182 Edward Hopper Paintings

Edward Hopper

Edward Hopper was an American realist painter known for his iconic depictions of American life in the early to mid-20th century. Born in 1882 in Nyack, New York, Hopper studied at the New York School of Art and later became a commercial illustrator before focusing on his fine art career. His works often feature lonely figures in urban settings, capturing a sense of isolation and melancholy. Hopper's use of light and shadow, along with his meticulous attention to detail, have made him one of the most celebrated artists of his time. He passed away in 1967, leaving behind a legacy of influential and profound paintings that continue to captivate audiences around the world.

1. Prizewinning World War I patriotic poster

Prizewinning World War I patriotic poster

2. Reclining Nude

Reclining Nude
  • Artwork Name: Reclining Nude
  • Year: c.1924 - c.1927
  • Medium: watercolor,paper
  • Dimensions: 50.42 x 35.18 cm

3. Reclining Nude

Reclining Nude

4. Summertime

Summertime
  • Artwork Name: Summertime
  • Year: 1943
  • Medium: oil,canvas

5. Sun in an Empty Room

Sun in an Empty Room

6. Sunlight on Brownstones

Sunlight on Brownstones

7. Sunlight in a Cafeteria

Sunlight in a Cafeteria

8. Table for Ladies

Table for Ladies
  • Artwork Name: Table for Ladies
  • Year: 1930
  • Medium: oil,canvas
  • Dimensions: 153 x 123 cm

9. The Barber Shop

The Barber Shop
  • Artwork Name: The Barber Shop
  • Year: 1931
  • Medium: oil,canvas
  • Dimensions: 198.12 x 152.4 cm

10. Davis House

Davis House

11. Deck of a Beam Trawler, Gloucester

Deck of a Beam Trawler, Gloucester

12. D. & R. G. Locomotive

D. & R. G. Locomotive

13. East Side Interior

East Side Interior

14. Eleven A.M.

Eleven A.M.

15. Elizabeth Griffiths Smith Hopper, The Artist's Mother

Elizabeth Griffiths Smith Hopper, The Artist's Mother

16. Evening Wind

Evening Wind
  • Artwork Name: Evening Wind
  • Year: 1921
  • Medium: etching
  • Dimensions: 17.6 x 21 cm

17. Excursion into Philosophy

Excursion into Philosophy

18. First Branch of the White River, Vermont

First Branch of the White River, Vermont

19. First Row Orchestra

First Row Orchestra

20. The Bootleggers

The Bootleggers

21. Le Pont des Arts

Le Pont des Arts
  • Artwork Name: Le Pont des Arts
  • Year: 1907
  • Medium: oil,canvas
  • Dimensions: 20 x 24.9 cm

22. The Camel's Hump

The Camel's Hump
  • Artwork Name: The Camel's Hump
  • Year: 1931
  • Medium: oil,canvas
  • Dimensions: 127.38 x 81.92 cm

23. The Cat Boat

The Cat Boat
  • Artwork Name: The Cat Boat
  • Year: 1922
  • Medium: etching
  • Dimensions: 20.3 x 25.4 cm

24. The City

The City
  • Artwork Name: The City
  • Year: 1927
  • Medium: oil,canvas
  • Dimensions: 93.98 x 69.85 cm

25. The El Station

The El Station

26. The Long Leg

The Long Leg
  • Artwork Name: The Long Leg
  • Year: c.1930
  • Medium: oil,canvas
  • Dimensions: 76.8 x 50.8 cm

27. The Monhegan Boat

The Monhegan Boat

28. Écluse de la Monnaie

Écluse de la Monnaie

29. Le Quai des Grands Augustins

Le Quai des Grands Augustins

30. Five A.M.

Five A.M.
  • Artwork Name: Five A.M.
  • Year: 1937
  • Medium: oil,canvas
  • Dimensions: 51.12 x 91.76 cm

31. Folly Beach, Charleston, South Carolina

Folly Beach, Charleston, South Carolina

32. Freight Car at Truro

Freight Car at Truro

33. From Williamsburg Bridge

From Williamsburg Bridge

34. Funnel of Trawler

Funnel of Trawler

35. Girl at a Sewing Machine

Girl at a Sewing Machine

36. Girlie Show

Girlie Show
  • Artwork Name: Girlie Show
  • Year: 1941
  • Medium: oil,canvas
  • Dimensions: 81.3 x 96.5 cm

37. Gloucester Harbor

Gloucester Harbor

38. Gloucester Mansion

Gloucester Mansion

39. Ground Swell

Ground Swell
  • Artwork Name: Ground Swell
  • Year: 1939
  • Medium: oil,canvas
  • Dimensions: 91.92 x 127.16 cm

40. The Railroad

The Railroad

41. Train and Bathers

Train and Bathers

42. Tramp Steamer

Tramp Steamer

43. Two Comedians

Two Comedians
  • Artwork Name: Two Comedians
  • Year: 1965
  • Medium: oil,canvas
  • Dimensions: 73.7 x 101.6 cm

44. Two on the Aisle

Two on the Aisle

45. Standing Female Figure

Standing Female Figure

46. Valley of the Seine

Valley of the Seine

47. Western Motel

Western Motel

48. White House with Dormer Window

White House with Dormer Window

49. White River at Sharon

White River at Sharon

50. Hotel By A Railroad

Hotel By A Railroad

The artwork, titled "Hotel By A Railroad," is an oil painting on canvas created by Edward Hopper in 1952. As a notably illustrative example of the New Realism movement and belonging to Hopper's series of 'Window' paintings, the piece is a genre painting with dimensions of 101.98 by 79.38 cm. Currently housed in a private collection, the artwork portrays a solemn interior scene wherein a woman in a pink slip sits absorbed in reading, while a man stands by an open window, gazing outward contemplatively under the luminous daylight. The intimate yet isolating atmosphere is a testament to Hopper's mastery in depicting the nuanced subtleties of human presence and urban solitude.

51. Hotel Window

Hotel Window

The artwork, titled "Hotel Window," created by Edward Hopper in 1955 using oil on canvas, is a notable piece within the New Realism movement and belongs to the genre of genre painting. This painting is part of Hopper's "Window" series and is currently held in a private collection. The artwork depicts a solitary woman seated on a sofa in a hotel room, her gaze directed out of a large window into the dimly lit exterior. The room is sparsely furnished, emphasizing the sense of isolation and introspection characteristic of Hopper's style. A lamp on a table and a framed picture on the wall complete the minimalistic interior, creating a poignant atmosphere of quiet contemplation.

52. House At Dusk

House At Dusk
  • Artwork Name: House At Dusk
  • Year: 1935
  • Medium: oil,canvas
  • Dimensions: 127 x 92.71 cm

"House at Dusk," created by Edward Hopper in 1935, is an oil painting on canvas, belonging to the New Realism art movement. The artwork measures 127 x 92.71 cm and is a cityscape genre piece housed in the Virginia Museum of Fine Arts in Richmond, VA. The painting features a partially illuminated building with visible interior activity through its windows, set against a tranquil, dusk sky. The surrounding scene includes lush, dark foliage providing a stark contrast to the softly lit interior, capturing a moment of stillness and introspection at the cusp of nightfall.

53. House at the Fort, Gloucester

House at the Fort, Gloucester

The artwork titled "House at the Fort, Gloucester," created by Edward Hopper in 1924, is a watercolor piece rendered in the New Realism style. Measuring 33.9 x 49.6 cm, this cityscape captures a scene featuring a house situated among rocky terrain with the sea visible in the background. This painting is part of the permanent collection at the Museum of Fine Arts (MFA) in Boston, Massachusetts. The piece showcases Hopper's characteristic use of light and shadow, emphasizing the geometric forms of the buildings and the textures of the natural landscape.

54. House by a Road

House by a Road

The artwork, titled "House by a Road," was created by Edward Hopper in 1940. It belongs to the New Realism and American Realism movements, and it is currently housed at Arizona State University in Phoenix, Arizona, United States. The landscape genre piece depicts an isolated house adjacent to a road, enveloped in the natural tranquility of its surroundings. The use of muted tones and a serene color palette emphasizes the solitary and contemplative nature of the scene, emblematic of Hopper's detailed and evocative style.

55. House in Italian Quarter

House in Italian Quarter

The artwork, titled "House in Italian Quarter," was created by Edward Hopper in 1923. Executed in watercolor, it is a landscape painting belonging to the New Realism art movement. The artwork depicts a domestic scene featuring a prominently situated house, rendered with a meticulous attention to light and shadow that articulates the architectural details and the natural surroundings, exemplifying Hopper's mastery in capturing the essence of commonplace environments with profound clarity and realism.

56. House of the Foghorn, I

House of the Foghorn, I

"House of the Foghorn, I," created by Edward Hopper in 1927, is a landscape artwork belonging to the New Realism art movement. The artwork depicts a sturdy house characterized by muted colors and geometric simplicity situated amidst rugged terrain. The structure features a prominent chimney and an American flag flying on a tall pole against a backdrop of a cloudy sky, invoking a sense of isolation and resilience in nature.

57. House on the Shore

House on the Shore

"House on the Shore," crafted in watercolor by Edward Hopper in 1924, epitomizes the New Realism movement and falls within the cityscape genre. The artwork portrays a coastal scene featuring several houses and structures rendered in muted and cool tones. The composition captures a tranquil, slightly desolate atmosphere, reflecting Hopper's characteristic approach to light and shadow, and his emphasis on the architectural elements of urban and suburban life.

58. Houses of Squam Light, Gloucester

Houses of Squam Light, Gloucester

The artwork, titled "Houses of Squam Light, Gloucester," was created by Edward Hopper in 1923. Executed in watercolor on paper, it measures 44.29 x 28.6 cm. Falling within the New Realism art movement, this cityscape painting is part of the collection at the Museum of Fine Arts (MFA) in Boston, MA, US. The artwork showcases a quaint, serene scene featuring rustic houses set amidst a tranquil, green landscape with rocky outcrops under a calm sky, capturing the quiet essence of coastal New England life.

59. House Tops

House Tops

"House Tops," created by Edward Hopper in 1921, belongs to the New Realism art movement and is classified as a genre painting. This artwork is part of Hopper's 'Window' paintings series. The artwork intricately depicts a contemplative scene within an urban environment, emphasizing the mundane yet profound moments of everyday life. The detailed etching captures a moment inside a public transportation vehicle, with passengers gazing through windows onto a cityscape filled with rooftops and utilitarian structures, thus encapsulating the artist's keen observation and representation of urban solitude and introspection.

60. Woman at Cafe Table

Woman at Cafe Table
  • Artwork Name: Woman at Cafe Table
  • Year: 1906 - 1907
  • Medium: watercolor,graphite
  • Dimensions: 50.6 x 37.8 cm

"Woman at Cafe Table," created by Edward Hopper between 1906 and 1907, is a watercolor and graphite artwork representing the New Realism movement. With dimensions of 50.6 x 37.8 cm, this genre painting depicts a woman seated alone at a cafe table, possibly waiting for someone or lost in thought. The piece is characterized by its attention to detail and realistic portrayal of everyday life, embodying the essence of the New Realism movement. This artwork is housed in the Whitney Museum of American Art in New York City.

61. Intermission (also known as Intermedio)

Intermission (also known as Intermedio)

"Intermission (also known as Intermedio)" is a 1963 genre painting by Edward Hopper, executed with oil on canvas, measuring 101.6 x 152.4 cm, and is currently housed at the San Francisco Museum of Modern Art (SFMOMA) in San Francisco, California. The artwork exemplifies the New Realism art movement and depicts a lone woman sitting in an almost empty theater, capturing a moment of quiet reflection during an intermission. The sparse and minimalistic setting, combined with the use of light and shadow, accentuates the theme of solitude and contemplation often found in Hopper's work. The subdued color palette and composition convey a sense of isolation and introspection, characteristic of Hopper's exploration of urban loneliness.

62. Jo In Wyoming

Jo In Wyoming
  • Artwork Name: Jo In Wyoming
  • Year: 1946
  • Medium: watercolor,paper
  • Dimensions: 50.8 x 35.43 cm

The artwork, titled "Jo In Wyoming", was created by Edward Hopper in 1946 using the medium of watercolor on paper. The piece belongs to the Social Realism movement and is classified as a genre painting. It measures 50.8 x 35.43 cm. The artwork depicts the interior of a car, where a woman, viewed from behind, is seen sketching the mountainous landscape outside, capturing a tranquil and contemplative moment. The composition underscores the harmonious blend of human presence and natural scenery, enhanced by the artist's meticulous attention to detail and texture.

63. Jo Painting

Jo Painting
  • Artwork Name: Jo Painting
  • Year: 1936
  • Medium: oil,canvas
  • Dimensions: 40.6 x 45.7 cm

The artwork, titled "Jo Painting," was created by Edward Hopper in 1936 using oil on canvas. This portrait, which fits within the New Realism art movement, measures 40.6 x 45.7 cm. Currently housed in the Whitney Museum of American Art in New York City, NY, US, the piece exemplifies Hopper's skillful depiction of a woman rendered in profile, capturing both the intricate play of light on her features and the detailed textures of her hair and attire.

64. Jo Sketching at Good Harbour Beach

Jo Sketching at Good Harbour Beach

"Jo Sketching at Good Harbour Beach," created by Edward Hopper in 1923, employs watercolor as its medium and belongs to the art movements of New Realism and American Realism. The artwork, classified under the figurative genre, depicts a solitary figure seated on a sandy beach, engrossed in sketching. The individual, donned in a hat, appears relaxed amidst the serene seaside setting with gentle waves lapping against the shore and houses perched atop a distant bluff, evoking a sense of tranquil contemplation and connection with nature.

65. Les Deux Pigeons

Les Deux Pigeons

"Les Deux Pigeons," created by Edward Hopper in 1920, is a genre painting belonging to the New Realism art movement. The artwork depicts a serene outdoor scene where individuals are engaged in leisure activities, seated on a terrace overlooking a vast, picturesque landscape. The detailed etching captures the candid interactions and intimate moments among the figures, set against a backdrop of natural splendor, reflecting Hopper's keen observation of everyday life and his adeptness in conveying the quiet beauty of ordinary moments.

66. Lighthouse and Buildings, Portland Head, Cape Elizabeth, Maine

Lighthouse and Buildings, Portland Head, Cape Elizabeth, Maine

The artwork, titled "Lighthouse and Buildings, Portland Head, Cape Elizabeth, Maine," is a 1927 piece by Edward Hopper, associated with the New Realism art movement. Measuring 49.5 x 34.3 cm, this landscape painting is housed in the Museum of Fine Arts (MFA) in Boston, Massachusetts, USA. The artwork portrays a serene scene featuring a lighthouse and adjacent buildings set against the backdrop of the expansive sea, capturing the essence of coastal Maine with meticulous detail and a contemplative atmosphere.

67. Lighthouse HIll

Lighthouse HIll
  • Artwork Name: Lighthouse HIll
  • Year: 1927
  • Medium: oil,canvas
  • Dimensions: 71.76 x 100.33 cm

The artwork, titled "Lighthouse Hill," was created by the artist Edward Hopper in 1927. Rendered in oil on canvas with dimensions of 71.76 x 100.33 cm, it reflects the New Realism art movement and is categorized under the landscape genre. The painting depicts a serene hill crowned with a solitary lighthouse and a traditional house, bathed in natural light under a clear blue sky. Situated currently at the Dallas Museum of Art in Dallas, Texas, the artwork eloquently captures the stillness and solitude of its coastal environment.

68. Male Nude

Male Nude
  • Artwork Name: Male Nude
  • Year: c.1903 - c.1904
  • Medium: charcoal,crayon
  • Dimensions: 31.1 x 18.4 cm

The artwork titled "Male Nude" by Edward Hopper, created circa 1903-1904, is a charcoal and crayon sketch indicative of the New Realism movement. Measuring 31.1 x 18.4 cm, this study piece portrays a standing male figure in profile, rendered with attention to anatomical precision and tonal shading. Currently housed in the Brooklyn Museum in New York City, NY, the artwork highlights Hopper's early exploration of the human form and his adept skill in capturing realistic detail through simple yet evocative lines and shading techniques.

69. Model in Towel, Sitting on Box

Model in Towel, Sitting on Box

"Model in Towel, Sitting on Box," created in 1902 by Edward Hopper, is an oil painting on canvas measuring 71.12 x 66.04 cm. The artwork belongs to the genre painting category and is part of the New Realism art movement. Currently held in a private collection, the artwork depicts a woman seated on a box, wrapped in a towel. The composition's simplicity and the use of chiaroscuro highlight the intimate and contemplative nature of the scene.

70. Moonlight Interior

Moonlight Interior

"Moonlight Interior," crafted by Edward Hopper between 1921 and 1923, is an evocative oil on canvas piece affiliated with the New Realism movement. This artwork, classified as a nude painting, forms part of Hopper's poignant 'Window' series. The artwork depicts a bare human figure within a dimly illuminated interior, juxtaposing the subdued, contemplative indoor setting against a moonlit urban landscape seen through a window. The intricate interplay of light and shadow underscores the serene solitude of the scene, characteristic of Hopper's nuanced approach to capturing the quiet emotional depth of everyday moments.

71. Morning in a City

Morning in a City

"Morning in a City," created in 1944 by Edward Hopper, is an oil on canvas artwork belonging to the New Realism movement. This piece is part of Hopper's 'Window' paintings series and falls under the genre of nude painting (nu). The artwork vividly depicts a solitary nude woman standing in a sparsely furnished room, gazing out of a window toward a sunlit cityscape, with the morning light casting a luminous glow across her form and the room's interior.

72. New York, New Haven and Hartford

New York, New Haven and Hartford

The artwork "New York, New Haven and Hartford," created by Edward Hopper in 1931, is an oil painting on canvas measuring 127 x 81 cm. As an exemplar of the Social Realism movement, the painting depicts a landscape featuring a house and a barn-like structure set against a backdrop of sparsely vegetated hills under a vast sky, with railroad tracks in the foreground. Despite the apparent simplicity and stillness, Hopper’s characteristic use of light and shadow instills the scene with a sense of isolation and quiet contemplation, reflecting the socio-economic milieu of the time. This piece remains in a private collection.

73. New York Office

New York Office
  • Artwork Name: New York Office
  • Year: 1962
  • Medium: oil,canvas
  • Dimensions: 101.6 x 139.7 cm

"New York Office," created in 1962 by Edward Hopper and located at the Montgomery Museum of Fine Arts in Montgomery, AL, USA, is an oil on canvas painting measuring 101.6 x 139.7 cm. A representation of the New Realism art movement, this cityscape artwork is a part of Hopper's 'Window' series. The artwork portrays the interior of an office seen through a large window, highlighting a solitary woman holding a piece of paper, bathed in light, with the contrasting shadowed surroundings. It encapsulates the themes of isolation and introspection within a bustling urban environment.

74. New York Restaurant

New York Restaurant

"New York Restaurant," created by Edward Hopper in 1922, is an oil-on-canvas artwork associated with the New Realism movement and classified as a genre painting. The artwork depicts an intimate scene inside a bustling New York City restaurant. Patrons are seen engaging in conversation and dining, with a waiter in the background attending to his duties. The interior is warmly lit, highlighting the rich textures and emotions captured in the everyday life setting.

75. Night on the El Train

Night on the El Train

"Night on the El Train" is an etching created in 1918 by the artist Edward Hopper. Exemplifying the New Realism movement, the artwork measures 72.39 x 59.31 cm. It falls under the genre of genre painting and is housed at the Art Institute of Chicago in Chicago, IL, US. The artwork depicts a scene inside an elevated train, featuring a man and a woman sitting close together on a bench. The intricate lines and shading highlight the intimate and mundane moment of urban life, characteristic of Hopper's poignant reflection on modern existence.

76. Night Shadows

Night Shadows
  • Artwork Name: Night Shadows
  • Year: 1921; United States
  • Medium: etching
  • Dimensions: 17.5 x 20.8 cm

"Night Shadows," an etching created by Edward Hopper in 1921, epitomizes the New Realism art movement. Measuring 17.5 x 20.8 cm, this genre painting portrays a solitary figure walking along a dimly lit street, casting a long shadow that emphasizes the interplay of light and darkness. The architectural elements and sharp contrasts reflect Hopper's keen observations of urban life and its inherent isolation. The artwork is housed in the Philadelphia Museum of Art in Philadelphia, Pennsylvania.

77. Night Windows

Night Windows
  • Artwork Name: Night Windows
  • Year: 1928
  • Medium: oil,canvas
  • Dimensions: 86.36 x 73.66 cm

"Night Windows," an oil painting on canvas by Edward Hopper, created in 1928, exemplifies the New Realism art movement. Measuring 86.36 by 73.66 cm, the artwork portrays a cityscape from Hopper's series of 'Window' paintings. It is housed in the Museum of Modern Art (MoMA) in New York City, NY, US. The painting features a darkened exterior with glowing windows revealing glimpses of interior spaces, illustrating Hopper's exploration of urban isolation and voyeurism through the interplay of light and shadow.

78. Le Pont Royal

Le Pont Royal
  • Artwork Name: Le Pont Royal
  • Year: 1909
  • Medium: oil,canvas
  • Dimensions: 17.5 x 20.8 cm

The artwork "Le Pont Royal," created in 1909 by Edward Hopper using oil on canvas, is a fine example of the New Realism art movement. Measuring 17.5 x 20.8 cm, the piece is classified as a cityscape and captures an urban scene with remarkable precision and detail. Set against the backdrop of a serene water body, the painting prominently features a bridge and an architectural structure under a clear sky, evoking a tranquil yet vibrant city environment. Currently, the artwork is exhibited at the Whitney Museum of American Art in New York City, NY, US.

79. New York Pavements,

New York Pavements,

"New York Pavements," created by Edward Hopper in 1924, is a notable work within the New Realism movement, and it belongs to the cityscape genre. The artwork portrays a segment of an urban environment with meticulous detail, capturing the essence of New York City in the 1920s. The painting focuses on the façade of a building, characterized by columns and arched windows, with muted tones conveying the atmosphere of the time. In the foreground, two indistinct figures walk past the entrance, adding a sense of human activity against the backdrop of the city's architectural elements.

80. Manhattan Bridge Loop

Manhattan Bridge Loop

"Manhattan Bridge Loop," created by Edward Hopper in 1928, is a cityscape artwork that exemplifies the Social Realism art movement. The artwork portrays a quiet, almost desolate urban scene dominated by robust architectural structures and a lone pedestrian. Hopper's meticulous attention to light, shadow, and form brings a sense of stillness and introspection to the urban environment, capturing the isolated and contemplative essence of city life during that era. The muted palette and precise depiction of architectural details serve to underscore the stark and contemplative nature of the cityscape.

81. Room in New York

Room in New York

The artwork, titled "Room in New York," created in 1932 by Edward Hopper, exemplifies the Social Realism art movement and functions as a genre painting within his 'Couple' series. Executed in oil on canvas, the piece vividly captures an intimate yet distant scene of a couple engrossed in their activities within a domestic setting. The painting portrays a man reading a newspaper in an armchair, while a woman in a red dress is playing the piano beside him, both absorbed in their solitary worlds despite their physical proximity. The depiction of their isolation amidst a shared space profoundly evokes themes of urban alienation and the complexities of human relationships, characteristic of Hopper's poignant exploration of modern life.

82. Cobbs Barns and Distant Houses

Cobbs Barns and Distant Houses

"Cobbs Barns and Distant Houses," crafted circa 1930 by Edward Hopper, is a landscape painting that aligns with the New Realism art movement. The artwork portrays rural barns and houses set against undulating hills and pastoral fields, capturing a serene, sunlit countryside. Hopper's use of light, shadow, and bold hues accentuates the quiet beauty of the rural American landscape, embodying the essence of New Realism through its meticulous detail and atmospheric depth.

83. Railroad Train

Railroad Train
  • Artwork Name: Railroad Train
  • Year: 1908
  • Medium: oil,canvas
  • Dimensions: 20.3 x 25.4 cm

"Railroad Train," created in 1908 by Edward Hopper, is an oil on canvas landscape painting measuring 20.3 x 25.4 cm. Capturing the essence of New Realism, this artwork is housed in the Addison Gallery of American Art at Phillips Academy in Andover, MA, US. The painting portrays a train in motion, its sleek carriages silhouetted against a muted sky, evoking a sense of movement and solitude typical of Hopper's work.

84. High Noon

High Noon
  • Artwork Name: High Noon
  • Year: 1949
  • Medium: oil,canvas

The artwork titled "High Noon," painted by Edward Hopper in 1949, is an oil on canvas that belongs to the New Realism movement and is categorized under the genre of cityscape. This piece is housed in the Dayton Art Institute located in Dayton, Ohio, United States. The artwork depicts a solitary, sun-drenched scene of a white house standing alone against a vast, open sky and barren landscape, exuding stillness and introspection. A lone figure, bathed in sunlight, stands in the doorway, capturing the essence of solitude and contemplation that Hopper often conveyed through his work.

85. Notre Dame No. 2

Notre Dame No. 2

"Notre Dame No. 2" is an oil on canvas cityscape painting created in 1907 by Edward Hopper, a prominent figure within the New Realism art movement. This work captures the iconic Notre Dame Cathedral with an emphasis on architectural detail and spatial composition, rendered with Hopper's characteristic realism and nuanced light play. The painting is part of the permanent collection at the Whitney Museum of American Art in New York City. The artwork exemplifies Hopper's adeptness at portraying urban scenes with a contemplative and serene atmosphere.

86. Office in a Small City

Office in a Small City

"Office in a Small City," painted by Edward Hopper in 1953, is an oil on canvas artwork that measures 71.1 x 101.6 cm. As part of the New Realism movement, this cityscape belongs to Hopper's 'Window' paintings series. The artwork portrays a solitary office worker gazing out of an expansive window, surrounded by nondescript urban buildings under a clear blue sky, capturing a sense of isolation amid the city environment. This painting is housed at the Metropolitan Museum of Art (Met) in New York City.

87. Paris Street

Paris Street
  • Artwork Name: Paris Street
  • Year: 1906
  • Medium: oil,canvas
  • Dimensions: 17.6 x 21 cm

The artwork titled "Paris Street" by Edward Hopper, created in 1906, is an oil painting on canvas, belonging to the New Realism art movement. This cityscape, measuring 17.6 by 21 centimeters, is housed at the Whitney Museum of American Art in New York City. The painting depicts a quiet, sunlit alley between tall buildings with shuttered windows, reflecting the serene yet shadowed ambiance of a Parisian street.

88. Interior (Model Reading)

Interior (Model Reading)

89. Compartment C, Car 293

Compartment C, Car 293

The artwork, titled "Compartment C, Car 293," was created by Edward Hopper in 1938 using oil on canvas. Measuring 20 by 18 inches, this piece is housed at IBM Corporation in Armonk, New York. The painting depicts a solitary woman sitting in a train compartment, bathed in natural light filtering through the window, engrossed in reading a book. The compartment's interior is rendered in shades of green and yellow, creating a calm and contemplative mood as the journey unfolds beyond the confines of the train car.

90. Adam's House

Adam's House
  • Artwork Name: Adam's House
  • Year: 1928
  • Medium: watercolor
  • Dimensions: 40.64 x 63.5 cm

"Adam's House" is a watercolor cityscape created in 1928 by the artist Edward Hopper, measuring 40.64 by 63.5 cm, and is part of the New Realism movement. The artwork, housed in the Wichita Art Museum in Wichita, KS, US, features a serene depiction of a residential area, characterized by a prominent white house with a dark roof and an adjacent street scene. There are visible power lines and a fire hydrant, evoking a sense of quiet suburban life. The use of light and shadow, along with meticulous detail, conveys the timeless and contemplative atmosphere that is a hallmark of Hopper's style.

91. Pennsylvania Coal Town

Pennsylvania Coal Town

"Pennsylvania Coal Town," created by Edward Hopper in 1947 and executed in oil on canvas, is a quintessential example of the Social Realism art movement, capturing the essence of mid-20th century American life. The artwork, which is housed in the Butler Institute of American Art in Youngstown, Ohio, exemplifies the cityscape and figurative genre. The scene portrays a solitary figure tending to a lawn in front of an aged, yet sturdy residential building, bathed in the tranquil light of a late afternoon or early morning. The meticulous attention to architectural detail and the use of light and shadow underscore Hopper's adeptness at using ordinary settings to evoke deeper narratives of human existence and social milieu.

92. People in the Sun

People in the Sun
  • Artwork Name: People in the Sun
  • Year: 1960
  • Medium: oil,canvas
  • Dimensions: 152.78 x 101.98 cm

"People in the Sun" (1960) by Edward Hopper is an oil on canvas painting, measuring 152.78 x 101.98 cm, and is classified within the New Realism movement and genre painting. This artwork, housed at the Smithsonian American Art Museum in Washington, DC, depicts a group of individuals seated on deck chairs, basking in the sunlight, with a backdrop of expansive, sunlit fields and distant mountains. The scene evokes a sense of tranquility and contemplation, characteristic of Hopper's exploration of American life and landscapes.

93. Queensborough Bridge

Queensborough Bridge

The artwork "Queensborough Bridge" is an oil painting on canvas created by Edward Hopper in 1913. As a piece representing the New Realism art movement, it measures 20 by 24.9 cm and falls within the cityscape genre. The artwork captures the grand structure of the Queensborough Bridge, showcasing Hopper's meticulous attention to architectural details and his ability to evoke the atmosphere and mood of urban scenes. The bridge dominates the composition, stretching across the canvas with a sense of grandeur and stability, while the surrounding environment, including the water and adjacent buildings, is rendered with a serene, almost somber tone reflective of early 20th-century urban life.

94. Railroad Crossing

Railroad Crossing

The artwork entitled "Railroad Crossing," created by Edward Hopper in 1926, exemplifies the New Realism art movement and falls within the cityscape genre. The painting resides in a private collection. The image portrays a tranquil, sunlit scene at a railroad crossing, with an intersecting road bordered by large trees. The crossing sign is visibly placed on the left side, adding a sense of stillness and anticipation to the depicted setting. The muted tones and play of light and shadow emphasize the serene and contemplative atmosphere, characteristic of Hopper's meticulous attention to everyday American life.

95. Railroad Sunset

Railroad Sunset
  • Artwork Name: Railroad Sunset
  • Year: 1929
  • Medium: oil,canvas
  • Dimensions: 121.9 x 74.3 cm

"Railroad Sunset," an oil painting on canvas created by Edward Hopper in 1929, measures 121.9 by 74.3 cm and exemplifies the New Realism art movement. This landscape artwork, housed in the Whitney Museum of American Art in New York City, NY, USA, depicts a tranquil railway scene bathed in the vibrant, warm hues of a setting sun, silhouetting a signal box and telegraph pole against the expansive landscape. The starkness of the silhouetted structures contrasts with the richly colored sky, evoking a sense of quietude and reflection.

96. Le Pavillon de Flore

Le Pavillon de Flore

The artwork, titled "Le Pavillon de Flore," was created by Edward Hopper in 1909 using oil on canvas. It is a cityscape that falls under the New Realism art movement. The painting is currently housed in the Whitney Museum of American Art in New York City, NY, US. The artwork captures a serene architectural scene, characterized by the prominent depiction of a building with intricate design elements, juxtaposed against the surrounding rooftops and foliage. The use of light and shadow imbues the work with a subtle yet distinct sense of realism and tranquility.

97. Rocks and Sea

Rocks and Sea
  • Artwork Name: Rocks and Sea
  • Year: c.1916 - c.1919
  • Medium: oil,wood
  • Dimensions: 29.8 x 40.8 cm

The artwork, titled "Rocks and Sea" and created by Edward Hopper between circa 1916 and circa 1919, is an oil painting on wood. Displayed in the Whitney Museum of American Art in New York City, the piece measures 29.8 by 40.8 centimeters and belongs to the Impressionism art movement. This landscape painting depicts an impressionistic view of a rocky shore leading into a calm, blue sea, imbued with vibrant yet muted colors and expressive brushstrokes characteristic of the period.

98. Adobe Houses

Adobe Houses

The artwork, titled "Adobe Houses," was created by Edward Hopper in 1925 and is a watercolor painting associated with the New Realism art movement. The landscape genre piece captures a serene vista of traditional adobe structures set against a backdrop of rolling hills and distant mountains. Rendered in soft, earthy hues, the painting evokes a peaceful and timeless atmosphere, highlighting the simplicity and beauty of the adobe architecture. This artwork is part of a private collection.

99. Adobes and Shed, New Mexico

Adobes and Shed, New Mexico

"Adobes and Shed, New Mexico" is a landscape watercolor painting on paper, created in 1925 by the artist Edward Hopper. Belonging to the New Realism art movement, the artwork measures 50.67 x 35.4 cm and features a rustic outdoor scene. The composition depicts an adobe structure and a shed, typical of New Mexican architecture, set in a sparse desert environment. The use of watercolor adds a translucent and fluid quality to the scene, enhancing the serene and sunlit ambiance of the rural landscape.

100. American Landscape

American Landscape

"American Landscape," an etching by Edward Hopper created in 1920, exemplifies the New Realism art movement. This landscape artwork, measuring 31.1 x 18.4 cm, is housed at the Butler Institute of American Art in Youngstown, Ohio. The artwork depicts a tranquil rural scene with a solitary house set against a forested backdrop. In the foreground, animals are seen grazing in a field, invoking a sense of serene agricultural life. The meticulous detail and subdued tones reflect Hopper's ability to capture the quiet, everyday moments in American life.

101. American Village

American Village
  • Artwork Name: American Village
  • Year: 1912
  • Medium: oil,canvas
  • Dimensions: 66.04 x 96.52 cm

"American Village" is a cityscape painting by Edward Hopper, completed in 1912 using oil on canvas, measuring 66.04 x 96.52 cm. The artwork, part of the New Realism movement, captures a bird's-eye view of a village, portraying a blend of residential and commercial buildings, with a street bustling with activity. It evokes a sense of early 20th-century American small-town life. The artwork is currently housed at the Whitney Museum of American Art in New York City, NY, US.

102. Apartment Houses

Apartment Houses

"Apartment Houses," painted in 1923 by Edward Hopper, is an oil on canvas artwork that exemplifies the New Realism movement and is categorized under genre painting. Part of the ‘Window’ paintings series, it currently resides at the Pennsylvania Academy of the Fine Arts in Philadelphia, PA. The artwork captures a scene viewed through a window, depicting a domestic interior with a solitary woman engaged in what appears to be household chores. The composition, lighting, and meticulous detail embody Hopper’s characteristic exploration of everyday moments within urban settings.

103. August in the City

August in the City

"August in the City" is an oil on canvas painting created by Edward Hopper in 1945, categorized under the Social Realism art movement. This cityscape, part of Hopper's 'Window' paintings series, depicts a sunlit facade with large windows through which the interior of a room can be seen. Vibrant greenery from a park or garden is visible beyond the building, adding contrast to the solemn urban architecture. The meticulous rendering and play of light highlight Hopper's ability to capture the quiet and contemplative mood of a city in August.

104. Automat

Automat
  • Artwork Name: Automat
  • Year: 1927
  • Medium: oil,canvas
  • Dimensions: 91.4 x 71.4 cm

Created in 1927 by Edward Hopper, "Automat" is an oil-on-canvas painting measuring 91.4 x 71.4 cm, exemplifying the New Realism art movement. As part of Hopper's "Window" paintings series, this genre painting portrays a solitary figure seated at a table in an automat, immersed in an evocative scene of modern urban life. The subdued illumination and reflective surfaces evoke a sense of solitude and introspection. This noteworthy piece is housed at the Des Moines Art Center in Des Moines, Iowa, United States.

105. Baptistry of St. John's

Baptistry of St. John's

"Baptistry of St. John's," created by Edward Hopper in 1929, is an exemplary piece of New Realism within the interior genre. Currently held in a private collection, the artwork depicts an interior space characterized by a quiet yet evocative atmosphere. The scene features a baptismal font in the foreground with intricate architectural elements, prominently showcasing columns and a winding staircase in the background. Hopper's masterful use of light and shadow, combined with his meticulous attention to detail, creates a composition that is both serene and contemplative, encapsulating the essence of the sacred interior.

106. Barn and Silo, Vermont

Barn and Silo, Vermont

"Barn and Silo, Vermont," created by Edward Hopper in 1929, belongs to the New Realism art movement and is a landscape genre artwork. In the artwork, a barn and silo are depicted, standing prominently against the backdrop of a serene rural landscape. The structure's formidable presence is accentuated by Hopper's adept use of light and shadow, which conveys a sense of timeless stillness and solidity. The surrounding environment, illustrated in calm hues, complements the rustic architecture and fosters a contemplative and tranquil atmosphere, capturing a quintessential moment of American rural life.

107. Bell Tower

Bell Tower
  • Artwork Name: Bell Tower
  • Year: 1923
  • Medium: watercolor

The artwork, titled "Bell Tower," was created by Edward Hopper in 1923 using watercolor as the medium. It is associated with the New Realism art movement and depicts a cityscape and landscape. The scene features a bell tower prominently positioned among a collection of buildings, which are rendered with a distinct clarity and realism characteristic of Hopper's work. The muted and pastel tones evoke a serene yet solitary atmosphere, capturing the quiet stillness of an urban environment. The meticulous detailing of the architectural elements and the interplay of light and shadow contribute to the overall evocative quality of the composition.

108. Rocks

Rocks
  • Artwork Name: Rocks
  • Year: c.1916 - c.1919
  • Medium: oil,wood
  • Dimensions: 29.8 x 40.8 cm

The artwork, titled "Rocks," was created by Edward Hopper between circa 1916 and circa 1919, utilizing oil on wood as the medium. Sized at 29.8 by 40.8 centimeters, this piece belongs to the Impressionism movement and is a landscape genre painting. It is currently housed at the Whitney Museum of American Art in New York City. The artwork depicts a coastal scene dominated by rocky formations, with the contrast between the earthy tones of the rocks and the deep blue sea, capturing the harmonious yet rugged beauty of nature.

109. Rocks at the Fort Gloucester

Rocks at the Fort Gloucester

The artwork, titled "Rocks at the Fort Gloucester," was created by Edward Hopper in 1924. This piece is associated with the New Realism art movement and belongs to the landscape genre. Currently held in a private collection, the painting depicts a rocky landscape crowned by structures and figures silhouetted against the sky. The application of expressive brushstrokes captures the texture and form of the rocky terrain, while the elevated structures add a sense of human presence amidst the natural setting. The overall composition evokes a quiet yet profound connection between man-made elements and the rugged coastal environment.

110. Rocks and Shore

Rocks and Shore
  • Artwork Name: Rocks and Shore
  • Year: c.1916 - c.1919
  • Medium: oil,wood
  • Dimensions: 26.7 x 33 cm

The artwork, "Rocks and Shore" by Edward Hopper, created approximately between 1916 and 1919, is an oil painting on wood, exemplifying the Impressionism art movement. Measuring 26.7 by 33 cm, this landscape work is housed at the Whitney Museum of American Art in New York City. The painting captures the rugged beauty of a shoreline, with dynamic brush strokes and a vibrant palette that conveys the essence of the natural scene, blending the strong hues of the rocky terrain with the serene blues of the ocean.

111. Rocky Shore

Rocky Shore
  • Artwork Name: Rocky Shore
  • Year: c.1916 - c.1919
  • Dimensions: 24 x 33 cm

"Rocky Shore," a landscape artwork by Edward Hopper from circa 1916-1919, exemplifies the Impressionism art movement. Measuring 24 by 33 centimeters, it portrays a rugged coastal scene characterized by its dynamic use of color and light to capture the texture and forms of the rocky terrain bathed in sunlight, juxtaposed against the shimmering blues of the sky and sea. This piece is housed in the Whitney Museum of American Art in New York City.

112. Rocky Shore and Sea

Rocky Shore and Sea
  • Artwork Name: Rocky Shore and Sea
  • Year: c.1916 - c.1919
  • Medium: oil,wood
  • Dimensions: 30.3 x 41.1 cm

The artwork titled "Rocky Shore and Sea," created by Edward Hopper around 1916 to 1919, is an oil painting on wood measuring 30.3 by 41.1 centimeters. Embracing the Impressionist movement, this landscape scene captures the rugged beauty of a coastal terrain. The depiction prominently features a steep escarpment, with large, imposing rocks descending towards a serene, blue sea. Presently housed at the Whitney Museum of American Art in New York City, NY, this piece exemplifies Hopper's skillful ability to portray natural landscapes with nuanced attention to light and color.

113. Room in Brooklyn

Room in Brooklyn

"Room in Brooklyn," painted by Edward Hopper in 1932, is an oil on canvas artwork that epitomizes the New Realism art movement. Categorized within the interior genre, it is part of Hopper's 'Window' paintings series. The artwork is currently housed at the Museum of Fine Arts in Boston, Massachusetts. The scene depicted in the artwork features a solitary figure seated with their back towards the viewer, gazing out of a window onto a distant cityscape. A table adorned with a vase of flowers adds a touch of tranquility and melancholy, emphasizing the introspective mood of the piece.

114. Ryders House

Ryders House
  • Artwork Name: Ryders House
  • Year: 1933
  • Medium: oil,canvas
  • Dimensions: 91.8 x 99.99 cm

The artwork, titled "Ryder's House," was created by Edward Hopper in 1933 using oil on canvas. As a representative piece of the Social Realism movement, this landscape painting measures 91.8 x 99.99 cm. The artwork depicts a solitary house amidst a vast, open field, characterized by its stark, pale walls and a dark, sloping roof, set against a backdrop of a serene, expansive sky. The presence of the house evokes a sense of isolation and calm, emblematic of Hopper's exploration of human solitude within everyday American scenes.

115. Sailing

Sailing
  • Artwork Name: Sailing
  • Year: 1911
  • Medium: oil,canvas
  • Dimensions: 20.3 x 25.4 cm

The artwork, titled "Sailing," was created by Edward Hopper in 1911 using oil on canvas. It belongs to the American Realism movement and depicts a maritime scene, measuring 20.3 by 25.4 centimeters. This piece is currently located at the Carnegie Museum of Art in Pittsburgh, Pennsylvania, USA. The artwork portrays a sailboat navigating through dynamic, wind-rippled waters under a vast, pale sky, exuding a tranquil yet energetic ambiance characteristic of seaside leisure.

116. Saltillo Mansion

Saltillo Mansion

The artwork titled "Saltillo Mansion" by Edward Hopper, created in 1943, is part of the New Realism movement. Measuring 54 x 68.9 cm, this landscape painting is currently housed at the Metropolitan Museum of Art (Met) in New York City, NY, USA. The artwork portrays an architectural scene with precise attention to light and shadow, featuring a stately building adorned with ornate details against a backdrop of a clear sky, subtly capturing the serene yet solitary essence of the scene.

117. Self-Portrait

Self-Portrait
  • Artwork Name: Self-Portrait
  • Year: c.1903
  • Medium: oil,canvas
  • Dimensions: 29.8 x 40.8 cm

The artwork, titled "Self-Portrait," was created by Edward Hopper around 1903, utilizing oil on canvas as the medium. It is a self-portrait measuring 29.8 by 40.8 centimeters and is classified under the art movement known as New Realism. The piece exhibits a striking depiction of the artist, capturing the essence of his features with masterful use of lighting and shadow. The painting is part of the collection at the Museum of Fine Arts in Boston, Massachusetts.

118. Bridge on the Seine

Bridge on the Seine

"Bridge on the Seine," created by Edward Hopper in 1909, is a cityscape painting that belongs to the New Realism art movement. The artwork measures 46 x 48 cm and depicts a serene scene along the Seine River, illustrating the architectural elements of a bridge and surrounding urban structures. Hopper captures the interplay of light and shadow on the buildings and bridge, with thoughtful attention to detail and composition. The painting showcases Hopper's early style and his ability to convey the quiet beauty of urban landscapes.

119. Shakespeare at Dusk

Shakespeare at Dusk

"Shakespeare at Dusk," rendered by Edward Hopper in 1935, exemplifies the New Realism movement and falls within the cityscape genre. Currently held in a private collection, the artwork portrays a tranquil urban park scene as dusk descends. The somber yet serene atmosphere is accentuated by the silhouette of a statue, bare trees, and distant cityscape, all bathed in the subtle glow of the setting sun. Hopper’s meticulous attention to the interplay of light and shadow creates a contemplative mood, reflecting his mastery in capturing the essence of urban solitude.

120. Sheridan Theatre

Sheridan Theatre
  • Artwork Name: Sheridan Theatre
  • Year: 1937
  • Medium: oil,canvas
  • Dimensions: 64.13 x 43.56 cm

The artwork, titled "Sheridan Theatre," was created by Edward Hopper in 1937 using oil on canvas. Measuring 64.13 x 43.56 cm, it belongs to the Social Realism art movement and is currently held in a private collection. The painting portrays an interior scene of a theater, capturing a serene, dimly lit balcony area with subdued lighting. The architectural details, such as the ornate balustrade and ceiling fixtures, are meticulously depicted, enhancing the atmosphere of quiet contemplation. This interior genre work exemplifies Hopper's characteristic exploration of light and space within urban settings.

121. Small Town on Cove

Small Town on Cove

The artwork, titled "Small Town on Cove," was created by Edward Hopper in 1923. Executed in watercolor, this piece falls under the landscape genre and is associated with the New Realism art movement. The artwork depicts a serene coastal town, characterized by its quaint residences juxtaposed by a larger, more prominent building, possibly a hotel, set upon the cove's edge. The tranquil waters of the cove reflect the picturesque charm and quietude of the small town, rendered in soothing pastel hues that evoke a sense of calm and simplicity. The composition captures the intersection of nature and habitation, illustrating Hopper's mastery in conveying the essence of a place through light and form.

122. South Truro Church

South Truro Church

"South Truro Church" is an oil on canvas landscape painting, created by Edward Hopper in 1930. The artwork, which belongs to the New Realism art movement, depicts a solitary church set against a clear, expansive sky. With its simple yet striking architecture bathed in sunlight, the church conveys a sense of stillness and quietude, reflective of Hopper's characteristic exploration of isolation in urban and rural settings. Currently, the artwork resides in a private collection.

123. Squam Light

Squam Light

"Squam Light," created by Edward Hopper in 1912, is an oil painting on canvas that belongs to the New Realism art movement. The artwork is a landscape piece and is part of a private collection. The painting depicts a tranquil coastal scene featuring a lighthouse and adjacent buildings set against a backdrop of a clear, expansive sky. The composition showcases Hopper's masterful use of light and shadow, capturing the serene and solitary essence of the locale.

124. Stairway at 48 rue de Lille, Paris

Stairway at 48 rue de Lille, Paris

"Stairway at 48 rue de Lille, Paris" is an oil painting on panel created by Edward Hopper in 1906. This artwork, depicting a quiet indoor staircase, is rendered in the New Realism art movement and measures 33 x 23.5 cm. The scene captures the essence of an interior space with meticulously detailed steps and railings leading to a closed door, invoking a sense of stillness. The painting is housed at the Whitney Museum of American Art in New York City.

125. Steps in Paris

Steps in Paris
  • Artwork Name: Steps in Paris
  • Year: 1906
  • Medium: oil,canvas
  • Dimensions: 46 x 48 cm

The artwork, titled "Steps in Paris," is an oil on canvas created by Edward Hopper in 1906. It falls under the genre of cityscape and belongs to the New Realism art movement. Measuring 46 x 48 cm, the artwork is currently housed in the Whitney Museum of American Art in New York City. The painting depicts a flight of stairs viewed from a steep angle, leading upwards towards what appears to be an architectural balustrade, accentuated by the play of light and shadow that imbues the scene with a sense of depth and subtle realism.

126. Street Corner

Street Corner

"Street Corner," created in 1923 by Edward Hopper, is a watercolor cityscape embodying the New Realism art movement. The artwork presents a quiet street corner, where the muted light casts gentle shadows on the buildings. Portrayed with characteristic precision, the scene captures the tranquility and simplicity of urban life, with detailed architectural elements of the buildings, a lone utility pole, and a glimpse of nature through the trees. Hopper's adept use of watercolor to depict the subtle interplay of light and shadow creates a serene and contemplative atmosphere in the urban landscape.

127. Cape Cod Morning

Cape Cod Morning
  • Artwork Name: Cape Cod Morning
  • Year: 1950
  • Medium: oil,canvas
  • Dimensions: 101.98 x 87 cm

The artwork "Cape Cod Morning," created by Edward Hopper in 1950, is an oil painting on canvas that belongs to the New Realism art movement. Measuring 101.98 x 87 cm, it falls under the genre of landscape and figurative art and is part of Hopper's 'Window' paintings series. Currently housed at the Smithsonian American Art Museum in Washington, DC, the painting depicts a figure looking out from a window of a white wooden house towards a sunlit grassy field and trees, capturing a moment of introspective solitude and contemplation.

128. South Carolina Morning

South Carolina Morning

"South Carolina Morning," painted by Edward Hopper in 1955, is an oil-on-canvas artwork that exemplifies the New Realism art movement and falls under the genre of genre painting. Currently housed in the Whitney Museum of American Art in New York City, this piece captures a serene moment featuring a woman in a red dress and hat, standing pensively at the entrance of a wooden building. The composition juxtaposes human solitude against a vast, open landscape under a clear blue sky, reflecting Hopper's mastery in portraying quiet, reflective scenes that convey deeper emotional undertones.

129. Church of San Esteban

Church of San Esteban

The artwork titled "Church of San Esteban" was crafted by Edward Hopper in the year 1946. It belongs to the New Realism movement and is categorized under the cityscape genre. The piece vividly depicts a city scene dominated by the architectural elements of the Church of San Esteban, set against a backdrop of undulating mountains and an expansive sky. The grayscale palette emphasizes the contrast between the structural forms of the church and the natural landscape, highlighting Hopper's meticulous attention to detail and his ability to capture the serene essence of urban settings.

130. City Roofs

City Roofs

"City Roofs," created by Edward Hopper in 1932, is a cityscape painting that forms part of the Social Realism art movement. Presently housed in a private collection, the artwork portrays an urban landscape characterized by the angular lines and geometric forms of various rooftops and architectural elements bathed in sunlight. Hopper's use of light and shadow emphasizes the solitude and stillness of the scene, typical of his approach to capturing the essence of urban life in early 20th-century America.

131. Coast Guard Station, Two Lights, Maine

Coast Guard Station, Two Lights, Maine

"Coast Guard Station, Two Lights, Maine," created by Edward Hopper in 1927, is an oil painting on canvas representative of the New Realism art movement, and it falls within the landscape genre. The artwork depicts a coastal scene dominated by a Coast Guard station, situated on a strip of land adjacent to the sea. The building is marked by its distinct architectural features, including a prominent tower and a flagpole displaying the American flag. The structure is rendered with sharp, clear lines, emphasizing its solidity against the softly blended hues of the sky and sea, creating a tranquil yet stoic atmosphere. The colors used reflect the natural beauty of the Maine coastline, with the blues of the water contrasting against the earthy tones of the shoreline and man-made structures.

132. Conference At Night

Conference At Night

"Conference At Night" is an oil on canvas painting created circa 1949 by Edward Hopper, a notable figure in the New Realism movement. Measuring 101.6 x 70.49 cm, this genre painting is part of Hopper's 'Window' series and is housed in the Wichita Art Museum in Wichita, Kansas. The artwork depicts an intimate, nocturnal meeting of two men and a woman within a sparsely furnished room, illuminated by a stark, angled light from an unseen source, emphasizing Hopper's characteristic exploration of solitude and quiet moments of human interaction.

133. Corn Hill

Corn Hill
  • Artwork Name: Corn Hill
  • Year: 1930
  • Medium: oil,canvas
  • Dimensions: 72.39 x 107.95 cm

The artwork, titled "Corn Hill" by Edward Hopper, was created in 1930 using oil on canvas and is part of the New Realism movement. With dimensions of 72.39 x 107.95 cm, it falls under the landscape genre and is currently housed at the McNay Art Museum in San Antonio, TX, US. The artwork depicts a serene hilly landscape with distinct houses perched atop a sunlit, undulating hill, characterized by muted yet warm colors, evoking a sense of quietude and simplicity.

134. Couple Drinking

Couple Drinking
  • Artwork Name: Couple Drinking
  • Year: 1906 - 1907
  • Medium: watercolor,graphite
  • Dimensions: 17.5 x 20.8 cm

The artwork "Couple Drinking," created by Edward Hopper between 1906 and 1907, is a watercolor and graphite piece embodying the New Realism movement. This genre painting, measuring 17.5 x 20.8 cm, is housed in the Whitney Museum of American Art in New York City. The artwork portrays a man and a woman seated at a small round table, both holding glasses. The man, dressed in a brown suit and cap, appears to be smiling, while the woman, with her hair styled up and wearing a fitted outfit with a flared skirt, looks toward the viewer, creating an intimate yet composed setting.

135. Cove at Ogunquit

Cove at Ogunquit
  • Artwork Name: Cove at Ogunquit
  • Year: 1914
  • Medium: oil,canvas
  • Dimensions: 62.2 x 74.6 cm

"Cove at Ogunquit" is an impressionistic oil painting on canvas by Edward Hopper, created in 1914. The artwork, measuring 62.2 by 74.6 centimeters, exemplifies the landscape genre and is held at the Whitney Museum of American Art in New York City, NY. The painting depicts a serene coastal scene with rocky shores and small rowboats gently floating on a deep blue sea, emphasizing the tranquil beauty and natural lighting that toy with shadows across the terrain, characteristic of the Impressionism movement.

136. Monhegan Landscape

Monhegan Landscape
  • Artwork Name: Monhegan Landscape
  • Year: c.1916 - c.1919
  • Medium: oil,panel
  • Dimensions: 30.5 x 41 cm

"Monhegan Landscape" is an oil painting on panel created by Edward Hopper between circa 1916 and circa 1919. This impressionist landscape artwork, measuring 30.5 by 41 cm, depicts a serene coastal scene with rugged cliffs, lush greenery, and a tranquil blue sea, capturing Monhegan Island’s natural beauty with expressive brushstrokes and vibrant colors. The painting is housed at the Herbert F. Johnson Museum of Art at Cornell University in Ithaca, New York.

137. Study of a Seated Woman

Study of a Seated Woman

"Study of a Seated Woman," created by Edward Hopper in 1899, is a pen and ink drawing classified under the genre of sketch and study. Measuring 30.5 by 41 cm, this artwork is a representation of the New Realism art movement and remains in a private collection. The artwork captures a pensive seated woman, rendered with delicate, precise lines, highlighting Hopper's attention to detail and his ability to convey emotion and posture through simple, yet expressive, strokes.

138. Study of a Standing Woman

Study of a Standing Woman

"Study of a Standing Woman," created by Edward Hopper in 1900, is a pen and ink sketch embodying the New Realism art movement. Measuring 30.3 by 41.1 centimeters, this work is a study of a woman in a long, patterned dress, complete with a hat adorned with feathers. The artwork captures intricate details of the subject's attire and posture, utilizing bold lines and cross-hatching techniques to convey texture and depth. Currently held in a private collection, this sketch underscores Hopper's early exploration of human figures and his commitment to realism in his portrayals.

139. Summer Evening

Summer Evening

"Summer Evening," an oil-on-canvas masterpiece by Edward Hopper from 1947, belongs to the Social Realism art movement and exemplifies the genre painting style. Housed in a private collection, the artwork captures a quiet moment where a man and a woman stand on a porch at dusk, evoking a sense of contemplation and understated tension typical of Hopper's evocative narratives.

140. Summer in the City

Summer in the City

The artwork, titled "Summer in the City," was created by Edward Hopper in 1949 using oil on canvas. This piece, which belongs to the New Realism art movement and is a part of Hopper's 'Window' paintings series, measures 76 by 51 centimeters. It depicts a genre painting and is currently housed in a private collection. The painting showcases a quiet and intimate moment within an urban setting, evoking a sense of solitude and introspection through its use of natural light and spatial composition.

141. Le Bistrot or The Wine Shop

Le Bistrot or The Wine Shop

"Le Bistrot or The Wine Shop," created in 1909 by Edward Hopper, exemplifies the New Realism art movement and was executed using oil on canvas. Currently displayed at the Whitney Museum of American Art in New York City, this genre painting measures 72.39 cm by 59.31 cm. The artwork portrays a serene scene where two individuals are seated at an outdoor table of a bistro, with a vast, sunlit expanse stretching ahead and a bridge framing the background. The minimalist yet evocative composition captures a fleeting moment of tranquility and light.

142. Blackhead, Monhegan

Blackhead, Monhegan
  • Artwork Name: Blackhead, Monhegan
  • Year: 1916 - 1919
  • Medium: oil,panel
  • Dimensions: 23.81 x 33.02 cm

"Blackhead, Monhegan," created by Edward Hopper between 1916 and 1919, is an oil on panel painting measuring 23.81 x 33.02 cm. This landscape piece, associated with the New Realism art movement, is housed in the Whitney Museum of American Art in New York City. The artwork depicts a rugged coastal scene with dynamic brushstrokes and vivid colors. The cliff's vibrant ochres and earthy tones contrast sharply with the deep blues and whites of the turbulent sea, infusing the painting with a sense of raw natural beauty and dramatic tension.

143. Blackwell's Island

Blackwell's Island

"Blackwell's Island" is an oil on canvas cityscape created by Edward Hopper in 1928. Measuring 87.63 x 151.13 cm, this artwork belongs to the New Realism art movement. The artwork portrays a serene yet imposing view of the Manhattan skyline, capturing the essence of urban isolation and architectural austerity that is characteristic of Hopper's style. The meticulous rendering of the buildings and water, combined with the dramatic play of light and shadow, creates a hauntingly beautiful and contemplative atmosphere.

144. Soir Bleu

Soir Bleu
  • Artwork Name: Soir Bleu
  • Year: 1914
  • Medium: oil,canvas
  • Dimensions: 182.88 x 91.44 cm

The artwork "Soir Bleu," created by Edward Hopper in 1914, is an oil painting on canvas, measuring 182.88 by 91.44 centimeters. This piece, currently housed in the Whitney Museum of American Art in New York City, NY, USA, is classified under the art movement known as New Realism and is considered a genre painting. The artwork portrays a poignant scene of isolated figures gathered at a sidewalk café, highlighted by the presence of a clown, which juxtaposes everyday life with elements of theatricality and melancholy, effectively capturing a moment of urban solitude and alienation.

145. Bluff

Bluff
  • Artwork Name: Bluff
  • Year: 1916 - 1919
  • Medium: oil,canvas

"Bluff" is an oil painting on canvas by Edward Hopper, created between 1916 and 1919. The artwork belongs to the New Realism and Impressionism art movements and represents a landscape genre. Currently housed at the Whitney Museum of American Art in New York City, NY, the painting vividly depicts a lush, verdant bluff set against a clear blue sky. Hopper's masterful use of bold, textured brushstrokes and vibrant colors conveys the grandeur and tranquility of the natural landscape, capturing the viewer's attention with its compelling realism and impressionistic style.

146. Blynman Bridge

Blynman Bridge

The artwork titled "Blynman Bridge" by Edward Hopper, created in 1923, is a watercolor painting belonging to the genres of New Realism and American Realism, with a focus on landscape. The composition depicts a serene scene centered around a bridge, capturing elements of architectural structure and human presence with a nuanced attention to light and shadow. Hopper's use of watercolor medium brings a gentle vibrancy to the natural and man-made elements, providing a glimpse into the tranquil intersection of daily life and nature. The thoughtful depiction of this landscape underscores Hopper's mastery in portraying the quiet beauty and mundane elegance of American realism.

147. Bridle Path

Bridle Path
  • Artwork Name: Bridle Path
  • Year: 1939
  • Medium: oil,canvas
  • Dimensions: 107 x 72 cm

"Bridle Path," crafted by Edward Hopper in 1939, is an oil on canvas genre painting that aligns with the Social Realism art movement. The artwork measures 107 by 72 cm and is a part of a private collection. The artwork vividly depicts three riders on horseback navigating a rugged terrain, with a notable contrast between the bustling cityscape in the background and the natural, rocky foreground. The juxtaposition of figures and architectural elements underscores the thematic exploration of urban versus rural life, a hallmark of Hopper's social realism.

148. Burly Cobb Hen Coop and Barn

Burly Cobb Hen Coop and Barn

Completed in 1930 by Edward Hopper, the artwork titled "Burly Cobb Hen Coop and Barn" is a landscape piece representative of the New Realism movement. Currently held in a private collection, the artwork portrays a rural scene characterized by soft, rolling hills in muted browns and greens. The depiction of modest structures—a hen coop and a barn—set against an expansive, serene backdrop captures the quiet and contemplative essence of the American countryside. Hopper's use of light and shadow brings a subtle yet distinct presence to the rustic architecture and natural elements, embodying the tranquility and isolation of rural life.

149. Burly Cobb's House, South Truro

Burly Cobb's House, South Truro

"Burly Cobb's House, South Truro" is an oil on canvas painting created by Edward Hopper between 1930 and 1933, exemplifying the Social Realism movement. Measuring 91.44 by 62.87 centimeters, the artwork falls within the landscape genre. The painting portrays a rustic scene depicting a secluded house with simple geometrical structures, set against a backdrop of rolling meadows and a clear sky. The muted, earthy color palette and the sparsity surrounding the house evoke a sense of solitude and keen observation of rural life.

150. Self-Portrait

Self-Portrait

The artwork titled "Self-Portrait" was created by Edward Hopper between 1925 and 1930, utilizing oil on canvas. This piece belongs to the New Realism art movement and exemplifies the portrait genre. The artwork is currently housed at the Whitney Museum of American Art in New York City, NY, US. The portrait features a middle-aged man in a contemplative pose, wearing a brown hat and a suit jacket with a blue shirt and tie, against a minimalistic background.

151. Seven A.M.

Seven A.M.
  • Artwork Name: Seven A.M.
  • Year: 1948
  • Medium: oil,canvas
  • Dimensions: 101.6 x 76.2 cm

The artwork, titled "Seven A.M." by Edward Hopper, was created in 1948 using oil on canvas and is a notable representation of the New Realism movement. Measuring 101.6 x 76.2 cm, this cityscape genre piece depicts a quiet storefront bathed in the early morning light, reflecting Hopper's characteristic use of stark light and shadow to evoke a sense of stillness and solitude. This painting is part of the collection at the Whitney Museum of American Art in New York City, NY. The mise-en-scène includes architectural elements like columns and large windows, juxtaposed with a tranquil, forested background, emphasizing the intersection of nature and urban settings.

152. A Woman in the Sun

A Woman in the Sun

"A Woman in the Sun" by Edward Hopper, painted in 1961 using oil on canvas, belongs to the New Realism movement. Part of Hopper's "'Window' paintings" series, this nude painting measures 40 x 60 inches and is currently housed at the Whitney Museum of American Art in New York. The artwork depicts a nude woman standing in a sunlit room, her figure illuminated by natural light streaming through an open window. The scene exudes a tranquil and introspective atmosphere, capturing a moment of solitude and the interplay between light and shadow.

153. Summer Interior

Summer Interior
  • Artwork Name: Summer Interior
  • Year: 1909
  • Medium: Oil on Canvas
  • Dimensions: 24 x 29 inches

"Summer Interior," crafted by Edward Hopper in 1909, is an evocative oil on canvas painting that measures 24 by 29 inches. Representing the New Realism art movement, the artwork is a nude figurative piece currently housed in the Whitney Museum of American Art in New York. The painting depicts an intimate indoor scene where a woman, partially undressed, is thoughtfully seated on a bed, bathed in subdued light. The composition, with its muted hues and contemplative mood, contributes to the subject's sense of quiet introspection and solitude.

154. Blackhead, Monhegan

Blackhead, Monhegan

"Blackhead, Monhegan," created by Edward Hopper between 1916 and 1919, is an oil on wood artwork measuring 9 3/8 by 13 inches. The artwork is housed at the Whitney Museum of American Art in New York. This painting captures a rugged coastal scene with vibrant, expressive brushstrokes. The composition features rocky cliffs rendered in earthy tones, sharply contrasting with the deep blue sea, exuding a dynamic interplay between land and water.

155. Second Story Sunlight

Second Story Sunlight

"Second Story Sunlight," an oil on canvas artwork created in 1960 by Edward Hopper, epitomizes the New Realism art movement. Measuring 127 x 101.6 cm, this genre painting is housed in the Whitney Museum of American Art in New York. The artwork depicts a sunlit second-story balcony with two figures - an older woman engaged in reading and a younger woman reclining. The pristine white facade of the house contrasts starkly with the rich, dark foliage in the background, evoking a serene, yet poignant sense of everyday life and quiet contemplation.

156. The Lee Shore

The Lee Shore
  • Artwork Name: The Lee Shore
  • Year: 1941
  • Medium: Oil on Canvas
  • Dimensions: 71.76 x 109.22 cm

"The Lee Shore," an oil on canvas masterpiece created by Edward Hopper in 1941, exemplifies the Social Realism movement and belongs to the marina genre. Measuring 71.76 x 109.22 cm, the artwork is housed in a private collection. It portrays a tranquil coastal scene featuring two sailboats, one closely tethered to a house by the sea under a serene sky, eliciting a profound sense of calm and everyday life by the shore.

157. Hotel Lobby

Hotel Lobby
  • Artwork Name: Hotel Lobby
  • Year: 1943
  • Medium: Oil on Canvas
  • Dimensions: 103.5 x 82.55 cm

"Hotel Lobby" is an oil on canvas artwork created by Edward Hopper in 1943, under the Social Realism movement. This genre painting, measuring 103.5 x 82.55 cm, is currently housed in the Indianapolis Museum of Art (IMA) in Indianapolis, Indiana, US. The artwork depicts an interior scene of a hotel lobby characterized by its subdued color palette and a portrayal of isolated individuals, reflecting Hopper's recurring themes of urban isolation. The composition includes four figures, each seemingly absorbed in their own world, emphasizing a sense of detachment and quiet contemplation.

158. Light at Two Lights

Light at Two Lights
  • Artwork Name: Light at Two Lights
  • Year: 1927
  • Medium: Watercolor on paper
  • Dimensions: 14 x 20 inches

"Light at Two Lights," created in 1927 by Edward Hopper, is a watercolor on paper piece that belongs to the New Realism movement. The artwork measures 14 by 20 inches and is categorized as a cityscape. Currently housed at the Montgomery Museum of Fine Arts in Montgomery, Alabama, the artwork depicts a serene lighthouse standing beside various structures, highlighting Hopper's remarkable use of light and shadow to convey tranquility and architectural simplicity.

159. Rooms for Tourists

Rooms for Tourists
  • Artwork Name: Rooms for Tourists
  • Year: 1945
  • Medium: Oil on Canvas
  • Dimensions: 107.06 x 76.83 cm

"Rooms for Tourists," created by Edward Hopper in 1945, is an oil on canvas painting measuring 107.06 x 76.83 cm and is part of the Social Realism movement. The artwork, held in a private collection, depicts a nocturnal scene of a solitary, illuminated house offering rooms for tourists. The painting's palette of muted tones and strategic use of light and shadow evokes a sense of quiet, introspective solitude, characteristic of Hopper's style, and captures the mundane yet poignant atmosphere of American life. The careful attention to architectural details and the interplay between lighted windows and dark surroundings lend a haunting beauty to this landscape.

160. New York Movie

New York Movie
  • Artwork Name: New York Movie
  • Year: 1939
  • Medium: Oil on Canvas
  • Dimensions: 81.9 x 101.9 cm

The artwork, titled "New York Movie," is an oil on canvas created by Edward Hopper in 1939. Measuring 81.9 x 101.9 cm, it embodies the Social Realism art movement and falls under the genre of genre painting. This piece is presently housed in the Museum of Modern Art (MoMA) in New York City, NY, US. In the artwork, a solitary usherette stands contemplatively against a backdrop of rich, red theater curtains and a softly illuminated, partially visible cinema interior, capturing a poignant moment of urban existence and isolation within the bustling cityscape of New York.

161. Sunday

Sunday
  • Artwork Name: Sunday
  • Year: 1926
  • Medium: Oil on Canvas
  • Dimensions: 86.36 x 73.66 cm

"Sunday," an oil on canvas painting by Edward Hopper created in 1926, is a significant work within the New Realism movement and belongs to his series of "Window" paintings. The artwork, which measures 86.36 by 73.66 cm, falls under the genre painting category and is part of a private collection. The painting depicts a solitary man sitting on a deserted street, framed by the shadows and architectural details of the buildings behind him. This piece captures Hopper's masterful use of light and shadow to evoke a sense of solitude and quiet introspection in an urban setting.

162. Self-Portrait

Self-Portrait
  • Artwork Name: Self-Portrait
  • Year: 1903 - 1906
  • Medium: Oil on Canvas
  • Dimensions: 25 1/16 x 20 3/8 in.

The artwork, titled "Self-Portrait" by Edward Hopper, created between 1903 and 1906, is an oil on canvas painting from the New Realism art movement. Measuring 25 1/16 x 20 3/8 inches, this self-portrait exhibits the artist's intense gaze and detailed expression, captured with striking realism and meticulous brushwork. The dark, minimalist background contrasts sharply with the luminous depiction of the artist's face, highlighting his confident, introspective demeanor. Presently, this artwork resides in the esteemed Whitney Museum of American Art in New York.

163. Rooms by the Sea

Rooms by the Sea
  • Artwork Name: Rooms by the Sea
  • Year: 1951
  • Medium: Oil on Canvas
  • Dimensions: 101.98 x 73.66 cm

"Rooms by the Sea," an oil on canvas masterpiece created in 1951 by Edward Hopper, epitomizes the surrealist art movement. This interior genre painting, measuring 101.98 x 73.66 cm, is housed at the Yale University Art Gallery in New Haven, Connecticut. The artwork portrays a sunlit room that opens directly to the expanse of the sea, exuding both tranquility and a sense of stark isolation through minimalist composition and masterful light manipulation.

164. Road in Maine

Road in Maine
  • Artwork Name: Road in Maine
  • Year: 1914
  • Medium: Oil on Canvas
  • Dimensions: 20.3 x 25.4 cm

"Road in Maine," created by Edward Hopper in 1914, is an oil on canvas painting measuring 20.3 by 25.4 cm. Belonging to the New Realism art movement, this landscape genre artwork is currently housed at the Whitney Museum of American Art in New York. The artwork depicts a winding road through a Maine countryside, characterized by its vibrant yet subdued palette, and a sense of serene isolation. Hopper's meticulous attention to detail and masterful use of light and shadow invoke a quiet intimacy in this portrayal of rural scenery.

165. El Palacio

El Palacio
  • Artwork Name: El Palacio
  • Year: 1946
  • Medium: Oil on Canvas
  • Dimensions: 20 3/4 x 28 5/8 inches

"El Palacio," created by Edward Hopper in 1946, is an oil on canvas artwork measuring 20 3/4 x 28 5/8 inches. This piece belongs to the New Realism movement and exemplifies the cityscape genre. The artwork captures a serene urban scene featuring a mix of vernacular architecture and distant mountains under a tranquil sky. Currently housed at the Whitney Museum of American Art in New York, it portrays the subtle interplay between human-made structures and the natural landscape, highlighting Hopper's distinct ability to evoke a sense of stillness and contemplation.

166. Office at Night

Office at Night
  • Artwork Name: Office at Night
  • Year: 1940
  • Medium: Oil on Canvas
  • Dimensions: 56.4 x 63.8 cm

"Office at Night," an oil on canvas painting created by Edward Hopper in 1940, is a notable work within the Social Realism art movement. Measuring 56.4 by 63.8 centimeters, this genre painting is part of Hopper's 'Couple' series and is housed in the Walker Art Center in Minneapolis, Minnesota. The artwork depicts a scene inside an office where a man, seated at a desk under a lamp, is engrossed in his paperwork, while a woman stands beside a filing cabinet. The interplay of light and shadow, together with the figures' body language, suggests a narrative and elicits a sense of quiet tension, characteristic of Hopper's exploration of modern city life and human relationships.

167. Nighthawks

Nighthawks
  • Artwork Name: Nighthawks
  • Year: 1942
  • Medium: Oil on Canvas
  • Dimensions: 84.1 x 152.4 cm

The artwork "Nighthawks," created by Edward Hopper in 1942 using oil on canvas, measures 84.1 x 152.4 cm and belongs to the Social Realism art movement. Renowned for its depiction of urban life, the artwork is part of the "Window" paintings series and is housed at the Art Institute of Chicago in Chicago, IL, US. The scene captures a quiet night in a city with a diner as the central focus, showcasing a few patrons and a server inside an otherwise empty and desolate street, exemplifying the genre of cityscape.

168. Morning Sun

Morning Sun
  • Artwork Name: Morning Sun
  • Year: 1952
  • Medium: Oil on Canvas
  • Dimensions: 101.98 x 71.5 cm

"Morning Sun" is an oil on canvas painting by Edward Hopper, created in 1952 and currently housed in the Columbus Museum of Art in Columbus, Ohio, USA. This piece falls under the New Realism movement and belongs to Hopper's "Window" painting series, characterized by its genre subject matter. The artwork, measuring 101.98 x 71.5 cm, depicts a solitary woman seated on a bed, bathed in the morning sunlight, gazing contemplatively out of a window toward a cityscape bathed in daylight, capturing a moment of introspection and serene melancholy.

169. The Mansard Roof

The Mansard Roof
  • Artwork Name: The Mansard Roof
  • Year: 1923
  • Medium: Watercolor on Paper
  • Dimensions: 50.8 x 35.6 cm

"The Mansard Roof" is a quintessential watercolor cityscape painting created by Edward Hopper in 1923. Executed on paper and measuring 50.8 by 35.6 cm, this work is an exemplar of the New Realism art movement. The artwork, currently housed in the Brooklyn Museum in New York City, portrays a detailed architectural study of a house with a prominent mansard roof, sunlit walls, and enveloping foliage, highlighting Hopper's skill in capturing light and shadow to evoke a sense of time and place.

170. House by the Railroad

House by the Railroad

"House by the Railroad," an oil on canvas painting created in 1925 by Edward Hopper, falls under the New Realism art movement and is housed in the Museum of Modern Art (MoMA) in New York City. Measuring 73.7 x 61 cm, this cityscape depicts a solitary, Victorian-style house set against a stark, blue sky. The structure, painted with precise detail and somber tones, sits adjacent to a railroad track, emphasizing themes of solitude and melancholy typical of Hopper's work.

171. Hotel Room

Hotel Room
  • Artwork Name: Hotel Room
  • Year: 1931
  • Medium: Oil on Canvas
  • Dimensions: 60 x 65 inches

"Hotel Room," crafted by Edward Hopper in 1931, is an oil on canvas painting belonging to the Social Realism art movement. Measuring 60 by 65 inches, this genre painting portrays a lone woman, immersed in reading, sitting on a bed in a sparse, dimly-lit hotel room. The composition of the artwork is marked by an intimate and contemplative atmosphere, subtly highlighting themes of solitude and introspection. The subdued color palette and Hopper’s meticulous use of light and shadow elicit a quiet yet poignant narrative, characteristic of Hopper's exploration of the modern human condition.

172. Gas

Gas
  • Artwork Name: Gas
  • Year: 1940
  • Medium: Oil on Canvas
  • Dimensions: 102.24 x 66.68 cm

"Gas," a 1940 oil on canvas artwork by Edward Hopper, measures 102.24 x 66.68 cm and is housed in the Museum of Modern Art (MoMA) in New York City. Characteristic of the Social Realism movement and fitting within the genre of genre painting, the artwork captures a solitary gas station attended by a lone figure, set against the twilight of an encroaching forest. The muted hues and detailed depiction exemplify Hopper's distinctive style, evoking an atmosphere of quiet contemplation and the subtle undercurrents of everyday life.

173. Drug Store

Drug Store
  • Artwork Name: Drug Store
  • Year: 1927
  • Medium: Oil on Canvas
  • Dimensions: 101.92 x 73.66 cm

The artwork, titled "Drug Store," is an oil on canvas painting by Edward Hopper created in 1927, measuring 101.92 x 73.66 cm. Belonging to the New Realism art movement, this cityscape piece epitomizes Hopper’s skill in capturing urban scenes. It is presently housed at the Museum of Fine Arts in Boston. The painting portrays a quiet, nighttime view of a pharmacy storefront, named "Silber’s Pharmacy," with a brightly lit window displaying various products, highlighted by a "Prescriptions Drugs" sign alongside an advertisement for "Ex-Lax." This depiction underscores Hopper's distinctive approach to realism, characterized by meticulous detail and a contemplative atmosphere.

174. The Circle Theatre

The Circle Theatre

The artwork, titled "The Circle Theatre," was created by Edward Hopper in 1936 and is rendered in oil on canvas, a common medium of the Social Realism movement to which it belongs. The painting, which measures 27 by 36 inches, depicts a cityscape, showcasing an urban scene with architectural structures including a theatre, a drug store, and a traffic light in the foreground. The composition captures the essence of urban life with its muted tones and stark lines, evoking a sense of quiet stillness. Currently held in a private collection, the artwork exemplifies Hopper's mastery in portraying everyday American life.

175. Chop Suey

Chop Suey
  • Artwork Name: Chop Suey
  • Year: 1929
  • Medium: Oil on Canvas
  • Dimensions: 96.5 x 81 cm

"Chop Suey" is an oil on canvas painting created by Edward Hopper in 1929, classified under the Social Realism art movement. Measuring 96.5 x 81 cm, the artwork belongs to the genre of genre painting and is part of Hopper's 'Window' paintings series. It is currently held in a private collection. The artwork depicts an interior scene of a restaurant, focusing on two women seated at a table, one facing the viewer and the other with her back turned. Their figures are illuminated by the light streaming through large windows, emphasizing the stark contrast between the brightly lit exterior and the shadowy interior, thereby conveying a poignant sense of isolation and contemplation within an urban setting.

176. Chair Car

Chair Car
  • Artwork Name: Chair Car
  • Year: 1965
  • Medium: Oil on Canvas
  • Dimensions: 127 x 101.6 cm

"Chair Car," crafted by Edward Hopper in 1965, is an oil on canvas painting belonging to the New Realism movement. This genre painting, measuring 127 by 101.6 centimeters, is currently housed in a private collection. The artwork portrays the interior of a train car, with sparse, contemplative figures seated separately, engrossed in their own thoughts and reading materials. Hopper’s masterful use of light and shadow accentuates the isolation and introspective mood of the scene, encapsulating a moment of solitary reflection in a communal space.

177. Cape Cod Evening

Cape Cod Evening
  • Artwork Name: Cape Cod Evening
  • Year: 1939
  • Medium: Oil on Canvas
  • Dimensions: 76.2 x 101.6 cm

"Cape Cod Evening," an oil on canvas painted by Edward Hopper in 1939, epitomizes the New Realism movement. Measuring 76.2 x 101.6 cm, this figurative work is part of Hopper's 'Couple' paintings series and is housed at the National Gallery of Art in Washington, D.C. The artwork depicts a serene evening scene featuring a man, a woman, and a dog in front of a white house, set against a backdrop of dark, dense trees and a golden field, masterfully capturing a moment of quiet contemplation and isolation.

178. Cape Cod Afternoon

Cape Cod Afternoon
  • Artwork Name: Cape Cod Afternoon
  • Year: 1936
  • Medium: Oil on Canvas
  • Dimensions: 86.4 x 127.16 cm

The artwork "Cape Cod Afternoon" by Edward Hopper, created in 1936 using oil on canvas, is a notable piece within the New Realism movement. Measuring 86.4 by 127.16 centimeters, this cityscape, housed at the Carnegie Museum of Art in Pittsburgh, Pennsylvania, depicts a serene, sunlit rural scene with a characteristic white-washed house and its shadows set against a vibrant green lawn. The composition reflects Hopper's mastery in capturing the interplay of light and shadow, offering a glimpse into the quietude and contemplative nature of Cape Cod landscapes.

179. Prospect Street, Gloucester

Prospect Street, Gloucester

"Prospect Street, Gloucester," painted in 1934 by Edward Hopper, is an oil on canvas artwork, measuring 92.1 by 71.1 cm, exemplifying the Social Realism movement. The artwork is a cityscape genre piece that portrays a serene street scene in Gloucester, featuring a row of residential houses bathed in sunlight, casting deep shadows that enhance the painting's atmospheric depth. The painting captures the everyday life and architecture of the time, highlighting Hopper's mastery in depicting light and shadow. It is currently housed at the Cincinnati Art Museum in Cincinnati, Ohio, USA.

180. The Lighthouse at Two Lights

The Lighthouse at Two Lights

"The Lighthouse at Two Lights," created by Edward Hopper in 1929, is an oil on canvas artwork that embodies the New Realism art movement. This landscape painting measures 109.9 by 74.9 centimeters and is housed at the Metropolitan Museum of Art in New York City, NY, US. The artwork depicts a prominent lighthouse standing on a grassy hill, accompanied by an adjacent residential building, under a vividly rendered blue sky with scattered clouds. Hopper’s characteristic use of light and shadow effectively captures a serene yet solitary atmosphere.

181. Corn Hill (Truro, Cape Cod)

Corn Hill (Truro, Cape Cod)

The artwork, titled "Corn Hill (Truro, Cape Cod)," was created by Edward Hopper in 1930. This oil on canvas painting measures 28 1/2 by 42 1/2 inches (72.4 by 108 centimeters) and is housed in the McNay Art Museum. The artwork depicts a tranquil, sunlit scene of a grassy hill with several weathered houses perched upon its summit, conveying a sense of isolation and quietude characteristic of Hopper's oeuvre. The composition captures the subtle interplay of light and shadow on the contours of the hill and buildings, evoking a serene atmosphere of coastal New England.

182. Early Sunday Morning

Early Sunday Morning

The artwork, titled "Early Sunday Morning," was meticulously crafted by Edward Hopper in 1930 using oil on canvas. This piece, measuring 35 by 60 inches, belongs to the New Realism movement and is a significant representation of cityscape genre. Located at the Whitney Museum of American Art in New York, the artwork portrays a quiet, sunlit street scene early in the morning, characterized by an array of shop fronts and windows that capture the stillness and emptiness of an urban environment at dawn.

Scroll to Top