24 Masaccio Paintings

Masaccio was an Italian painter of the Early Renaissance known for his pioneering use of perspective and lifelike figures. He was born Tommaso di Ser Giovanni di Simone in 1401 in Tuscany, Italy. Masaccio's most famous works include the frescoes in the Brancacci Chapel in Florence, where he combined classical and naturalistic elements to create a sense of depth and realism. Unfortunately, Masaccio's career was cut short when he died at the young age of 26. Despite his short life, his innovative techniques and artistic vision had a profound influence on the development of Western art.

1. Expulsion From The Garden Of Eden

Expulsion From The Garden Of Eden

2. St. Julius Slaying His Parents - St. Nicholas Saving Three Sisters from Prostitution

St. Julius Slaying His Parents - St. Nicholas Saving Three Sisters from Prostitution

The artwork titled "St. Julius Slaying His Parents - St. Nicholas Saving Three Sisters from Prostitution" by Masaccio, dated 1426, is housed in the Gemaeldegalerie in Berlin. Measuring 8 3/16 x 23 13/16 inches (21 x 61 cm), the painting is a juxtaposition of two distinct yet thematically linked scenes. On the left, St. Julius is depicted in the act of slaying his parents, while the right side portrays St. Nicholas intervening to save three sisters from a life of prostitution. The artwork is executed in a narrative style characteristic of Masaccio's oeuvre, offering a stark and poignant visual account of moral and virtuous acts within its compact dimensions.

3. Expulsion from the Garden of Eden

Expulsion from the Garden of Eden

The artwork is a fresco titled "Expulsion from the Garden of Eden," created by the artist Masaccio around the years 1424 to 1428. It is located in the Brancacci Chapel in Florence. The fresco captures the moment after Adam and Eve are expelled from the Garden of Eden, detailed with vivid emotions through their expressions and body language. Adam, covering his face in shame, and Eve, shielding her body in distress, are depicted prominently, emphasizing their sorrow and despair. Above them, an angel with a raised arm and a drawn sword gestures towards their expulsion, reinforcing the gravity of their fall from grace. The use of light and shadow, along with the realistic portrayal of human anatomy, are emblematic of Masaccio's pioneering techniques during the early Renaissance period.

4. Ss. Jerome And Augustine

Ss. Jerome And Augustine

The artwork, titled "Ss. Jerome And Augustine," was created by Masaccio in 1426. Composed on poplar, the piece measures 14 13/16 by 4 7/8 inches (38 x 12.5 cm) and is currently housed in the Gemaeldegalerie in Berlin. The painting features two religious figures, Saints Jerome and Augustine, depicted in a reverent and solemn manner, showcasing Masaccio's profound attention to detail and his use of chiaroscuro to emphasize the figures' depth and realism against a gilded backdrop.

5. Two Carmelite Saints

Two Carmelite Saints
  • Artwork Name: Two Carmelite Saints
  • Year: 1426
  • Medium: Poplar
  • Dimensions: 14 13/16 x 4 7/8 in. (38 x 12.5 cm)

The artwork titled "Two Carmelite Saints" by the artist Masaccio, dated 1426, is painted on poplar wood and measures 14 13/16 by 4 7/8 inches (38 by 12.5 cm). Currently housed in the Gemaeldegalerie in Berlin, this piece features two figures garbed in voluminous, intricately detailed habits, exuding a serene and contemplative aura. The gold background contrasts with the muted tones of their garments, highlighting the sanctity and reverence associated with these Carmelite saints.

6. Saint Jerome And Saint John The Baptist (detail)

Saint Jerome And Saint John The Baptist (detail)

"Saint Jerome And Saint John The Baptist (detail)," created by Masaccio between 1423 and 1424, is an exquisite work composed with tempera and oil mix, possibly incorporating gold leaf on a panel. Measuring 44 7/8 by 17 7/8 inches (114 by 45.5 cm), this artwork displays a high degree of intricacy and skill in its details. Located at the National Gallery in London, the painting prominently features elements likely associated with the two saints, one of whom is seen holding a book with Latin text. The use of rich colors and fine detailing reflects the mastery of Masaccio in the early Renaissance period.

7. Madonna and Child

Madonna and Child
  • Artwork Name: Madonna and Child
  • Year: c.1426
  • Medium: Tempera on Panel
  • Dimensions: 9 5/8 x 7 7/8 in. (24.5 x 18 cm)

The artwork titled "Madonna and Child," created by the renowned Early Renaissance artist Masaccio circa 1426, is a tempera on panel religious painting. Measuring 9 5/8 x 7 7/8 inches (24.5 x 18 cm), it currently resides in the esteemed Uffizi Gallery in Florence, Italy. The painting depicts the Virgin Mary tenderly holding the infant Jesus, rendered with meticulous attention to detail and a profound sense of realism. The use of gold leaf in the background highlights the sacred subject matter, and the gentle expressions of both figures evoke a sense of divine serenity and maternal affection.

8. Profile Portrait of a Young Man

Profile Portrait of a Young Man

The artwork, titled "Profile Portrait of a Young Man," was created by the artist Masaccio between 1423 and 1425. Displayed at the National Gallery of Art in Washington, D.C., this Early Renaissance portrait is rendered on wood, measuring 16 5/8 x 12 3/4 inches (42 x 32 cm). The work is a striking profile depiction of a young man, characterized by the clarity and precision typical of Masaccio's style. The young man is dressed in period garments, including a striking red headwear that contrasts vividly against the dark, muted background, showcasing the artist's mastery in portraiture and his contribution to the blossoming Renaissance art movement.

9. Saint Jerome and Saint John the Baptist

Saint Jerome and Saint John the Baptist

The artwork, titled "Saint Jerome and Saint John the Baptist," was created by Masaccio between 1423 and 1424. Executed in a combination of tempera, oil mix, and gold leaf on panel, the piece measures 44 7/8 x 17 7/8 inches (114 x 45.5 cm). It is currently housed in the National Gallery, London. The depiction features Saint Jerome, identifiable by his cardinal attire and accompanied by a lion, and Saint John the Baptist, shown with a staff and a scroll, set against a gold backdrop typical of early Renaissance iconography.

10. Saint Peter Distributing Alms and the Death of ananias (Detail)

Saint Peter Distributing Alms and the Death of ananias (Detail)

The artwork, titled "Saint Peter Distributing Alms and the Death of Ananias" and created by the artist Masaccio between 1425-26, is a fresco located in the Brancacci Chapel within the Santa Maria del Carmine in Florence. Measuring 91 3/8 x 61 7/8 inches (232 x 157 cm), this detail from the larger fresco depicts Saint Peter engaged in the act of charity while also illustrating a biblical narrative event surrounding the death of Ananias. The piece is exemplary of Masaccio's mastery in utilizing perspective and naturalism, contributing significantly to early Renaissance art.

11. Saint Peter Distributing Alms and the Death of Ananias

Saint Peter Distributing Alms and the Death of Ananias

The artwork, titled "Saint Peter Distributing Alms and the Death of Ananias," was created by Masaccio between 1425 and 1426. This fresco, measuring 91 3/8 by 61 7/8 inches (232 by 157 cm), is located in the Brancacci Chapel of Santa Maria del Carmine in Florence. The artwork vividly depicts a scene from the Acts of the Apostles, where Saint Peter is shown distributing alms to the needy while the figure of Ananias, who deceived by withholding part of the money from the sale of land, lies dead at his feet. The composition exemplifies Masaccio's mastery in the use of perspective and his ability to convey dramatic narrative through human expression and spatial organization.

12. Saint Peter Healing with His shadow (detail)

Saint Peter Healing with His shadow (detail)

"Saint Peter Healing with His Shadow (detail)," created by the artist Masaccio in 1425-26, is a fresco measuring 91 3/8 by 63 3/4 inches (232 by 162 cm). The artwork is located in the Brancacci Chapel of Santa Maria del Carmine in Florence. This detailed section of the fresco depicts the miraculous healing attributed to Saint Peter, capturing the profound expressions and postures of those being healed, rendered with Masaccio's characteristic attention to naturalism and human emotion.

13. Saint Peter Healing with His Shadow

Saint Peter Healing with His Shadow

"Saint Peter Healing with His Shadow," created by Masaccio between 1425 and 1426, is a fresco measuring 91 3/8 x 63 3/4 inches (232 x 162 cm) and located in the Brancacci Chapel of Santa Maria del Carmine in Florence. The artwork depicts Saint Peter, whose shadow miraculously heals the sick and afflicted, set against an architectural background. The composition features several figures, including the ailing individuals who are healed by the saint's mere presence, emphasizing a narrative of divine intervention and faith.

14. Saints Liberius and Matthias

Saints Liberius and Matthias
  • Artwork Name: Saints Liberius and Matthias
  • Year: c. 1428
  • Medium: Egg tempera on poplar, transferred to synthetic panel
  • Dimensions: 114.5 x 55 cm

The artwork, titled "Saints Liberius and Matthias," was created by the artist Masaccio around the year 1428. It is crafted using egg tempera on poplar, although it was later transferred to a synthetic panel. Measuring 114.5 x 55 cm, it is currently housed in the National Gallery in London. The piece depicts two saints, Saint Liberius and Saint Matthias, each adorned in detailed and expressive Renaissance attire. Saint Liberius, likely on the left, is portrayed with the papal tiara and ecclesiastical robes, holding a book and a staff, while Saint Matthias stands barefoot, clothed in simple robes, clutching an axe, symbolizing his martyrdom. The figures are haloed, emphasizing their sanctity and divine nature.

15. St. Anne Metterza

St. Anne Metterza
  • Artwork Name: St. Anne Metterza
  • Year: c. 1424
  • Medium: Tempera on panel
  • Dimensions: 68 7/8 x 40 9/16 in. (175 x 103 cm)

The artwork, "St. Anne Metterza" by Masaccio, created around the year 1424, is an exquisite tempera on panel measuring 68 7/8 by 40 9/16 inches (175 by 103 cm). Displayed in the esteemed Uffizi Gallery in Florence, the piece depicts St. Anne tenderly positioned behind the Virgin Mary, who cradles the Christ Child in her lap. The figures are enveloped by a divine aura, with angels adorning their presence, exuding a sacral and serene atmosphere characteristic of early Renaissance religious artistry.

16. St. Peter Enthroned

St. Peter Enthroned

The artwork, titled "St. Peter Enthroned," is a fresco created by the renowned artist Masaccio around the years 1424 to 1428. This masterpiece resides in the Brancacci Chapel in Florence. The fresco depicts St. Peter seated in an elevated and dignified manner, surrounded by a group of reverent figures who appear to be either seeking his blessings or engaging in a solemn discourse. The use of vibrant colors and meticulous detailing exemplifies Masaccio's mastery in capturing the solemnity and spiritual significance of St. Peter's role within the Christian faith.

17. The Adoration of the Magi

The Adoration of the Magi

"The Adoration of the Magi," created by Masaccio in 1426, is a remarkable artwork housed in the Gemaeldegalerie in Berlin. Measuring 8 3/16 by 23 13/16 inches (21 by 61 cm), the painting captures the biblical scene of the Magi presenting gifts to the infant Jesus. The composition depicts a serene moment with figures, including the Virgin Mary, the Christ Child, and the three Wise Men, rendered in intricate detail against a modest background. The work is notable for its harmonious use of color and perspective, reflecting Masaccio's pioneering contributions to Renaissance art.

18. The Virgin and Child

The Virgin and Child

"The Virgin and Child" is a tempera painting by Masaccio, created in 1426 during the Early Renaissance art movement. The artwork, measuring 136 x 73 cm, depicts a classical religious scene, with the Virgin Mary holding the infant Jesus, surrounded by angels. The figures exhibit the depth and perspective characteristic of the Early Renaissance period. The painting currently resides at the National Gallery in London.

19. Trinity (Detail of Mary)

Trinity (Detail of Mary)

The artwork is a detail from the fresco "Trinity" by Masaccio, created between 1427 and 1428. The fresco, measuring 21 feet 10 1/2 inches by 10 feet 4 7/8 inches (6.67 x 3.17 meters), resides in Santa Maria Novella in Florence. The depicted section focuses on Mary, characterized by her solemn expression and traditional attire, embodying the sacred and serene qualities attributed to her in religious art. The intricate brushwork and the lifelike representation are testaments to Masaccio's skill and his significant contribution to early Renaissance art.

20. Trinity (Detail of Saint John)

Trinity (Detail of Saint John)

The artwork titled "Trinity (Detail of Saint John)" was created by the artist Masaccio between 1427 and 1428. This fresco, measuring 21 feet 10 1/2 inches by 10 feet 4 7/8 inches (6.67 by 3.17 meters), is displayed in the Santa Maria Novella in Florence. The artwork depicts Saint John in a posture of prayer, with a solemn expression and a golden halo signifying his sanctity. The fresco showcases Masaccio's mastery of perspective and anatomical accuracy, emblematic of the advancements in Renaissance art.

21. The Crucifixion of St Peter - The Beheading of St John the Baptist

The Crucifixion of St Peter - The Beheading of St John the Baptist

The artwork, "The Crucifixion of St Peter - The Beheading of St John the Baptist," painted by Masaccio in 1426, is housed in the Gemäldegalerie, Berlin. Measuring 8 3/16 x 23 13/16 inches (21 x 61 cm), it depicts two significant biblical events. On the left, St. Peter is shown being crucified upside down, with onlookers and soldiers actively involved in his execution. On the right, St. John the Baptist is seen in the moments leading up to his beheading, with the sword poised for the fatal strike and his executioners and witnesses surrounding him. The artwork is a powerful representation of martyrdom, reflecting the dramatic and somber nature of these historical and religious moments.

22. Tribute Money

Tribute Money

"Tribute Money," created by Masaccio between circa 1424 and 1428, is a fresco located in the Brancacci Chapel in Florence. The artwork depicts a scene from the Gospel of Matthew, where Jesus instructs Peter to find a coin in the mouth of a fish to pay the temple tax. The composition vividly portrays the central figures with striking emotional expressions and detailed attire, set against a mountainous background. The fresco is renowned for its pioneering use of linear perspective and chiaroscuro, which adds depth and realism to the narrative.

23. Trinity

Trinity
  • Artwork Name: Trinity
  • Year: 1427-28
  • Medium: Fresco
  • Dimensions: 21' 10 1/2" x 10' 4 7/8" (6.67 x 3.17 m)

The artwork, titled "Trinity," was created by the artist Masaccio between 1427-1428. Rendered as a fresco, its dimensions measure 21 feet 10 1/2 inches by 10 feet 4 7/8 inches (6.67 by 3.17 meters). The artwork is located in Santa Maria Novella, Florence. The fresco portrays the Holy Trinity with precise linear perspective, featuring God the Father, the crucified Christ, and the Holy Spirit represented as a dove. Below them, the Virgin Mary and Saint John the Evangelist stand in adoration, with two patron figures depicted in prayer. The lower portion of the fresco showcases a memento mori with a skeletal figure, adding a profound dimension of mortality.

24. Baptism of the Neophytes

Baptism of the Neophytes

The artwork, "Baptism of the Neophytes" by Masaccio, dating from 1426-1427, is an Early Renaissance fresco housed in Santa Maria del Carmine in Florence, Italy. Measuring 255 by 162 centimeters, this religious painting depicts a baptismal scene characterized by its intricate composition and masterful use of chiaroscuro. The attention to detail and the realistic portrayal of human figures, marked by piety and spirituality, underscore Masaccio's innovative contributions to Renaissance art.

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