85 Max Beckmann Paintings

Max Beckmann

Max Beckmann was a German painter, printmaker, and writer known for his powerful and expressive style. Born in 1884 in Leipzig, Beckmann studied at the Weimar Academy of Fine Arts and later taught at the Städelschule in Frankfurt. He gained recognition for his bold use of color and distortion of form, often depicting scenes of urban life, political turmoil, and human suffering. Beckmann's work was labeled as "degenerate" by the Nazis, and he was forced to flee Germany during World War II. He spent his later years in the United States, where he continued to create striking and thought-provoking art until his death in 1950. Beckmann's work is now highly regarded for its emotional intensity and vivid storytelling.

1. Beginnning

Beginnning

2. Artistes

Artistes
  • Artwork Name: Artistes
  • Medium: oil,canvas
  • Dimensions: 88.5 x 165 cm

3. Adam and Eve

Adam and Eve
  • Artwork Name: Adam and Eve
  • Year: 1917
  • Medium: oil,canvas
  • Dimensions: 57 x 80 cm

4. Brother and sister

Brother and sister

5. Columbine

Columbine
  • Artwork Name: Columbine
  • Year: 1950
  • Medium: oil,canvas

6. Floral still life with mirror

Floral still life with mirror

7. Great Scene of Agony

Great Scene of Agony

8. The Three Sisters

The Three Sisters

9. Portrait of Minna Beckmann-Tube

Portrait of Minna Beckmann-Tube

10. Motherhood

Motherhood

11. Alfi with Mask

Alfi with Mask

12. Man and woman

Man and woman

13. Lion Tamer, Circus

Lion Tamer, Circus

14. Large Stil Life with Telescope

Large Stil Life with Telescope

15. Patriotic song

Patriotic song

The artwork titled "Patriotic Song" by Max Beckmann belongs to the Expressionism art movement and is a genre painting. The artwork exhibits strong emotional expression through distorted and exaggerated human figures. A close arrangement of individuals, depicted with exaggerated facial features and poses, evoke a sense of camaraderie and intensity. The monochromatic, sharply outlined figures contribute to the dramatic and somewhat chaotic atmosphere, embodying the expressive depth characteristic of Beckmann's work within the Expressionist movement.

16. Portrait of Quappi in pink and purple

Portrait of Quappi in pink and purple

The artwork "Portrait of Quappi in pink and purple," created by Max Beckmann in 1931, is an exemplary piece of the Expressionism art movement. This portrait measures 110 x 70 cm and captures a woman's figure in a vivid and stylized manner. The subject is depicted wearing a black dress with a white scarf, her reddish-brown hair styled in an elegant fashion. The background is rendered in shades of pink and purple, with a texture that enhances the expressive quality of the piece. Beckmann's bold use of color and form creates an intensely emotional and personal portrayal.

17. Bar Brown

Bar Brown

The artwork, "Bar Brown," created by Max Beckmann in 1944, exemplifies the Expressionism movement and falls under the genre painting classification. The piece depicts a somber, emotive scene likely set in a bar. The figures in the foreground are rendered with bold, expressive brushstrokes, capturing an intense, almost melancholic atmosphere. Beckmann's characteristic use of dark, contrasting colors and exaggerated forms further emphasize the emotional depth and complexity of the scene. The overall composition is intimate yet imbued with a sense of tension and existential reflection.

18. Self-Portrait as a Nurse

Self-Portrait as a Nurse

"Self-Portrait as a Nurse," painted by Max Beckmann in 1915, emerges from the Verism art movement. As a self-portrait, the artwork vividly captures the artist donning a nurse's uniform marked by a red cross on the collar. The intense and somewhat unsettling expression on his face, along with the coarse brushstrokes, contribute to the raw, unadulterated realism that characterizes Verism. This piece not only reflects Beckmann's personal experience during the war but also serves as a poignant commentary on the period's social and emotional turmoil.

19. Seascape with poplars

Seascape with poplars

"Seascape with Poplars" by Max Beckmann, created in 1924, is a notable example of Expressionist landscape art. The artwork depicts a tranquil scene by a body of water, surrounded by dense, towering poplars and lush, verdant vegetation. The composition includes two individuals engaged in fishing, adding a human element to the serene natural environment. Beckmann's distinctive style is evident through the bold, expressive forms and the richly textured handling of paint, capturing the essence of the landscape with emotive intensity.

20. Small Landscape, Viareggio

Small Landscape, Viareggio

The artwork, titled "Small Landscape, Viareggio," is an oil painting on canvas created by Max Beckmann in 1925 in Frankfurt, Germany. Measuring 53 x 35.8 cm, this piece belongs to the Expressionist art movement and falls under the genre of cityscape. The painting depicts a narrow pathway bordered by trees and buildings, leading to a serene seaside view with sailboats in the distance, rendered in stark, contrasting colors and bold, expressive brushstrokes typical of Expressionism.

21. Odysseus And The Siren

Odysseus And The Siren

"Odysseus and the Siren" is a watercolor painting created by Max Beckmann in 1933 in Berlin, Germany. The artwork, executed in the Expressionist style and measuring 101 by 68 centimeters, belongs to the mythological painting genre and is currently held in a private collection. The painting portrays the mythological encounter between Odysseus and a siren. Beckmann emphasizes bold lines and intense colors to capture the dramatic tension and psychological depth characteristic of Expressionism. The scene features Odysseus in a small boat, tightly bound, with a siren depicted in the background, evocatively blending elements of the mythical and the psychological struggle inherent in the myth.

22. Paris Society

Paris Society

The artwork "Paris Society," created by Max Beckmann between 1931 and 1947 using oil on canvas, is housed at the Solomon R. Guggenheim Museum in New York City. Characteristic of the Expressionism movement and falling within the genre painting category, the artwork portrays a social gathering with several figures dressed in formal attire. The expressive brushstrokes and vivid color palette convey a dynamic yet somewhat unsettling atmosphere, capturing the nuanced interactions and complexities of high society life.

23. Portrait of quappi in blue

Portrait of quappi in blue

The artwork, titled "Portrait of Quappi in Blue," crafted by the esteemed artist Max Beckmann in 1926, belongs to the Expressionism movement and represents the portrait genre. The painting showcases a woman with short hair, adorned in a blue dress featuring a white lace collar. The bold use of color and strong contrast highlights the subject's facial features and conveys a sense of depth and emotion, characteristic of Beckmann's expressive style. The composition focuses on the play of light and shadow, imparting a dramatic and introspective atmosphere to the piece.

24. Portrait of Zeretelli

Portrait of Zeretelli

The artwork, titled "Portrait of Zeretelli" and created by Max Beckmann in 1927 in Germany, is an oil-on-canvas portrait done in the Expressionist style. The painting, which measures 140 x 96 cm, depicts a figure seated in a chair with a notable starkness in its color palette and stylistic execution, typical of the Expressionism movement. Featuring sharp lines and a restrained yet dynamic composition, the figure is characterized by a blue outfit and a solemn demeanor. This significant piece is housed at the Harvard Art Museums in Cambridge, Massachusetts, United States.

25. Self-Portrait with Red Scarf

Self-Portrait with Red Scarf

"Self-Portrait with Red Scarf," created by Max Beckmann in 1917, is an oil painting on canvas that exemplifies the Verism art movement. The artwork presents a self-portrait, portraying Beckmann with intense, clear brushstrokes and sharp contrasts, accentuating his expressive facial features and the red scarf that draws immediate attention. Its stylistic execution captures the tension and isolation of the period, emphasizing the artist's introspective and emotional state. This significant piece is currently housed in the Staatsgalerie Stuttgart in Stuttgart, Germany.

26. Self-portrait with champagne glass

Self-portrait with champagne glass

The artwork, titled "Self-portrait with champagne glass" and created in 1919 by artist Max Beckmann, is a notable example of the Verism movement. As a self-portrait, it captures the artist himself in a moment of introspection while holding a champagne glass. The composition is marked by strong, dramatic lines and an intense, contemplative expression rendered in a bold and somewhat distorted style characteristic of Verism. The backdrop and surrounding elements amplify the psychological depth, presenting an evocative glimpse into the artist's psyche and the era's prevailing sentiments.

27. Self-portrait in front of red curtain

Self-portrait in front of red curtain

The artwork, entitled *"Self-portrait in front of red curtain,"* was created in 1923 by the artist Max Beckmann and belongs to the Verism art movement. This self-portrait genre depicts the artist in front of a richly draped red curtain, rendered with a distinct and expressive style characteristic of Verism. Beckmann presents himself with a stern expression, donning formal attire, including a black coat, a vest, and a bowler hat, paired with a loosely draped scarf. The detailed and vivid backdrop, along with the meticulous depiction of the artist, enhances the intense emotional depth and stark realism for which Verism is known.

28. Self-Portrait in Florence

Self-Portrait in Florence

"Self-Portrait in Florence," created by Max Beckmann in 1907, is an oil painting on canvas measuring 90 x 98 cm. This artwork, associated with the Verism art movement, is a self-portrait and currently resides in the Kunsthalle Hamburg, Hamburg, Germany. The painting depicts a somber Beckmann standing in front of what appears to be a background of trees and foliage, his visage solemn and contemplative, with a prominent display of his hand holding a cigarette, adding a depth of personal expression and introspection typical of Verism.

29. Rugby players

Rugby players

"Rugby Players," an Expressionist genre painting by Max Beckmann created in 1929, vividly captures the dynamic and intense nature of a rugby match. The artwork features a composition dominated by robust figures engaging in physical struggle, with exaggerated forms and bold lines that convey movement and energy. The players are depicted in various states of action, showcasing Beckmann's characteristic style of combining sharp contours with expressive, painterly brushwork. The tension and athleticism of the scene are further enhanced by the artist's use of stark contrasts in color and form, encapsulating the raw, emotional essence of the sport.

30. Reclining Nude

Reclining Nude
  • Artwork Name: Reclining Nude
  • Year: 1929
  • Medium: oil,canvas
  • Dimensions: 123 x 86 cm

"Reclining Nude," an oil on canvas painting created in 1929 by artist Max Beckmann, stands as a quintessential piece of Expressionism. With dimensions of 123 x 86 cm, this artwork belongs to the genre of nude paintings and is held in a private collection. The artwork depicts a nude figure reclining, with strong contours and bold use of color and form characteristic of Beckmann's distinctive style, evoking a sense of introspection and raw human emotion.

31. Railway Bridge and Rainbow

Railway Bridge and Rainbow

"Railway Bridge and Rainbow," painted by Max Beckmann in 1942, is an oil on canvas artwork that belongs to the Expressionist movement. Measuring 89.5 x 55 cm, this landscape genre piece is held in a private collection. The artwork vividly depicts a railway bridge set against a verdant scene, graced by the ethereal presence of a rainbow that arches gracefully across the sky, accentuating the composition with vibrant hues. The expressionistic style manifests through Beckmann's bold brushstrokes and evocative color palette, capturing a moment of dynamic interplay between human engineering and natural beauty.

32. Quappi in Pink

Quappi in Pink

The artwork titled "Quappi in Pink," created by artist Max Beckmann, belongs to the Expressionism art movement and falls within the genre of portraiture. The artwork distinctly captures the subject, donned in a pink headscarf and top, paired with a long necklace, conveying a sense of introspection. Beckmann’s use of bold outlines and vibrant color palette is characteristic of Expressionism, aiming to evoke emotional resonance rather than mere representation. The contemplative pose and detailed rendering of the hands add a depth of character and psychological insight to the portrayal, aligning with the movement's emphasis on expressing internal experience over external reality.

33. Quappi in blue in a boat

Quappi in blue in a boat

The artwork, titled "Quappi in blue in a boat," was created by Max Beckmann between the years 1926 and 1950. It is a quintessential example of the Expressionism art movement and falls under the genre of portraiture. The artwork portrays a figure seated in a boat, adorned in blue attire, exuding a sense of robust presence and introspection, characteristic of Beckmann's bold and expressive style.

34. Sinking of the Titanic

Sinking of the Titanic

The artwork entitled "Sinking of the Titanic" by Max Beckmann, created in 1912, belongs to the Expressionism movement and falls under the genre of marina. The painting dramatically captures the chaotic and tragic aftermath of the Titanic disaster, depicting panicked passengers struggling in turbulent waters as they attempt to survive. The intense use of color and brush strokes evokes a sense of urgency and despair, aligning with the Expressionist aim of conveying deep emotional experiences. The tumultuous sea, filled with overcrowded lifeboats and figures clinging to wreckage, emphasizes the magnitude of human suffering and the harrowing reality of the historic maritime catastrophe.

35. Still life with candles and mirror

Still life with candles and mirror

The artwork, titled "Still Life with Candles and Mirror", was created by Max Beckmann in 1930 and belongs to the Expressionism movement. This still life composition features an assemblage of objects, including candles, a mirror, a newspaper, a vase, and a candlestick, arranged on a table draped with a cloth. The artwork is characterized by its bold use of color and strong, expressive lines, typical of the Expressionist style, conveying a sense of introspection and emotional depth.

36. The artist and his wife

The artist and his wife

The artwork entitled "The Artist and His Wife" was created by Max Beckmann in 1925 as part of the Expressionism art movement and belongs to the portrait genre. The artwork depicts a man and a woman, presumed to be the artist himself and his spouse, in a theatrical setting. The man, dressed in purplish attire with a bandage or cap on his head, stands with a contemplative expression and a hand on his chest. The woman, partially hidden and holding a hobby horse, wears a navy hat and a formal coat, her expression appearing cheerful yet enigmatic. The bold use of color and slightly exaggerated forms are characteristic of Expressionism, highlighting emotional intensity and the inner psyche.

37. The Habor of Genua

The Habor of Genua

"The Harbor of Genua," created by Max Beckmann in 1927, is an oil painting on canvas reflecting the Expressionist movement. Categorized as a landscape, the artwork depicts a bustling harbor scene with elements that are intensified through bold, dramatic lines and color contrasts. The composition features numerous ships docked at the forefront, with a densely built cityscape receding into the background, all under a darkened sky that adds to the emotional intensity and depth of the scene.

38. The Iron Bridge (View of Frankfurt)

The Iron Bridge (View of Frankfurt)

The artwork, titled "The Iron Bridge (View of Frankfurt)" by Max Beckmann, was created in 1922 in Frankfurt am Main, Germany and is currently housed in the Kunstsammlung Nordrhein-Westfalen in Düsseldorf, Germany. This oil painting on canvas is a cityscape rendered in a Cubist style. The artwork portrays an iron bridge with a dynamic array of architectural structures and industrial elements, epitomizing the bustling urban environment. It showcases Beckmann's distinctive use of geometric forms and intricate details, bringing to life the vitality of Frankfurt's urban landscape in the early 20th century.

39. The King

The King

"The King," a portrait created by the artist Max Beckmann between 1934 and 1937, belongs to the Expressionism art movement. The artwork portrays a regal figure adorned with a crown, rendered in bold, expressive brushstrokes characteristic of the Expressionist style. The king, surrounded by other figures, exudes a sense of majesty and authority, with sharp contrasts and dynamic composition emphasizing emotional intensity and psychological depth. The use of vibrant colors and stark contrasts highlights the dramatic and somewhat somber mood of the scene, inviting viewers to delve into the complex emotions and narratives encapsulated in the work.

40. The Little Fish

The Little Fish
  • Artwork Name: The Little Fish
  • Year: 1933
  • Medium: oil,canvas
  • Dimensions: 115 x 135 cm

"The Little Fish", created by Max Beckmann in 1933, epitomizes the Expressionist movement through its vivid portrayal of a genre scene. This oil on canvas painting, measuring 115 x 135 cm, is housed at the Georges Pompidou Center in Paris, France. The artwork depicts three figures engaging in an enigmatic interaction by the seaside. Two women and a man grasping a fish evoke a sense of curiosity and narrative. Through dynamic composition and bold colors, Beckmann captures a moment of human connection and introspection, characteristic of the Expressionist quest to reveal the emotional depth beneath ordinary experiences.

41. The mill

The mill

"The Mill," created by Max Beckmann in 1947, is an exemplary work of the Expressionism art movement and falls within the genre painting category. The artwork delineates a dynamic and emotive scene, displaying a range of human figures intertwined in a complex and intense tableau. Beckmann's use of bold lines and vivid colors captures the turbulence and raw emotion characteristic of Expressionism, presenting an evocative and visceral visual narrative.

42. The Rape of Europa

The Rape of Europa
  • Artwork Name: The Rape of Europa
  • Year: 1933; Berlin, Germany
  • Medium: watercolor
  • Dimensions: 51.1 x 69.9 cm

"The Rape of Europa," created by Max Beckmann in 1933 in Berlin, Germany, is a watercolor painting measuring 51.1 cm by 69.9 cm. As a work of the Expressionism movement, this mythological painting is currently held in a private collection. The artwork depicts the mythological tale with a bold and evocative style, featuring dynamic, exaggerated lines and vibrant contrasts that are characteristic of Expressionism. The composition captures the dramatic moment of Europa's abduction with a raw emotional intensity, emphasizing the psychological tension of the scene.

43. Two Circus Artists or Snake Charmer and Clown

Two Circus Artists or Snake Charmer and Clown

The artwork titled "Two Circus Artists or Snake Charmer and Clown," created by Max Beckmann in 1948, exemplifies the Expressionism movement. Executed using oil on canvas, the piece measures 88.5 x 165 cm and is categorized as a genre painting. Currently housed in a private collection, the artwork portrays a female snake charmer adorned with a snake and an enigmatic expression, alongside a male figure resembling a clown with exaggerated facial features. The use of bold, expressive brushstrokes and vibrant colors conveys intense emotion and complexity, characteristic of Beckmann's distinctive style within the Expressionist movement.

44. Woman with parrot

Woman with parrot

The artwork, titled "Woman with Parrot", created by Max Beckmann in 1946, belongs to the Expressionism movement and is classified as a portrait. The artwork features a woman depicted in an expressionist style, characterized by dramatic, bold lines and a strong contrast in colors. She is portrayed with a parrot perched near her shoulder, exuding an air of contemplation and intimacy. The composition is marked by Beckmann's distinct use of exaggerated forms and striking, dark outlines, encapsulating the emotional depth and complexity inherent in expressionism.

45. The Night

The Night
  • Artwork Name: The Night
  • Year: 1918
  • Medium: Oil on Canvas
  • Dimensions: 52 3/8 x 601/4 in.

"The Night," crafted by Max Beckmann in 1918, is an oil on canvas masterpiece situated in the Kunstsammlung Nordrhein-Westfalen in Düsseldorf, Germany. Representing the Expressionism movement, the artwork measures 52 3/8 x 60 1/4 inches. It is a genre painting that compellingly depicts a scene of violence and chaos, characterized by contorted and distressed figures, exemplifying the emotional intensity and stylistic distortions typical of Expressionism. The artwork's use of harsh lines, stark contrasts, and disjointed compositions serve to evoke a powerful sense of anguish, disarray, and emotional turmoil reflective of the post-war era in which it was created.

46. Columbine (Carnival Mask, Green, Violet and Pink)

Columbine (Carnival Mask, Green, Violet and Pink)

The artwork, "Columbine (Carnival Mask, Green, Violet and Pink)" by Max Beckmann, created in 1950, measures 135.5 x 100.5 cm and is executed in oil on canvas. This piece features a seated female figure adorned with a carnival mask, suggesting an air of mystery and disguise. The figure is dressed in a vibrant green outfit accented with violet and pink, and holds a pink mask with red decorations, embodying the festivities and enigma of a carnival. The use of bold, expressive brushstrokes and a palette dominated by dark and vibrant hues contributes to the overall dramatic and evocative composition, characteristic of Beckmann's mature style.

47. Carnival

Carnival
  • Artwork Name: Carnival
  • Year: 1943
  • Medium: Oil on Canvas

The artwork titled "Carnival" by Max Beckmann, created in 1943 using oil on canvas, is currently housed at the State University of Iowa. This piece vividly captures the essence of a carnival through a triptych format, portraying various individuals in an array of vibrant and dynamic interactions. Each panel of the artwork is filled with bold, expressive figures engaged in seemingly enigmatic and theatrical activities, evoking a sense of mystery and intrigue characteristic of Beckmann's style. The use of rich colors and strong lines creates a dramatic atmosphere, immersing the viewer into the chaotic and exuberant world of a carnival.

48. Birds' Hell

Birds' Hell
  • Artwork Name: Birds' Hell
  • Year: 1938
  • Medium: Oil on Canvas
  • Dimensions: 47 1/4 x 63 in.

"Birds' Hell," an expressionist oil on canvas painting created by Max Beckmann in 1938, measures 47 1/4 x 63 inches and falls under the genre of genre painting. The artwork depicts a harrowing and chaotic scene filled with anthropomorphic bird-like figures and distorted human forms, capturing an atmosphere of torment and surreal intensity, characteristic of Beckmann's critique of contemporary societal and political turbulence. The vibrant, yet disturbing color palette and the dynamic, tumultuous arrangement of figures emphasize a sense of suffering and despair, resonating with the emotional depth and symbolic density typical of the Expressionist movement.

49. Temptation

Temptation
  • Artwork Name: Temptation
  • Year: 1936 - 1937
  • Medium: Oil on Canvas

"Temptation," an oil on canvas created by Max Beckmann between 1936 and 1937, is a significant work of the Expressionism movement, categorized as a religious painting. The artwork, which resides in a private collection, features vibrant and bold figures, each meticulously detailed and arranged in a triptych format. The central panel showcases a man peculiarly seated before a large framed mirror, with two allegorical female figures positioned to each side. The right panel features a caged figure holding a symbolic object, while another figure in uniform stands in front. The left panel presents a knightly character and other surreal figures, evoking a narrative of moral struggle and human frailty. The use of vivid colors and expressive lines demonstrates Beckmann's mastery in depicting complex human emotions and spiritual themes.

50. Odysseus and Calypso

Odysseus and Calypso

"Odysseus and Calypso," crafted by Max Beckmann in 1943, is a compelling oil on canvas painting linked to the Expressionism art movement. Displayed at Kunsthalle Hamburg in Hamburg, Germany, and measuring 115.5 by 150 cm, the artwork falls within the genre of mythological painting. The scene depicts a vivid and emotionally intense interplay between Odysseus and Calypso, highlighting the narrative of coiled relationships and mythical intrigue synonymous with Beckmann's expressionist style.

51. The Prodigal Son

The Prodigal Son
  • Artwork Name: The Prodigal Son
  • Year: 1949
  • Medium: Oil on Canvas
  • Dimensions: 39 1/2 x 47 in.

"The Prodigal Son," an oil on canvas painting by Max Beckmann from 1949, is an expressionist work measuring 39 1/2 x 47 inches and classified as a genre painting. Currently housed in the Niedersächsische Landesgalerie in Hannover, the artwork reveals an emotionally charged scene using bold, vibrant brushstrokes and exaggerated forms. The central figure appears distressed, flanked by individuals whose expressions and postures evoke a sense of societal and personal turmoil. The dynamic composition and intense color palette exemplify the expressionist movement's focus on emotional experience over physical reality.

52. Departure

Departure
  • Artwork Name: Departure
  • Year: 1932 - 1935
  • Medium: Oil on Canvas

"Departure," an oil on canvas painted by Max Beckmann between 1932 and 1935, epitomizes the Expressionist movement and falls within the genre of genre painting. This artwork, currently housed in The Museum of Modern Art in New York, features a triptych that conveys a profound and complex narrative. The central panel depicts a royal departure scene aboard a boat, while the side panels illustrate figures in distress and scenes of violence, reflecting the tumult and despair of the period. The composition's vivid colors and dynamic forms evoke intense emotional responses, characteristic of Beckmann's evocative style.

53. Man And Woman

Man And Woman
  • Artwork Name: Man And Woman
  • Year: 1932
  • Medium: Oil On Canvas
  • Dimensions: 68 x 48 in.

The artwork, titled "Man And Woman" by Max Beckmann, created in 1932, is an oil-on-canvas painting measuring 68 by 48 inches. This composition presents the viewer with a juxtaposition of two figures, a reclining woman and a standing man, both depicted nude in a surreal, almost dreamlike landscape. The distinctively stylized trees and flowers interspersed in the scene contribute to its enigmatic ambiance. Beckmann’s sophisticated brushwork and the bold delineation of forms evoke both introspective contemplation and complex emotional undertones, characteristic of his oeuvre during this period.

54. Afternoon

Afternoon
  • Artwork Name: Afternoon
  • Year: 1946
  • Medium: Oil On Canvas
  • Dimensions: 89.5 x 133.5 cm

The artwork, titled "Afternoon" and created by Max Beckmann in 1946, is an oil on canvas measuring 89.5 x 133.5 cm. The scene depicted evokes a sense of tension and turmoil, characterized by angular, expressive lines and a dramatic interplay of dark and light tones. The composition primarily features two figures in an intense interaction, one seemingly pushing away the other in a gesture of resistance or distress. The bold use of contrasting colors and the distorted, almost grotesque forms reflect Beckmann's characteristic style, emphasizing emotional intensity and psychological depth.

55. Brother And Sister

Brother And Sister
  • Artwork Name: Brother And Sister
  • Year: 1933
  • Medium: Oil On Canvas
  • Dimensions: 52 1/2 x 39 in.

The artwork, entitled "Brother And Sister," was created by Max Beckmann in 1933 using the medium of oil on canvas. The piece measures 52 1/2 by 39 inches. The painting illustrates two figures, a male and a female, closely entwined in an embrace that evokes a sense of intimacy and vulnerability. The bold use of color and dynamic composition is characteristic of Beckmann's expressionist style, providing a striking and introspective look into the relationship between the subjects. The stark contrast and vivid palette enhance the emotional depth and the complex interplay of forms and space within the artwork.

56. Galleria Umberto

Galleria Umberto
  • Artwork Name: Galleria Umberto
  • Year: 1925
  • Medium: Oil On Canvas
  • Dimensions: 44 1/2 x 19 3/4 in.

The artwork titled "Galleria Umberto," created by Max Beckmann in 1925, is an oil on canvas painting with dimensions of 44 1/2 x 19 3/4 inches. The artwork depicts a surreal and vibrant scene, filled with extravagant and distorted figures that exhibit a mix of human and fantastical features. Dominated by rich and contrasting colors, it portrays a complex intertwining of human and animalistic elements, suggesting an atmosphere of chaos and tension. Beckmann's composition involves unique and symbolic imagery, contributing to the dramatic and thought-provoking nature of the work.

57. The King

The King
  • Artwork Name: The King
  • Year: 1934-37
  • Medium: Oil On Canvas
  • Dimensions: 53 1/4 x 39 1/4 in.

"The King," a compelling oil on canvas created by Max Beckmann between 1934 and 1937, measures 53 1/4 by 39 1/4 inches and is part of the collection at the St. Louis Art Museum. The artwork features an enigmatic depiction of regal and possibly spiritual figures rendered in Beckmann's distinctive expressionist style. The central figure, the presumed king, is crowned and clad in royal garb, exuding a solemn and authoritative presence. Surrounding this central figure are other figures, each imbued with a sense of reverence, depicted in strong, bold colors and dynamic, heavily outlined forms, characteristic of Beckmann's vivid and intense artistic approach.

58. Self-portrait

Self-portrait
  • Artwork Name: Self-portrait
  • Year: 1901
  • Medium: Drypoint
  • Dimensions: 21.8 x 14.3 cm

"Self-portrait", created by Max Beckmann in 1901, is a striking drypoint artwork measuring 21.8 x 14.3 cm, currently housed in a private collection. The artwork features an intense and emotive depiction of the artist's face, with prominent lines and deep shading that accentuates the raw expression emanating from the figure's features. Beckmann's technique captures a moment of profound emotion, perhaps suggestive of anguish or a fierce, primal scream, rendering the composition deeply evocative.

59. Rugby Players

Rugby Players
  • Artwork Name: Rugby Players
  • Year: 1929
  • Medium: Oil On Canvas
  • Dimensions: 83 7/8 x 39 3/8 in.

The artwork, "Rugby Players" by Max Beckmann, is an oil on canvas creation completed in 1929, measuring 83 7/8 x 39 3/8 inches. The painting dynamically captures an intense moment in a rugby match, portraying the athletic vigor and physicality of the players through robust, exaggerated forms and bold use of color. The composition, featuring players in mid-action, illustrates the collision of human bodies and the struggle for possession of the ball, encapsulating the essence of the sport amidst a vivid, contrasting background.

60. Party In Paris

Party In Paris
  • Artwork Name: Party In Paris
  • Year: 1931 (reworked 1947)
  • Medium: Oil On Canvas
  • Dimensions: 43 x 69 in.

The artwork entitled "Party In Paris," created by Max Beckmann in 1931 and reworked in 1947, is an oil on canvas with dimensions of 43 x 69 inches. It is currently located at The Solomon R. Guggenheim Museum in New York. The artwork portrays a lively social gathering with numerous elegantly dressed figures engaged in conversation, capturing the essence of a vibrant and dynamic Parisian party scene. The characters are depicted with strong, expressive lines and bold colors, emphasizing the diverse interactions and emotions present in the setting.

61. The Mill

The Mill
  • Artwork Name: The Mill
  • Year: 1947
  • Medium: Oil On Canvas
  • Dimensions: 54 1/4 x 50 3/8 in.

The artwork, titled "The Mill," is an oil on canvas creation by the artist Max Beckmann, completed in 1947. Measuring 54 1/4 x 50 3/8 inches, the artwork features an intricate and somewhat chaotic assemblage of figures, bearing expressive and distorted forms typical of Beckmann's post-war style. Characterized by bold lines and a vivid color palette, the composition conveys a sense of tension and complexity, reflecting the turbulent emotions and existential questions of the era in which it was created. The figures and structural elements within the frame intertwine in a manner that invites contemplation and introspection, hallmarking Beckmann's profound and impactful artistic practice.

62. The Iron Footbridge

The Iron Footbridge

"The Iron Footbridge," an oil on canvas painting by Max Beckmann, was completed in 1922 and measures 120.5 by 84.5 centimeters. The artwork is housed in the Kunstsammlung Nordrhein-Westfalen in Düsseldorf. It presents a vivid, bustling industrial scene marked by the prominent iron footbridge, with steamships and industrial cranes punctuating its surroundings. The background features a detailed urban landscape with buildings, a church, and smoke billowing from a chimney, epitomizing the industrial progress of the era.

63. Black Irises

Black Irises
  • Artwork Name: Black Irises
  • Year: 1928
  • Medium: Oil On Canvas
  • Dimensions: 29 1/2 x 161/2 in.

"Black Irises," an oil on canvas painting created by Max Beckmann in 1928, measures 29 1/2 x 16 1/2 inches. The artwork presents a striking composition featuring black irises arranged in a green vase against a vibrant green background, accented with vertical orange strokes. Through bold brushwork and a vivid color palette, Beckmann captures the elegance and depth of the irises, imbuing the still life with a sense of dynamic intensity.

64. Family Picture

Family Picture
  • Artwork Name: Family Picture
  • Year: 1920
  • Medium: Oil On Canvas
  • Dimensions: 25 5/8 x 39 3/4 in.

The artwork, titled "Family Picture," was created by Max Beckmann in 1920. Utilizing oil on canvas and measuring 25 5/8 by 39 3/4 inches, this piece is housed in The Museum of Modern Art in New York. The painting depicts a family scene with a collection of distinct characters engaged in various activities. The composition is characterized by exaggerated forms and vibrant colors, capturing a sense of chaos and emotional complexity within a domestic setting.

65. Carnival: The Artist And His Wife

Carnival: The Artist And His Wife

The artwork, titled "Carnival: The Artist and His Wife," was created by Max Beckmann in 1925 using oil on canvas. The piece measures 63 by 41 inches (160 x 105.5 cm) and is housed at the Kunstmuseum Der Stadt in Dusseldorf. Featuring bold and distinct figures, the painting portrays the artist and his wife dressed in carnival attire, with surreal and somewhat stylized forms set against a minimal backdrop. The use of vibrant colors and a dramatic composition signify Beckmann's distinctive style, capturing both a sense of festivity and introspection.

66. Still Life With Candles And Mirror

Still Life With Candles And Mirror

"Still Life With Candles And Mirror" by Max Beckmann, painted in 1930, is an oil on canvas artwork with dimensions of 28 5/8 x 55 1/4 inches. The artwork presents an array of objects including burning candles, a mirror, a newspaper, and a green bottle, each depicted with bold, expressive brushstrokes and contrasting colors. The composition emphasizes the interplay of light and shadow, creating a moody and contemplative atmosphere that is characteristic of Beckmann's distinctive style.

67. Blindman's Buff

Blindman's Buff
  • Artwork Name: Blindman's Buff
  • Year: 1945
  • Medium: Oil On Canvas
  • Dimensions: 206.38 x 439.42 cm

"Blindman's Buff," an oil on canvas created in 1945 by Max Beckmann, exemplifies the German Expressionism art movement. This expansive triptych, measuring 206.38 x 439.42 cm, is housed at the Minneapolis Institute of Arts. The artwork depicts a bustling scene filled with dynamic, heavily structured figures engaged in various activities, including music and social interaction. Central to this composition is a blindfolded figure, heightening themes of disorientation and introspection, all rendered in Beckmann's characteristic bold lines and vivid coloration.

68. Beginning

Beginning
  • Artwork Name: Beginning
  • Year: 1949
  • Medium: Oil On Canvas

"Beginning," an oil on canvas masterpiece created by Max Beckmann in 1949, is housed in the Metropolitan Museum of Art in New York. The artwork employs Beckmann's characteristic bold lines and vibrant colors, presenting a multi-panel narrative rich in symbolic elements. The left panel depicts various figures through a window, hinting at a scene of performative or social nature. The central panel, imbued with motion and chaos, illustrates multiple characters, including a man in a suit, a reclining figure, and another individual engaging the viewer directly. The right panel showcases a red-haired woman in green, gazing contemplatively, surrounded by a backdrop of individuals and abstract elements. This visually dynamic triptych exemplifies Beckmann's intricate interplay of personal and collective human experiences.

69. Released

Released
  • Artwork Name: Released
  • Year: 1937
  • Medium: Oil On Canvas
  • Dimensions: 60 x 40 cm

The artwork, titled "Released" and created by Max Beckmann in 1937, is an oil on canvas with dimensions of 60 x 40 cm. The artwork, which is currently held in a private collection in Germany, depicts a bald, contemplative individual in a somber palette of muted tones. The figure's expression, highlighted by strong contrasts and deep shadows, reflects a profound emotional depth, characteristic of Beckmann's style. The artist's signature and the date are visible in the upper right corner, providing authenticity and anchoring the artwork in its historical context.

70. North Sea I, With Thunderstorm

North Sea I, With Thunderstorm

The artwork titled "North Sea I, With Thunderstorm" by Max Beckmann, completed in 1937, is an oil on canvas piece measuring 21 3/4 by 27 1/4 inches. The painting depicts a tempestuous seascape under a foreboding sky, with dark, turbulent waters reflecting the chaotic mood of an impending storm. A powerful display of Beckmann's mastery in capturing natural elements, the piece combines strong, dynamic brushstrokes and vivid contrasts to evoke the raw, untamed power of the sea and sky.

71. Outskirts Overlooking The Sea At Marseille

Outskirts Overlooking The Sea At Marseille

"Outskirts Overlooking The Sea At Marseille" is an oil on canvas painting created by Max Beckmann in 1937, measuring 65 x 110.5 cm, and is currently held in a private collection. The artwork depicts a coastal scene with a bridge and various buildings nestled among green foliage by the sea. The vivid use of colors and expressive brushstrokes capture the dynamic and somewhat rugged landscape, with boats docked alongside the shore and the sea glistening in the background. The composition skillfully balances the natural and architectural elements, portraying the serene yet vibrant outskirts of Marseille.

72. Portrait Of Stephan Lackner

Portrait Of Stephan Lackner

The artwork, titled "Portrait Of Stephan Lackner," is an oil on canvas creation by Max Beckmann, completed between 1937 and 1939. Measuring 28 1/2 by 21 inches, the painting depicts a solemn figure, presumably Stephan Lackner, who is set against a dynamic background of abstract forms and muted colors. The subject is rendered in a distinctive, expressive style typical of Beckmann's work, with strong lines and a somewhat somber, introspective demeanor. The palette and brushstrokes evoke a sense of depth and complexity, inviting contemplation from the viewer.

73. Self-Portrait in Tuxedo

Self-Portrait in Tuxedo

"Self-Portrait in Tuxedo," created by Max Beckmann in 1927, is an oil on canvas painting measuring 54 1/2 by 37 3/4 inches. This expressionist work is a self-portrait and is housed at the Busch–Reisinger Museum, part of the Harvard Art Museums in Cambridge, MA, US. The artwork depicts the artist in formal attire, standing confidently with his hands positioned at his mid-section, creating a striking contrast with the neutral and muted background. The application of light and shadow on Beckmann's face and suit underscores the bold chiaroscuro effect typical of the Expressionist movement.

74. The Dream

The Dream
  • Artwork Name: The Dream
  • Year: 1921
  • Medium: Oil on Canvas
  • Dimensions: 71 3/4 x 35 7/8 in.

"The Dream" is a 1921 oil on canvas painting by Max Beckmann, associated with the Cubism movement, located at the Saint Louis Art Museum in St. Louis, Missouri. The artwork, measuring 71 3/4 by 35 7/8 inches, exemplifies symbolic painting. It features a complex, dreamlike composition with distorted and abstract figures arranged in a disjointed yet dynamic scene. The characters appear to be intertwined with various surreal and symbolic elements, exuding a sense of mystique and introspection characteristic of Beckmann's exploration of the subconscious and the human condition.

75. The Descent from the Cross

The Descent from the Cross

"The Descent from the Cross," an oil on canvas painting by Max Beckmann from 1917, stands as a poignant representation within the Cubism movement. Measuring 59 1/2 x 50 3/4 inches, this religious painting is housed in the Museum of Modern Art (MoMA) in New York City. The artwork vividly portrays the moment of Christ's descent from the cross, rendered in Beckmann's distinctive style, characterized by fragmented forms and a solemn, expressive palette that evokes the somber gravity of the scene.

76. Dancing Bar in Baden-Baden

Dancing Bar in Baden-Baden

"Dancing Bar in Baden-Baden," painted by Max Beckmann in 1923, is an oil on canvas expressionist genre painting housed within the Bavarian State Painting Collections in Munich, Germany. Measuring 39 3/8 by 25 5/8 inches, the artwork vividly depicts a bustling nightlife scene filled with elegantly dressed figures engaged in dance and social interaction. Characters are intricately arranged, their exaggerated forms and expressive faces capturing the vivacious atmosphere of a bar in Baden-Baden. The color palette and brushwork reflect Beckmann's distinctive style, emblematic of the Expressionism movement, providing a dynamic visual narrative of modern social life in early 20th-century Europe.

77. Christ and the Woman Taken in Adultery

Christ and the Woman Taken in Adultery

The artwork, titled "Christ and the Woman Taken in Adultery," was created by Max Beckmann in 1917 using oil on canvas. Displayed at the Saint Louis Art Museum in St. Louis, MO, this piece is a prominent example of the Expressionism art movement. Measuring 58 3/4 by 49 7/8 inches, the painting falls within the genre of religious painting. It vividly depicts the biblical scene where Christ intercedes for a woman accused of adultery, using dynamic, expressive strokes to convey the intense emotions of the moment.

78. The Acrobats

The Acrobats

The artwork titled "The Acrobats," created by Max Beckmann in 1939, is an oil on canvas piece that belongs to the genre of genre painting and is part of the Expressionism art movement. Currently held in a private collection, the artwork depicts a vibrant, dynamic scene, divided into three panels featuring figures engaged in various acrobatic and circus performances. Each panel showcases a distinct array of characters, rendered in bold colors and exaggerated forms, which is characteristic of Beckmann's Expressionist style. The rich detail and energetic composition convey a sense of movement and the bustling atmosphere of a circus, highlighting the artist's skill in capturing the essence of human expression and activity.

79. Self-Portrait with Horn

Self-Portrait with Horn

The artwork, titled "Self-Portrait with Horn," is a 1938 oil on canvas by Max Beckmann, a prominent figure in the Expressionism art movement. Measuring 101 by 110 centimeters, this self-portrait captures Beckmann in a striking pose, dressed in a vividly striped garment and holding a horn against a dark, introspective background. The intense, dramatic use of color and bold brushstrokes reflect the artist's deep emotional expression and complex psychological state. This artwork is currently held in a private collection.

80. Self-Portrait in Blue Jacket

Self-Portrait in Blue Jacket

"Self-Portrait in Blue Jacket" is an oil on canvas artwork created by Max Beckmann in 1950, falls under the Expressionism art movement and measures 55 1/8 x 36 inches. Known for its genre as a self-portrait, the artwork portrays a stern figure garbed in a vivid blue jacket, accented by an orange shirt and patterned tie. Beckmann's bold use of color and strong outlines, characteristic of Expressionism, captures a moment of introspection and intensity, evidenced by the figure's contemplative pose and piercing gaze.

81. Self-Portrait with Saxophone

Self-Portrait with Saxophone

"Self-Portrait with Saxophone," created by Max Beckmann in 1930, is an oil on canvas painting that exemplifies the Expressionism art movement. Measuring 69.5 by 140.5 cm, this self-portrait is housed in the Kunsthalle Bremen in Bremen, Germany. The artwork showcases Beckmann's distinctive style through bold lines, dramatic contrasts, and a somber color palette. The portrayal of the artist holding a saxophone adds a unique element, emphasizing Beckmann's introspective exploration of identity and emotion.

82. Artists with Vegetables

Artists with Vegetables

"Artists with Vegetables," an oil on canvas painting by Max Beckmann, completed in 1943, measures 59 by 45 1/2 inches (150 by 115.5 cm). The artwork, housed at the Washington University Gallery of Art in Saint Louis, captures four solemn figures gathered around a table adorned with a candle and vegetables. Rendered in Beckmann's distinctive style, the figures exhibit expressive and intense faces, evoking a sense of depth and introspection amidst the dimly lit, intimate setting dominated by dark, earthy tones and dynamic, bold lines.

83. Journey on the Fish

Journey on the Fish

"Journey on the Fish," created by Max Beckmann in 1934, is an oil-on-canvas painting exemplifying the Expressionism art movement. The artwork, measuring 134.5 x 115.5 cm, is categorized as a genre painting and is housed in the Staatsgalerie Stuttgart in Stuttgart, Germany. The painting features a dynamic composition with human figures seemingly intertwined and riding a large fish. The figures exhibit an air of dramatic tension and surrealism, characteristic of Expressionism. The use of dark outlines and bold colors enhances the emotional intensity and symbolic depth of the scene, inviting viewers to ponder the underlying narrative and thematic elements.

84. Perseus

Perseus
  • Artwork Name: Perseus
  • Year: 1940 - 1941
  • Medium: Oil on Canvas
  • Dimensions: 151 x 222.5 cm

The artwork titled "Perseus" is an oil on canvas painting by Max Beckmann, created between 1940 and 1941 in Amsterdam, Netherlands. It falls within the Expressionist movement and depicts a mythological scene. Measuring 151 by 222.5 centimeters, the painting is housed at the Folkwang Museum in Essen, Germany. The triptych composition of the artwork vividly portrays scenes presumably from the myth of Perseus, characterized by bold, intense colors and dynamic, dramatic forms, quintessentially reflecting the expressive depth and emotion of the Expressionism genre.

85. The Actors

The Actors
  • Artwork Name: The Actors
  • Year: 1942
  • Medium: Oil on Canvas

"The Actors," painted in 1942 by Max Beckmann, is an oil on canvas artwork showcasing the Expressionist movement and categorized as genre painting. Currently housed at the Fogg Museum, part of Harvard Art Museums in Cambridge, MA, the artwork presents a theatrical scene filled with vividly rendered, individual characters arranged in a dynamic and dramatic composition. The figures, some adorned in costumes and masks, are engaged in various activities and expressions, creating a complex narrative suggestive of performance and human interaction. The use of bold, contrasting colors and intricate details emphasizes the emotional intensity and the layered storytelling characteristic of Beckmann’s Expressionist style.

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