a horse race. The composition showcases jockeys mounted on their horses, poised with anticipation against a backdrop of earthy tones and dynamic brushstrokes that emphasize movement and tension. The scene is alive with the energy and atmosphere of the racing world, reflecting Degas's keen observation and masterful ability to convey both the physicality and emotion of the subject.

191. Before the Race

Before the Race

"Before the Race," painted by Edgar Degas between 1871 and 1872, is an oil on panel artwork that epitomizes the Impressionism movement and belongs to the genre painting category. The artwork portrays a group of horse riders and their steeds gathered, perhaps engaging in preparations before an anticipated race. In the background, the landscape is sketched with industrial elements and a distant town under a vast, cloud-filled sky. The composition reflects Degas's keen observation of everyday life and movement, which is characteristic of the Impressionist emphasis on capturing fleeting moments.

192. Before the Race

Before the Race
  • Artwork Name: Before the Race
  • Year: 1882
  • Medium: oil,panel
  • Dimensions: 26.5 x 34.9 cm

"Before the Race" is a genre painting by Edgar Degas, created in 1882 using oil on panel. Measuring 26.5 x 34.9 cm, the artwork stands as a notable example of the Impressionism movement. The painting, which captures a moment preluding a horse race, resides in the Clark Art Institute in Williamstown, Massachusetts. The artwork evokes a sense of anticipation and captures the dynamic tension of the race through its vivid depiction of the horses and their riders, set against a backdrop of open landscape.

193. Before the Start

Before the Start

"Before the Start," an oil painting on canvas created by Edgar Degas in 1878, exemplifies the Impressionist art movement and falls under the genre of genre painting. The artwork is currently housed in the E.G. Bührle Foundation in Zürich, Switzerland. It depicts a scene on a racetrack, capturing jockeys calmly poised on their horses, instilling a sense of anticipation among the onlookers. The use of dynamic composition and subtle color variations highlights Degas's masterful portrayal of motion and atmosphere just before the commencement of a race.

194. Blue Dancers

Blue Dancers

The artwork, titled "Blue Dancers," was created by Edgar Degas circa 1899 and exemplifies the Impressionist movement within the genre of genre painting. Currently housed in the Pushkin Museum in Moscow, Russia, the piece depicts four ballerinas captured in delicate, fluid motion. Dominated by hues of blue, the dancers are rendered with Degas' signature brushwork and keen eye for capturing the ephemeral essence of movement and light, showcasing the artist’s mastery in portraying the grace and dynamism of ballet.

195. Bowing Dancer

Bowing Dancer

The artwork titled "Bowing Dancer," created by Edgar Degas circa 1880 to 1885, exemplifies the Impressionist art movement and falls under the genre painting category. Executed in pastel, the artwork is part of a private collection. It depicts a dancer, captured in a moment of repose or bowing, characterized by fluid lines and delicate shading. The use of soft pastels and nuanced colors creates an ethereal quality, honoring the grace and elegance central to Degas' portrayal of dancers.

196. Breakfast after Bath

Breakfast after Bath

"Breakfast after Bath," created by Edgar Degas between circa 1893 and circa 1898, is a pastel artwork belonging to the Impressionism movement and classified under the genre of nude painting (nu). Presently located at Kunstmuseum Winterthur in Winterthur, Switzerland, the artwork exemplifies Degas' distinctive style. The composition portrays an intimate domestic scene with a nude figure drying herself with a towel while another figure, clad in yellow, stands nearby holding a garment and a cup. The work’s rich texture and vibrant colors, characteristic of Degas’ pastel technique, capture a moment of daily life imbued with subtle emotionality and vivid realism.

197. Dancer with a bouquet of flowers (The Star of the ballet)

Dancer with a bouquet of flowers (The Star of the ballet)

The artwork, titled "Dancer with a Bouquet of Flowers (The Star of the Ballet)," created by Edgar Degas in 1878, belongs to the Impressionism art movement and falls under the genre of genre painting. The artwork depicts a ballerina in mid-performance, poised gracefully on stage holding a bouquet of flowers. The scene is characterized by Degas' signature use of light and movement, portraying the elegance and dynamism of ballet. The background is a blend of abstract forms and vibrant colors, which contrasts elegantly with the detailed foreground, capturing the essence of a quintessentially Impressionist moment.

198. Dancer with a Fan

Dancer with a Fan

The artwork, titled "Dancer with a Fan," was created by Edgar Degas around the year 1880. Executed in pastel, it is a prominent example of the Impressionist movement and falls under the genre of genre painting. The pastel technique imbues the piece with a delicate and spontaneous quality, capturing the ethereal grace of the dancer. The subject, a ballerina holding a fan, is depicted in a poised and elegant stance, typical of Degas' fascination with the ballet and his ability to convey the beauty and subtlety of the human form in motion.

199. Dancer with a Fan

Dancer with a Fan

"Dancer with a Fan," created by Edgar Degas between circa 1897 and circa 1901, exemplifies the Impressionism art movement through the medium of pastel. The artwork is situated within the genre painting category and vividly captures a ballerina poised with a fan in hand, rendered delicately yet dynamically. The composition reflects Degas’ preoccupation with the elegance and grace of ballet, highlighting fluid movements and intricate detailing of the dancer's attire. The backdrop and use of soft, blended colors contribute to an ethereal ambiance, typical of Degas' pastel works portraying intimate, fleeting moments.

200. Dancer with a Fan

Dancer with a Fan

The artwork titled "Dancer with a Fan," created by Edgar Degas in 1879, is a pastel piece belonging to the Impressionism movement and falls under the genre of genre painting. Currently housed in a private collection, the artwork features a graceful ballerina, captured mid-pose, holding a delicately painted fan. The artist skillfully employs pastel techniques to render the soft textures of the dancer's tutu and the smooth wooden floor, embodying the elegance and transient beauty characteristic of Degas' ballet-themed works.

201. Dancer with a Fan (study)

Dancer with a Fan (study)

The artwork titled "Dancer with a Fan (study)" is a pastel piece created by Edgar Degas between circa 1895 and circa 1900. This work, which belongs to the Impressionism art movement, is classified as a sketch and study and is part of a private collection. The artwork portrays a ballerina holding a brightly colored fan and wearing a yellow tutu, rendered in Degas' characteristic loose and expressive style. The dancer's graceful posture and the vibrant hues contribute to the dynamic yet delicate depiction, capturing the ephemeral essence of a fleeting moment in the performing arts.

202. Dancer with Bouquet

Dancer with Bouquet

The artwork, titled "Dancer with Bouquet" and created around 1876 by Edgar Degas, belongs to the Impressionism movement and measures 67 x 38 cm. Classified under the genre of genre painting, it currently resides in the Musée d'Orsay in Paris, France. The artwork captures a dynamic scene with a ballerina gracefully holding a bouquet, set against a backdrop of other dancers, emphasizing Degas's masterful use of light and movement to bring the ballet performance to life.

203. Dancer with Bouquets

Dancer with Bouquets

"Dancer with Bouquets," created by Edgar Degas between approximately 1890 and 1895, is an oil painting on canvas situated within the Impressionism movement and classified as a genre painting. The artwork, currently housed in the Chrysler Museum of Art in Norfolk, Virginia, captures a ballet dancer in an evocative scene replete with natural and possibly imaginary surroundings. The dancer, dressed in a tutu, appears to be in a moment of reflection or preparation, accompanied by bouquets at her feet. The painting exemplifies Degas's adeptness in portraying the grace and subtle emotion of his subjects, employing a palette and brushwork resonant with the aesthetic and conceptual inclinations of the Impressionist movement.

204. Dancer with Left Arm Raised

Dancer with Left Arm Raised

The artwork titled "Dancer with Left Arm Raised" by the artist Edgar Degas, created in 1887, employs the medium of pastel. Representative of the Impressionism art movement and classified under the genre painting category, the piece is housed in the Kimbell Art Museum in Fort Worth, Texas, U.S. The artwork depicts a ballerina in mid-performance, captured with her left arm gracefully elevated while her right arm brushes across her forehead. The dancer's attire and posture exude an air of elegance and poise, characteristic of Degas' detailed and dynamic representations of ballet dancers, rendered with soft strokes and a harmonious blend of color to convey movement and emotion.

205. Dancer with Raised Arms

Dancer with Raised Arms

"Dancer with Raised Arms," created by Edgar Degas in 1891, exemplifies the Impressionist art movement through its use of pastel as the medium, capturing a genre painting of a ballerina. The artwork, currently held within a private collection, portrays a dancer poised gracefully with arms lifted and a delicate balance on pointed toes. The scene is rendered with soft, almost ethereal, strokes and a luminous palette, demonstrating Degas's keen observation of movement and light. The impressionist techniques imbue the dancer with an air of fleeting elegance and vitality, set against a subtly textured background that enhances the overall aesthetic harmony of the composition.

206. Dancer with Tambourine

Dancer with Tambourine

The artwork titled "Dancer with Tambourine" by Edgar Degas, created circa 1882, exemplifies the Impressionism art movement and falls within the genre of genre painting. Executed in pastel on paper, the piece is part of a private collection. The artwork portrays a ballerina in mid-movement, poised gracefully on her toes with one arm extended, holding a tambourine. The delicate rendering of the tutu and the dynamic background imbue the scene with a sense of lively motion and vibrant energy, characteristic of Degas' skilled depiction of dancers.

207. Madame de Rutte

Madame de Rutte

The artwork, titled "Madame de Rutte," was created by Edgar Degas circa 1875, using oil on canvas. It belongs to the Impressionist movement and falls under the portrait genre. Currently held in a private collection, this painting exemplifies Degas' keen ability to capture the subtleties of human expression and the intimate atmosphere of a personal space. The portrayal of Madame de Rutte is set against a somewhat muted background with a bouquet of flowers, which, combined with her contemplative expression, gives the piece an air of introspective stillness.

208. Madame Gobillard, Yves Morisot

Madame Gobillard, Yves Morisot

The artwork titled "Madame Gobillard, Yves Morisot" by Edgar Degas, created in 1869, is an oil on canvas painting belonging to the Impressionism movement. With dimensions of 54.3 x 65.1 cm, this portrait captures the contemplative demeanor of a seated woman, dressed in a dark gown, against a muted, warm-toned background. The artist skillfully employs soft brushstrokes and a subtle yet rich palette to convey a sense of quiet introspection, characteristic of Degas' nuanced portrayal of his subjects.

209. Madame Jeantaud in the mirror

Madame Jeantaud in the mirror

"Madame Jeantaud in the Mirror," created by Edgar Degas in 1875, is an Impressionist oil painting on canvas, with dimensions of 84 by 70 centimeters. The artwork depicts a portrait genre and is currently housed at the Musée d'Orsay in Paris, France. In the artwork, a seated woman is depicted gazing into a mirror, capturing her reflection. The woman wears a hat adorned with feathers and a dark, elegant shawl, embodying the contemplative and often intimate character typical of Degas' portraits. The subdued color palette and the subtle play of light and shadow evoke a tranquil and introspective atmosphere.

210. Madame Rene De Gas

Madame Rene De Gas

"Madame Rene De Gas," an evocative portrait rendered in oil on canvas by the esteemed artist Edgar Degas between 1872 and 1873, stands as a significant work within the Impressionist movement. The artwork captures a seated woman, her thoughtful expression directed away from the viewer, enveloping her in a serene and contemplative aura. The subdued color palette, characterized by soft hues and delicate brushstrokes, creates a tranquil backdrop that enhances the intimate atmosphere of the scene. Degas' meticulous attention to detail and masterful use of light and shadow bestow the portrait with a palpable depth, exemplifying his prowess in capturing the essence of his subjects.

211. Mademoiselle Didau at the Piano

Mademoiselle Didau at the Piano

"Mademoiselle Didau at the Piano," painted by Edgar Degas between 1869 and 1872, is a finely executed portrait that typifies the Impressionist movement. Currently housed in the Musée d'Orsay in Paris, France, the artwork depicts a woman, presumably Mademoiselle Didau, seated at a piano, gazing towards the viewer. The background features sheet music, emphasizing her engagement with the musical instrument. Degas' use of light and shadow, along with his delicate brushstrokes, captures both the physical presence and the subtle emotional state of the sitter, underscoring the Impressionists' focus on personal and transient moments.

212. Mademoiselle Fiocre in the Ballet

Mademoiselle Fiocre in the Ballet

The artwork "Mademoiselle Fiocre in the Ballet," created by Edgar Degas between 1866 and 1868, is an oil painting on canvas belonging to the Impressionism movement. This portrait, measuring 28.8 by 21.5 centimeters, intricately captures a female ballet dancer in a contemplative pose, clad in a blue and white costume, reflecting Degas' keen interest in the world of dance. The interplay of light and shadow, along with the vivid hues of the dancer's attire, is set against an earthy, textured background, encapsulating Degas' sophisticated use of color and form. Currently held in a private collection, the artwork remains a testament to the artist’s profound ability to convey the grace and poise of his subjects.

213. Mademoiselle Malo

Mademoiselle Malo

The artwork, titled "Mademoiselle Malo," is a pastel portrait created by Edgar Degas circa 1877. An exemplar of the Impressionist movement, this piece measures 52.2 by 41.1 centimeters. It is currently housed at the Barber Institute of Fine Arts in Birmingham, UK. The portrait depicts a woman with elegantly styled hair, rendered with characteristic loose and expressive strokes, particularly around the head and shoulders. The somber yet captivating expression on her face is highlighted by Degas' adept use of pastel medium, demonstrating his mastery of capturing the delicate interplay of light and shadow.

214. Mademoiselle Malo

Mademoiselle Malo

"Mademoiselle Malo," completed in 1877 by Edgar Degas, is an oil on canvas painting that belongs to the Impressionism movement and falls under the portrait genre. The artwork captures a young woman seated against a backdrop adorned with vibrant white and yellow flowers. Her contemplative expression, coupled with the masterful play of light and shadow, exemplifies Degas' skill in rendering human emotion and the subtleties of everyday life through his impressionist lens.

215. Mademoiselle Marie Dihau

Mademoiselle Marie Dihau

The artwork titled "Mademoiselle Marie Dihau," created circa 1868 by the renowned artist Edgar Degas, is an oil painting on canvas. As a product of the Impressionism movement, it falls under the genre of portraiture. The artwork captures the profile of Marie Dihau, depicted with a serene and reflective demeanor. The artist's adept use of light and shadow, combined with rich and textured brushstrokes, evokes a sense of intimacy and depth. The background features an abstract interplay of warm hues, contributing to the portrait's contemplative atmosphere.

216. Main Image

Main Image
  • Artwork Name: Main Image
  • Medium: oil,watercolor,pastel,pen,ink
  • Dimensions: 54.3 x 73 cm

The artwork, created by Edgar Degas, measures 54.3 by 73 centimeters and is rendered using a mix of oil, watercolor, pastel, pen, and ink. Falling under the genre of genre painting and performance, it is representative of the Impressionism art movement. The piece is housed in the Metropolitan Museum of Art (Met) in New York City, NY, US. The artwork depicts a lively scene of ballerinas poised backstage, with a dynamic interplay of light and shadow capturing the essence and the intimate moments of performers preparing for their act.

217. Seated Dancer

Seated Dancer
  • Artwork Name: Seated Dancer
  • Year: c.1879 - c.1880
  • Medium: pastel,cardboard

"Seated Dancer" is a pastel artwork created on cardboard by Edgar Degas between 1879 and 1880. This piece belongs to the Impressionism art movement and is categorized as a genre painting. The artwork is housed in the Hermitage Museum in Saint Petersburg, Russia. It depicts a dancer in a moment of rest, with Degas capturing her in a fluid and dynamic posture, showcasing his mastery in rendering the delicate textures and vibrant colors of the ballerina's costume and surroundings.

218. Seated Dancer Adjusting Her Shoes

Seated Dancer Adjusting Her Shoes

The artwork titled "Seated Dancer Adjusting Her Shoes" by Edgar Degas, created circa 1880, epitomizes the Impressionist movement and falls within the genre of sketch and study. In this piece, Degas captures an intimate moment of a ballerina bent over, meticulously adjusting her shoes, highlighting the artist's keen observation and his fascination with ballet as a subject. Executed with deft, expressive lines, the sketch demonstrates Degas' mastery in rendering the fluidity and grace of movement, encapsulating the essence of a fleeting, unguarded moment in a dancer’s routine.

219. Seated Dancer in Profile

Seated Dancer in Profile

"Seated Dancer in Profile," created by Edgar Degas in 1873, is an exemplary work of the Impressionist movement, specifically within the genre of sketches and studies. Housed at the Musée d'Orsay in Paris, France, the artwork features a dancer depicted in a seated position, rendered in profile. Degas’ characteristic use of soft lines and delicate shading emphasizes the dancer’s form and posture against a subdued background. The piece highlights Degas' keen observation of movement and human anatomy, embodying the spontaneity and dynamism central to Impressionism.

220. Seated Nude Combing Her Hair

Seated Nude Combing Her Hair

"Seated Nude Combing Her Hair," created by Edgar Degas between circa 1887 and circa 1890, is a piece rendered in pen and ink and falls within the Impressionism art movement. This artwork, categorized as a nude painting (nu), depicts a woman seated while combing her hair, with the figure's back and partial side facing the viewer. The scene is characterized by a harmonious interplay of soft pastels, emphasizing the fluidity of the subject's form and the delicate motion of the act. The background is a blend of warm, textured colors that complement the central figure's natural tones. This artwork is currently held in a private collection.

221. Seated Woman

Seated Woman

The artwork, entitled "Seated Woman," was created in 1895 by Edgar Degas using pastel, and it belongs to the Impressionism art movement. The piece, which is a portrait, resides in a private collection. The artwork portrays a woman in a seated position, exuding a sense of calm and introspection. Degas masterfully uses muted tones and delicate strokes to highlight the subject's poised demeanor and thoughtful expression, capturing an intimate and fleeting moment with remarkable sensitivity and finesse.

222. Seated Woman Adjusting Her Hair

Seated Woman Adjusting Her Hair

The artwork "Seated Woman Adjusting Her Hair," created by Edgar Degas around the year 1890, exemplifies the medium of pastel and is a poignant representation of the Impressionist art movement. As a sketch and study, the piece captures a moment of introspection, focusing on a woman seated with her back to the viewer, as she adjusts her hair. Rendered with expressive lines and a soft color palette, the artwork highlights Degas's masterful use of light and shadow to evoke a sense of realism and intimacy. This notable work is housed in the Courtauld Gallery in London, UK.

223. Seated Woman Combing Her Hair

Seated Woman Combing Her Hair

"Seated Woman Combing Her Hair," created by Edgar Degas between approximately 1887 and 1890, is a pastel artwork that embodies elements of both Impressionism and Japonism, and is classified under genre painting. The artwork, which is housed in the Musée d'Orsay in Paris, France, depicts a woman engaged in the intimate act of combing her long, flowing hair. Rendered with rich, textured strokes and a warm color palette, the artwork captures the delicate, everyday moment in a manner characteristic of Degas' profound ability to portray the subtleties of human behavior and form.

224. Seated Woman in a White Dress

Seated Woman in a White Dress

"Seated Woman in a White Dress," created by Edgar Degas between circa 1888 and circa 1892, is an exquisite example of Impressionist genre painting rendered in pastel on board. Measuring 72 by 49 centimeters, this artwork is currently held in a private collection. The artwork depicts a woman seated with her back to the viewer, adorned in a flowing white dress accentuated by soft, expressive pastel strokes. The artist's adept handling of light and color invites the viewer to appreciate the subtleties of the fabric and the reflective atmosphere surrounding the figure.

225. Seated Woman pulling her glove

Seated Woman pulling her glove

"Seated Woman pulling her glove," created by Edgar Degas in 1890, is an Impressionist genre painting rendered in oil on canvas. This artwork is currently housed at the Albright-Knox Art Gallery in Buffalo, New York, USA. The piece depicts a woman in a relaxed pose, engaged in the intimate act of adjusting her glove. The figure is portrayed with loose, expressive brushwork, typical of the Impressionist movement, emphasizing the play of light and shadow, particularly on the woman's arm and surrounding environment. The background is imbued with warm, golden hues, enhancing the painting's overall sense of immediacy and capturing a fleeting moment in time.

226. Seated Young Man in a Jacket with an Umbrella

Seated Young Man in a Jacket with an Umbrella

The artwork, titled "Seated Young Man in a Jacket with an Umbrella," was painted by Edgar Degas between approximately 1864 and 1868. Executed in oil on canvas and belonging to the Impressionism movement, this portrait depicts a young man seated, clad in a jacket, and holding an umbrella. The piece exudes a restrained yet contemplative aura, characteristic of Degas' nuanced approach to capturing human presence. It is currently held in a private collection.

227. The Trainers

The Trainers
  • Artwork Name: The Trainers
  • Year: c.1892 - c.1894
  • Medium: pastel

"The Trainers," a pastel artwork created by Edgar Degas between circa 1892 and 1894, belongs to the Impressionism movement and falls within the genre painting category. Currently held in a private collection, the artwork captures a serene scene of equestrian trainers in a lush, expansive field rendered in soft, muted tones. The composition features a group of riders on horseback, subtly conveying motion and the peaceful ambiance of the countryside. Degas’s use of pastels enhances the texture and depth, exemplifying his adept skill in portraying everyday moments with a delicate, impressionistic touch.

228. The Tub

The Tub
  • Artwork Name: The Tub
  • Year: c.1900
  • Medium: pastel

"The Tub," created around 1900 by Edgar Degas, is a pastel artwork belonging to the Impressionism movement and categorized under the genre of nude painting. The piece is housed at the Kelvingrove Art Gallery and Museum in Glasgow, UK. The artwork depicts a nude female figure engaged in her bathing routine, bending over in a tub, against a backdrop of vibrant, expressive colors. The use of pastel medium characteristically adds a soft texture and a delicate interplay of light and shading, showcasing Degas's mastery in capturing intimate, everyday moments with a nuanced sensitivity.

229. The Tub

The Tub
  • Artwork Name: The Tub
  • Year: 1886
  • Medium: pastel,cardboard
  • Dimensions: 60 x 83 cm

"The Tub," created by Edgar Degas in 1886, is a pastel artwork on cardboard measuring 60 by 83 centimeters. Exemplifying the Impressionist movement, this piece portrays a nude figure, emphasizing the natural form and intimate moment of the subject. The artwork is characterized by its subtle use of color and light, capturing the delicate tones of the skin and the surrounding linens and furnishings in a soft, muted palette. Currently housed at the Musée d'Orsay in Paris, France, this piece stands as a noteworthy representation of Degas's profound skill in rendering the human form and his innovative approach to composition and perspective.

230. The Violist

The Violist

The artwork, entitled "The Violist," was created by Edgar Degas in 1880 using pastel as the medium. It is associated with the Impressionism movement and falls under the genre of sketch and study. The artwork is currently held in a private collection. This piece depicts a musician deeply immersed in playing the viola, rendered with soft and expressive lines characteristic of Degas' style. The subdued color palette and delicate detail encapsulate the intimacy and quiet concentration of the moment.

231. Three Ballet Dancers

Three Ballet Dancers

The artwork titled "Three Ballet Dancers" by Edgar Degas, created in 1879, exemplifies the Impressionist movement and is an oil painting on canvas. This genre painting, currently held in a private collection, captures three ballet dancers rendered with fluid brushstrokes and delicate coloration, characteristically emphasizing movement and light. The composition provides a graceful insight into the poised elegance of the dancers, underscoring Degas's keen observational skills and his fascination with ballet as a subject matter.

232. Three Ballet Dancers, One with Dark Crimson Waist

Three Ballet Dancers, One with Dark Crimson Waist

The artwork, titled "Three Ballet Dancers, One with Dark Crimson Waist," created in 1899 by Edgar Degas, is a pastel genre painting belonging to the Impressionism movement. It is held at the Barnes Foundation in Philadelphia, PA, US. The artwork portrays three ballet dancers in close proximity, characterized by Degas' iconic use of dynamic composition and expressive pastel hues, with particular attention drawn to one dancer highlighted by a dark crimson waist.

233. Three Dancers

Three Dancers

The artwork titled "Three Dancers" is a pastel masterpiece created by Edgar Degas around the year 1899. This distinguished artwork belongs to the Impressionism art movement and falls under the genre painting category. Currently held in a private collection, the artwork exquisitely captures the grace and fluidity of the dancers' movements, characterized by Degas's adept use of pastel to convey vibrant colors and dynamic forms. The composition showcases three ballerinas in mid-motion, rendered with a blend of elegance and spontaneity that epitomizes Degas's profound understanding of the performative arts.

234. Three Dancers

Three Dancers

The artwork, titled "Three Dancers," is a pastel piece created by Edgar Degas between circa 1888 and circa 1893. As an exemplar of the Impressionism art movement and genre painting, it captures an intimate moment from the everyday life of ballet dancers. The figures are depicted in dynamic, graceful poses, with soft, fluid lines and a vibrant color palette that accentuates the movement and elegance inherent in the scene. The artwork demonstrates Degas' masterful use of pastel to convey texture and light, reflecting his fascination with the ballet and his ability to immortalize its ephemeral beauty. This piece is part of a private collection.

235. Three Dancers

Three Dancers
  • Artwork Name: Three Dancers
  • Year: c.1898
  • Medium: pastel
  • Dimensions: 79 x 50.8 cm

The artwork, titled "Three Dancers" by Edgar Degas, created circa 1898, is a pastel piece belonging to the Impressionism movement. It measures 79 x 50.8 cm and falls under the genre of genre painting. Presently, it is held in a private collection. The artwork depicts three female dancers, rendered in vibrant pastels, captured in a dynamic moment of movement and grace. The use of color and light vividly conveys the fluidity and energy of the dancers' performance, characteristic of Degas' fascination with ballet and movement.

236. Woman Seated on a Balcony

Woman Seated on a Balcony

The artwork titled "Woman Seated on a Balcony" is a pastel portrait created by the renowned artist Edgar Degas in 1872. Falling within the Impressionism movement, the piece portrays a contemplative woman sitting on a balcony. The delicate use of pastel highlights Degas' skill in capturing the subtle interplay of light and shadow, while the composition exudes a serene yet introspective atmosphere. The balcony setting is intricately detailed, providing a contrasting background that accentuates the figure's tranquil demeanor.

237. Woman Seated on a Bench

Woman Seated on a Bench

The artwork, "Woman Seated on a Bench" by Edgar Degas, completed in 1885, exemplifies the Impressionist movement. Through the medium of pastel, Degas creates a portrait that captures a moment of quiet reflection. The seated woman, dressed in a distinctive red and blue attire with a hat, blends into a softly blurred and textured background, characteristic of Impressionist techniques. This piece, held in a private collection, showcases Degas's masterful use of color and form to convey a sense of tranquility and introspection.

238. Woman Seated on a Canape

Woman Seated on a Canape

The artwork titled "Woman Seated on a Canape" by Edgar Degas, created between 1868 and 1872, is an oil-on-panel painting reflecting the Impressionism movement. Measuring 45.7 by 37.2 cm, this portrait displays a woman seated in a relaxed, contemplative posture on a canape, with soft, blurred brushstrokes that evoke a sense of spontaneity and immediacy. The background exudes a mix of muted and illuminated tones, further enhancing the intimate and serene nature of the scene. This piece resides in a private collection, underscoring its unique and personal value.

239. Woman seated on the edge of a bath sponging her neck

Woman seated on the edge of a bath sponging her neck

The artwork, titled "Woman Seated on the Edge of a Bath Sponging Her Neck," was created by Edgar Degas circa 1895. Belonging to both Neoclassicism and Realism movements, this figurative piece depicts a woman in a private, intimate moment as she is seated on the edge of a bath and sponges her neck. The composition captures a serene and realistic portrayal of its subject, focusing on the natural grace and contemplative posture of the woman amidst an understated and textured background. Degas' skillful use of light and shadow enhances the three-dimensionality and tactile quality of the scene, providing a compelling insight into the nuanced beauty of everyday life.

240. Woman Seated on the Grass

Woman Seated on the Grass

"Woman Seated on the Grass" is a pastel artwork created by Edgar Degas in 1882, and it is currently held in a private collection. This piece belongs to the Impressionist art movement and falls within the genre painting category. The artwork depicts a woman seated on the grass, rendered with soft, delicate strokes typical of pastel medium. The composition captures a candid, everyday moment, emphasizing the natural posture and relaxed demeanor of the figure, evocative of the Impressionist focus on light, movement, and ordinary subjects.

241. Woman Seen from Behind, Drying Hair

Woman Seen from Behind, Drying Hair

"Woman Seen from Behind, Drying Hair," a pastel artwork created by Edgar Degas circa 1905-1910, is an exemplary piece of Impressionism, currently held in a private collection. The artwork features a sensuous nude figure of a woman, viewed from behind as she dries her hair. The use of soft pastel strokes and a rich color palette of earthy tones juxtaposed with cooler blues conveys both movement and a quiet intimacy, characteristic of Degas' keen observation of human form and his innovative approach within the Impressionist movement.

242. Woman Sponging Her Chest

Woman Sponging Her Chest

The artwork, titled "Woman Sponging Her Chest," is a pastel piece created by Edgar Degas around the year 1892. This work belongs to the Impressionism movement and depicts a nude woman engaged in a personal moment of hygiene, delicately sponging her chest. The painting measures 63.8 by 59.1 centimeters and is part of a private collection. Degas's use of pastel medium captures the intimate and soft essence of the scene, characteristic of his nuanced approach to form and texture.

243. Woman Squatting

Woman Squatting

The artwork, titled "Woman Squatting," is a pastel piece created by Edgar Degas around 1879. A classic example of the Impressionism movement, it falls within the genre of nude painting (nu) and is housed at the Musée d'Orsay in Paris, France. The artwork depicts a nude woman squatting, her back facing the viewer, rendered with expressive pastel strokes that convey both delicacy and a sense of immediacy in capturing her form. The environment around her is detailed with an impressionistic touch, adding depth and texture to the scene, characteristic of Degas' insightful and intimate portrayals of the human figure.

244. Woman Touching Her Arm

Woman Touching Her Arm

The artwork titled "Woman Touching Her Arm" is a pastel sketch created by Edgar Degas circa 1883. This piece belongs to the Impressionist art movement and falls under the genre of sketch and study. It depicts a contemplative moment, with a woman gently touching her arm. The use of soft pastels gives the artwork a delicate and intimate feel, characteristic of Degas's style. As a privately held piece, it resides within a private collection, contributing a significant representation of the artist's exploration of human figures and everyday life.

245. Woman Trying on a Hat

Woman Trying on a Hat

The artwork, titled "Woman Trying on a Hat," was created by Edgar Degas around 1884. Executed in oil on canvas, it belongs to the genre of genre painting and is associated with the Impressionism art movement. The artwork is part of a private collection. In the depiction, a woman is seen from behind as she adjusts a hat on her head, emphasizing her elegant form and contemplative posture amidst rich, warm tones and dynamic brushstrokes that highlight Degas' signature style.

246. Breakfast after Bathing

Breakfast after Bathing

"Breakfast after Bathing," crafted by Edgar Degas circa 1894, is a pastel artwork that resides within the Impressionism movement and belongs to the genre of nude painting. Currently held in a private collection, the artwork portrays an intimate scene of a woman in the process of drying herself after a bath, observed by another figure holding a cup. Degas' skillful use of color and texture captures the nuances of light and form, emphasizing the delicate, everyday moment with a distinctive sense of realism and emotional depth.

247. Bust of a Woman

Bust of a Woman

The artwork, titled "Bust of a Woman," is a pastel piece created by Edgar Degas between circa 1880 and circa 1885. As an impressionistic sketch and study, it exemplifies Degas' mastery in capturing delicate nuances and expressions. The artwork depicts a woman in profile, delicately poised with her hand raised to her chest, her face turned upwards, and her auburn hair neatly tied. The background remains suggestively abstract, allowing the viewer to focus intently on the tender and intimate portrayal of the woman. This remarkable piece is currently housed in a private collection.

248. Cafe Concert - At Les Ambassadeurs

Cafe Concert - At Les Ambassadeurs

The artwork "Cafe Concert - At Les Ambassadeurs," created in 1877 by Edgar Degas, is a pastel piece categorized under the Impressionism movement and the genre painting category. Currently housed in the Musée des Beaux-Arts de Lyon in Lyon, France, the painting captures a lively social scene from a café concert. The composition is bustling with a variety of figures engaged in music and conversation, showcasing Degas' skilled use of color and light to bring vibrancy and a dynamic sense of motion to the depiction of contemporary Parisian life.

249. Cafe-Concert Singer

Cafe-Concert Singer

"Edgar Degas's pastel artwork, "Cafe-Concert Singer" (c.1879), represents the Impressionism movement and is classified as a genre painting. Currently housed in the Norton Simon Museum in Pasadena, CA, the artwork presents a vivid depiction of a singer in a cafe-concert setting. Degas employs a rich color palette and his signature technique to capture the lively ambiance and the distinctive personalities of urban nightlife, emphasizing textures and forms through the medium of pastel."

250. Cafe-Concert Singer

Cafe-Concert Singer

The artwork entitled "Cafe-Concert Singer," created by Edgar Degas in 1878, is a pastel on paper measuring 16.8 x 15.9 cm. Exemplifying the Impressionist movement, this portrait is presently held in a private collection. The artwork depicts a scene from a café-concert, showcasing Degas' signature use of soft, vibrant pastel colors and expert rendering of light and shadow to capture the ambiance and immediacy of the moment. The focal point is a female singer adorned in a red dress, her figure bathed in warm, theatrical lighting, evoking the lively and intimate atmosphere of the Parisian entertainment world.

251. Carlo Pellegrini

Carlo Pellegrini

The artwork titled "Carlo Pellegrini" by Edgar Degas, created between 1876 and 1877, is a watercolor painting associated with the Impressionism art movement. It is a portrait genre that captures the distinguished figure of Carlo Pellegrini, depicted in a finely detailed manner while emphasizing the essence of the subject’s character. The artwork is currently housed in Tate Britain, London, UK. It showcases Degas' masterful technique and his deft handling of watercolor to bring a sense of vitality and sophistication to the portrayal.

252. Children on a Doorstep

Children on a Doorstep

The artwork titled "Children on a Doorstep" by Edgar Degas, created in 1872, is an oil painting on canvas belonging to the Impressionism movement and categorized as a genre painting. The artwork depicts a serene and intimate domestic scene featuring children gathered on the doorstep of a house. The use of warm earth tones and subtle brushstrokes captures the tranquil atmosphere of a leisurely afternoon. The depiction of the children, seemingly engaged in playful activities, along with the inclusion of a dog in the background, adds a touch of charm and innocence to the setting. The perspective captures both the immediate foreground and a glimpse of the broader outdoors, enhancing the sense of depth and context within the composition.

253. Combing the Hair

Combing the Hair

"Combing the Hair," an oil on canvas genre painting by Edgar Degas, created circa 1896 to 1900, exemplifies the Impressionist movement. Currently housed in the National Gallery in Oslo, Norway, the artwork depicts an intimate domestic scene. The painting captures a moment of personal grooming, showcasing Degas' adeptness at conveying the subtleties of human interaction through his distinct use of light, color, and composition. The warm, textured background complements the delicate portrayal of the figures, emphasizing the tenderness and routine nature of the act of hair combing.

254. Combing the Hair

Combing the Hair
  • Artwork Name: Combing the Hair
  • Year: 1895
  • Medium: oil,canvas
  • Dimensions: 124 x 150 cm

"Combing the Hair," created by Edgar Degas in 1895, is an oil on canvas artwork belonging to the Impressionism movement. This genre painting, measuring 124 x 150 cm, is housed in the National Gallery in London, UK. The artwork depicts an intimate moment of daily life, showcasing the delicate process of hair combing. Rendered in warm tones and fluid brushstrokes characteristic of Impressionism, the scene captures a private, tender interaction, emphasizing the beauty of ordinary moments.

255. Dante and Virgil at the Entrance to Hell

Dante and Virgil at the Entrance to Hell

The artwork, titled "Dante and Virgil at the Entrance to Hell," was created by Edgar Degas between 1857 and 1858. Executed in oil on canvas, this piece belongs to the genre of literary painting and is associated with the Impressionism art movement. Currently held in a private collection, the artwork depicts the solemn encounter of Dante and Virgil at the brink of Hell, characterized by a somber atmosphere and dramatic use of light and shadow. The muted, dark background and the emotive expressions of the figures create a profound and introspective scene, capturing the essence of this pivotal moment from Dante's "Divine Comedy."

256. David and Goliath

David and Goliath
  • Artwork Name: David and Goliath
  • Year: c.1863
  • Medium: oil,canvas
  • Dimensions: 80 x 63.8 cm

"David and Goliath," an oil on canvas religious painting created circa 1863 by Edgar Degas, measures 80 x 63.8 cm and belongs to the Impressionism movement. The artwork is housed in the Fitzwilliam Museum at the University of Cambridge in Cambridge, UK. The composition captures the dramatic biblical confrontation between David and Goliath, executed with a dynamic and expressive brushwork characteristic of Degas' early style, which conveys the tension and intensity of the moment.

257. Dead fox lying in the Undergrowth

Dead fox lying in the Undergrowth

The artwork titled "Dead Fox Lying in the Undergrowth" was painted by Edgar Degas in 1865. This oil on canvas belongs to the Impressionism art movement and depicts a poignant scene of a deceased fox amidst dense undergrowth. The painting measures 173 by 92 cm, categorizing it under animal paintings. Currently, it resides at the Musée des Beaux-Arts de Rouen in Rouen, France. The focus is cast upon the lifeless body of the fox, enveloped by the shadowy and thickly rendered forest, evoking a sense of somber naturalism.

258. Degas' Father Listening to Lorenzo Pagans Playing the Guitar

Degas' Father Listening to Lorenzo Pagans Playing the Guitar

The artwork, "Degas' Father Listening to Lorenzo Pagans Playing the Guitar," created by Edgar Degas between 1869 and 1870, is a portrait rendered in oil on canvas, belonging to the Impressionism art movement. The painting, housed at the Museum of Fine Arts in Boston, MA, showcases two male figures: one playing the guitar and the other attentively listening. The composition is marked by a rich, warm color palette and an intimate atmosphere, capturing a moment of musical engagement and concentration.

259. Degas in a Green Jacket

Degas in a Green Jacket

"Degas in a Green Jacket" is an oil on canvas self-portrait created by Edgar Degas between 1855 and 1856, belonging to the Impressionism art movement. Currently housed in a private collection, the artwork depicts Degas himself, providing a glimpse into the artist's introspection. The painting features Degas adorned in a green jacket, with the work's detailed brushwork and subtle use of light and shadow reflecting the early hallmarks of his craftsmanship, indicative of his future contributions to the art world.

260. Diego Martelli

Diego Martelli

The artwork titled "Diego Martelli," created by Edgar Degas in 1879, is an oil painting on canvas that exemplifies the Impressionist movement. As a portrait, it depicts the subject, Diego Martelli, in a relaxed and contemplative pose. The scene is intimate, with Martelli seated on a chair while surrounded by various objects on the table next to him, including papers and books. The subdued yet intricate rendering of the figure and the surrounding environment highlights Degas' mastery in capturing the essence of his subject. This artwork is housed in the Museo Nacional de Bellas Artes (MNBA) in Buenos Aires, Argentina.

261. Dinner at the Ball

Dinner at the Ball

"Dinner at the Ball," an oil on canvas painting created by Edgar Degas in 1879, epitomizes the Impressionist movement. This genre painting, measuring 46 x 67 cm, resides in the Musée d'Orsay in Paris, France. The artwork captures an opulent ballroom scene, replete with elegantly dressed attendees immersed in conversations and dining beneath grand chandeliers. The vivid brushstrokes and play of light evoke a vibrant atmosphere, illustrating Degas' masterful ability to depict social interactions and leisure activities.

262. Duchesse de Montejasi-Cicerale

Duchesse de Montejasi-Cicerale

The artwork, titled "Duchesse de Montejasi-Cicerale", is an oil painting on canvas created circa 1868 by the celebrated artist Edgar Degas, renowned for his contributions to the Impressionism movement. This portrait, currently housed in a private collection, depicts a seated woman in dark attire, set against a contrasting red background. The expressive use of color and texture captures both the dignity and introspective mood of the subject, highlighting Degas's masterful technique and his intimate approach to portraiture.

263. Edmond and Thérèse Morbilli

Edmond and Thérèse Morbilli

The artwork, titled "Edmond and Thérèse Morbilli," is an oil on canvas portrait created by Edgar Degas in 1865, exemplifying the Impressionism art movement. It measures 116.5 by 88.3 centimeters and is housed in the Museum of Fine Arts in Boston, Massachusetts. The painting depicts a seated man and woman, likely the eponymous Edmond and Thérèse Morbilli, rendered with Degas' characteristic attention to detail and expressive use of color and texture. The man's relaxed posture contrasts with the woman's contemplative expression, creating a balanced yet dynamic composition that invites viewers to engage with the subjects' inner lives and relationship.

264. Make an attempt, second version

Make an attempt, second version

"Make an attempt, second version," created by Edgar Degas between 1876 and 1877, is a notable example of Impressionist art within the genre of sketch and study. The artwork, rendered in grayscale, depicts a group of figures in a seemingly casual, intimate setting. The loose, expressive brushwork and the subtle interplay of light and shadow are indicative of Degas' keen observational skills and his focus on capturing fleeting moments, characteristic of the Impressionist movement. The scene's composition and the spontaneity of the figures' postures suggest an immediacy that invites the viewer into a moment of quiet reflection.

265. M. and Mme Edouard Manet

M. and Mme Edouard Manet

The artwork, titled "M. and Mme Edouard Manet," was created by Edgar Degas around 1868 to 1869. Executed in oil on canvas, this portrait belongs to the Impressionism art movement and measures 65 by 71 centimeters. The piece is housed at the Kitakyushu Municipal Museum of Art in Fukuoka, Japan. The composition portrays a man lounging on a sofa in a relaxed, contemplative pose while a woman stands partially obscured by a large easel or screen. Degas' brushwork and the subdued palette reflect the nuances of intimacy and domesticity characteristic of the Impressionist genre.

266. Manet at the Races

Manet at the Races

The artwork, titled "Manet at the Races," created by Edgar Degas in 1870, is a pencil sketch on paper, falling under the genre of sketches and studies. Measuring 32 by 24.4 centimeters, this piece reflects the Impressionist art movement. It portrays a man, likely observing an event, rendered with delicate lines and careful attention to posture, demonstrating Degas' interest in human activity and passive observation. The unfinished figure beside the man adds a dynamic element, reminiscent of the spontaneity characteristic of the Impressionist ethos.

267. Man's Head

Man's Head
  • Artwork Name: Man's Head
  • Year: c.1864
  • Medium: oil,canvas

The artwork "Man's Head," created by Edgar Degas circa 1864 and rendered in oil on canvas, belongs to the Impressionist movement and specifically falls under the portrait genre. It presently resides in a private collection. The artwork portrays a man’s visage in a close-up, meticulous manner, highlighting the artist's deftness in capturing the nuances of human expression and the interplay of light and shadow on the subject's features. The subdued color palette and delicate brushwork provide a contemplative and intimate tone, characteristic of Degas' early explorations in portraiture.

268. Marina, Sunset

Marina, Sunset

The artwork, titled "Marina, Sunset," is an evocative piece created in 1869 by the celebrated artist Edgar Degas. Rendered with pastel on paper, this work is emblematic of the Impressionism movement. The painting depicts a tranquil seaside scene during sunset, characterized by muted tones and a serene ambiance. The soft blending of colors effectively captures the ephemeral beauty of dusk. The artwork is categorized under marina genre and, presently, it resides within a private collection, reflecting its significant value both artistically and privately.

269. Mary Cassatt at the Louvre

Mary Cassatt at the Louvre

"Mary Cassatt at the Louvre," rendered by Edgar Degas around 1880, is a pastel artwork representative of the Impressionism movement and belongs to the genre painting category. Currently held in a private collection, the artwork depicts two women in a museum setting, with one standing and one seated while engaged in reading. The intimate depiction captures a moment of quiet observation and intellectual engagement, rendered in the distinctive loose brushstrokes and vibrant yet subdued palette characteristic of Impressionist technique.

270. Mary Cassatt at the Louvre (study)

Mary Cassatt at the Louvre (study)

"Mary Cassatt at the Louvre (study)," created by Edgar Degas, is a quintessential work from the Impressionism movement, specifically classified as a sketch and study. Housed at the Lauren Rogers Museum of Art in Laurel, Mississippi, the artwork portrays a rear view of a woman elegantly dressed in a black coat and skirt, holding an umbrella with casual grace. The soft, flowing lines and muted palette, characteristic of Degas' technique, capture both the sophistication of the subject and the observational, momentary essence emblematic of Impressionism.

271. Melancholy

Melancholy
  • Artwork Name: Melancholy
  • Year: 1874
  • Medium: oil,canvas

"Melancholy," an allegorical painting by Edgar Degas, created in 1874 using oil on canvas, is a significant work belonging to the Impressionist movement. Currently housed in the Phillips Collection in Washington, DC, the artwork poignantly captures a solitary figure in a moment of deep introspection and sorrow. The subdued color palette and contemplative pose evoke a sense of profound melancholy, characteristic of Degas' nuanced approach to the human condition.

272. Miss La La at the Cirque Fernando

Miss La La at the Cirque Fernando

The artwork, titled "Miss La La at the Cirque Fernando" and created by Edgar Degas in 1879, is an oil painting on canvas that falls within the genre of genre painting and is part of the Impressionism art movement. The painting measures 177 by 77 centimeters and can be seen at the National Gallery in London, UK. The artwork depicts a circus performer, Miss La La, suspended midair in an acrobatic pose within the beautifully rendered architectural interior of the Cirque Fernando. The use of dynamic composition and the detailed capturing of the scene’s ambiance are characteristic of Degas' work and the broader movement of Impressionism.

273. Mlle. Fiocre in the Ballet "The Source"

Mlle. Fiocre in the Ballet "The Source"

"Mlle. Fiocre in the Ballet 'The Source'" is a masterful oil on canvas painting created by Edgar Degas during 1867-1868, and is a prominent example of the Impressionism art movement. Currently housed in the Brooklyn Museum, New York City, this genre painting measures 130 by 145 centimeters. The artwork depicts an evocative scene with figures in a natural setting, including Mlle. Fiocre, a horse, and two other women, resonating with a moment of serene contemplation and gentle engagement with their environment. The muted tones and delicate brushwork exemplify Degas's adeptness in capturing the subtleties of light and atmosphere, characteristic of Impressionist aesthetics.

274. Self Portrait

Self Portrait

The artwork entitled "Self Portrait" was created by Edgar Degas around 1863, employing oil on cardboard as the medium. It is representative of the Impressionism movement and falls under the genre of self-portraiture. This piece is presently housed in a private collection. The artwork depicts possibly the artist himself with a rough brushwork and a muted color palette, evoking a somber and introspective atmosphere characteristic of Degas' nuanced approach to portraiture. The dark, blended tones and blurred edges give the portrait a reflective and somewhat mysterious quality.

275. Self-portrait

Self-portrait

The artwork is a "Self-portrait" created by Edgar Degas in 1854. Exhibited at the Louvre in Paris, France, this painting belongs to the Impressionism art movement and falls under the self-portrait genre. In the artwork, Degas depicts himself with a thoughtful and composed expression. The background is kept simple, drawing attention to the artist's attire and the contemplative demeanor he portrays. Degas’s meticulous brushwork and subtle use of color embody the impressionist approach, reflecting a profound sense of personal introspection.

276. Self Portrait

Self Portrait

The artwork titled "Self Portrait," created by Edgar Degas in 1855, employs the medium of oil on canvas and belongs to the Impressionist movement. This self-portrait, housed at the Musée d'Orsay in Paris, France, depicts the artist in a contemplative pose, highlighting his keen attention to detail and mastery of light and shadow. The somber color palette and subtle expression convey a sense of introspection, characteristic of Degas' early exploration in the genre of self-portraiture.

277. Self-Portrait

Self-Portrait
  • Artwork Name: Self-Portrait
  • Year: 1855 - c.1856
  • Medium: oil
  • Dimensions: 40.6 x 34.3 cm

The artwork, titled "Self-Portrait," was created by Edgar Degas between 1855 and circa 1856. Rendered in oil, it measures 40.6 x 34.3 cm. The piece, which belongs to the genres of Impressionism and Realism, exemplifies Degas's early self-portrayal during his formative years. The self-portrait presents a solemn and contemplative visage, with stark contrasts of light and shadow enhancing the young artist's serious expression, encapsulating the introspective and meticulous spirit characteristic of Degas's work.

278. Self Portrait in a Soft Hat

Self Portrait in a Soft Hat

"Self Portrait in a Soft Hat," housed at the Clark Art Institute in Williamstown, MA, US, is an exemplary oil on canvas artwork by Edgar Degas, created in 1858. Measuring 26 x 19 cm, this Impressionist piece falls under the genre of self-portraiture. The artwork presents a intimate and contemplative depiction of Degas, donned in a soft hat and a striking red scarf, emphasizing the artist's brooding gaze set against a dark, muted background. This captivating portrayal reflects the artist's introspective nature and finesse in the subtle interplay of light and shadow.

279. Self Portrait Saluting

Self Portrait Saluting

"Self Portrait Saluting," created by Edgar Degas between 1865 and 1866, is an Impressionist oil painting on canvas that acts as a self-portrait of the artist. The artwork is a testament to Degas' distinctive style and technical prowess, depicting him in a formal attire, holding a top hat and gloves, and offering a solemn salute. It is currently housed in the Calouste Gulbenkian Museum in Lisbon, Portugal. The background features a juxtaposition of muted colors, which accentuate the figure's dignified and introspective expression.

280. Self Portrait with Evariste de Valernes

Self Portrait with Evariste de Valernes

"Self Portrait with Evariste de Valernes," created circa 1865 by Edgar Degas, is an oil on canvas artwork representative of the Impressionist movement. It is a self-portrait genre piece currently housed in the Musée d'Orsay in Paris, France. The artwork portrays two figures, presumably Degas and Evariste de Valernes, engaged in an intimate, almost candid interplay. The background is rendered in subdued tones, and the expressions and stances of the figures exude a sense of thoughtful reflection. The overall composition and use of light and shadow highlight Degas' meticulous attention to detail and proficiency in capturing human interaction.

281. Semiramis Building a City

Semiramis Building a City

"Semiramis Building a City," created in 1861 by Edgar Degas, is a history painting from the Impressionism art movement that measures 26 x 41 cm and is currently housed in a private collection. The artwork portrays a scene with a group of figures, including a prominent female figure, Semiramis, who appears to be overseeing the construction of a city. Various figures are depicted engaging in diverse activities, with some pointing and observing, while others adorn the setting with flowers, indicating a ceremonious or regal event. The atmospheric backdrop features a cityscape with scaffolding and distant structures, all bathed in the diffused light of a setting sun, lending a historical and romantic quality to the composition.

282. Semiramis Building Babylon

Semiramis Building Babylon

"Semiramis Building Babylon," an oil on canvas painting created by Edgar Degas in 1861, exemplifies the Impressionism movement. Measuring 151 by 258 centimeters, this historical painting is housed at the Musée d'Orsay in Paris, France. The artwork depicts the legendary Queen Semiramis overseeing the construction of Babylon, with its intricate details and evocative tones reflecting both grandeur and complexity in the scene. The composition artfully balances the figures in the foreground with the expansive cityscape, epitomizing Degas' mastery in capturing both historical narrative and atmospheric depth.

283. Singer in Green

Singer in Green
  • Artwork Name: Singer in Green
  • Year: 1884
  • Medium: pastel,paper
  • Dimensions: 58.4 x 45.7 cm

The artwork titled "Singer in Green" by Edgar Degas, created in 1884, is a pastel on paper piece that belongs to the Impressionism movement. Measuring 58.4 by 45.7 cm, the portrait features a singer, perhaps captured in a moment of performance, characterized by vibrant use of colors and expressive brushstrokes. The singer's dynamic pose and the interplay of light and shade reveal Degas' masterful techniques in capturing human emotion and movement. The artwork radiates with the lively hues of the subject's attire, set against a rich, textured background that complements the figure's presence.

284. Three Dancers

Three Dancers

"Three Dancers" by Edgar Degas, created around 1897 to 1901 using pastel, is a notable work within the Impressionism movement and belongs to the genre painting category. The artwork depicts three ballerinas in vibrant tutus, capturing a moment of fluid motion and graceful poise. It highlights Degas' mastery in portraying the dynamism of dance and the delicate interplay of light and color, characteristic of his Impressionist style. The dancers' expressive poses and the vivid, textured application of pastel bring an immediacy and life to the scene, reflecting the artist's keen observational skills and fascination with movement.

285. Three Dancers

Three Dancers

The artwork titled "Three Dancers" is a pastel piece created by Edgar Degas between approximately 1904 and 1906. Belonging to the Impressionist movement, this genre painting captures an intimate glimpse into the lives of ballet dancers. Currently housed in a private collection, the artwork depicts three ballet dancers, rendered with fluid, expressive brushstrokes that convey a sense of movement and grace. Their glowing tutus, vibrant colors, and dynamic poses showcase Degas's masterful use of pastel to bring texture and depth to the scene, evoking both the elegance and energy of their dance.

286. Three Dancers before Exercise

Three Dancers before Exercise

"Three Dancers before Exercise," a pastel artwork created circa 1880 by Edgar Degas, exemplifies the Impressionist movement and falls under the genre of genre painting. Currently held in a private collection, the artwork depicts three ballerinas poised in a moment of respite before commencing their exercise. Degas masterfully captures the delicate textures and vibrant hues of the dancers' tutus, contrasted against a subdued background, highlighting his keen observation and portrayal of movement and grace.

287. Three Dancers behind the Scenes

Three Dancers behind the Scenes

"Three Dancers Behind the Scenes," a genre painting by Edgar Degas created between circa 1880 and circa 1885, exemplifies the Impressionist art movement through its vivid use of oil on canvas. Presently held in a private collection, the artwork depicts three ballerinas situated backstage, conveying a moment of poised anticipation within a context of dynamic brushwork and a muted color palette. The composition captures the everyday reality of the dancers' lives, emphasizing Degas's focus on the intersection of art and real life.

288. Three Dancers, Blue Skirts, Red Blouses

Three Dancers, Blue Skirts, Red Blouses

The artwork entitled "Three Dancers, Blue Skirts, Red Blouses" is a pastel genre painting created circa 1903 by the renowned artist Edgar Degas. The piece, which belongs to the Impressionism art movement, is characterized by its graceful depiction of three ballerinas adorned in blue skirts and red blouses, captured mid-movement. The dancers are set against a richly textured background that evokes the dynamism and fluidity of their performance. This notable work is currently held in a private collection.

289. Three Dancers, Green Blouses

Three Dancers, Green Blouses

The artwork titled "Three Dancers, Green Blouses," created by Edgar Degas around the year 1900, utilizes pastel as its medium and belongs to the Impressionism movement. Classified as genre painting, it currently resides within a private collection. The artwork depicts three female dancers adorned in green blouses and voluminous, pink-hued tutus. The dancers appear to be captured in a moment of rest or preparation, their postures and expressions reflecting a sense of intimacy and realism. Degas employs vigorous strokes and a vivid palette to convey the energy and movement inherent in the scene, exemplary of his skillful treatment of light and texture.

290. Three Dancers in an Exercise Hall

Three Dancers in an Exercise Hall

The artwork, titled "Three Dancers in an Exercise Hall," was created by Edgar Degas circa 1880 and belongs to the Impressionism movement. It is a genre painting that portrays three ballet dancers in an exercise hall. The dancers, captured in a moment of practice, display graceful movements, with one arm raised and another adjusting her ballet shoes. The soft, muted color palette and delicate brushstrokes are characteristic of Degas' technique, evoking a sense of calm and introspection. The composition is framed by a large window in the background, through which the urban landscape is visible, adding depth and context to the scene.

291. Three Dancers in Pink

Three Dancers in Pink

"Three Dancers in Pink," an oil on canvas painting created circa 1886 by Edgar Degas, reflects the principles of the Impressionism movement. This genre painting, measuring 98 by 53 cm, captures the elegance and grace of three dancers adorned in pink tutus. The artwork, which belongs to a private collection, utilizes soft, pastel hues and fluid brushstrokes to convey the ethereal quality and delicate movements of the dancers, set against a verdant, impressionistic backdrop.

292. Three Dancers in Purple Skirts

Three Dancers in Purple Skirts

Entitled "Three Dancers in Purple Skirts," this pastel artwork by Edgar Degas, created approximately between 1895 and 1898, embodies the Impressionist movement and falls under the genre painting category. Currently housed in the Philips Collection in Washington, DC, the artwork depicts three ballerinas enrobed in vivid purple tutus, gracefully poised with their arms raised, evoking a sense of motion and elegance. The choice of pastel medium enhances the delicate textures and emotive expressions, offering a vibrant yet intimate glimpse into the ephemeral beauty of dance.

293. Three Dancers in Yellow Skirts

Three Dancers in Yellow Skirts

The artwork "Three Dancers in Yellow Skirts" by Edgar Degas, created circa 1899 to 1904, employs pastel as its medium. As an exemplar of genre painting within the Impressionist movement, this piece captures the fluidity and dynamism of its subjects, three dancers adorned in vibrant yellow skirts. The pastel strokes vividly render the delicate textures and movements of the dancers, evoking a sense of grace and immediacy. Currently housed in a private collection, the artwork resonates with Degas' intricate observation of form and motion.

294. Woman Tying the Ribbons of Her Hat

Woman Tying the Ribbons of Her Hat

The artwork, titled "Woman Tying the Ribbons of Her Hat," was created by Edgar Degas circa 1882 using charcoal. It belongs to the Impressionism art movement and is categorized as a sketch and study. The depiction shows a woman in profile, gracefully engaged in the delicate action of tying the ribbons of her hat. The use of charcoal gives the image a soft yet dynamic texture, embodying the Impressionist focus on capturing fleeting moments and everyday activities with an intimate and nuanced approach.

295. Woman Washing Her Feet

Woman Washing Her Feet

"Woman Washing Her Feet," created circa 1893 by Edgar Degas, is a pastel artwork associated with the Impressionism movement. This piece, categorized as a nude painting (nu), is currently held in a private collection. The artwork depicts a woman engaged in the intimate act of washing her feet, rendered with the characteristic loose, expressive strokes and soft color palette typical of Degas' style, emphasizing both the grace and everyday simplicity of the scene.

296. Woman washing in the bath

Woman washing in the bath

The artwork titled "Woman Washing in the Bath," created in 1892 by Edgar Degas, is an exemplary piece within the Impressionism art movement. Executed using colored pencils, pastel, and cardboard, the artwork measures 31.8 x 47.4 cm and falls under the genre of nude painting. Currently housed at the Musée d'Orsay in Paris, France, the artwork depicts a woman bathing, capturing the intimate moment with a blend of tender realism and expressive use of color and form that Degas is renowned for.

297. Woman with a Bandage

Woman with a Bandage

The artwork, titled "Woman with a Bandage," was created by Edgar Degas between 1871 and 1873. Rendered in oil on canvas, this portrait exemplifies the Impressionist art movement. The painting measures 33 by 24.8 centimeters and is part of the collection at the Detroit Institute of Arts in Detroit, Michigan. It depicts a woman in profile, adorned with a bandage around her head, captured in a serene and contemplative pose, illustrating Degas' masterful use of light and texture.

298. Woman with an Umbrella

Woman with an Umbrella

"Woman with an Umbrella" is an oil on canvas painting created circa 1876 by the renowned artist Edgar Degas. This artwork, classified within the Impressionism movement and belonging to the portrait genre, is currently housed at the National Gallery of Canada in Ottawa. The painting depicts a solemn woman, rendered with loose brush strokes and a muted color palette, holding an umbrella. The subdued tones and the indistinct background emphasize the figure's pensive expression, highlighting Degas' skill in capturing human emotion and the essence of his subjects.

299. Woman with a Towel

Woman with a Towel

The artwork titled "Woman with a Towel," crafted by Edgar Degas in 1898, is a pastel piece that belongs to the Impressionism art movement, specifically categorized as a nude painting (nu). The artwork depicts a woman seated with her back turned towards the viewer, draped in a towel. The exhibit is a masterful representation of Degas' acute attention to detail and his deft use of pastels to capture the delicate interplay of light and shadow on the human form. The background consists of an array of muted hues, invoking a quiet, introspective atmosphere characteristic of Degas' oeuvre.

300. Woman with Loose Red Hair

Woman with Loose Red Hair

"Woman with Loose Red Hair," an oil painting on canvas created in 1898 by Edgar Degas, is a notable work within the Impressionism movement and falls under the genre painting category. The artwork depicts a solitary woman with flowing red hair, enveloped in warm, earthy tones. The use of loose, expressive brushstrokes characteristic of Impressionism conveys a sense of immediacy and intimacy, while the seemingly unfinished background adds a contemplative atmosphere to the scene. This masterpiece, currently held in a private collection, exemplifies Degas's skill in capturing fleeting moments and the nuanced beauty of everyday life.

301. Woman with the Oriental Vase

Woman with the Oriental Vase

The artwork titled "Woman with the Oriental Vase" was created by Edgar Degas in 1872 and is an oil on canvas piece measuring 65 x 54 cm, categorized under the Impressionism movement. Currently housed at the Musée d'Orsay in Paris, France, this portrait beautifully juxtaposes the delicate features of a woman against the intricate design of an Oriental vase adorned with vibrant red flowers, presenting a striking contrast that showcases Degas' mastery in capturing both human expression and still life elements.

302. Women Combing Their Hair

Women Combing Their Hair

The artwork, titled "Women Combing Their Hair" by Edgar Degas, was created between 1876 and 1877 using oil on paper. It belongs to the Impressionism art movement and can be classified as genre painting. Measuring 31.4 by 45.1 cm, the painting is housed in the Philips Collection in Washington, DC, US. The artwork depicts three women engaged in the intimate and everyday act of combing their hair, rendered with loose brushstrokes and a warm color palette characteristic of Degas' style, emphasizing the serene and personal atmosphere of the scene.

303. Women Leaning on a Railing

Women Leaning on a Railing

The artwork, "Women Leaning on a Railing," created by Edgar Degas circa 1890, is a pastel on paper exemplifying the Impressionist movement and belongs to the genre painting category. This piece, which resides in a private collection, depicts a rear view of four women leaning over a railing, characterized by their large, ornate hats and the subtle, nuanced use of color and texture typical of Degas' pastel works. The rendering of the figures suggests a moment of quiet observation and introspection, consistent with the intimate, everyday scenes favored by the artist.

304. A Ballet Seen From The Opera Box

A Ballet Seen From The Opera Box

"A Ballet Seen From The Opera Box," created by Edgar Degas in 1885, is a genre painting belonging to the Impressionism art movement. The artwork captures the fleeting moment of a ballet performance as seen from an opera box, providing a unique perspective that highlights both the performers and the spectators. The composition focuses primarily on the elegant ballerinas in their vivid tutus, depicted in graceful poses with delicate brushwork that showcases Degas' mastery in portraying movement and light. The viewer's vantage point from the opera box adds depth and a sense of immediacy to the scene, encapsulating the intimate yet dynamic atmosphere of the performance.

305. A Carriage at the Races

A Carriage at the Races

"A Carriage at the Races," an oil painting on canvas painted in 1872 by Edgar Degas, is a notable piece within the Impressionism movement. It measures 36.5 by 55.9 centimeters and is housed in the Museum of Fine Arts (MFA) in Boston, Massachusetts. This genre painting depicts a serene, idyllic scene at the races, with the primary focus on a family seated comfortably in a carriage, with a man and child under an umbrella, while a driver holds the reins of two horses. The backdrop features jockeys and horses in mid-competition against a vast, slightly clouded sky, capturing a fleeting moment of leisure and society.

306. Achille De Gas

Achille De Gas

The artwork named "Achille De Gas" was created by Edgar Degas between 1868 and 1872, using oil on cardboard. Belonging to the Impressionism art movement, this piece is a portrait. The artwork portrays a man, dressed elegantly in formal attire with a top hat, standing in a poised and composed manner. The background and attire are rendered in warm, earthy tones, showcasing Degas' distinctive style and mastery in capturing the essence and posture of his subject with minimal detailing.

307. Achille de Gas as a Naval Cadet (detail)

Achille de Gas as a Naval Cadet (detail)

The artwork, "Achille de Gas as a Naval Cadet" by Edgar Degas, created in 1857, is an oil painting on canvas and is classified under the Realism art movement. The artwork is a portrait measuring 64.4 by 46.2 centimeters. It depicts a naval cadet, dressed in a dark naval uniform adorned with gold buttons and epaulettes, set against a modest, warm-toned background. The cadet, posed with a hand resting on a piece of furniture, exhibits a contemplative and composed expression, embodying a sense of youthful earnestness and duty.

308. After Bathing, Woman Drying Her Leg

After Bathing, Woman Drying Her Leg

"After Bathing, Woman Drying Her Leg," crafted in 1893 by Edgar Degas, is a pastel artwork belonging to the Impressionism movement and categorized under the genre of nude painting (nu). The artwork, though privately collected, evocatively portrays a woman in an intimate moment of daily life, drying her leg after bathing. Degas employs rich, textured brush strokes and a warm, dynamic color palette to capture the naturalistic beauty and grace of the female form, reflecting the subtleties of light and shadow. Through this piece, Degas skillfully combines his keen observation of human anatomy with the expressive fluidity characteristic of Impressionism.

309. After Bathing, Woman Drying Herself

After Bathing, Woman Drying Herself

The artwork, titled "After Bathing, Woman Drying Herself," was created by Edgar Degas between approximately 1895 and 1905 using pastels. It belongs to the Impressionism movement and is categorized under the genre of nude painting (nu). This piece is currently housed in the Staatsgalerie Stuttgart in Stuttgart, Germany. The artwork depicts a woman in a moment of post-bathing, skillfully capturing the intimate and delicate act of drying herself. Using a palette of warm tones and expressive strokes, Degas brings an impressionistic vitality to the scene, emphasizing the harmonious interplay of light and shadow on the figure's form.

310. After Bathing, Woman Drying Herself

After Bathing, Woman Drying Herself

The artwork, "After Bathing, Woman Drying Herself," created by Edgar Degas circa 1900-1905, is a charcoal drawing representative of the Impressionism movement, classified within the genre of nude painting (nu). Currently housed in a private collection, this piece depicts a woman in an intimate, post-bathing moment, drying herself. Degas skillfully captures the fluidity and naturalness of the human form, employing his characteristic nuanced handling of chiaroscuro to suggest the softness of the skin and the warmth of the environment, enveloping the scene in a sense of tender realism and contemplative tranquility.

311. Comte Le Pic and his Sons

Comte Le Pic and his Sons

"Comte Le Pic and his Sons" is a portrait created by the notable artist Edgar Degas in 1870. Executed in oil on canvas, the painting measures 81 by 65 centimeters and is an exemplary piece of the Impressionist movement. The artwork portrays Comte Le Pic and his two young sons, rendered with a delicate yet expressive brushwork characteristic of Degas's style. Currently housed at the E.G. Bührle Foundation in Zürich, Switzerland, the painting encapsulates the artist's skill in capturing intimate familial moments with a profound sense of realism and empathy.

312. Conversation

Conversation

"Conversation," an oil on canvas artwork created by Edgar Degas in 1895, exemplifies the Impressionism movement and genre painting. Currently housed in the Yale University Art Gallery in New Haven, CT, the artwork portrays a contemplative interaction between two figures against a subdued background. Degas employs his characteristic mastery of light and shadow to capture the subtleties of human expression and social interaction. The warm, muted tones and soft brushstrokes reveal a scene both intimate and enigmatic, inviting viewers to ponder the nature of the exchange depicted.

313. Cotton Merchants in New Orleans

Cotton Merchants in New Orleans

The artwork, titled "Cotton Merchants in New Orleans" by Edgar Degas, was created in 1873 utilizing oil on linen. This piece, representative of the Impressionism movement, is a genre painting with dimensions of 58.7 x 71.8 cm, and it is housed in the Fogg Museum at Harvard Art Museums in Cambridge, MA, US. The painting captures an interior scene depicting merchants meticulously examining cotton, reflecting the commercial activities of the time. One merchant, dressed formally in a black suit and bowler hat, is seen bending over the cotton examining its quality, while another man in the background stands, seemingly engaged in documentation or conversation.

314. Criminal Physiognomies

Criminal Physiognomies

The artwork, titled "Criminal Physiognomies," was created by Edgar Degas in 1881 using pastel as the medium. It belongs to the Impressionism art movement and is classified as a portrait. The artwork is currently held in a private collection. This compelling piece depicts two male figures in profile, rendered with Degas' distinctive brushwork and attention to the subtleties of human expression, capturing a nuanced study of character and physiognomy.

315. Dance Class

Dance Class

The artwork, entitled "Dance Class," was created in 1871 by Edgar Degas, a prominent figure in the Impressionist movement. Executed in oil on panel, the piece is a genre painting that captures a moment in a ballet rehearsal setting. The composition illustrates young ballerinas practicing their routines under the guidance of a musician. The use of reflective surfaces and detailed figures conveys movement and the dedication of the dancers, embodying the everyday intricacies of 19th-century dance training.

316. Dance Class at the Opera, rue Le Peletier

Dance Class at the Opera, rue Le Peletier

The artwork, "Dance Class at the Opera, rue Le Peletier," is an oil painting on canvas created by Edgar Degas in 1872. Falling under the Impressionism movement and classified as genre painting, it is currently housed in Musée d'Orsay, Paris, France. The painting vividly captures a serene yet dynamic moment inside a dance studio, where young ballerinas, adorned in white tutus, diligently practice under the watchful eye of an instructor. The composition elegantly portrays the grace of the dancers juxtaposed with the structured environment of classical ballet, reflecting Degas' masterful depiction of movement and light.

317. Dance Opera

Dance Opera

"Dance Opera" is an artwork created by Edgar Degas in 1872, firmly placing itself within the Impressionism movement and categorized under the genre of genre painting. The artwork depicts a serene scene of three ballerinas in various stages of dance practice. The painter's masterful use of light and shadow, combined with delicate brushwork, captures the grace and poise of the dancers. The setting appears to be a ballet rehearsal room, with the ballerinas dressed in typical tutus, suggesting an intimate glimpse into their world of discipline and artistry.

318. Dancer

Dancer
  • Artwork Name: Dancer
  • Year: 1899

The artwork in question, titled "Dancer," was created by Edgar Degas in 1899 and belongs to the Impressionism art movement, specifically within the genre painting category. The artwork depicts a dancer in a moment of preparation or rest, conveyed through Degas' characteristic use of delicate lines and soft colors. The composition captures the elegance and grace of the ballerina from an unusual and intimate angle, emphasizing Degas' interest in movement and the human form.

319. Dancer

Dancer
  • Artwork Name: Dancer
  • Year: c.1877
  • Medium: pastel

The artwork "Dancer" by Edgar Degas, created circa 1877, exemplifies the Impressionism movement and embodies the genre painting style. Rendered in pastel, the artwork captures the ethereal grace and delicate poise of a ballerina through Degas’s adept use of color and texture. The dancer is depicted mid-movement, her form rendered with expressive, fluid lines that convey both the physicality and elegance of her art. Housed in a private collection, the piece remains a testament to Degas's mastery in portraying the dynamism and beauty of dance.

320. Dancer

Dancer
  • Artwork Name: Dancer
  • Year: 1874

The artwork titled "Dancer," created by Edgar Degas in 1874, is a notable example of the Impressionism movement and belongs to the genre of genre painting. Currently housed within the Hermitage Museum in Saint Petersburg, Russia, the piece illustrates a dynamic portrayal of a dancer in motion. Degas’s characteristic style is evident in the fluidity of the lines and the delicate, yet expressive use of color and shading, which elegantly captures the grace and poise of the subject, rendering a sense of immediacy and intimacy that is emblematic of his work.

321. Edmond Duranty

Edmond Duranty
  • Artwork Name: Edmond Duranty
  • Year: 1879
  • Medium: gouache,pastel,canvas
  • Dimensions: 100 x 100 cm

"Edmond Duranty" is an Impressionist portrait created by Edgar Degas in 1879 using gouache and pastel on canvas. The artwork, dimensions 100 x 100 cm, is housed in the Burrell Collection in Glasgow, UK. The composition depicts Edmond Duranty seated at a desk in a study or library, surrounded by an array of books and papers, evoking a sense of intellectual engagement and introspection. Degas masterfully utilizes light and color to imbue the scene with depth and atmosphere, characterizing the subject's contemplative demeanor within a richly detailed environment.

322. Edmondo and Therese Morbilli

Edmondo and Therese Morbilli

The artwork, titled "Edmondo and Therese Morbilli," was created by Edgar Degas between 1865 and 1866. Executed in oil on canvas, this portrait exemplifies the Impressionist art movement and is currently housed at the National Gallery of Art in Washington, DC, US. The painting depicts a seated couple within an intimate domestic setting, characterized by attention to intricate details and a vibrant, yet harmonious color palette. The figures are rendered with a sense of realism and subtle emotional depth, typical of Degas' portrait work, capturing a quiet moment of companionship.

323. Edouard Manet Standing

Edouard Manet Standing

The artwork, entitled "Edouard Manet Standing," was created by Edgar Degas around 1866 to 1868. Rendered in graphite, this portrait is a quintessential example of the Impressionism movement, capturing a moment with soft and expressive lines. The subject, depicted in a relaxed and informal pose, reflects the period's shift towards capturing ordinary, candid moments. Currently housed in the Musée d'Orsay in Paris, France, this artwork exemplifies Degas' skill in capturing personality and texture through minimalist yet evocative graphite strokes.

324. Elena Carafa

Elena Carafa
  • Artwork Name: Elena Carafa
  • Year: c.1873 - c.1874
  • Medium: oil,canvas

The artwork titled "Elena Carafa," created by Edgar Degas around 1873 to 1874, is an oil painting on canvas and belongs to the Impressionism movement. This portrait, housed at the National Gallery in London, UK, captures the essence of its subject through Degas' masterful use of light and color. The sitter is presented in a reclined position against an ornate, patterned chair, exuding an aura of relaxed yet contemplative demeanor. The intimate setting and soft brushwork epitomize Degas' skill in capturing the subtleties of human expression and form within the domestic sphere.

325. Ellen Andree

Ellen Andree

The artwork, titled "Ellen Andree," was created by Edgar Degas around 1879 using pastel. It belongs to the Impressionism movement and represents a sketch and study genre. Currently held in a private collection, the artwork depicts a full-length profile of a woman, rendered with subtle yet expressive pastel strokes. She is attired in period clothing, standing against a mostly blank background, allowing her figure to capture the viewer's attention. The simplicity of the composition and the elegance of the lines reflect Degas's mastery in conveying depth and character with minimalistic details.

326. Emma Dobigny

Emma Dobigny

The artwork, titled "Emma Dobigny," is an oil portrait created by the renowned artist Edgar Degas in 1869. Representing the Impressionist art movement, this piece depicts a thoughtful profile of a young woman with soft, delicate features and a serene expression. The use of warm, subdued tones against a muted background highlights the subject’s contemplative gaze. Currently, the artwork resides in a private collection.

327. Estelle Musson Balfour

Estelle Musson Balfour

The artwork titled "Estelle Musson Balfour," created by Edgar Degas around 1865, is an oil painting on canvas that belongs to the Impressionism art movement. It is a portrait genre painting that is currently housed in the Walters Art Museum in Baltimore, MD, US. The artwork represents a somber and introspective depiction of a woman, with soft brushstrokes and muted colors, characteristic of Degas's early exploration of the Impressionist style. The background features bare trees, which contrast with the subject's serene yet somber expression, highlighting the artist's sensitive portrayal of emotion and mood.

328. Eugene Manet

Eugene Manet
  • Artwork Name: Eugene Manet
  • Year: 1874
  • Medium: oil,canvas
  • Dimensions: 65 x 86 cm

The artwork titled "Eugene Manet," created by Edgar Degas in 1874, is an oil-on-canvas painting belonging to the Impressionism movement. This portrait, measuring 65 x 86 cm, depicts a seated man in a serene, rural setting with a relaxed demeanor. The vivid yet gentle strokes characteristic of the Impressionist style bring a sense of life and immediacy to the pastoral backdrop. Presently, the artwork is held in a private collection.

329. Exit from Weighing

Exit from Weighing
  • Artwork Name: Exit from Weighing
  • Year: 1866
  • Medium: gouache,watercolor
  • Dimensions: 11 x 17 cm

"Exit from Weighing," painted by Edgar Degas in 1866, is a genre painting rendered in gouache and watercolor, measuring 11 x 17 cm. The artwork is part of the Impressionism movement and is currently housed in the Isabella Stewart Gardner Museum (Fenway Court) in Boston, MA, US. The artwork depicts a scene with jockeys and officials in a busy equestrian setting, illustrating Degas's keen observation of contemporary life and his masterful use of gouache and watercolor to capture the vibrancy and motion in the composition.

330. Field of Flax

Field of Flax

The artwork titled "Field of Flax" by Edgar Degas, created between 1891 and 1892, utilizes pastel as its medium and belongs to the Impressionism art movement. It is a landscape genre piece currently housed in a private collection. The artwork depicts an expansive field overgrown with flax, showing Degas' adept use of pastels to capture the delicate textures and vibrant interplay of light across the flora. The composition is accentuated by a masterful blend of colors, evoking a serene yet dynamic natural scene that embodies the quintessence of Impressionist aesthetics.

331. Mme Jacques Fourchy

Mme Jacques Fourchy

The artwork, titled "Mme Jacques Fourchy," was created by the esteemed artist Edgar Degas in 1883. Executed in pencil, this piece belongs to the Impressionism movement and falls under the portrait genre. The artwork features a detailed profile rendering of a woman, demonstrating Degas's mastery in capturing subtle facial features and textures with delicate and precise pencil strokes. The elegance and simplicity of the linework exemplify the artist’s expertise in conveying depth and character through minimalist means.

332. Mme. Theodore Gobillard

Mme. Theodore Gobillard

The artwork, titled "Mme. Theodore Gobillard," was created in 1869 by the renowned artist Edgar Degas using the medium of pastel. It is a portrait that falls under the Impressionism art movement. The depiction showcases a woman from a side profile, immersed in an ethereal ambiance characterized by soft hues and delicate brushwork, indicative of Degas's expertise and the distinctive qualities of the Impressionist style.

333. Musicians in the Orchestra

Musicians in the Orchestra

The artwork titled "Musicians in the Orchestra," created by Edgar Degas in 1870, exemplifies the Impressionist art movement and is executed in oil on canvas. This genre painting portrays musicians immersed in their performance within an orchestra. The artistic rendering captures the atmosphere of the orchestra through loose brushstrokes and subdued color tones, reflecting Degas' keen observation and portrayal of everyday scenes. The dynamic composition and impressionistic technique reveal the artist's masterful ability to convey motion and emotion within the setting.

334. Musicians in the Orchestra

Musicians in the Orchestra

"Musicians in the Orchestra" is an oil painting on canvas created by Edgar Degas in 1872. As a work of the Impressionist art movement and classified under the genre of genre painting, the artwork captures a scene of musicians and ballet dancers in a vivid and dynamic manner. It is currently housed at the Städel Museum in Frankfurt am Main, Germany. The composition displays Degas' characteristic attention to light, movement, and the everyday life of performers, portraying both the musicians in the orchestra pit and the ballerinas on stage with remarkable detail and vibrancy.

335. Nude

Nude

The artwork, titled "Nude" by Edgar Degas, belongs to the Impressionist movement and falls within the genre of nude painting (nu). Currently held in a private collection, the piece captures the essence of the human form with an expressive use of color and texture. The subject is depicted in an abstract manner, with an emphasis on silhouette and form rather than fine detail, effectively conveying a sense of raw emotion and vulnerability. The muted palette and loose brushwork characteristic of Impressionism are evident, contributing to the overall atmospheric quality of the painting.

336. Nude from the Rear, Reading

Nude from the Rear, Reading

"Nude from the Rear, Reading," crafted by Edgar Degas around 1880 to 1885, is a pastel artwork measuring 38 by 27.8 cm. Created during the Impressionism movement, the artwork resides in a private collection. The composition depicts a nude figure, viewed from behind, engaged in reading. Utilizing the soft and delicate medium of pastel, Degas captures the intimate and tranquil scene with an emphasis on the interplay of light and shadow, nuanced textures, and subtle color tones, characteristic of his refined, impressionistic style.

337. Nude in a Tub

Nude in a Tub

"Nude in a Tub," created by Edgar Degas in 1884 using pastel, is an exquisite embodiment of the Impressionist movement. The artwork, categorized within the genre of nude painting (nu), is housed at the Kelvingrove Art Gallery and Museum in Glasgow, UK. The subject of the artwork is a nude woman captured in a moment of intimate solitude, her figure rendered with delicate yet expressive strokes of pastel. The rich, warm tones and subtle play of light and shadow evoke a palpable sense of realism and emotion, characteristic of Degas' mastery in portraying the human form in private, ephemeral moments.

338. Nude Study of a Dancer

Nude Study of a Dancer

The artwork, titled "Nude Study of a Dancer," created by Edgar Degas in 1902, is a pastel drawing that falls within the Impressionist movement. Measuring 94.8 by 51.5 cm, this piece is a representative example of a nude painting (nu) and is currently part of a private collection. The artwork depicts a dancer in a contemplative pose, capturing the natural and fluid form of the human body with subtle use of lines and colors, characteristic of Degas' deft mastery in pastel mediums.

339. Nude Woman Pulling on Her Clothes

Nude Woman Pulling on Her Clothes

The artwork "Nude Woman Pulling on Her Clothes," created by Edgar Degas in 1885, is a pastel piece emblematic of the Impressionism movement, focusing on the genre of nude painting (nu). The composition depicts a nude woman turned away from the viewer, in the act of dressing in a serene, natural setting. Degas employs a delicate use of pastel to capture the soft play of light on the woman's skin and the lush, textured backdrop, emphasizing the subtleties of form and color characteristic of the Impressionist style.

340. Olive Trees against a Mountainous Background

Olive Trees against a Mountainous Background

The artwork, titled "Olive Trees against a Mountainous Background," was created by Edgar Degas between circa 1890 and circa 1893, employing pastel as the medium. A part of the Impressionism movement, this landscape piece is housed in the Norton Simon Museum in Pasadena, California. The artwork portrays a serene scene of olive trees set against a distant, mountainous backdrop, capturing the essence of nature through soft, blended colors and a subtle interplay of light and shadow.

341. Singers on Stage

Singers on Stage

The artwork "Singers on Stage" by Edgar Degas, created circa 1877, is a pastel piece representative of the Impressionism movement and falls under the genre of genre painting. Currently housed at the Art Institute of Chicago in Chicago, Illinois, this artwork depicts a lively scene of female singers performing on stage. Utilizing soft pastel hues, Degas captures the elegance and movement of the performers, set against a backdrop that hints at the grandeur of the theater. The composition is characteristic of Degas' keen observation of contemporary life and his mastery in conveying atmosphere and nuance through pastel medium.

342. Sitting woman drying herself

Sitting woman drying herself

The artwork titled "Sitting Woman Drying Herself," created by Edgar Degas between 1880 and 1890, is a sculptural piece emblematic of the Impressionism movement. The sculpture portrays a woman in a candid and intimate act of drying herself. Rendered with an expressive and dynamic form, the artwork captures the essence of motion and the human figure in a moment of vulnerability. Degas' attention to anatomical detail and texture is evident, enhancing the corporeal realism and emotional depth in this evocative piece.

343. Sitting woman drying herself

Sitting woman drying herself

The artwork, titled "Sitting Woman Drying Herself," is a sculpture by the artist Edgar Degas, created during the Impressionist movement. The sculpture captures the intimate moment of a woman seated, engaged in the act of drying herself. The piece exhibits the characteristic brushstrokes and attention to naturalistic detail that Degas is known for, emphasizing the human form and subtle movement, which is emblematic of the Impressionist approach to capturing everyday moments with grace and realism.

344. Six Friends of the Artist

Six Friends of the Artist

The artwork, titled "Six Friends of the Artist" by Edgar Degas, created in 1885 using pastel, is a notable piece from the Impressionism movement. Depicting a portrait genre, this composition captures six male figures in varied postures and expressions, with an emphasis on everyday attire and nuanced human interaction. The use of warm and soft hues exemplifies Degas' mastery in pastel work, bringing a lifelike quality to the scene. This distinguished artwork is housed at the Rhode Island School of Design Museum (RISD Museum) in Providence, Rhode Island.

345. Sky Study

Sky Study
  • Artwork Name: Sky Study
  • Year: c.1869
  • Medium: pastel

"Sky Study," created by Edgar Degas circa 1869, is a pastel artwork that belongs to the Impressionism movement and falls within the cloudscape genre. Currently held in a private collection, the artwork showcases Degas' masterful use of pastel to render a tranquil sky filled with softly rendered clouds against a blue backdrop. The delicate interplay of light and shadow, along with the subtle gradations of blue and white, exemplifies the artist's keen observation of natural atmospheric conditions and his ability to convey the ethereal beauty of the sky.

346. Slippers of Ballerina

Slippers of Ballerina

The artwork, titled "Slippers of Ballerina", masterfully crafted by the eminent artist Edgar Degas, belongs to the Impressionism art movement and is categorized under the genre of genre painting. The piece captures a ballerina in a moment of poised grace, delicately focusing on her slippers. Rendered with a subtle yet dynamic interplay of light and shadow, the artwork exemplifies Degas' skill in depicting movement and his profound understanding of the human form. The refined use of pastels imbues the scene with both softness and a sense of immediacy, characteristic of Degas' approach to capturing the ephemeral beauty of ballet.

347. Young Spartans Exercising

Young Spartans Exercising

The artwork titled "Young Spartans Exercising," created by Edgar Degas in 1860, exemplifies the Impressionism movement. Executed in oil on canvas, this historical and genre painting measures 109 by 155 centimeters and is currently housed at the National Gallery in London, UK. The artwork portrays an outdoor scene where young Spartan boys and girls engage in athletic exercises, capturing a moment in ancient history with a sense of naturalism and dynamic movement characteristic of the Impressionist style.

348. Standing Female Figure with Bared Torso

Standing Female Figure with Bared Torso

The artwork, titled "Standing Female Figure with Bared Torso," was created by Edgar Degas circa 1866 to 1868 using oil on cardboard. It forms part of the Impressionism movement and belongs to the genre of sketch and study. The artwork depicts a woman standing with her torso bared, rendered with vigorous and expressive brushstrokes that convey a sense of immediacy and intimacy. Degas' technique highlights his meticulous study of the human figure, balancing anatomical precision with a dynamic, almost ephemeral quality. Currently, this piece is housed in the Kunstmuseum Basel in Basel, Switzerland.

349. Steep Coast

Steep Coast
  • Artwork Name: Steep Coast
  • Year: 1892
  • Medium: pastel
  • Dimensions: 42 x 55 cm

"Steep Coast," an artwork by Edgar Degas from 1892, is a pastel piece created during the Impressionism movement. With dimensions of 42 x 55 cm, this landscape genre artwork is currently located in a private collection. The artwork vividly captures a rugged coastline with undulating forms and a gentle, hazy blend of colors that evoke the emotional resonance and visual essence characteristic of Impressionist techniques.

350. Still Life with Lizard

Still Life with Lizard

"Still Life with Lizard," created by Edgar Degas between 1858 and 1860, is an oil painting on paper with dimensions of 18 x 14 cm. Exhibiting characteristics of the Realism art movement, the artwork falls under the genre of still life. The composition features a rustic brown bowl, a slice of bread, and a dark rectangular block with the faint outline of a lizard, all set against a plain blue background. The arrangement exemplifies meticulous attention to detail and texture, emphasizing everyday objects with a serene yet poignant simplicity.

351. Three Dancers. Yellow Skirts, Blue Blouses

Three Dancers. Yellow Skirts, Blue Blouses

The artwork titled "Three Dancers. Yellow Skirts, Blue Blouses" is a pastel piece created circa 1896 by the renowned artist Edgar Degas. As an example of the Impressionism art movement, it falls within the genre painting category and measures 56.5 x 50.8 cm. Currently held in a private collection, the artwork depicts three female dancers donning yellow skirts and blue blouses. Degas captures the dancers’ delicate forms and vibrant attire against a textured, dynamic background, emphasizing the fluidity and gracefulness characteristic of his work. The use of vivid pastels and energetic brushstrokes further enhances the lively essence of the dancers in motion.

352. Three girls sitting en face

Three girls sitting en face

The artwork titled "Three girls sitting en face" is a pastel sketch created by Edgar Degas in 1879. Representing the Impressionist movement, this intimate study measures 16 by 22 centimeters and is housed in the Rijksmuseum, Amsterdam, Netherlands. The piece captures three girls in a frontal pose, rendered in a soft and expressive palette, characteristic of Degas' style. The artist's deft use of pastel adds texture and depth to the sketch, embodying the spontaneity and delicate observation typical of Impressionism.

353. Three Heads

Three Heads
  • Artwork Name: Three Heads
  • Year: c.1871
  • Medium: oil,canvas

The artwork, titled "Three Heads" and created by Edgar Degas around 1871, is an oil on canvas painting that exemplifies the Impressionism movement. The piece is a portrait and is currently held in a private collection. It depicts the intense and expressive faces of three individuals, rendered with loose brushstrokes and a warm, earthy palette. The background is a blend of soft blues, providing a subtle contrast to the more defined and detailed features of the figures in the foreground.

354. Three Jockeys

Three Jockeys

"Three Jockeys" is a pastel artwork created around 1900 by Edgar Degas, a prominent figure in the Impressionist movement. This genre painting depicts three jockeys astride their horses, poised in dynamic motion against a verdant, textured background. The use of vibrant pastel colors and expressive brush strokes captures the lively essence of the scene, imparting a sense of immediacy and movement synonymous with Degas' distinctive style and the Impressionist focus on light and activity.

355. Three Ukrainian Dancers

Three Ukrainian Dancers

"Three Ukrainian Dancers" is a genre painting rendered in pastel by Edgar Degas in 1895, characteristic of the Impressionism art movement. The artwork measures 63 x 53 cm and is housed in the Nationalmuseum in Stockholm, Sweden. The artwork depicts three dancers engaged in a dynamic moment of dance, showcasing Degas' masterful use of color, movement, and emotion to capture the liveliness and cultural richness of the scene.

356. Three Women at the Races

Three Women at the Races

The artwork, titled "Three Women at the Races," was created by Edgar Degas around 1885 using pastel as the medium. This piece belongs to the Impressionism art movement and is categorized as a genre painting. Currently housed at the Denver Art Museum (DAM) in Denver, Colorado, the artwork depicts three women standing together, presumably observing or participating in a racetrack event. Degas employs rich, earthy tones and loose, expressive strokes to capture the scene, emphasizing the interplay of light and shadow and the momentary glimpse of an everyday social activity.

357. Torso of a Dancer

Torso of a Dancer

The artwork, titled "Torso of a Dancer," created by Edgar Degas approximately in 1899, is a charcoal drawing that falls under the Impressionism art movement and is classified as a genre painting. Currently housed in Kunsthalle Bremen in Bremen, Germany, this piece portrays a delicate rendering of a dancer, depicted in a contemplative pose, adjusting her clothing. The subtle yet expressive strokes of charcoal capture the serene grace and elegance of the dancer, reflecting Degas's profound ability to convey movement and human form.

358. Tuileries, the woman with a parasol

Tuileries, the woman with a parasol

The artwork titled "Tuileries, the woman with a parasol," created by Edgar Degas in 1877, is an oil painting on canvas that belongs to the Impressionism movement. This portrait, measuring 27 x 20 cm, depicts a woman under a parasol, capturing a moment with a soft, impressionistic technique. The subject's facial features and the subtle interplay of light and shadow exemplify Degas' masterful brushwork. The painting is housed in the Burrell Collection in Glasgow, UK.

359. Two Ballet Dancers

Two Ballet Dancers

The artwork, titled "Two Ballet Dancers," is a pastel piece created by Edgar Degas around the year 1879. This genre painting, reflecting the principles of the Impressionist movement, captures two ballet dancers in a moment of repose and is currently housed in the Shelburne Museum in Shelburne, Vermont, US. The composition skillfully portrays the grace and elegance of the dancers through soft, delicate brushstrokes, emphasizing Degas's keen observation of human movement and form against a muted background.

360. Two Dancers

Two Dancers
  • Artwork Name: Two Dancers
  • Year: c.1878 - c.1880
  • Medium: pastel

The artwork titled "Two Dancers," created by Edgar Degas between circa 1878 and circa 1880, is a pastel piece belonging to the genre of genre painting and is associated with the Impressionism movement. The artwork, situated in a private collection, depicts two ballet dancers in mid-motion. The delicate, light-infused strokes of pastel capture the ethereal movement and poise of the dancers, demonstrating Degas' masterful ability to convey the energy and grace of ballet through a realistic yet impressionistic style. The warm, muted background contrasts elegantly with the shimmering textures of the dancers' tutus, emphasizing the fluidity and elegance of their forms.

361. Women on a Cafe Terrace

Women on a Cafe Terrace

The artwork titled "Women on a Cafe Terrace" by Edgar Degas, created in 1877, is a pastel piece emblematic of the Impressionist movement. With dimensions of 54.5 x 71.5 cm, it belongs to the genre painting category and is currently housed in the Musée d'Orsay in Paris, France. The artwork depicts a scene of women seated at a café terrace, capturing a moment of social interaction amidst a bustling backdrop, rendered with Degas' signature impressionistic technique, emphasizing light and vibrant hues.

362. Women on a Cafe Terrace in the Evening

Women on a Cafe Terrace in the Evening

"Women on a Cafe Terrace in the Evening," created by Edgar Degas in 1877, employs pastel as the medium and belongs to the Impressionism art movement. This artwork, a genre painting, captures the essence of urban life in a Paris café, depicting women adorned in period attire engaging in an evening's social moment. The composition is housed in the Musée d'Orsay in Paris, France. The use of fragmented brush strokes and vivid colors highlights the vivacious atmosphere of the scene, focusing on the intimacy and camaraderie shared among the women amidst the hustle and bustle of the city.

363. Young Girl Braiding Her Hair

Young Girl Braiding Her Hair

The artwork titled "Young Girl Braiding Her Hair," crafted by Edgar Degas in 1894, is a pastel piece situated within the Impressionism movement and the genre painting category. Currently held in a private collection, the artwork depicts a young girl engaging in the intimate act of braiding her hair. The use of pastel creates a soft, delicate ambiance, highlighting Degas's mastery in capturing fleeting moments of everyday life. The backdrop—a bed and richly textured wall—complements the composition, rendering it a vivid yet serene scenario reflective of the artist's impressionistic style.

364. Young Spartans Exercising

Young Spartans Exercising

The artwork, "Young Spartans Exercising," created by Edgar Degas in 1860, is an oil painting on canvas measuring 109.2 by 154.3 cm. It belongs to the Impressionism movement and is categorized as a history painting. Currently housed in the National Gallery, London, UK, the painting depicts a group of young Spartans engaged in physical activities against a backdrop of rolling hills and distant figures. The scene captures the essence of vitality and vigor characteristic of ancient Spartan youth, blending historical narrative with Degas's impressionistic brushwork and subtle use of color to convey movement and form.

365. Young Woman in Street Dress

Young Woman in Street Dress

"Young Woman in Street Dress" is a sketch and study artwork created by Edgar Degas in 1872, aligning with the Impressionist movement. Currently housed at the Fogg Museum (Harvard Art Museums) in Cambridge, MA, US, this artwork features a side profile of a young woman adorned in a detailed street dress. Rendered in a minimalistic yet expressive style, the piece is notable for its use of light and shadow, which brings both texture and depth to the figure against a plain background. This study encapsulates Degas' adeptness at capturing human form and attire with a fluidity characteristic of the Impressionist ethos.

366. Young Women Resting in a Field

Young Women Resting in a Field

The artwork, titled "Young Women Resting in a Field," was crafted around 1882 by the renowned artist, Edgar Degas. Executed in pastel, this piece belongs to the Impressionism art movement and falls within the genre of genre painting. Presently housed in a private collection, the artwork depicts a serene scene wherein two young women are depicted in a moment of repose, seated on the ground in a field. Degas employs a vibrant yet soft palette, capturing the delicate interplay of light and color characteristic of Impressionism. The pastoral setting and the relaxed postures of the figures evoke a sense of tranquility and intimacy, accentuated by the fluidity and expressiveness of the pastel medium.

367. After Bathing, Woman Drying Herself

After Bathing, Woman Drying Herself

"After Bathing, Woman Drying Herself" is an artwork created between 1888 and 1892 by Edgar Degas, a notable figure in the Impressionist movement. Executed in pastel, the piece measures 47 by 60.3 centimeters and currently resides in a private collection. The artwork, classified as a nude painting, depicts a woman engaged in the intimate act of drying herself after a bath. The use of soft, blended pastels and delicate lines captures the natural curvature and posture of the woman's body, while the muted background contrasts with the sensuous texture of the towel, emphasizing the graceful tranquility of the moment.

368. After Bathing, Woman Drying Herself

After Bathing, Woman Drying Herself

The artwork titled "After Bathing, Woman Drying Herself," created by Edgar Degas circa 1905-1907, exemplifies the masterful application of pastels characteristic of the Impressionist movement and falls within the genre of nude painting (nu). This intimate piece, which currently resides within a private collection, portrays a woman in a moment of private repose, drying herself after a bath. The use of muted and soft tones highlights the delicate and ephemeral nature of the scene, capturing both the physical act and the serene, contemplative mood of the subject.

369. After the Bath

After the Bath

"After the Bath," created by Edgar Degas between 1876 and 1877, is a pastel work belonging to the Impressionism art movement. This nude painting (nu) is part of a private collection. The artwork depicts a nude figure with her back to the viewer, engaged in the casual, intimate act of drying her hair after a bath. The composition is characterized by Degas' masterful use of pastel to evoke a sense of immediacy and the subtle interplay of light and shadow, enhancing the figure's form against the textured backdrop.

370. After the Bath

After the Bath

"After the Bath," created by Edgar Degas in 1884, is a pastel on paper artwork belonging to the Impressionism movement and categorized as a nude painting (nu). The artwork is displayed in the Hermitage Museum, Saint Petersburg, Russia. The piece delicately captures a moment of intimacy, depicting a female figure drying herself, emphasizing the textures of her skin and the surrounding fabrics through the masterful use of pastels. The composition, rich in subtle hues and soft lines, illustrates Degas's fascination with the human form and his skill in rendering it with a sense of movement and life.

371. After the Bath

After the Bath
  • Artwork Name: After the Bath
  • Year: 1885 - 1886
  • Medium: pastel,paper
  • Dimensions: 70 x 70 cm

The artwork entitled "After the Bath," created by Edgar Degas between 1885 and 1886, is a pastel on paper composition. Belonging to the Impressionism movement, this piece measures 70 x 70 cm and falls under the genre of nude painting (nu). The artwork is currently housed in the Musée d'Orsay in Paris, France. Depicted in the artwork is a nude woman, engrossed in the act of drying herself with a towel after a bath, encapsulating a moment of intimate and everyday routine. The subdued pastel tones and delicate rendering illustrate Degas' mastery in capturing the ephemeral quality of a private scene.

372. After the Bath

After the Bath

"After the Bath," created by Edgar Degas in 1896, is an exquisite oil painting on canvas classified under the Impressionism movement and the genre of nude painting (nu). Currently housed in the Philadelphia Museum of Art in Philadelphia, Pennsylvania, the artwork captures a moment of subtle intimacy and tranquility. It depicts a woman reclining after her bath, with her back turned to the viewer, rendered in soft, muted tones that reflect Degas's masterful use of light and texture. This piece exemplifies Degas's profound ability to convey the natural grace of the human form in a private, contemplative scene.

373. After the Bath

After the Bath

The artwork, titled "After the Bath," was created by Edgar Degas around the year 1883. Executed in pastel, the piece belongs to the Impressionism art movement and falls under the genre of nude painting (nu). The artwork depicts a nude female figure engaged in a private moment after completing her bath. The composition and use of color characterize Degas' mastery in capturing intimate scenes with sensitivity and elegance.

374. After the Bath

After the Bath

The artwork, titled "After the Bath," is a pastel piece created by Edgar Degas around 1885. As a part of the Impressionist movement, this nude painting (nu) captures an intimate and serene moment, showcasing a woman reclining after her bath. Degas employs a vivid and textured pastel technique to bring out the play of light and shadow on the subject's body, emphasizing the natural and unposed elegance of the scene. With its warm and earthy tones, the artwork exemplifies Degas' masterful ability to convey both the physicality and subtle emotion of the human form.

375. After the Bath

After the Bath

The artwork, titled "After the Bath," is a pastel painting created by Edgar Degas approximately between 1890 and 1893. This piece falls under the Impressionism art movement and is categorized as a nude painting. It is currently housed in the Norton Simon Museum in Pasadena, California. The artwork depicts a nude figure engaged in the intimate act of drying herself after bathing, rendered in delicate shades with Degas' characteristic sensitivity to light and form. The composition, use of color, and the detailed textures exemplify Degas' mastery in capturing ephemeral moments of everyday life.

376. Dancer

Dancer
  • Artwork Name: Dancer
  • Year: 1896
  • Medium: pastel
  • Dimensions: 39.7 x 26.7 cm

The artwork, titled "Dancer," was created by Edgar Degas in 1896 using the medium of pastel. Measuring 39.7 x 26.7 cm, this piece belongs to the Impressionism movement and is categorized under genre painting. Currently held in a private collection, the artwork features a ballerina caught in a moment of introspection or preparation. The delicate use of pastel showcases Degas' masterful ability to capture the subtleties of human form and emotion, characterized by the soft, textured strokes that define the dancer's contours and the ambient lighting enveloping her.

377. Dancer

Dancer
  • Artwork Name: Dancer
  • Year: c.1877 - c.1878
  • Medium: pastel

The artwork titled "Dancer" by Edgar Degas, created circa 1877 to circa 1878, is a pastel piece epitomizing the Impressionist movement. As a genre painting, it vividly captures a moment in the everyday life of a ballet dancer, immersed in her graceful pose. The soft, delicate strokes of pastel bring to life the ethereal quality of the dancer's tutu and the atmospheric background, highlighting Degas' keen observation of movement and light. This masterpiece, currently held in a private collection, reflects the artist's profound engagement with the theme of dance and his mastery of capturing the fleeting moments of beauty in ordinary scenes.

378. Dancer Adjusting Her Sandel

Dancer Adjusting Her Sandel

The artwork "Dancer Adjusting Her Sandal," created by Edgar Degas circa 1890, is a pastel piece that falls under the genre of genre painting and belongs to the Impressionism art movement. It depicts a dancer in a moment of adjustment, bringing to the forefront a subject of meticulous observation and delicate rendering that is typical of Degas’ oeuvre. The artwork is part of a private collection. The dancer's bent posture and the fine details of her attire are captured with textured strokes and a muted color palette, emphasizing the grace and everyday intricacies of the ballet world.

379. Dancer Adjusting Her Sandel

Dancer Adjusting Her Sandel

"Dancer Adjusting Her Sandal," created around 1896 by Edgar Degas, is a pastel artwork emblematic of the Impressionist movement and falls within the genre painting category. The artwork depicts a ballerina in an intricately detailed, vivid orange tutu, focused intently on adjusting her sandal, captured in a moment of poised concentration. The interplay of light and shadow, along with the soft and textured use of pastels, brings a sense of realism and intimate emotion to the scene. Currently held in a private collection, this piece exemplifies Degas’ fascination with the grace and beauty of dancers, a recurrent theme in his oeuvre.

380. Dancer Adjusting Her Slipper

Dancer Adjusting Her Slipper

"Dancer Adjusting Her Slipper," created by Edgar Degas between 1880 and 1885, is a fine exemplar of the Impressionism movement and falls within the genre painting category. The artwork portrays a ballerina in a moment of quiet concentration as she bends down to adjust her slipper. Degas' masterful use of pastels captures the delicate texture of the dancer's tutu and the subtle play of light and color on her form, emphasizing both the grace and the everyday reality of a dancer's life. The composition, seen from an unconventional overhead perspective, draws the observer into an intimate, almost voyeuristic engagement with the subject, demonstrating Degas' innovative approach to capturing fleeting moments of modern life.

381. Dancer against a stage flat

Dancer against a stage flat

The artwork, titled "Dancer against a stage flat" by Edgar Degas, created around 1880, is a genre painting executed in pastel, paper, and tempera, exemplifying the Impressionism movement. Measuring 69 x 48 cm, this piece depicts two dancers adorned in vibrant stage costumes preparing behind a stage flat. The figure in the forefront, dressed in a warm orange tutu with a yellow bodice and floral headpiece, captures attention through her detailed attire and poised demeanor. Meanwhile, the second dancer, dressed in a delicate pink tutu adorned with flowers, appears in a moment of anticipation. The backdrop, rendered in soft, muted tones, emphasizes the lively hues of the dancers' costumes. Currently housed in a private collection, the artwork showcases Degas' characteristic focus on the grace and elegance of ballet dancers, highlighting his masterful use of pastels to represent light and texture.

382. Dancer and Tambourine

Dancer and Tambourine

The artwork titled "Dancer and Tambourine" by Edgar Degas, created circa 1897, is an oil painting on canvas classified within the Impressionism art movement and falls under the genre painting category. It is currently held in a private collection. The artwork depicts an intricate scene of dancers, characterized by vibrant colors and dynamic, fluid brushstrokes typical of Impressionism. The central figure is a dancer holding a tambourine, imbued with a sense of motion and grace, while the surroundings and additional figures are rendered in a pointillistic technique that enhances the overall impressionistic effect.

383. Dancer arranging her hair

Dancer arranging her hair

The artwork titled "Dancer arranging her hair," created by Edgar Degas circa 1900 to 1902, is a pastel piece emblematic of the Impressionism movement. Measuring 36.8 by 27.9 centimeters, this genre painting resides in a private collection. The artwork depicts a dancer engrossed in the intimate act of arranging her hair, characterized by a gentle and ethereal use of pastel colors. This composition captures a moment of serene introspection and delicate movement, elements that are true to Degas' keen observations and mastery in portraying the nuanced subtleties of the ballet dancers' world.

384. Dancer at the Barre

Dancer at the Barre

The artwork titled "Dancer at the Barre," created by Edgar Degas circa 1880, is a pastel piece emblematic of the Impressionist art movement and belongs to the genre painting category. It is currently housed at the Shelburne Museum in Shelburne, Vermont, United States. The artwork depicts a young ballet dancer at the barre, exuding a sense of delicate grace and poise. Degas’s signature use of pastel captures the softness of the dancer's tutu and the play of light on her form, bringing an intimate and contemplative atmosphere to the scene.

385. Dancer at the Barre

Dancer at the Barre

The artwork titled "Dancer at the Barre," created by Edgar Degas between circa 1884 and circa 1888, is a pastel genre painting within the Impressionist art movement. Currently held in a private collection, this masterpiece portrays a ballet dancer at a barre, capturing the elegance and grace of the subject with characteristic fluidity and a focus on movement. The dancer is depicted in a poised stance, adorned in a traditional tutu, with subtle yet expressive pastels that emphasize the texture and light interplay on the fabric and flesh. Degas' masterful use of color and composition reflect the intimate and candid moments of a ballet dancer’s practice, celebrating both the discipline and beauty inherent in the art of dance.

386. Four Ballerinas on Stage

Four Ballerinas on Stage

"Four Ballerinas on Stage" is an artwork created by Edgar Degas between 1885 and 1890. Belonging to the Impressionism art movement, the artwork is categorized as genre painting. The artwork depicts four ballerinas clad in flowing tutus, captured in a moment of poised elegance on stage. Utilizing soft pastels, Degas masterfully portrays the nuanced interplay of light and shadow, highlighting the delicate, ephemeral beauty of the dancers and the grace of their movements. The vibrant colors and dynamic composition exemplify Degas' skill in capturing the fleeting moments of human activity, particularly within the realm of ballet.

387. Four Dancers

Four Dancers

The artwork titled "Four Dancers," created by Edgar Degas around the year 1903, is an exemplar of the Impressionism movement rendered in pastel. It captures a moment in time depicting four ballet dancers, characterized by their dynamic poses and the vibrant colors of their costumes and surroundings. This genre painting, notable for its textured and fluid application of pastels, reflects Degas's profound interest in dancers and movement. The piece is currently held in a private collection, underscoring its value and significance within the art community.

388. Four Dancers

Four Dancers
  • Artwork Name: Four Dancers
  • Year: 1900
  • Medium: oil,canvas
  • Dimensions: 151 x 180 cm

"Four Dancers," an oil painting on canvas created by Edgar Degas in 1900, is a prominent work within the Impressionism movement. The artwork measures 151 x 180 cm and falls under the genre painting category. It depicts four ballerinas in vivid tutus, engaged in what appears to be a moment of preparatory ritual, set against a lush backdrop merging into a serene landscape. The painting captures the elegance and grace of the dancers, highlighted by the subtle interplay of light and shadow, reflecting Degas' keen observation of movement and form.

389. Four Jockeys

Four Jockeys
  • Artwork Name: Four Jockeys
  • Year: c.1886 - c.1888
  • Medium: oil,panel

The artwork, titled "Four Jockeys," was created by Edgar Degas between circa 1886 and circa 1888. Executed in oil on panel, this Impressionist genre painting is currently held in a private collection. The artwork depicts four jockeys on horseback in a serene landscape, capturing the grace and dynamism associated with equestrian pursuits. Degas employs a soft, muted palette and loose brushwork characteristic of the Impressionist movement, imbuing the scene with a sense of immediacy and fluidity. The composition is marked by its attention to detail and the subtle interplay of light and shadow, which together evoke the energy and elegance of the subject matter.

390. Little Dancer, Fourteen Year Old

Little Dancer, Fourteen Year Old

The artwork, titled "Little Dancer, Fourteen Year Old," is an Impressionist sculpture created by Edgar Degas in 1881. Crafted from wax and copper, it embodies the genre of sculpture, depicting a young ballerina poised in a classical dance stance. The meticulously modeled figure, dressed in a tutu with a ribbon in her hair, exemplifies Degas' fascination with ballet and his innovative approach to capturing movement and poise in three-dimensional form.

391. Friends at the Theatre, Ludovic Halevy and Albert Cave

Friends at the Theatre, Ludovic Halevy and Albert Cave

The artwork "Friends at the Theatre, Ludovic Halevy and Albert Cave," created by Edgar Degas in 1879, is a pastel portrait measuring 79 by 55 centimeters. As part of the Impressionism movement, this piece captures a scene with a sense of immediacy and natural light, which is characteristic of the genre. Depicted within the artwork are two men in conversation, dressed in formal attire and top hats, standing in what seems to be a hallway or a theatre setting. The setting is rendered with soft, blurred strokes of color, emphasizing the figures and their interaction. This masterpiece is housed in the Musée d'Orsay in Paris, France.

392. General Mellinet and Chief Rabbi Astruc

General Mellinet and Chief Rabbi Astruc

The artwork, titled "General Mellinet and Chief Rabbi Astruc," was created by Edgar Degas in 1871. Utilizing the medium of oil on canvas, this piece is representative of the Impressionism art movement and falls under the portrait genre. Currently held in a private collection, the artwork features an evocative depiction of its two subjects, portrayed with a sense of realism and attention to their individual characteristics. Degas's mastery of brushstrokes and nuanced use of color are evident, highlighting the facial expressions and attire that convey a strikingly personal and intimate narrative.

393. Gentlemen Jockeys before the Start

Gentlemen Jockeys before the Start

The artwork, titled "Gentlemen Jockeys before the Start," was created by Edgar Degas in 1862 using oil on canvas, and it belongs to the Impressionism movement. The painting, which measures 48.5 x 61.5 cm, is categorized under the genre of genre painting and is currently housed in Musée d'Orsay, Paris, France. The artwork depicts a group of jockeys mounted on their horses, poised and awaiting the commencement of a race. The landscape in the background, characterized by soft, impressionistic brushstrokes, captures the atmosphere of eager anticipation and the vibrant dynamism of the racecourse setting.

394. Giovanna and Giulia Bellelli

Giovanna and Giulia Bellelli

The artwork "Giovanna and Giulia Bellelli," created by Edgar Degas around 1865 to 1866, is an oil-on-canvas portrait belonging to the Impressionist movement. The painting, which is currently housed in the Los Angeles County Museum of Art (LACMA) in Los Angeles, CA, USA, depicts two young girls, likely featuring intricate details and the subtle emotional complexity characteristic of Degas' portraits. This piece showcases the artist's skillful rendering of human figures and attire, offering insight into the intimate and nuanced world of his subjects.

395. Girl in Red

Girl in Red

The artwork titled "Girl in Red," created in 1866 by artist Edgar Degas, is an oil painting on canvas from the Impressionist art movement. As a portrait genre piece, the artwork portrays a young girl dressed in a vibrant red garment trimmed with fur, standing against a muted background. Her expression is solemn, capturing a contemplative and serene moment. The use of soft, diffused brushstrokes characteristic of Impressionism is evident, conveying a sense of quiet dignity and introspection in the subject's demeanor.

396. On Stage

On Stage
  • Artwork Name: On Stage
  • Year: c.1879 - c.1881
  • Medium: pastel,paper
  • Dimensions: 58.5 x 44.8 cm

The artwork, titled "On Stage" by Edgar Degas, created around 1879 to 1881, is a pastel on paper piece reflecting the Impressionism movement. Measuring 58.5 by 44.8 centimeters, this genre painting captures a scene from the ballet, where dancers are poised in delicate, flowing tutus amidst a vibrant, impressionistic backdrop. The artwork depicts the grace and motion of the dancers with a subtle play of light and colors, showcasing Degas' keen observation and mastery in portraying movement and atmosphere. This piece is currently held in a private collection.

397. On the Racecourse

On the Racecourse

The artwork titled "On the Racecourse," created by Edgar Degas circa 1860-1862, is an oil painting on canvas that exemplifies the Impressionist movement. As a genre painting, it portrays a lively scene on the racecourse, complete with horseback riders and spectators in carriages, set against a lush, green landscape. The painting is currently housed at the Kunstmuseum Basel in Basel, Switzerland. Degas masterfully captures the vibrant atmosphere and social interactions of the event, illustrating his keen observation and nuanced depiction of light and color.

398. On the Stage

On the Stage

"On the Stage," a pastel artwork created by Edgar Degas in 1880, epitomizes the Impressionist movement through its delicate depiction of ballet dancers in a performance setting. As a genre painting, the artwork captures a moment of everyday life with a focus on light, movement, and atmosphere. Currently housed at the Art Institute of Chicago in Chicago, IL, this piece showcases Degas's masterful use of pastel to convey the elegance and dynamism of the ballet, highlighting the fleeting, ethereal quality of the dancers' movements.

399. Orchestra of the Opera

Orchestra of the Opera

"Orchestra of the Opera" is an oil on canvas painting by Edgar Degas, created circa 1870. As a prominent piece of the Impressionist movement, the artwork measures 56.5 by 46.2 centimeters and is classified under the genre painting category. It is currently housed in the Musée d'Orsay in Paris, France. The artwork depicts a group of musicians intensely engaged in their performance, with ballet dancers slightly visible in the background, capturing a vibrant snapshot of a live opera performance. The intricate brushwork and the use of light illustrate Degas' masterful technique and his ability to portray dynamic human activity and emotion.

400. Pagan and Degas' Father

Pagan and Degas' Father

The artwork "Pagan and Degas' Father", created in 1895 by the renowned artist Edgar Degas, is a portrait rendered in oil on canvas. This piece belongs to the Impressionism movement and is currently held in a private collection. The composition depicts two figures; one is Degas' father, seated to the left, while the other, a musician named Pagan, is positioned to the right, with books and sheets of paper appearing on a table in the foreground. The use of soft, rich colors and fluid brushstrokes exemplifies Degas' mastery in capturing intimate and enduring moments.

401. Pagans and Degas's Father

Pagans and Degas's Father

"Pagans and Degas's Father," created by Edgar Degas in 1882, is a pastel work categorized under the Impressionist art movement and falls within the genre of sketch and study. The artwork, which is housed in the Philadelphia Museum of Art in Philadelphia, PA, USA, portrays a contemplative scene rendered with a dynamic array of lines and deep, varying hues. The composition focuses on a male figure, presumably Degas's father, engaging with what appears to be a document or newspaper, surrounded by an abstract backdrop that enhances the introspective and serene atmosphere of the piece.

402. Pink Dancer

Pink Dancer

The artwork, titled "Pink Dancer" and created by Edgar Degas circa 1896, is a pastel piece characteristic of the Impressionism movement. As a genre painting, the artwork depicts a dancer adorned in a pink costume, capturing a moment of repose in a private and intimate setting. Degas employs his signature style with masterful use of pastel, emphasizing texture and movement. The dancer is shown in a thoughtful pose, embodying the grace and poise typical of Degas' representations of ballet dancers. This notable piece currently resides in a private collection.

403. Pink Dancer

Pink Dancer

The artwork titled "Pink Dancer," created by Edgar Degas circa 1900, exemplifies the Impressionist movement and is executed in pastel medium. As a genre painting, it captures a candid moment of a dancer adjusting her shoe, highlighting Degas' keen observation of everyday life. The fluid lines and soft yet vibrant colors invoke a sense of movement and grace, characteristics quintessential to Degas' style. Currently held in a private collection, the artwork continues to be a testament to Degas' masterful portrayal of the human form and his deep admiration for the world of ballet.

404. Pink Dancers

Pink Dancers
  • Artwork Name: Pink Dancers
  • Year: c.1895 - c.1898
  • Medium: pastel

"Pink Dancers" is a pastel artwork created by Edgar Degas circa 1895–1898, currently housed in the Museum of Fine Arts in Boston, Massachusetts. This impressionist genre painting depicts a group of ballerinas donning pink costumes, elegantly raising their arms as if prepared to dance. The artwork captures the fleeting moments of ballet dancers, emphasizing movement and form through a vibrant palette and dynamic composition, characteristic of Degas's style and the broader Impressionist movement.

405. Plowed Field

Plowed Field
  • Artwork Name: Plowed Field
  • Year: c.1880 - c.1890
  • Medium: pastel

The artwork, named "Plowed Field," created by Edgar Degas circa 1880-1890, is a pastel drawing rendered in the Impressionist style. This landscape piece, characterized by its soft, textured depiction and natural scenery, resides in a private collection. The artwork portrays a gently sloping terrain with trees in the background, capturing a serene and contemplative rural scene.

406. Studio Interior with 'The Steeplechase'

Studio Interior with 'The Steeplechase'

"Studio Interior with 'The Steeplechase'," painted by Edgar Degas around 1881, is an oil on canvas artwork that exemplifies the Impressionist movement. The genre of the artwork is interior, showcasing an evocative scene within a relatively dark yet dynamic space. The central focus appears to be on a dramatic equestrian event, capturing a moment of intense movement and energy as seen through the artists' brushstrokes and use of light. Currently, the artwork is housed in the Israel Museum in Jerusalem, Israel.

407. Study for a Portrait

Study for a Portrait

"Study for a Portrait" is a pastel sketch created by Edgar Degas in 1904. This artwork, which belongs to the Impressionist movement, measures 110 x 70 cm and is currently held in a private collection. The artwork, characterized by its loose and expressive lines, depicts two figures, a seated woman and a standing man, set against a softly rendered background of green hues. Degas' masterful use of pastel achieves a delicate balance between form and color, capturing an intimate and contemplative moment.

408. Study for 'La La at the Cirque Fernando'

Study for 'La La at the Cirque Fernando'

"Study for 'La La at the Cirque Fernando'" is a pastel artwork created in 1879 by the artist Edgar Degas, a prominent figure in the Impressionism movement. Classified under the genre of sketch and study, this artwork is held at Tate Britain in London, UK. The artwork depicts a dynamic and expressive figure performing an acrobatic act, characterized by swift, lively strokes and the use of vibrant colors, creating a sense of motion and energy consistent with the Impressionist style.

409. Study for Semiramis Building Babylon

Study for Semiramis Building Babylon

The artwork titled "Study for Semiramis Building Babylon," created by Edgar Degas in 1861, is a pencil and stump rendering that exemplifies the Impressionism movement. Measuring 26.7 x 34.8 cm, the piece is a sketch and study drawing, visually detailed with a prominent depiction of a horse standing in a strong, poised position. The foreground features the horse meticulously drawn with a combination of light and dark shading techniques to give depth and volume, while the background elements appear softer and more abstract, suggesting a layered approach in the artist's preparatory work. This artwork showcases Degas' skill in portraying the vigor and form of equine anatomy, while maintaining an ethereal and contemplative atmosphere characteristic of sketch studies.

410. Study for the Fourteen Year Old Little Dancer

Study for the Fourteen Year Old Little Dancer

"Study for the Fourteen Year Old Little Dancer," created by Edgar Degas in 1881, is a piece of Impressionist artwork that employs chalk and pastel as its medium. The artwork, measuring 46 x 57 cm, is a sketch and study genre and currently resides in a private collection. The artwork depicts two views of a young ballet dancer, elegantly capturing her poised posture with meticulous line work and delicate shading. The use of warm tones and soft textures emphasizes the grace and fragility of the subject, reflecting Degas’s keen interest in the intricacies of ballet and movement.

411. Study for the Medieval War Scene

Study for the Medieval War Scene

The artwork, titled "Study for the Medieval War Scene," was created by Edgar Degas in 1865. Rendered in pencil, this piece exemplifies the Impressionist movement and serves as a preparatory sketch or study. Measuring 32.1 by 27.6 cm, the artwork displays Degas's meticulous attention to form and detail. It notably depicts a poised, nude human figure arranged as if in preparation for a larger composition, capturing the elegance and anatomical precision characteristic of his study drawings.

412. Study for the Self Portrait

Study for the Self Portrait

"Study for the Self Portrait," crafted by Edgar Degas in 1855, stands as a notable piece within the Impressionism movement. This sanguine drawing measures 29.5 by 21.5 centimeters and is currently housed in the Rhode Island School of Design Museum (RISD Museum) in Providence, Rhode Island. The artwork, a self-portrait, showcases the artist’s meticulous draftsmanship and introspective gaze, offering a profound glimpse into Degas's early exploration of self-representation.

413. Study of Gentile Bellini

Study of Gentile Bellini

The artwork titled "Study of Gentile Bellini" was created by Edgar Degas between the years 1854 and 1855 and is associated with the Impressionism movement. This piece falls under the genre of sketch and study. The artwork depicts a pensive portrait of a man, intricately rendered with delicate shading and masterful strokes. The subject’s expression is contemplative, captured in a moment of introspection, with a distinctive hat adding to the historical and character depth of the sketch.

414. Study of Hands

Study of Hands
  • Artwork Name: Study of Hands
  • Year: c.1860
  • Medium: oil,canvas
  • Dimensions: 38 x 46 cm

The artwork titled "Study of Hands" by Edgar Degas, created circa 1860, is an oil on canvas belonging to the Impressionism movement. Measuring 38 x 46 cm, it is classified as a sketch and study genre and is currently housed at the Musée d'Orsay in Paris, France. The artwork features a detailed and intimate examination of hands, showcasing Degas' adept skill in capturing form and texture in a seemingly casual yet profoundly expressive manner.

415. Two Dancers

Two Dancers
  • Artwork Name: Two Dancers
  • Year: c.1893 - c.1898
  • Medium: pastel

"Two Dancers," a pastel artwork created by Edgar Degas between circa 1893 and circa 1898, exemplifies the Impressionism art movement. Categorized under genre painting, this piece is housed at the Art Institute of Chicago in Chicago, IL, US. The artwork depicts two ballerinas in vibrant tutus, engaged in a seemingly candid moment, amidst a color-rich and textured setting. Degas's mastery of pastel techniques is evident in the delicate rendering of the dancers' forms and the dynamic interplay of light and color in the scene.

416. Two Dancers

Two Dancers

The artwork titled "Two Dancers," created circa 1897 by Edgar Degas, is a pastel piece representative of the Impressionism movement. This sketch and study illustrate two dancers, captured in a moment of poised preparation, with expressive lines and soft hues. The composition's energetic strokes and subtle color usage embody Degas's fascination with the elegance and fluidity of dancers, reflecting his unique approach to depicting movement and form. Currently held in a private collection, this piece highlights Degas's mastery in capturing the ephemeral beauty of dance through his favored medium.

417. Two Dancers at Rest

Two Dancers at Rest

The artwork titled "Two Dancers at Rest" is a genre painting created by the renowned artist Edgar Degas, a prominent figure of the Impressionism movement. The artwork captures a serene moment of two ballet dancers in repose, rendered with vibrant strokes of pastel that convey movement and emotion. Degas's masterful use of color and light in the painting exemplifies the Impressionist focus on capturing fleeting moments and the essence of contemporary life. The dancers, depicted in relaxed postures, exude both grace and weariness, illuminating the demanding nature of their art form.

418. Two Dancers at Rest (Dancers in Blue)

Two Dancers at Rest (Dancers in Blue)

The artwork, titled "Two Dancers at Rest (Dancers in Blue)," was created by Edgar Degas in 1898 using pastel on paper. It belongs to the Impressionism movement and is categorized as a genre painting. The dimensions of the piece are 103 by 92 centimeters, and it is housed in the Musée d'Orsay in Paris, France. The composition depicts two ballet dancers in a moment of repose, characterized by Degas' signature use of vibrant colors and energetic strokes, capturing the delicate beauty and grace of the dancers amidst a textured and dynamic background.

419. Two Dancers Entering the Stage

Two Dancers Entering the Stage

The artwork titled "Two Dancers Entering the Stage," created by Edgar Degas in approximately 1877-1878, is a pastel piece representative of the Impressionism movement. As a genre painting, the artwork exhibits a dynamic portrayal of ballerinas, capturing a moment of grace and preparation as they are about to step onto the stage. The dancers' delicate forms and flowing movement are enhanced by Degas's masterful use of pastel strokes and his keen eye for detail, creating an evocative depiction of performance art. This significant piece is housed in the Fogg Museum within the Harvard Art Museums in Cambridge, Massachusetts, United States.

420. Two Dancers in Blue

Two Dancers in Blue

The artwork, entitled "Two Dancers in Blue", was created by Edgar Degas around 1899 using pastel as the medium and is a prominent example of the Impressionism movement. This genre painting depicts two ballet dancers dressed in blue, positioned in a seemingly casual interaction, possibly backstage. The composition employs dynamic lines and vibrant color contrasts to evoke a sense of movement and immediacy. Currently housed in the Musée d'Orsay in Paris, France, the artwork captures a fleeting moment in the world of performing arts, characteristic of Degas's fascination with ballet and the ephemeral qualities of motion.

421. Two Dancers in Green Skirts, Landscape Scener

Two Dancers in Green Skirts, Landscape Scener

The artwork, titled "Two Dancers in Green Skirts, Landscape Scener" by Edgar Degas, created circa 1894-1899, is an oil painting on canvas, exemplifying the Impressionism movement. It is a genre painting, currently held in a private collection. The painting depicts two dancers in green skirts, engaged in a candid moment within a vibrant and textural landscape. The brushwork and color palette evoke the fluidity and movement characteristic of Degas' fascination with capturing the ephemeral qualities of dance and performance.

422. Two Dancers in the Foyer

Two Dancers in the Foyer

"Two Dancers in the Foyer," created circa 1901 by Edgar Degas, is an Impressionist genre painting executed in pastel. Measuring 74.3 by 59.1 centimeters, the artwork is part of a private collection. The artwork portrays two ballerinas in a moment of repose, capturing an intimate and candid glimpse into their offstage world. The pastel medium and Degas' masterful use of color and texture convey a sense of motion and depth, characteristic of the Impressionist movement. The dancers' postures and expressions encapsulate a brief, yet evocative, narrative of their lives behind the scenes.

423. Two Dancers in Their Dressing Room

Two Dancers in Their Dressing Room

"Two Dancers in Their Dressing Room" is a genre painting created by Edgar Degas around 1880, using pastel as the medium. The artwork belongs to the Impressionism art movement and is housed in the National Gallery in London, UK. The artwork depicts two dancers in an intimate and informal setting, preparing in their dressing room. The use of pastel captures delicate textures and the soft interplay of colors, emphasizing the ethereal quality of the dancers' attire and their moments of quiet preparation. The composition highlights Degas' exceptional ability to render everyday scenes with grace and a nuanced understanding of human figures in motion.

424. Two Dancers in the Studio (Dance School)

Two Dancers in the Studio (Dance School)

The artwork, titled "Two Dancers in the Studio (Dance School)," was created by Edgar Degas around the year 1875. Executed in pastel, this piece exemplifies the Impressionist movement and is categorized as a genre painting. Measuring 29.9 by 20.1 cm, the artwork is currently held in a private collection. The composition depicts two ballerinas in a studio, capturing them in mid-pose, with the use of light and shadow emphasizing their delicate forms and the texture of their tutus.

425. After the Bath

After the Bath

The artwork titled "After the Bath" by the artist Edgar Degas, created circa 1890-1895, is a pastel work situated within the Impressionism movement. Depicting a nude figure, the painting captures an intimate moment of a woman drying herself after a bath. The carefully rendered composition and use of vibrant hues exemplify Degas' mastery in conveying the subtleties of the human form and the interplay of light. This piece is housed in the Fogg Museum, part of the Harvard Art Museums in Cambridge, Massachusetts.

426. After the Bath

After the Bath

The artwork "After the Bath" by Edgar Degas, created between circa 1895 and 1898, is a pastel piece emblematic of Impressionism and belongs to the genre of nude painting (nu). It is part of the collection at the Philips Collection in Washington, DC, US. The artwork depicts a nude woman engaged in a private moment of bathing, rendered in rich, expressive pastel strokes that capture the delicate interplay of light and shadow on the human form, showcasing the artist's keen attention to movement and intimate scenes.

427. After the Bath

After the Bath

"After the Bath" is a pastel artwork created by Edgar Degas between circa 1900 and circa 1910, belonging to the Impressionism art movement and categorized as a nude painting (nu). The artwork portrays a female figure in a vulnerable and intimate moment, drying herself after bathing, with Degas' characteristic emphasis on soft lighting and fluid form. The subtle interplay of colors and textures enhances the sense of immediacy and realism, capturing the contemplative essence of the subject within the confines of domesticity.

428. After the Bath

After the Bath

The artwork titled "After the Bath" by Edgar Degas, created circa 1904, is a charcoal drawing that belongs to the Impressionism art movement and is categorized as a sketch and study. Housed at the Art Gallery of Ontario (AGO) in Toronto, Canada, the artwork depicts a post-bathing scene with figures in intimate and relaxed positions. Degas employs expressive and fluid charcoal lines to capture the naturalistic details and the sense of movement, characteristic of his approach to documenting ordinary moments in private settings.

429. After the Bath (Woman wiping her left foot)

After the Bath (Woman wiping her left foot)

"After the Bath (Woman wiping her left foot)," created by Edgar Degas in 1886, is a pastel artwork on cardboard that exemplifies the Impressionist movement. Measuring 54.3 by 52.4 centimeters, this genre painting is housed at the Musée d'Orsay in Paris, France. The artwork depicts a woman in an intimate, everyday moment as she dries her left foot, capturing the nuanced interplay of light, color, and form characteristic of Degas's mastery in portraying the subtleties of human activity and physicality.

430. After the Bath, Woman Drying Her Hair

After the Bath, Woman Drying Her Hair

"After the Bath, Woman Drying Her Hair" is a pastel artwork created circa 1903 by Edgar Degas, a prominent figure in the Impressionist movement. The artwork, characterized as a nude painting (nu), captures the intimate and delicate moment of a woman drying her hair after a bath. Rendered in rich, vivid strokes typical of pastel medium, the artwork juxtaposes the woman's warm, delicate skin tones against a backdrop imbued with expressive and vibrant colors. Currently held in a private collection, this work demonstrates Degas' masterful understanding of the human form and his innovative use of color and texture to convey a fleeting yet intimate moment.

431. After the Bath, Woman Drying Her Nape

After the Bath, Woman Drying Her Nape

"After the Bath, Woman Drying Her Nape" is an impressionist nude painting created by Edgar Degas in 1895. The artwork depicts a woman, unclothed, as she dries the nape of her neck, her body subtly contorted in the act of a personal, everyday routine. Executed with a delicate rendering of light and texture, the painting fuses an intimate subject with the distinctive style of impressionism, capturing a moment of human vulnerability with both tenderness and artistry.

432. After the Bath (Woman Drying Herself)

After the Bath (Woman Drying Herself)

The artwork, titled "After the Bath (Woman Drying Herself)" by Edgar Degas, is a pastel painting dating from circa 1895 to circa 1900. This piece is part of the Impressionism movement and falls under the genre of nude painting (nu). Currently housed at the Courtauld Gallery in London, UK, the artwork depicts a woman in the intimate act of drying herself after a bath, rendered with a blend of soft and vibrant tones that emphasize the delicate and subtle forms of the human body.

433. After the Bath, Woman Drying Herself

After the Bath, Woman Drying Herself

The artwork titled "After the Bath, Woman Drying Herself" was created by Edgar Degas in 1892 and is executed in pastel. Representing the Impressionism art movement, this nude painting measures 104 x 99 cm and is housed at the National Gallery in London, UK. The artwork portrays a woman, captured in an intimate and naturalistic moment as she dries herself after a bath. Degas employs his characteristic delicate yet vibrant pastel strokes to render the softness of the skin and the textured surroundings, emphasizing the sense of everyday grace and the fleeting nature of the moment.

434. A Grecian Dance

A Grecian Dance
  • Artwork Name: A Grecian Dance
  • Year: 1885 - 1890
  • Medium: pastel
  • Dimensions: 58 x 49 cm

"A Grecian Dance," created by Edgar Degas between 1885 and 1890, is a pastel artwork belonging to the Impressionism movement. Measuring 58 x 49 cm, this genre painting captures the graceful movements of three female dancers, their elegant poses suggestive of classical Greek dance. The dancers are depicted in vibrant yellow costumes, and their fluid forms are set against a softly colored, impressionistic background. This piece underscores Degas's mastery in conveying motion and the delicate interplay of light and color. Currently, the artwork resides in a private collection.

435. Dance Rehearsal in the Studio of the Opera

Dance Rehearsal in the Studio of the Opera

"Dance Rehearsal in the Studio of the Opera" is an Impressionist genre painting by Edgar Degas, created in 1895 using oil on canvas. The artwork, located in the Norton Simon Museum in Pasadena, California, beautifully captures the delicate and intricate moment of ballerinas practicing in a studio. Degas’ masterful use of light and brushstrokes conveys the fluidity and grace of the dancers, drawing viewers into the intimate and vibrant world of a dance rehearsal.

436. Dancer in Blue at the Barre

Dancer in Blue at the Barre

"Dancer in Blue at the Barre," created circa 1889 by the artist Edgar Degas, is a pastel artwork situated within the Impressionism movement and classified under genre painting. The artwork depicts a ballet dancer dressed in blue, poised at the barre in a rehearsal room. The delicate application of pastel captures the fine details and the dancer's graceful posture, while the background blends into a softly blurred setting, emphasizing movement and light. Currently held in a private collection, this piece encapsulates Degas' fascination with the dynamism and intricacy of ballet.

437. Dancer in Green Tutu

Dancer in Green Tutu

The artwork titled "Dancer in Green Tutu" by Edgar Degas, created approximately between 1880 and 1885, belongs to the Impressionism movement and falls under the genre of genre painting. The artwork depicts a dancer attired in a green tutu, captured in a dynamic and dramatic pose that highlights Degas' masterful use of color and movement. The pastel strokes convey both the grace and the physicality of the dancer, emphasizing the intimate and candid moments of a dancer's life, a common subject in Degas' oeuvre. The overall composition reflects the artist’s fascination with the complexities of human movement and his skillful depiction of light and texture.

438. Dancer in Her Dressing Room

Dancer in Her Dressing Room

The artwork titled "Dancer in Her Dressing Room" was created by Edgar Degas around 1879 using pastel as the medium. This piece exemplifies the Impressionism movement and falls under the genre of genre painting. The artwork depicts a ballerina in her dressing room, adjusting her headpiece in front of a mirror, with her ballet attire and other personal items scattered around. The pastel medium enhances the soft, atmospheric quality of the scene, and the informal moment caught in mid-action showcases Degas' acute observational skills and his fascination with the private, behind-the-scenes moments of the performers.

439. Dancer in Her Dressing Room

Dancer in Her Dressing Room

"Dancer in Her Dressing Room," created circa 1880 by Edgar Degas, is a pencil drawing characteristic of the Impressionist movement and falls under the genre painting category. This artwork, housed at the Oskar Reinhart Foundation in Winterthur, Switzerland, portrays an intimate, behind-the-scenes view of a ballet dancer preparing herself, with rich detailing and expressive use of color that captures the essence of the moment. Degas skillfully juxtaposes the ballerina’s delicate costume and poised demeanor against the vibrant backstage environment, offering viewers a glimpse into the world behind the performance.

440. Dancer in her dressing room

Dancer in her dressing room

"Dancer in her dressing room" is a pastel artwork created by Edgar Degas in 1879, belonging to the Impressionism art movement. It measures 87 x 37 cm and is classified under the genre of genre painting. The artwork is currently housed in the Norton Simon Museum in Pasadena, California, U.S. The artwork portrays a dancer in an intimate setting, likely preparing for or reflecting after a performance, with rich, warm hues and intricate detailing emphasizing the ephemeral, candid moment.

441. Dancer in pink dress

Dancer in pink dress

The artwork titled "Dancer in pink dress," created by Edgar Degas in 1880, is an exemplary piece of the Impressionism movement, categorized under genre painting. This painting depicts a ballerina elegantly poised in a pink dress, adorned with floral garlands, exuding a sense of grace and refinement. The use of soft, diffused colors and delicate brushstrokes are characteristic of Degas' style, capturing both the movement and stillness of the dancer in a moment of serene beauty.

442. Dancer Leaving Her Dressing Room

Dancer Leaving Her Dressing Room

"Dancer Leaving Her Dressing Room," created circa 1879 by Edgar Degas, is a pastel rendering belonging to the Impressionism art movement. This genre painting captures an intimate and spontaneous moment of a ballet dancer as she exits her dressing room. The artwork, which resides in a private collection, exemplifies Degas' masterful ability to convey the fluidity and grace of ballet through his innovative use of pastels and keen observation of the dancer's posture and attire.

443. Dancer on Stage

Dancer on Stage

The artwork, "Dancer on Stage" by Edgar Degas, created approximately between 1878 and 1880, is a pastel piece exemplifying the Impressionism movement. As a genre painting, it captures a dynamic scene with two ballerinas in delicate tutus, performing on a dimly lit stage, surrounded by lush foliage that is rendered with a fluid, almost abstract brushstroke style. The ballerina in the foreground, resting her weight on one leg and extending an arm, conveys a sense of both grace and fatigue. The use of soft pastels enhances the ethereal quality of the dancers and the atmospheric backdrop, underscoring Degas' mastery in portraying movement and light. This captivating piece presently resides in a private collection.

444. Dancer on Stage

Dancer on Stage

The artwork titled "Dancer on Stage," created circa 1890 by Edgar Degas, is an oil on canvas painting that is an exemplar of the Impressionism movement and falls under the genre painting category. Currently housed in the Kunsthalle Hamburg in Hamburg, Germany, the artwork depicts a ballerina performing on stage, bathed in light, with vivid blue and green hues suggesting a serene backdrop. The composition reveals Degas’ fascination with capturing movement and the ephemeral qualities of performance, rendered with a characteristically loose brushwork that emphasizes the fluidity and dynamism of the scene.

445. Group of Dancers

Group of Dancers
  • Artwork Name: Group of Dancers
  • Year: c.1900 - c.1905
  • Medium: oil,canvas
  • Dimensions: 47 x 62.2 cm

"Group of Dancers," created by Edgar Degas circa 1900–1905, is a genre painting rendered in oil on canvas measuring 47 by 62.2 centimeters. As part of the Impressionism movement, the artwork captures a dynamic scene of ballet dancers, showcasing Degas's signature interest in the fleeting moments of everyday life. The interplay of light and color, along with the fluidity of the dancers' forms, highlights the artist's masterful technique. This esteemed piece resides in the Scottish National Gallery in Edinburgh, UK, reflecting the relaxed yet meticulous style that Degas is celebrated for.

446. Group of Dancers

Group of Dancers

The artwork titled "Group of Dancers," created by Edgar Degas between circa 1900 and circa 1910, is a genre painting in the medium of pastel. This piece exemplifies the Impressionism movement and is housed in a private collection. The artwork portrays three ballerinas standing side by side, captured in a moment of poised elegance. Degas' deft use of pastel reveals a rich interplay of colors and textures, rendering the dancers' tutus and the background with a vibrant yet dreamlike quality. The composition and dynamism of the figures reflect Degas' keen interest in the movement and grace of ballet dancers.

447. Group of Dancers, Tree Décor

Group of Dancers, Tree Décor

The artwork, titled "Group of Dancers, Tree Décor," created by Edgar Degas around 1901, is an Impressionist genre painting rendered in pastel. Measuring 104 x 62 cm, the piece depicts a group of female dancers poised against a backdrop of lush, textured flora, likely representing trees or foliage. The composition emphasizes movement and grace, showcasing Degas' masterful use of pastel to capture the ephemeral qualities of light and color. Currently held in a private collection, this artwork exemplifies Degas' fascination with dance and his ability to portray the elegance and dynamism of ballet.

448. Gustave Moreau

Gustave Moreau
  • Artwork Name: Gustave Moreau
  • Year: 1868
  • Medium: oil,canvas
  • Dimensions: 40 x 27 cm

The artwork, titled "Gustave Moreau," was created in 1868 by the renowned artist Edgar Degas. Executed in oil on canvas, this piece belongs to the Impressionist movement and portrays a seated man in a contemplative pose. Measuring 40 by 27 centimeters, the painting is a portrait characterized by its dark and nuanced palette, contributing to its introspective and somber atmosphere. The artwork is currently housed in the Musée National Gustave Moreau in Paris, France, where it continues to be an exemplar of Degas' mastery in capturing human emotion and presence.

449. Harlequin and Colombina

Harlequin and Colombina

The artwork, titled "Harlequin and Colombina," was created by Edgar Degas in 1886. It belongs to the Impressionism art movement and falls under the genre of genre painting. The scene depicted in the artwork features two figures, Harlequin and Colombina, set against a backdrop of a forest. Harlequin is adorned in a vibrant, checkered costume and masked, holding Colombina's arm as she turns away, dressed in a blue tutu, evoking a sense of dramatic interaction and movement typical of the characters' commedia dell'arte origins. The use of rich colors and dynamic poses reflect Degas's keen interest in depicting human emotions and interactions.

450. Head of a Young Roman Girl

Head of a Young Roman Girl

The artwork, titled "Head of a Young Roman Girl," was created by Edgar Degas in 1856 using charcoal, pencil, and stump. This portrait, originating from the Realism art movement, measures 37.8 by 25.8 centimeters and is part of the collection at the Baltimore Museum of Art in Baltimore, MD, US. The artwork depicts the head and shoulders of a young girl, characterized by her contemplative expression and delicate features, skillfully rendered with fine, nuanced shading that highlights Degas' mastery in capturing human emotion and realism.

451. Head of a Young Woman

Head of a Young Woman

"Head of a Young Woman" is an oil on canvas portrait created by Edgar Degas in 1867, exemplifying the Impressionist movement. The artwork, measuring 27 by 22 centimeters, is housed in the Musée d'Orsay in Paris, France. The portrait captures a young woman with a composed and serene expression, her delicate features meticulously rendered with soft, skillful brushstrokes, typical of Degas’ attention to detail and his fascination with human character and gaze. The subdued color palette and thoughtful composition highlight the contemplative, almost melancholic mood, making the artwork a poignant study of youthful elegance and introspection.

452. Helene Rouart in Her Father s Study

Helene Rouart in Her Father s Study

"Helene Rouart in Her Father’s Study" is an oil on canvas masterpiece created by Edgar Degas in 1886, during the Impressionism movement. This portrait depicts Helene Rouart in an introspective pose within a study, surrounded by books and artwork that suggest an environment of intellectual and artistic pursuits. The artwork, currently housed in the National Gallery in London, UK, embodies the distinctive brushwork and attention to detail characteristic of Degas' style, capturing a moment of quiet contemplation in a richly textured and colored setting.

453. Helene Rouart (Mme. Marin)

Helene Rouart (Mme. Marin)

"Helene Rouart (Mme. Marin)" by Edgar Degas, completed in 1886, is a pastel artwork exemplifying the Impressionism movement. This genre painting, measuring 48.9 by 34.8 cm, depicts a woman in a contemplative pose, subtly characterized by Degas' renowned use of pastel to capture delicate details and tones. The subject, rendered in soft, flowing lines and muted colors, embodies a serene yet introspective atmosphere. The artwork is part of a private collection, further emphasizing its intimate and personal nature.

454. Henri De Gas and His Neice, Lucie Degas

Henri De Gas and His Neice, Lucie Degas

The artwork, titled "Henri De Gas and His Niece, Lucie Degas", is an Impressionist portrait painted circa 1876 by the renowned artist Edgar Degas using oil on canvas. Currently housed at the Art Institute of Chicago in Chicago, IL, this piece exemplifies Degas' adeptness at capturing intimate familial scenes. The composition portrays a sense of quiet domesticity and introspection, with Henri De Gas seated thoughtfully and his niece, Lucie Degas, standing by his side, reflecting the characteristic subtlety and nuanced emotion for which Degas' portraits are celebrated.

455. Portrait after a Costume Ball (Portrait of Madame Dietz Monnin)

Portrait after a Costume Ball (Portrait of Madame Dietz Monnin)

The artwork titled "Portrait after a Costume Ball (Portrait of Madame Dietz Monnin)" was created by Edgar Degas in 1879 using the medium of pastel. Adhering to the Impressionism art movement, the portrait measures 85.5 x 75 cm. The artwork captures a moment of elegant repose, depicting a woman adorned in a lavish costume, complete with a feathered hat and long gloves, suggesting she has just returned from a festive event. The subject's reflective expression and the vibrant, dynamic background blend to create a vivid portrayal of the ephemeral nature of time and the fleeting beauty of social gatherings.

456. Portrait of a Lady in Grey

Portrait of a Lady in Grey

The artwork titled "Portrait of a Lady in Grey," created by Edgar Degas in 1865, belongs to the Impressionism art movement and is rendered using oil on canvas. This portrait genre piece depicts a woman clad in a grey dress with a somber yet contemplative expression. The lady's attire is complemented by a dark scarf and head covering, contrasting with the lighter hues of her dress. The background features muted colors and patterns that do not distract from the subject but rather enhance her presence. Degas's brushwork and use of light reflect the subtleties characteristic of Impressionist technique.

457. Portrait of a Man

Portrait of a Man

The artwork titled "Portrait of a Man" is an oil on canvas painting created circa 1866 by Edgar Degas, a notable figure in the Impressionism art movement. The piece embodies the portrait genre and depicts a solemn, introspective man seated in a contemplative pose. The composition features subdued colors and expressive brushstrokes, highlighting the subject's thoughtful demeanor. The artwork is housed in the Brooklyn Museum, located in New York City, NY, US, where it continues to be an exemplary representation of Degas's mastery in capturing the essence of human character and emotion.

458. Portrait of an Italian

Portrait of an Italian

"Portrait of an Italian," created by Edgar Degas in 1856, is a charcoal drawing that exemplifies the Impressionism art movement. The artwork, measuring 38 x 26 cm, resides in the Art Institute of Chicago, Chicago, IL, US. The portrait captures a side profile of a male subject with a focused expression, distinguished by detailed, curly hair and a textured beard, showcasing Degas' skillful use of charcoal to render intricate features and nuanced shading.

459. Portrait of a Woman

Portrait of a Woman

The artwork, titled "Portrait of a Woman" and created around 1873 by Edgar Degas, is a representation of the Impressionism art movement. The piece, which measures 52.5 x 33.5 cm, is a portrait that resides in a private collection. The depiction features a woman rendered in a soft, contemplative pose, characterized by material and textural subtleties that are indicative of Degas’ recognizable style. The artist employs a muted palette and delicate brushwork, emphasizing the graceful essence and serene introspection of the subject.

460. Portrait of a Woman

Portrait of a Woman

"Portrait of a Woman," created by Edgar Degas around 1866, exemplifies the Realism art movement. This sketch and study, held in a private collection, showcases Degas' skill in capturing authentic human expressions and features. The artwork presents a detailed and emotive pencil drawing of a woman's face, characterized by soft, delicate lines and subtle shading that emphasize the natural contours and depth of her features.

461. Portrait of a Woman

Portrait of a Woman

The artwork titled "Portrait of a Woman," created by Edgar Degas between 1878 and 1880, is an Impressionist pastel portrait that resides in a private collection. It portrays the subject with a striking use of soft, blended tones that emphasize the delicate features of the woman's face and the subtle play of light and shadow, characteristic of Degas' masterful technique.

462. Portrait of a Woman Wearing a Green Blouse

Portrait of a Woman Wearing a Green Blouse

The artwork, titled "Portrait of a Woman Wearing a Green Blouse" by Edgar Degas, dates back to approximately 1884 and is executed in pastel. As a piece of Impressionist art, this portrait exemplifies the movement's emphasis on capturing fleeting moments with vivid colors and expressive brushstrokes. The woman depicted in the artwork is characterized by the thoughtful pose of her expression and the subtle, yet evocative, rendering of her visage. Currently held in a private collection, the piece reflects Degas's masterful ability to convey depth and emotion through the delicate medium of pastel.

463. Portrait of a Young Woman (after Bacchiacca)

Portrait of a Young Woman (after Bacchiacca)

The artwork titled "Portrait of a Young Woman (after Bacchiacca)" is an oil on canvas painting created by Edgar Degas between 1858 and 1859. This piece is associated with the Impressionism art movement and falls under the genre of portraiture. The painting is housed within the National Gallery of Canada, located in Ottawa, Canada. The artwork depicts a young woman in a classical pose, showcasing Degas' maturation as an artist and revealing the influence of Renaissance masters on his techniques, particularly evident in the detailed rendering of the subject’s attire and contemplative expression against a dark, nondescript background.

464. Portrait of Eugene Manet (study)

Portrait of Eugene Manet (study)

"Portrait of Eugene Manet (study)" is a 1875 oil painting on cardboard by Edgar Degas, a prominent figure in the Impressionist art movement. The artwork, cataloged under the genre of sketch and study, is currently part of a private collection. The portrait features the subject, Eugene Manet, with a soft, unfinished background that contrasts with the more detailed rendering of his face and attire, capturing the essence of the Impressionist style with its emphasis on light, texture, and personal expression.

465. Study of Horses

Study of Horses

"Study of Horses," created by Edgar Degas between circa 1873 and 1880, is an oil painting on panel reflecting the Impressionist art movement and falls under the animal painting genre. Presently held in a private collection, the artwork depicts two horses, rendered with an earthy palette and brushstrokes that suggest form and texture while conveying a sense of motion and life. Degas' depiction captures the grace and strength of the animals, showcasing his keen observation and masterful technique.

466. Sulking

Sulking
  • Artwork Name: Sulking
  • Year: c.1870
  • Medium: oil,canvas
  • Dimensions: 32.4 x 46.4 cm

The artwork, titled "Sulking," was created by Edgar Degas circa 1870. This oil on canvas painting, which measures 32.4 by 46.4 centimeters, is part of the Impressionism movement and falls under the genre of portraiture. Currently housed at the Metropolitan Museum of Art in New York City, the artwork depicts a scene with two individuals in a domestic setting, one appearing to be engaged in writing or reading and the other leaning over, seemingly in a state of discontent or contemplation. The artist's use of muted colors and careful composition captures a moment of interpersonal tension.

467. The Actresses Dressing Room

The Actresses Dressing Room

The artwork, titled "The Actresses Dressing Room," is a pastel piece created circa 1885 by Edgar Degas, a prominent figure in the Impressionist movement. This interior genre artwork, currently held in a private collection, captures an intimate and candid moment behind the scenes, depicting actresses in various states of preparation. The composition is characterized by Degas' nuanced depiction of light and shadow, adding depth and a sense of immediacy to the scene. His masterful use of pastel conveys the textures and atmosphere of the dressing room with remarkable subtlety and grace.

468. The Amateurs (Paul Lafond and Alhonse Cherfils Examening a Painting)

The Amateurs (Paul Lafond and Alhonse Cherfils Examening a Painting)

"The Amateurs (Paul Lafond and Alphonse Cherfils Examining a Painting)," created between 1878 and 1880 by renowned artist Edgar Degas, is an exquisite oil on panel work rooted in the Impressionist movement. This portrait, housed in a private collection, captures a moment of engagement between two individuals thoroughly engrossed in observing a painting. Degas employs a subtle yet expressive palette to render the lighting and textures, embodying the essence of impressionist portraiture and evoking a serene introspective atmosphere within the artwork.

469. Rehearsal of a ballet on the stage

Rehearsal of a ballet on the stage

The artwork, titled "Rehearsal of a Ballet on the Stage," is an oil painting on canvas created by Edgar Degas in 1874. It belongs to the Impressionism art movement and is categorized as a genre painting. The scene depicts ballerinas rehearsing on a dimly lit stage, with various dancers either practicing their movements or resting. The painting captures the ephemeral quality of light and movement, a hallmark of the Impressionist technique. The artwork is currently housed at Musée d'Orsay in Paris, France.

470. The Bath

The Bath
  • Artwork Name: The Bath
  • Year: c.1883
  • Medium: pastel
  • Dimensions: 50 x 33 cm

"The Bath," a pastel artwork created circa 1883 by the renowned Impressionist artist Edgar Degas, exemplifies the elegance and intimacy characteristic of the Impressionism movement. This piece, measuring 50 by 33 centimeters, features a nude figure captured in a moment of private contemplation, standing at the edge of a bath. The artist's masterful use of pastel imbues the scene with a delicate interplay of color and light, enhancing the textured surface and atmospheric composition. Currently housed in a private collection, this artwork remains a poignant example of Degas' unparalleled ability to portray the human form with sensitivity and nuance.

471. The Bath

The Bath
  • Artwork Name: The Bath
  • Year: c.1890 - c.1894
  • Medium: charcoal

The artwork titled "The Bath," created by Edgar Degas between circa 1890 and circa 1894, is a charcoal drawing that falls under the impressionism art movement and belongs to the genre of nude painting (nu). The artwork depicts a nude figure in an intimate moment of bathing, rendered with delicate yet expressive strokes that capture the form and mood of the subject. The choice of charcoal as the medium adds a sense of immediacy and depth to the work, emphasizing the play of light and shadow, characteristic of Degas's style and the broader Impressionist focus on capturing fleeting moments of everyday life.

472. The Bath

The Bath
  • Artwork Name: The Bath
  • Year: 1890
  • Medium: oil,canvas
  • Dimensions: 81.3 x 117.5 cm

"The Bath" is an oil painting on canvas by Edgar Degas, completed in 1890 and housed at the Carnegie Museum of Art in Pittsburgh, PA, US. This work, measuring 81.3 by 117.5 cm, exemplifies the Impressionist movement and falls under the genre of nude painting (nu). The artwork depicts a woman bent over a bath, surrounded by an intricate backdrop of vivid colors and textures. A rich tapestry of blue and orange hues creates a striking contrast, imbuing the scene with both intimacy and dynamic energy.

473. The Bath (Woman from Behind)

The Bath (Woman from Behind)

The artwork titled "The Bath (Woman from Behind)" is an oil painting on canvas created by Edgar Degas in 1895. Fitting within the Impressionism movement and classified as a nude painting (nu), the artwork captures an intimate moment of a woman bathing, depicted from behind. The scene is rendered with a dreamlike quality, characterized by Degas' use of soft brushstrokes and a delicate interplay of light and color, emphasizing the private and tender nature of the subject.

474. The Bellelli Family

The Bellelli Family

"The Bellelli Family," an oil on canvas artwork by Edgar Degas, resonates with the principles of the Realism movement. Created between 1860 and 1862, this 200 x 250 cm portrait is housed in the esteemed Musée d'Orsay in Paris, France. The artwork vividly captures a domestic scene featuring a family, characterized by its meticulous detail and lifelike representation, emblematic of Degas' photorealistic approach and deeply observant nature.

475. Two Dancers in Yellow and Pink

Two Dancers in Yellow and Pink

The artwork "Two Dancers in Yellow and Pink," created circa 1910 by Edgar Degas, is a pastel genre painting from the Impressionism movement. It is housed at the Musée d'Orsay in Paris, France. The artwork depicts two dancers, likely ballerinas, adorned in tutu-like attire, engaged in a candid moment of preparation. Rendered with vibrant hues and fluid strokes characteristic of Impressionism, it captures the delicate interplay of light and movement, emphasizing the grace and transient beauty of the dancers' form.

476. Two Dancers on a Bench

Two Dancers on a Bench

"Two Dancers on a Bench" is an artwork by Edgar Degas, executed in pastel medium circa 1900 to 1905. It belongs to the Impressionism art movement and falls under the genre painting category. Currently, this piece resides in a private collection. The artwork portrays two ballet dancers in a moment of respite on a bench, with one dancer bending forward while the other leans back. Degas' masterful use of pastel vividly captures the delicate, flowing textures of the dancers' tutus, set against a rich, textured background, embodying the fleeting elegance and poise emblematic of Impressionist works.

477. Two Dancers on Stage

Two Dancers on Stage

The artwork titled "Two Dancers on Stage," created by Edgar Degas in 1877, is an oil on canvas piece measuring 62 x 46 cm, representative of the Impressionism movement. As a genre painting, it depicts two ballet dancers performing gracefully on stage, highlighted by delicate lighting and soft brushstrokes that convey the elegance and fluidity of their movements. This notable piece is housed in the Courtauld Gallery, London, UK.

478. Two Dancers (pastel on paper)

Two Dancers (pastel on paper)

The artwork, titled "Two Dancers (pastel on paper)" and created by Edgar Degas between 1898 and 1899, is a prominent example of Impressionism featuring genre painting. Rendered in pastel on paper, the piece portrays two ballerinas adjusting their attire, captured with keen attention to light and movement characteristic of the Impressionist movement. Currently housed in the Hermitage Museum in Saint Petersburg, Russia, this work exemplifies Degas' dedication to depicting the nuanced, intimate moments of performers.

479. Two Dancers Resting

Two Dancers Resting

"Two Dancers Resting," created by Edgar Degas around 1896, is a pastel work on paper measuring 80 x 104.5 cm, emblematic of the Impressionism art movement. This genre painting resides in a private collection and features two ballet dancers at repose, capturing a moment of respite and introspection. Degas employs dynamic brushstrokes and rich colors to evoke the texture and movement of the dancers' tutus and the ambient environment, intertwining the figures with their surroundings in a harmonious yet fleeting snapshot of motion and stillness.

480. Two Dancers with Yellow Corsages

Two Dancers with Yellow Corsages

The artwork titled "Two Dancers with Yellow Corsages," created by Edgar Degas around 1902, is a pastel genre painting associated with the Impressionism art movement. It is currently held in a private collection. The composition captures two dancers garbed in vivid costumes, dominated by warm and cool tones that highlight the motion and textures of their attire. Degas’s masterful use of pastel presents a dynamic interplay of color and light, emphasizing the grace and poise that define his subjects.

481. Two harlequins

Two harlequins
  • Artwork Name: Two harlequins
  • Year: 1886
  • Medium: pastel
  • Dimensions: 41 x 41 cm

"Two Harlequins" is an Impressionist genre painting created by Edgar Degas in 1886 using pastel. The artwork, measuring 41 x 41 cm, resides in the National Gallery of Ireland, Dublin. The artwork depicts two harlequins adorned in vivid, multi-colored costumes. One harlequin is rendered with dynamic posture, leaning forward in an act of engagement. The artist utilizes bold, painterly strokes to convey a sense of motion and character, exemplifying Degas' masterful use of color and form to capture the fleeting moments of everyday life.

482. Two Horses in a Pasture

Two Horses in a Pasture

The artwork, titled "Two Horses in a Pasture," created by Edgar Degas around 1871, is an oil painting on canvas measuring 45.1 by 35.5 centimeters. This piece belongs to the Impressionism movement and falls under the genre of animal painting. Currently held within a private collection, the artwork depicts two horses grazing serenely in a verdant, open field, rendered in soft, earthy tones that capture the tranquility and natural beauty of the pastoral scene.

483. Two Laundresses and a Horse

Two Laundresses and a Horse

The artwork, titled "Two Laundresses and a Horse," was created by Edgar Degas in 1902 using pastel. It belongs to the Impressionism art movement and is housed in the Musée Cantonal des Beaux-Arts in Lausanne, Switzerland. Measuring 107 x 124 cm, this genre painting captures a scene of two women engaged in laundering activities beside a horse. The composition skillfully employs the soft and textured qualities of pastel to portray the everyday yet dynamic interaction between the figures and the animal, indicative of Degas's keen observation of human labor and movement.

484. Two Riders by a Lake

Two Riders by a Lake

The artwork, titled "Two Riders by a Lake" and created by Edgar Degas around 1861, is executed in pen and ink. Classified under the Impressionism movement, this genre painting depicts two riders on horseback beside a tranquil lake. The ambiance is serene with a soft, muted color palette adding to the contemplative atmosphere of the scene. Currently housed in the Bibliothèque nationale de France (BnF) in Paris, France, this piece exemplifies Degas's keen observation of everyday life and his ability to capture the essence of leisure and reflection.

485. Alexander and Bucephalus

Alexander and Bucephalus

The artwork, titled "Alexander and Bucephalus" and created by Edgar Degas between 1859 and 1861, is an oil painting on canvas. Reflecting the Impressionism movement, this history painting captures a dynamic historical moment likely depicting the legendary encounter between Alexander the Great and his horse, Bucephalus. The scene is composed of several figures in motion, with the lush landscape serving as a backdrop. The colors and brushwork evoke a sense of immediacy and movement characteristic of Degas' early explorations into conveying realism and depth in his compositions.

486. Alexander and Bucephalus (detail)

Alexander and Bucephalus (detail)

"Alexander and Bucephalus (detail)," painted by Edgar Degas in 1861, belongs to the Impressionism art movement and fits into the genre of history painting. The artwork captures a historical moment with intricate detail and a masterful use of color and texture. In this detailed section of the painting, the rich, warm tones of the brushstrokes evoke a sense of movement and vivid realism, characteristic of Degas' early works. The use of lighting and texture creates an immersive visual experience, showcasing the artist's skill in rendering both historical significance and artistic beauty.

487. Amateur Jockey

Amateur Jockey

"Amateur Jockey," created in 1870 by distinguished artist Edgar Degas, is an ink sketch reflecting the Impressionist movement. Rendered with a brush and Indian ink, the artwork exemplifies Degas' meticulous study and depiction of figures in motion. The piece illustrates a jockey in the midst of his ride, captured with expressive fervor and painstaking detail, embodying both the casual elegance and dynamic energy characteristic of Impressionism.

488. ancer with Red Stockings

ancer with Red Stockings

The artwork, titled "Dancer with Red Stockings," was created by Edgar Degas around 1884 using pastel. It falls under the Impressionist art movement and belongs to the genre of sketch and study. Currently housed in a private collection, the artwork depicts two dancers, with the focus on one dressed in a black tutu and vivid red stockings, captured in a moment of preparation or rest. The use of pastel imbues the scene with a sense of immediacy and intimacy, characteristic of Degas's attention to the nuances of movement and the human form.

489. A Roman Beggar Woman

A Roman Beggar Woman

The artwork, titled "A Roman Beggar Woman," was meticulously crafted by Edgar Degas in 1857, employing oil on canvas as the medium. This portrait, encapsulating the Realism art movement, measures 100.3 by 75.2 centimeters and is currently housed in the Birmingham Museum and Art Gallery in Birmingham, UK. The piece depicts a solitary woman in profile, draped in muted, earth-toned attire with a striped headscarf, her expression resonating a profound sense of resignation and somber contemplation.

490. At Saint-Valery-sur-Somme

At Saint-Valery-sur-Somme

The artwork titled "At Saint-Valery-sur-Somme," created by Edgar Degas around 1896 to 1898, is an Impressionist landscape rendered in oil on canvas. This piece is housed at the Ny Carlsberg Glyptotek in Copenhagen, Denmark. The artwork depicts a serene, dusk-lit village landscape, with an emphasis on diffuse light and soft, muted colors, characteristic of the Impressionist movement. The scene captures an ethereal quality through its harmonious blend of purples, pinks, and browns, evoking a quiet, contemplative mood.

491. At the Ballet

At the Ballet

The artwork, titled "At the Ballet," created by Edgar Degas around 1880 to 1881, is a pastel piece belonging to the Impressionist movement and falls under the genre of genre painting. This composition, which is currently held in a private collection, captures an intimate and dynamic scene of ballerinas both rehearsing and performing. The delicate use of pastel lends a soft yet vivid quality to the dancers' costumes and movements, embodying Degas's keen interest in the ballet as a subject. The artwork showcases Degas's ability to portray the grace and discipline of ballet with a blend of realism and impressionistic flair.

492. Dancer on Stage with a Bouquet

Dancer on Stage with a Bouquet

"Dancer on Stage with a Bouquet" is a pastel artwork created circa 1876 by the renowned artist Edgar Degas. This piece, which belongs to the Impressionism movement and the genre of genre painting, is currently housed in a private collection. The artwork depicts a ballerina standing on stage, illuminated in a warm, soft light that highlights her delicate tutu and the bouquet of flowers she holds. The background captures a sense of depth and atmosphere, characteristic of Degas' attention to detail and mastery of capturing fleeting moments in his works.

493. Dancer Posing

Dancer Posing

The artwork, titled "Dancer Posing," was painted by Edgar Degas in 1878 using oil on canvas. It is part of the Impressionism movement and falls under the genre painting category. Currently housed in the Pushkin Museum in Moscow, Russia, the artwork features a ballerina gracefully posing in front of a large window with an urban landscape in the backdrop. Degas captures the elegance and poise of the dancer amidst a soft, diffused light, characteristic of his keen interest in the intricacies of human movement and the subtleties of light and shadow.

494. Dancer Putting on Her Slipper

Dancer Putting on Her Slipper

The artwork "Dancer Putting on Her Slipper," created by Edgar Degas in 1896 using pastel, is an exemplary piece within the Impressionist movement and falls under the genre painting category. Currently held in a private collection, the artwork depicts an intimate moment in the life of a ballerina. This portrayal is rendered with delicate yet dynamic strokes, capturing the essence of preparation and the grace inherent in ballet, all while emphasizing the tender and thoughtful nature of the dancer's routine.

495. Dancer resting

Dancer resting
  • Artwork Name: Dancer resting
  • Year: c.1879 - c.1880
  • Medium: chalk,pastel,board

The artwork, titled "Dancer Resting" and created by Edgar Degas circa 1879-1880, is a genre painting rendered in chalk and pastel on board. As an Impressionist piece, it captures a moment of repose with a dancer holding sheet music beside a stove in a ballet studio. The composition and use of light convey a quiet, intimate atmosphere, while the artist’s mastery in depicting the subtleties of everyday life is evident. Originally a part of a private collection, this piece embodies the characteristic style and thematic focus of Degas, who often explored ballet as a central motif in his work.

496. Dancers

Dancers

The artwork, titled "Dancers," was created by Edgar Degas in 1890. It belongs to the Impressionism art movement and is classified as a genre painting. The piece depicts two ballet dancers engaged in a moment of rest or preparation amidst a wooded setting. Using soft pastel tones and dynamic brushstrokes characteristic of the Impressionist style, Degas captures the elegance and poise of the dancers, while the vibrant colors and textures convey the atmospheric light filtering through the trees.

497. Dancers

Dancers
  • Artwork Name: Dancers
  • Year: c.1878
  • Medium: pastel

The artwork titled "Dancers," created around 1878 by renowned artist Edgar Degas, is a pastel masterpiece characteristic of the Impressionism movement. As a genre painting, the artwork captures the elegant and dynamic movements of ballerinas in mid-dance. The soft, delicate use of pastels highlights the fluidity and grace of the dancers, emphasizing their ethereal presence. This compelling piece, held in a private collection, epitomizes Degas's fascination with the world of ballet and his unparalleled ability to convey motion and emotion through his art.

498. Dancers

Dancers
  • Artwork Name: Dancers
  • Year: 1895
  • Medium: pastel

The artwork titled "Dancers," created by Edgar Degas in 1895, is a pastel work that embodies the Impressionist movement and belongs to the genre painting category. Currently held within a private collection, this piece captures a delicate and dynamic portrayal of ballet dancers engaged in their pre-performance rituals. Through the use of soft pastels, Degas masterfully depicts the fluid motion, grace, and elegance of the dancers, enveloping them in a fleeting moment of preparation. The artwork showcases his keen interest in the subtleties of movement and the ephemeral beauty of the dance.

499. Dancers

Dancers
  • Artwork Name: Dancers
  • Year: 1898
  • Medium: pastel

The artwork, titled "Dancers," was created by Edgar Degas in 1898 using pastels. As a notable piece within the Impressionism movement, it falls under the genre of genre painting and is presently housed in a private collection. The artwork vividly captures the dynamic and graceful movements of ballerinas, depicted in the midst of a performance. Degas masterfully uses pastels to render the delicate textures and ethereal quality of the dancers' costumes and their swift, elegant motions, set against a backdrop of rich, expressive colors that convey the intensity and fleeting nature of the moment.

500. Dancers

Dancers
  • Artwork Name: Dancers
  • Year: 1899
  • Medium: pastel
  • Dimensions: 61 x 64 cm

"Dancers" by Edgar Degas, created in 1899 using pastel, is an Impressionist genre painting measuring 61 x 64 cm and housed at the Toledo Museum of Art in Toledo, OH, US. The artwork depicts a group of dancers, capturing their elegant movements and delicate interactions with characteristic soft and vivid strokes, exemplifying Degas' fascination with the ballet and mastery in portraying the grace and dynamism of dancers through the medium of pastel.

501. Henri Rouart and His Daughter Helene

Henri Rouart and His Daughter Helene

The artwork, titled "Henri Rouart and His Daughter Helene," is an oil painting on canvas created by Edgar Degas between 1871 and 1872. Reflective of the Impressionist movement, this portrait depicts Henri Rouart and his daughter Helene in a intimate, familial setting. The brushstrokes are loose and expressive, characteristic of Degas' technique, and the subdued color palette lends a serene yet poignant atmosphere to the piece. Currently, the artwork resides in a private collection.

502. Henri Rouart and His Son Alexis

Henri Rouart and His Son Alexis

The artwork titled "Henri Rouart and His Son Alexis," created by Edgar Degas between circa 1895 and circa 1898, employs oil on canvas as its medium and is an example of the Impressionist art movement. Presently housed at the Neue Pinakothek in Munich, Germany, this portrait captures a seated elderly man, presumably Henri Rouart, alongside a standing younger man, likely his son Alexis. The piece exhibits Degas' distinct brushwork and soft color palette, emphasizing the emotional gravity and the relationship between the two subjects within a contemplative atmosphere.

503. Horses and Jockeys

Horses and Jockeys

The artwork titled "Horses and Jockeys," created by Edgar Degas between approximately 1886 and 1890, is an oil painting on panel that belongs to the Impressionism art movement and falls under the genre painting category. It is currently held within a private collection. The artwork captures the dynamic movement and energy of jockeys racing across a landscape at sunset, rendered in Degas' distinct Impressionist style. The vivid, warm hues and soft, blended brushstrokes convey a sense of immediacy and fleeting moments, characteristic of Degas' fascination with capturing contemporary life and its transient nature.

504. Horses in a Meadow

Horses in a Meadow

The artwork, entitled "Horses in a Meadow," was painted by Edgar Degas in 1871 using oil on canvas. Falling within the Impressionist movement and the genre of animal painting, the artwork depicts a tranquil scene of two horses standing in a meadow, with a serene landscape stretching out behind them. The detailed rendering of the horses and the subtle interplay of light and color typical of Impressionism reflect Degas' skillful handling of the subject matter, presenting a peaceful rural vista imbued with natural grace and quietude.

505. Hortense Valpinson

Hortense Valpinson

The artwork titled "Hortense Valpinson" is an oil painting on canvas created in 1871 by Edgar Degas, a renowned artist associated with the Impressionism movement. This portrait features a young girl, Hortense Valpinson, positioned beside a table covered with a richly decorated cloth. The composition is set against a patterned floral background, typical of Degas' stylistic choices and attention to intricate detail. The artwork is presently housed at the Minneapolis Institute of Art in Minneapolis, MN, US.

506. Houses at the Foot of a Cliff (Saint-Valery-sur-Somme)

Houses at the Foot of a Cliff (Saint-Valery-sur-Somme)

The artwork, titled "Houses at the Foot of a Cliff (Saint-Valery-sur-Somme)," was created by Edgar Degas between approximately 1896 and 1898 using oil on canvas. This piece belongs to the Impressionism movement and falls within the landscape genre. The depiction showcases a cluster of houses nestled at the base of a steep, tree-lined cliff. The artist employs a rich palette of earthy tones, imbuing the scene with a sense of atmospheric depth and texture, effectively capturing the tranquil yet dynamic interplay between natural and man-made elements.

507. Houses by the Seaside

Houses by the Seaside

The artwork, titled "Houses by the Seaside," was created by Edgar Degas in 1869 using pastel as the medium. This piece belongs to the Impressionism art movement and falls within the landscape genre. It is currently housed at the Musée d'Orsay in Paris, France. The artwork depicts a serene coastal scene with a subtle gradient of sandy beaches leading to the calm waters, under a vast sky with a faint horizon in the distance. The simplicity and fluidity of pastel strokes capture the tranquility and expansive beauty of the seaside, inviting viewers to immerse themselves in the peacefulness of the natural landscape.

508. In a Laundry

In a Laundry

"In a Laundry" is a pastel work by Edgar Degas created around 1884, representing the Impressionist art movement. It depicts a genre painting scene set in a laundry, capturing the daily life and labor of two women as they work amid hanging linens. The artwork is characterized by Degas's mastery of capturing light and movement, offering a vivid yet intimate glimpse into the lives of the working class. Currently, this masterpiece is housed in the Kelvingrove Art Gallery and Museum in Glasgow, UK.

509. Interior at Menil-Hubert

Interior at Menil-Hubert

"Interior at Menil-Hubert," created by Edgar Degas in 1892, is an oil painting on canvas belonging to the Impressionism movement. The artwork, which falls under the genre of interior, captures a dimly lit room adorned with floral-patterned wallpaper, a wooden dresser with a mirror, and a solitary chair, evoking a sense of quiet introspection and domestic tranquility. The interplay of light and shadow, characteristic of Degas' masterful technique, adds depth and warmth to the serene setting, inviting viewers into a moment of stillness within the domestic space.

510. In the Dance Studio

In the Dance Studio

"In the Dance Studio," created around 1897 by Edgar Degas, is a pastel artwork characteristic of the Impressionism movement and is classified as a genre painting. The artwork portrays a moment within a dance studio where ballerinas are captured in casual, candid postures, emphasizing the behind-the-scenes reality of their craft. The scene is imbued with a delicate blend of light and color, highlighting Degas' keen observational skills and his ability to convey the grace and subtleties of the dancers' natural movements. This notable piece currently resides in a private collection.

511. Portrait of Giulia Bellelli

Portrait of Giulia Bellelli

"Portrait of Giulia Bellelli" is an oil on canvas artwork created by Edgar Degas between 1858 and 1859. This piece, representative of the Impressionism movement, is a portrait that captures a young girl with a solemn and contemplative expression, rendered with meticulous detail and soft brushwork. The artwork is part of a private collection. Its rich, dark background contrasts with the illuminated face of the subject, emphasizing her delicate features and thoughtful gaze, characteristic of Degas' masterful portrayal of human emotion.

512. Portrait of Giulia Bellelli (sketch)

Portrait of Giulia Bellelli (sketch)

The artwork entitled "Portrait of Giulia Bellelli (sketch)," created by Edgar Degas between 1859 and 1860, is an oil painting on canvas that belongs to the Impressionism movement. This genre of sketch and study is currently housed in the Dumbarton Oaks Research Library and Collection in Washington, DC, US. The artwork depicts a young girl poised with her hands on her hips, exemplifying Degas' expertise in capturing human expression and posture with fluid brushstrokes and a subtle colorist approach.

513. Portrait of Henri Michel-Levy in his studio

Portrait of Henri Michel-Levy in his studio

"Portrait of Henri Michel-Levy in his studio," crafted by Edgar Degas between 1878 and 1879 using oil on canvas, is an exemplary piece within the Impressionist movement. The artwork, measuring 41 x 27 cm, typifies the portrait genre and is currently housed at the Calouste Gulbenkian Museum in Lisbon, Portugal. The composition features Henri Michel-Levy depicted in his creative workspace, with an engaging chiaroscuro and dynamic brushwork characteristic of Degas' technique. The subject, dressed in a white shirt and dark trousers, stands contemplatively, while another figure reclines nearby, contributing to a narrative of introspection and artistic endeavor.

514. Portrait of Henri Valpincon as a child with a governess

Portrait of Henri Valpincon as a child with a governess

The artwork, completed in 1870 by Edgar Degas, a prominent figure of the Impressionism movement, is titled "Portrait of Henri Valpinçon as a Child with a Governess." It depicts a tender scene where a young child, presumably Henri Valpinçon, is nestled comfortably in a stroller, being attentively watched over by a governess. The background portrays a serene and verdant garden, with other figures subtly placed, reflecting a peaceful and idyllic environment. The color palette and brushwork are characteristic of Degas's impressionistic style, emphasizing the gentleness and tranquility of the moment captured in this portrait.

515. Portrait of Josephine Gaujelin

Portrait of Josephine Gaujelin

The artwork, titled "Portrait of Josephine Gaujelin" and created by Edgar Degas in 1867, is an oil painting on canvas, depicting an individual named Josephine Gaujelin. Measuring 35 by 26.5 centimeters and rendered in the Impressionist style, it occupies a venerable position within the genre of portraiture. Currently housed at Kunsthalle Hamburg in Hamburg, Germany, the painting exemplifies Degas' masterful use of color and light to capture the delicate features and subtle expressions of the subject.

516. Portrait of Lorenzo Pagans, Spanish tenor, and Auguste Degas, the artist's father

Portrait of Lorenzo Pagans, Spanish tenor, and Auguste Degas, the artist's father

The artwork, titled "Portrait of Lorenzo Pagans, Spanish tenor, and Auguste Degas, the artist's father," was created by Edgar Degas around 1871-1872. Executed in oil on canvas, the piece exemplifies the Impressionist movement and measures 40 by 54.5 cm. It currently resides in the Musée d'Orsay in Paris, France. The portrait features Lorenzo Pagans holding a guitar and gazing thoughtfully, as Auguste Degas sits beside him in quiet contemplation, captured with delicate brushwork and a subdued color palette.

517. Portrait of Madame Edmondo Morbilli

Portrait of Madame Edmondo Morbilli

"Portrait of Madame Edmondo Morbilli," created by Edgar Degas in 1865, is an exquisite oil painting on canvas that exemplifies the Realism movement. This portrait, now held in a private collection, presents a solemn, intimate likeness of its subject. The artwork captures the delicate features and serene expression of Madame Edmondo Morbilli against a subtly textured background, demonstrating Degas' meticulous attention to detail and his profound ability to render human emotion through painterly execution.

518. Portrait of Madame Edmondo Morbilli, born Therese De Gas

Portrait of Madame Edmondo Morbilli, born Therese De Gas

The artwork, titled "Portrait of Madame Edmondo Morbilli, born Therese De Gas," was created by Edgar Degas around 1869, employing the medium of pastel. Falling under the genre of portraiture within the Impressionist movement, this piece is currently held in a private collection. The artwork depicts a refined and introspective image of Madame Edmondo Morbilli, who is attired in a detailed and elegant yellow dress, exuding a serene yet contemplative demeanor. The setting is imbued with a sense of intimacy and warmth, accentuated by the surrounding elements, including a richly decorated interior, which reinforces the personal and familial nature of the portrait.

519. Portrait of Madame Ernest May

Portrait of Madame Ernest May

The artwork, titled "Portrait of Madame Ernest May," created by Edgar Degas between 1881 and 1882, embodies the essence of Impressionism through the medium of pastel. This portrait, measuring 41 by 30 centimeters, captures the serene and contemplative expression of Madame Ernest May. The delicate use of pastel and Degas' masterful application of light and color demonstrate his remarkable ability to portray the subtleties of the human face. Currently held in a private collection, this piece stands as a testament to Degas' expertise and his contribution to the Impressionist movement.

520. Portrait of Mary Cassatt

Portrait of Mary Cassatt

The artwork, titled "Portrait of Mary Cassatt" by Edgar Degas, was created between circa 1880 and circa 1884 and belongs to the Impressionist movement. It is a portrait and is currently housed in the National Portrait Gallery in Washington, DC, USA. The artwork depicts a woman seated, with a contemplative expression, captured in a moment of introspection. The soft brushstrokes and subdued color palette are characteristic of Degas' style, emphasizing the intimate and personal nature of the portrait.

521. The Billiard Room at Menil-Hubert

The Billiard Room at Menil-Hubert

"The Billiard Room at Menil-Hubert," an oil-on-canvas piece created by Edgar Degas in 1892, embodies the essence of Impressionism. This interior genre artwork, housed in the Staatsgalerie Stuttgart in Stuttgart, Germany, skillfully captures the nuanced interplay of light and shadow within a richly furnished billiard room. The composition reveals Degas' masterful use of color and brushstrokes to evoke an intimate yet dynamic atmosphere, highlighting the thoughtful arrangement of paintings and the central, inviting billiard table.

522. The Box at the Opera

The Box at the Opera

"The Box at the Opera," created by Edgar Degas in 1880, is an interior genre artwork rendered in pastel medium and falls within the Impressionism art movement. This piece, currently housed in a private collection, captures the ornate details of an opera box with a focus on the intricate architectural elements. The use of pastel lends a soft yet vivid quality to the depiction, highlighting the luxurious and grandiose nature of the setting. The artwork exemplifies Degas's masterful technique and keen observation of social environs, characteristic of the Impressionist style.

523. The Cafe Concert

The Cafe Concert

"The Cafe Concert," created by Edgar Degas in 1877, is a genre painting rendered in pastel, representative of the Impressionism movement. The artwork captures a moment within a lively café-concert scene, emphasizing the vibrancy and social atmosphere through rich, textured layers of pastel. Degas's meticulous attention to detail and his innovative use of light and color convey the energy and dynamism of the figures, immersed in the musical performance and social interaction, thereby offering a vivid portrayal of Parisian nightlife during the late 19th century.

524. The Cafe Concert (The Song of the Dog)

The Cafe Concert (The Song of the Dog)

"The Cafe Concert (The Song of the Dog)" is a genre painting by Edgar Degas, created between 1875 and 1877. Utilizing gouache and pastel media, this artwork embodies the Impressionist movement and measures 51.8 by 42.6 centimeters. It is presently held in a private collection. The artwork portrays a lively cafe concert scene, capturing a singer, likely mid-performance, surrounded by a vibrant, bustling crowd. The use of luminous colors and expressive brushstrokes draws attention to the energetic atmosphere of the period's nightlife.

525. The Chorus

The Chorus
  • Artwork Name: The Chorus
  • Year: c.1877
  • Medium: oil,canvas
  • Dimensions: 27.1 x 32.3 cm

"The Chorus," an oil on canvas painting created by Edgar Degas circa 1877, exemplifies the impressionist art movement. This genre painting, measuring 27.1 by 32.3 centimeters, is housed in the Musée d'Orsay in Paris, France. The artwork depicts a vibrant choral performance, capturing the expressive energy and dynamic atmosphere of the performers. Degas utilizes a rich palette and loose brushwork to convey movement and emotion, offering a glimpse into the lively world of the theater.

526. The Conversation

The Conversation

The artwork titled "The Conversation," created around 1889 by Edgar Degas using pastel, exemplifies the Impressionism art movement. This genre painting, measuring 54 x 66 cm, depicts an intimate moment between two figures set against a verdant backdrop, showcasing the artist's masterful use of color and light to convey mood and narrative subtlety. Currently held in a private collection, the artwork captures both the serenity and spontaneity typical of genre scenes in Impressionist art.

527. The Crucifixion (after Mantegna)

The Crucifixion (after Mantegna)

"The Crucifixion (after Mantegna)," painted by Edgar Degas in 1861, is an evocative religious painting rendered in oil on canvas. The artwork, associated with the Impressionism movement, is housed in the Musée des Beaux-Arts de Lyon in Lyon, France. This piece portrays the crucifixion scene, featuring Christ on the cross surrounded by two thieves, captured against a dramatic landscape. Degas' interpretation reflects both emotive expressions and dynamic composition, indicating an homage to the influence of Andrea Mantegna, while emphasizing his distinct artistic approach.

528. The Cup of Tea (Breakfast after Bathing)

The Cup of Tea (Breakfast after Bathing)

The artwork, titled "The Cup of Tea (Breakfast after Bathing)" and created by Edgar Degas in 1883, is an exquisite pastel piece representative of the Impressionist movement. Measuring 121 x 92 cm and classified as genre painting, the artwork resides in a private collection. The composition gracefully captures an intimate moment, portraying two women engaged in a routine act after bathing. One woman appears to be drying herself with a towel while the other, partially clothed, holds a blue teacup, perhaps sharing a quiet moment together. The nuanced use of pastel colors and delicate light accentuates the tender and personal nature of the scene, reflecting Degas' keen observational skills and mastery of the Impressionist style.

529. The Curtain

The Curtain

"The Curtain," an artwork created by Edgar Degas around 1880, is a pastel piece representative of the Impressionism art movement. This genre painting is held in a private collection. The artwork features a vivid depiction of a theatrical scene, with a partial view of an audience and a stage where dancers can be observed in the distance. The composition utilizes rich colors and dynamic lines, evoking the lively atmosphere of the moment.

530. Two Ukrainian Dancers

Two Ukrainian Dancers

The artwork "Two Ukrainian Dancers" by Edgar Degas, created in 1895 and rendered in pastel, is a notable example of the Impressionism movement. It depicts a dynamic scene of two dancers, captured with fluid and expressive lines that reflect Degas' mastery in conveying movement and emotion. As a genre painting, the artwork offers a glimpse into a particular cultural moment, emphasizing the vibrancy and energy of Ukrainian dance. Currently housed in a private collection, this piece showcases Degas' innovative use of pastels to create depth and texture, making it a significant contribution to Impressionist art.

531. Vestment on a Chair

Vestment on a Chair

"Vestment on a Chair," an artwork created by Edgar Degas around the year 1887, is executed in pastel and belongs to the Impressionism art movement. This interior genre piece is currently held in a private collection. The artwork depicts a chair draped with a loose garment, rendered with fluid lines and soft hues, characteristic of Degas' style and the broader Impressionism movement. The piece emanates a quiet, contemplative atmosphere, reflecting the artist's meticulous attention to everyday scenes and objects.

532. Vesuvius

Vesuvius
  • Artwork Name: Vesuvius
  • Year: 1892
  • Medium: pastel
  • Dimensions: 25 x 30 cm

The artwork "Vesuvius" by Edgar Degas, created in 1892, is a pastel medium piece belonging to the Impressionism art movement. A landscape measuring 25 x 30 cm, this work is part of the Kornfeld Collection in Bern, Switzerland. The artwork captures the dramatic eruption of Mount Vesuvius, rendered in soft, muted tones. The play of light and color evokes a sense of both the power and the beauty of this natural phenomenon, characteristic of Degas' unique approach within the Impressionist tradition.

533. Victoria Duborg

Victoria Duborg

The artwork titled "Victoria Duborg," created by Edgar Degas circa 1866, is an oil on canvas painting belonging to the Impressionism art movement. It is a portrait genre piece that is currently housed in the Toledo Museum of Art, located in Toledo, Ohio, United States. The artwork depicts a woman seated in an interior setting, characterized by Degas' distinct brushwork and subdued color palette.

534. View of Naples

View of Naples

The artwork, "View of Naples," was created by Edgar Degas in 1860 using watercolor. It belongs to the Impressionism art movement and is categorized as a cityscape genre. Currently housed at the Bibliothèque nationale de France (BnF) in Paris, France, the artwork depicts a serene and hazy panorama of Naples, capturing the essence of the city's architecture and the distant seascape with delicate brushstrokes and muted tones, embodying the nuances of light and atmosphere characteristic of Impressionist works.

535. View of Saint-Valery-sur-Somme

View of Saint-Valery-sur-Somme

"View of Saint-Valery-sur-Somme" is an oil on canvas artwork created by Edgar Degas between circa 1896 and 1898. This cityscape is imbued with the hallmarks of the Impressionist movement, capturing a panoramic view of the town of Saint-Valery-sur-Somme. The artwork portrays an intricate amalgamation of architecture and nature, where the muted palette and broad brushstrokes evoke a serene yet somewhat somber atmosphere. The layout of the buildings, the softness of the background, and the meticulous use of light and shadow exemplify Degas’s masterful ability to convey a sense of place and mood within his work.

536. Village Street

Village Street

"Village Street" by Edgar Degas, created circa 1896 to 1898, is an oil painting on canvas representing the Impressionist art movement. This landscape painting, held in a private collection, depicts a romanticized view of a village street. The artwork captures the serene essence of rural life through soft, muted tones and fluid brushstrokes, characteristic of the Impressionist style. Degas' masterful technique evokes a quiet, introspective atmosphere, inviting the viewer to immerse themselves in the tranquil simplicity of the depicted scene.

537. Violinist and Young Woman

Violinist and Young Woman

The artwork, titled "Violinist and Young Woman," created circa 1872 by Edgar Degas, is an oil painting on canvas falling under the Impressionism art movement. It serves as a portrait genre piece and is presently housed at the Detroit Institute of Arts in Detroit, Michigan, US. The composition portrays a young woman seated with an open book on her lap, displaying an expression of contemplation, while beside her, a violinist, characterized by a vivid red jacket, tunes his instrument with focused intensity. The textures and use of light exemplify Degas' distinctive approach, capturing a moment of poised intimacy between the two subjects.

538. Visit to a Museum

Visit to a Museum
  • Artwork Name: Visit to a Museum
  • Year: 1880
  • Medium: oil,canvas
  • Dimensions: 91.7 x 67.9 cm

"Visit to a Museum," an oil on canvas painted by Edgar Degas in 1880, exemplifies the Impressionist movement. The artwork, measuring 91.7 x 67.9 cm, resides in the Museum of Fine Arts in Boston, Massachusetts. This genre painting portrays two women in a museum setting, characterized by Degas’ hallmark soft brushstrokes and delicate play of light and shadow. One woman appears to be reading, while the other stands in an elegant posture, capturing a fleeting moment of cultural engagement and introspection.

539. Wheatfield and Line of Trees

Wheatfield and Line of Trees

"Wheatfield and Line of Trees," an artwork by Edgar Degas, was created circa 1890–1893 using pastel as the medium. Part of the Impressionism movement, this piece falls under the landscape genre and is currently held in a private collection. The artwork portrays a serene countryside scene, featuring a path meandering through a wheat field towards a distant line of trees. Degas' use of rich, warm hues and expressive brushstrokes effectively captures the tranquility and natural beauty of the rural landscape.

540. Dancers in Green and Yellow

Dancers in Green and Yellow

"Dancers in Green and Yellow," a pastel artwork created by Edgar Degas circa 1899 to 1904, is a quintessential example of Impressionism and genre painting. The artwork depicts a group of ballet dancers poised in vibrant yellow and green tutus, against a richly textured background evocative of the energy and movement typical of Degas' works. Presently housed at the Solomon R. Guggenheim Museum in New York City, this piece exemplifies Degas' masterful use of pastels to capture the ephemeral quality of light and human form.

541. Dancers in Light Blue (Rehearsing in the Dance Studio)

Dancers in Light Blue (Rehearsing in the Dance Studio)

The artwork titled "Dancers in Light Blue (Rehearsing in the Dance Studio)," created around 1881 by Edgar Degas, exemplifies the Impressionist art movement and falls within the genre of genre painting. Executed in oil on canvas, the piece is currently held in a private collection. The artwork portrays a group of ballet dancers in light blue costumes at a dance studio, presenting a moment of rehearsal with delicate brushwork and soft, muted colors. Degas' focus on the dancers' graceful movements and the ambient lighting captures the fleeting essence of a moment, characteristic of the Impressionist style.

542. Dancers in Pink

Dancers in Pink

"Dancers in Pink," created by Edgar Degas between 1880 and 1885, is an Impressionist genre painting that currently resides in the Hill-Stead Museum in Farmington, Connecticut. The artwork captures a group of ballet dancers draped in vibrant pink tutus, preparing backstage. The composition and use of color effectively convey the elegance and delicate grace of the dancers, characteristic of Degas's fascination with capturing movement and the subtleties of light and shadow. The painting exemplifies the Impressionist movement's emphasis on depicting everyday scenes with vivid, expressive brushstrokes.

543. Dancers in the Rehearsal Hall

Dancers in the Rehearsal Hall

The artwork, titled "Dancers in the Rehearsal Hall" by Edgar Degas, dates from 1889 to 1895 and belongs to the Impressionism art movement. This genre painting captures a delicate and intimate scene of ballet dancers during a rehearsal, depicted with Degas's characteristic attention to posture and form. The soft pastel palette and fluid brushstrokes convey a sense of motion and the quiet ambiance of the rehearsal space, reflecting the artist’s keen observation of the dancers' graceful yet rigorous routine.

544. Dancers in the Wings

Dancers in the Wings

"Dancers in the Wings" is an artwork by Edgar Degas, created circa 1897-1901 using charcoal. It falls under the genre of genre painting and is a notable piece of the Impressionism art movement. The artwork, housed in the Kasama Nichido Museum of Art in Kasama, Japan, captures a moment behind the scenes, likely of ballet dancers, rendered in Degas' distinctive style. The composition and use of color effectively convey the poised elegance and subtle dynamism of the dancers.

545. Dancers on Set

Dancers on Set
  • Artwork Name: Dancers on Set
  • Year: 1878 - 1880
  • Medium: pastel
  • Dimensions: 37.9 x 27 cm

"Dancers on Set," created by Edgar Degas between 1878 and 1880, is a pastel artwork measuring 37.9 x 27 cm. It is an example of Impressionism and belongs to the genre painting category. The artwork is currently part of a private collection. The piece depicts two ballet dancers in motion, capturing the elegance and grace of their performance against a textured, vibrant background. The use of pastel medium highlights the delicate and ephemeral nature of the dancers' movements, reflecting Degas's signature style and his keen observation of ballet scenes.

546. Dancers on the Scenery

Dancers on the Scenery

The artwork, titled "Dancers on the Scenery," was created by Edgar Degas around the year 1889. Executed in oil on panel, this piece belongs to the Impressionism movement and falls under the genre of genre painting. The artwork portrays a group of dancers in an outdoor setting, featuring a warm, earthy color palette and loosely rendered forms that emphasize movement and atmosphere. Currently, the artwork resides in a private collection.

547. Landscape by the Sea

Landscape by the Sea

"Landscape by the Sea" is an oil on canvas painting by Edgar Degas, created circa 1895-1898, embodying the Impressionism art movement. The landscape scene measures 49 x 59.8 cm and currently resides in a private collection. The artwork showcases a serene coastal view, with a subtle interplay of light and shadow that captures the tranquil beauty of the natural surroundings. Using a soft palette, Degas masterfully blends the elements of earth, foliage, and sky, achieving a harmonious composition that reflects his profound appreciation for landscape artistry.

548. Landscape. Cows in the Foreground

Landscape. Cows in the Foreground

The artwork, titled "Landscape. Cows in the Foreground," executed by Edgar Degas circa 1890-1893, embodies the Impressionist movement through the medium of pastel. It belongs to the landscape genre and is currently held in a private collection. The artist employs a soft yet vivid palette to depict a pastoral scene featuring cows prominently displayed in the foreground, set against an intricately rendered natural backdrop, creating a harmonious blend of detailed texture and the ephemeral qualities characteristic of Impressionist art.

549. Landscape on the Orne

Landscape on the Orne

"Landscape on the Orne," a pastel artwork created circa 1884 by Edgar Degas, aligns with the Impressionism movement and falls within the landscape genre. The artwork, known for its use of pastel medium, depicts a serene scene characterized by a meandering path, lush greenery, and an encompassing horizon, all under a subtly tinted sky. Currently, it resides in a private collection, further highlighting its exclusivity and cherished status among Degas' oeuvre. The delicate interplay of light and color testifies to Degas’ mastery in capturing the ephemeral beauty of natural landscapes.

550. Landscape with Hills

Landscape with Hills

"Landscape with Hills," a pastel artwork created in 1890 by Edgar Degas, is a quintessential example of Impressionist landscape genre. The piece portrays a tranquil hilly terrain, imbued with soft, muted colors and delicate brushstrokes characteristic of the Impressionist movement. Currently housed at the Museum of Fine Arts in Boston, Massachusetts, this artwork captures the serene, ethereal quality of the natural landscape, reflecting Degas' mastery in rendering atmospheric effects.

551. Landscape with Rocks

Landscape with Rocks

"Landscape with Rocks" is an exemplary pastel artwork created by Edgar Degas between 1890 and 1893. Characterized by its Impressionistic style, the artwork depicts a picturesque landscape replete with rocky formations, rendered in vibrant hues and profound textures. This composition emphasizes Degas's adept use of pastels to capture the fleeting effects of light and color, a hallmark of the Impressionist movement. Currently held in a private collection, the artwork epitomizes the genre of landscape art through its dyn