274 Titian Paintings

Titian, full name Tiziano Vecelli, was an Italian painter and one of the greatest artists of the High Renaissance period. Born around 1488 in Pieve di Cadore, Italy, Titian's work is known for its bold use of color, intricate detail, and emotional depth. He was a master of portraiture and religious scenes, and his work had a significant influence on later artists, including the Baroque painters. Titian's most famous works include "Bacchus and Ariadne," "Venus of Urbino," and "The Assumption of the Virgin." He died in Venice in 1576, leaving behind a legacy as one of the most important painters in art history.

1. Angel of the Annunciation

Angel of the Annunciation

"Angel of the Annunciation," created by Titian circa 1560, exemplifies the Mannerism (Late Renaissance) movement and is housed at the Uffizi Gallery in Florence, Italy. Measuring 422 by 279 cm, the artwork serves as a sketch and study piece. The depiction portrays a detailed and expressive rendering of the angel from the biblical Annunciation, characterized by dynamic use of charcoal that captures the ethereal and revered nature of the subject. The gestural lines and shading suggest a moment of divine revelation, aligning with the theological narrative of the Annunciation. Through this sketch, Titian provides an insightful glimpse into his preparatory process and stylistic approach during the later stages of the Renaissance period.

2. Annunciation

Annunciation
  • Artwork Name: Annunciation
  • Year: c.1564
  • Medium: oil,canvas
  • Dimensions: 410 x 240 cm

The artwork, titled "Annunciation," was painted by Titian around 1564 using oil on canvas. Measuring 410 x 240 cm, it is a notable example of the Mannerism movement, a phase in the Late Renaissance. The painting, housed in San Salvador, Venice, Italy, falls under the genre of religious painting. It depicts the biblical scene of the Annunciation, where the Archangel Gabriel announces to the Virgin Mary that she will bear the Son of God. The composition is characterized by a dramatic interplay of light and shadow, typical of Mannerist aesthetics, and includes an assembly of celestial beings, further accentuating the divine moment being illustrated.

3. An Unknown Man in a Black Plumed Hat

An Unknown Man in a Black Plumed Hat

The artwork, titled "An Unknown Man in a Black Plumed Hat," is a portrait created by the renowned artist Titian, an eminent figure of the High Renaissance. The painting depicts a man with fair skin and long, wavy blonde hair, who gazes outward with a composed and contemplative expression. He is adorned with a distinctive black hat embellished with a prominent white plume, which adds an element of grandeur to his appearance. The dark, muted background accentuates the subject, focusing the viewer's attention on the man's refined features and the elegance of his attire. The use of light and shadow in the painting reveals Titian's mastery in conveying depth and texture, further emphasizing the earnest and dignified demeanor of the unidentified sitter.

4. Apostles group

Apostles group

The artwork entitled "Apostles group" by the renowned artist Titian is an oil painting on canvas, exemplifying the High Renaissance art movement. This piece, classified within the genre of sketches and studies, is privately held. The composition of the artwork features a dynamic arrangement of figures, depicting the apostles in various expressive postures. The hurried and animated lines capture the essence of motion and emotion, characteristic of a preparatory study, which gives viewers a glimpse into Titian's creative process and his mastery in conveying complex human interactions.

5. Assumption of the Virgin

Assumption of the Virgin

"The Assumption of the Virgin," an illustrious oil on canvas created by Titian between 1516 and 1518, stands as a seminal piece of the High Renaissance. Possessing grand dimensions of 360 by 690 cm, this religious painting resides in the Santa Maria Gloriosa dei Frari in Venice, Italy. The artwork captures the moment of the Virgin Mary's assumption into heaven, characterized by dynamic composition and masterful use of color, as she is surrounded by jubilant angels and witnesses awed by the divine spectacle. Titian's skill in portraying the spiritual transcendence and human emotion encapsulates the essence of Renaissance artistry.

6. The Bacchanal of the Andrians

The Bacchanal of the Andrians

"The Bacchanal of the Andrians," an oil on canvas masterpiece by Titian, dates from 1523-1524 and stands as an exemplary work of the High Renaissance art movement. Measuring 175 x 193 cm, this mythological painting, part of the "Mythological paintings (poesie) for Philip II" series created between 1553-1562, resides in the Museo del Prado in Madrid, Spain. The artwork depicts a lively bacchanalian scene, emphasizing vibrant colors and dynamic figures immersed in a revelry that epitomizes the enchanted and exuberant spirit of classical mythology.

7. Cain and Abel

Cain and Abel
  • Artwork Name: Cain and Abel
  • Year: 1542 - 1544
  • Medium: oil,panel
  • Dimensions: 298 x 282 cm

The artwork "Cain and Abel," created by Titian between 1542 and 1544, is an oil painting on panel, measuring 298 by 282 centimeters. It belongs to the Mannerism (Late Renaissance) art movement and falls under the genre of religious painting. The artwork depicts the biblical story of Cain and Abel, emphasizing dramatic movement and intense emotion. In the composition, Cain is shown in a moment of violent aggression, poised to strike his brother Abel, who lies defenseless on the ground. The dark and tumultuous background adds to the somber and foreboding atmosphere, highlighting the tragic nature of the scene.

8. Cameria, daughter of Suleiman the Magnificent

Cameria, daughter of Suleiman the Magnificent

The artwork, titled "Cameria, daughter of Suleiman the Magnificent," was created by the renowned artist Titian around circa 1555. This portrait belongs to the Mannerism movement, characteristic of the Late Renaissance period. The painting depicts a poised female figure, adorned in an intricately designed garment, showcasing a blend of elegance and regal demeanor. The subject's serene expression and exquisite attire reflect the artist's meticulous attention to detail and mastery in rendering fine textures and fabrics.

9. Cardinal Alessandro Farnese

Cardinal Alessandro Farnese

The artwork titled "Cardinal Alessandro Farnese," created by the renowned artist Titian between 1545 and 1546, is an oil painting on canvas embodying the Mannerism (Late Renaissance) art movement. Measuring 97 x 73 cm, the portrait genre artwork depicts Cardinal Alessandro Farnese, capturing the essence of his dignified presence. Dominated by rich, dark hues, the artwork accentuates the Cardinal's expressions and attire, reflecting Titian's masterful technique.

10. Caricature of the Laoc on group

Caricature of the Laoc on group

The artwork titled "Caricature of the Laocoon Group", created by Titian between 1543 and 1545, forms part of the Mannerism (Late Renaissance) movement and is classified within the genre of caricature. This piece, currently housed in a private collection, depicts a humorous and exaggerated rendition of the famous Laocoon sculpture. The figures in the artwork are rendered with exaggerated features and expressions, entwined by serpents, set against a detailed landscape with architectural elements, embodying the whimsical and dramatic essence of caricature art.

11. Portrait of a Man

Portrait of a Man

The artwork, titled "Portrait of a Man," was painted by the renowned artist Titian in 1508. Executed in oil medium, this piece is exemplary of the High Renaissance art movement and falls under the genre of portraiture. Currently housed in the Indianapolis Museum of Art (IMA) in Indianapolis, Indiana, the artwork depicts a contemplative male figure, with the detailed rendering and rich color palette characteristic of Titian's masterful technique. The subject's direct gaze and the sophisticated use of light and shadow reflect the artist's ability to convey both the physical likeness and the inner depth of the sitter.

12. Portrait of a Man

Portrait of a Man

The artwork, titled "Portrait of a Man," is a masterful piece by the renowned artist Titian, completed in the year 1514. Executed in oil on canvas, this High Renaissance portrait, measuring 60 x 81 cm, is currently housed in the Uffizi Gallery in Florence, Italy. The piece exemplifies Titian's skill in rendering lifelike representations, capturing the solemn demeanor and aristocratic bearing of the subject against a muted background, which accentuates the subject's presence and character.

13. Portrait of a Man

Portrait of a Man

"Portrait of a Man," created by Titian between 1512 and 1513, exemplifies the High Renaissance art movement. This portrait, housed in the Neue Pinakothek in Munich, Germany, showcases Titian's masterful skill in capturing human expression and texture. The artwork depicts a man with a contemplative gaze, dressed in a fur-like garment, which emphasizes the artist's adeptness in rendering fine details and naturalistic features. Through this painting, Titian conveys a profound sense of character and presence, encapsulating the essence of Renaissance portraiture.

14. Portrait of a man with ermine coat

Portrait of a man with ermine coat

The artwork, titled "Portrait of a Man with Ermine Coat," was created by the renowned artist Titian around the year 1560. It belongs to the High Renaissance art movement and falls under the genre of portraiture. The painting is currently housed in the Kunsthistorisches Museum in Vienna, Austria. It depicts a man adorned in a luxurious, fur-lined coat, which conveys a sense of wealth and status. The use of rich, dark tones and meticulous attention to detail characteristic of Titian’s work contributes to the figure’s dignified and commanding presence.

15. Portrait of a Musician

Portrait of a Musician

"Portrait of a Musician," created by the renowned artist Titian around 1515, is an exquisite oil painting on canvas, representative of the High Renaissance art movement. The artwork, measuring 99 x 81 cm, captures the subtle nuances of a male musician in a contemplative pose, exuding an air of introspective stillness. The rich, dark tones of the portrait juxtaposed with the musician's gentle expression and composed demeanor reflect Titian's masterful use of color, light, and shadow to portray depth and character.

16. Portrait of an Old Man (Pietro Cardinal Bembo)

Portrait of an Old Man (Pietro Cardinal Bembo)

The artwork, titled "Portrait of an Old Man (Pietro Cardinal Bembo)," was created by the renowned artist Titian between 1545 and 1546. Painted with oil on canvas, this piece is an exemplar of the Mannerism movement, also known as the Late Renaissance. The portrait genre artwork is presently housed in the Budapest Museum of Fine Arts in Budapest, Hungary. The composition features a distinguished elderly man, rendered with meticulous attention to detail, showcasing his aged, contemplative visage and flowing white beard, enveloped in a crimson robe, thoughtfully capturing the essence of his character and stature.

17. Portrait of Antonio Anselmi

Portrait of Antonio Anselmi

The artwork, titled "Portrait of Antonio Anselmi," was crafted by the renowned artist Titian around the year 1550 during the Mannerism (Late Renaissance) art movement. Executed in oil on canvas, this distinguished portrait measures 75 by 63 centimeters and belongs to the genre of portraiture. Currently, it resides in the Thyssen-Bornemisza Museum in Madrid, Spain. The portrait displays a refined and introspective composition, highlighting the sitter in somber, dark tones with a subtle play of light and shadow, characteristic of Titian's masterful technique.

18. Portrait of a Painter with a Palm Leaf

Portrait of a Painter with a Palm Leaf

"Portrait of a Painter with a Palm Leaf," created in 1561 by the renowned artist Titian, is a masterful oil painting on canvas that epitomizes the Mannerism (Late Renaissance) art movement. Measuring 138 by 116 centimeters, the portrait genre artwork is housed in the Gemäldegalerie Alte Meister in Dresden, Germany. The artwork features a distinguished male figure, donning dark, voluminous robes, holding a palm leaf—a symbol often associated with victory and honor. The background suggests an outdoor setting with partially illuminated, serene landscape elements. The painter's skillful use of light and shadow, as well as the intricately detailed countenance, imparts a lifelike presence and dignified character to the subject.

19. Portrait of Aretino

Portrait of Aretino

"Portrait of Aretino," created by the renowned artist Titian in 1512, is an exemplary work of the High Renaissance art movement. This portrait is housed in the esteemed Palazzo Pitti in Florence, Italy. The artwork captures the distinguished profile of its subject with a contemplative expression, characterized by meticulous details and masterful use of color. The rich textures and lifelike representation reflect Titian's profound skill in portraiture, making this piece a significant contribution to Renaissance art.

20. Portrait of Ariosto

Portrait of Ariosto

The artwork, "Portrait of Ariosto," by the eminent artist Titian, created between 1508 and 1510, is a prime example of the High Renaissance period. Executed in oil on canvas, the portrait measures 66.3 by 81.2 centimeters. The artwork features a poised and contemplative subject set against a subtle background, highlighting the subject’s serene expression and detailed attire. Through the use of rich textures and impeccable brushwork, Titian successfully brings a lifelike and dignified presence to the canvas, embodying the sophisticated essence of Renaissance portraiture.

21. The Beauty

The Beauty
  • Artwork Name: The Beauty
  • Year: 1536
  • Medium: oil,canvas
  • Dimensions: 89 x 76 cm

The artwork, titled "The Beauty," is an exquisite oil on canvas painting by the illustrious artist Titian, created in 1536 during the High Renaissance. Measuring 89 x 76 cm, this portrait exemplifies the refined elegance that characterizes the art movement of that era. It depicts a poised female figure, adorned in rich, textured clothing with intricate jewelry, set against a dark background that accentuates her serene expression and detailed attire. Currently, this magnificent piece resides in the Palazzo Pitti in Florence, Italy.

22. The Birth of Adonis

The Birth of Adonis

"The Birth of Adonis," created by the esteemed artist Titian between 1505 and 1510, is an oil painting on board. This mythological painting, which belongs to the High Renaissance art movement, measures 35 by 162 centimeters. The artwork vividly depicts the mythological birth of Adonis, set within a rich, naturalistic landscape. Various figures populate the scene, engaging in activities that signify the occasion. The painting is characterized by its harmonious composition, vibrant colors, and meticulous attention to detail, all of which are hallmarks of Titian’s esteemed oeuvre.

23. The Bravo

The Bravo
  • Artwork Name: The Bravo
  • Year: c.1520
  • Medium: oil,canvas
  • Dimensions: 66.5 x 77 cm

"The Bravo," an oil on canvas painting by Titian, dates to approximately 1520 and exemplifies the High Renaissance art movement. The artwork, a portrait genre piece with dimensions of 66.5 by 77 cm, resides in the Kunsthistorisches Museum in Vienna, Austria. The portrait depicts two figures, one facing the viewer with a serious expression, adorned with a wreath upon his head, and another figure in the background partially obscured, creating a dramatic and intense composition. The detailed use of light and shadow emphasizes the intricate textures and depth of the subjects.

24. The Concert

The Concert
  • Artwork Name: The Concert
  • Year: c.1510
  • Medium: oil,canvas
  • Dimensions: 87 x 124 cm

The artwork, titled "The Concert," is an oil on canvas painting created by Titian around 1510, belonging to the High Renaissance movement. With dimensions of 87 x 124 cm, this portrait is housed in the Palazzo Pitti in Florence, Italy. The painting depicts a scene of three individuals, each intensely engaged in their actions and expressions, emerging from a dark background which highlights their features and interactions, characteristic of the chiaroscuro technique synonymous with the era. The central figure appears engrossed in playing a musical instrument, while the other two characters, one wearing distinctive attire, create a narrative of contemplation and musical engagement. This masterful composition exemplifies Titian's ability to infuse dynamism and realism into his work, encapsulating the essence of a musical troupe caught in a moment of profound engagement.

25. The crucifixion

The crucifixion
  • Artwork Name: The crucifixion
  • Year: 1558
  • Medium: oil,canvas
  • Dimensions: 371 x 197 cm

"The Crucifixion," created by Titian in 1558, is a monumental oil-on-canvas painting embodying the High Renaissance art movement. The artwork, measuring 371 by 197 centimeters, falls within the genre of religious painting. The scene meticulously depicts the crucifixion of Christ, with a dramatic expression of sorrow and devotion as his followers mourn at the foot of the cross, highlighting the intense emotional and spiritual gravitas of the moment. The somber color palette and dynamic composition reflect the profound impact of the event, further accentuated by the detailed rendering of the figures and the surrounding atmospheric effects.

26. The Death of St Peter Martyr

The Death of St Peter Martyr

"The Death of St. Peter Martyr," an oil painting on canvas created by Titian between 1527 and 1529, stands as a quintessential example of the High Renaissance art movement. This religious painting poignantly depicts the dramatic martyrdom of St. Peter Martyr, capturing intense emotion and movement. The composition features a dark and foreboding forest background, with St. Peter in the throes of his fatal attack, invoking a sense of spiritual transcendence amidst mortal agony. The dynamic interplay of light and shadow, combined with the vivid portrayal of human figures in turmoil, epitomizes Titian's mastery in rendering both the physical and emotional dimensions of this profound narrative.

27. The Doge Niccolo Marcello

The Doge Niccolo Marcello

The artwork names "The Doge Niccolo Marcello," created by the renowned artist Titian in 1542, exemplifies the Mannerism (Late Renaissance) art movement. This portrait prominently features Niccolo Marcello, the Doge of Venice, depicted in a profile view. The Doge is adorned in ornate, richly embroidered golden robes, characteristic of the opulence associated with Venetian doges. The detailed, patterned fabrics and the dignified posture of Niccolo Marcello reflect the authority and decorum befitting his status. The subdued and dark background further accentuates the subject's prominence, a hallmark of Titian's exquisite mastery in portraiture during this period.

28. The Fall of Man

The Fall of Man
  • Artwork Name: The Fall of Man
  • Year: c.1550
  • Medium: oil,canvas
  • Dimensions: 240 x 186 cm

"The Fall of Man," an oil on canvas work by Titian from approximately 1550, embodies the Mannerism movement of the late Renaissance. This religious painting, measuring 240 by 186 centimeters, is housed in the Museo del Prado in Madrid, Spain. The artwork depicts the biblical scene of Adam and Eve with the serpent, where Eve is shown offering the forbidden fruit to Adam, emphasizing the theme of temptation and sin. The composition's dramatic intensity and intricate details illustrate Titian's masterful handling of the human form and landscape, contributing to the era's distinctive artistic style.

29. The Feast of the Gods

The Feast of the Gods

"The Feast of the Gods," crafted by Titian between 1516 and 1529, is an oil painting on canvas representative of the High Renaissance movement, falling within the genre of mythological paintings. The artwork depicts a vivid scene of divine revelry, set against a lush, wooded landscape. Various mythological figures are gathered, engaged in convivial activities, surrounded by abundant greenery that almost blends with the rocky formations in the backdrop. The lively composition and intricate details showcase the artist's mastery in portraying dynamic human forms and the interaction between nature and myth.

30. The Gipsy Madonna

The Gipsy Madonna
  • Artwork Name: The Gipsy Madonna
  • Year: 1510 - 1511
  • Medium: oil,canvas
  • Dimensions: 83.5 x 65.8 cm

"The Gipsy Madonna," crafted by the esteemed artist Titian between 1510 and 1511, is an exquisite oil on canvas painting emblematic of the High Renaissance art movement. The artwork, measuring 83.5 by 65.8 cm, belongs to the genre of religious painting and is currently housed in the Kunsthistorisches Museum in Vienna, Austria. The painting depicts the Virgin Mary tenderly holding the Christ Child, set against a serene landscape with lush greenery and distant hills, exemplifying Titian's masterful use of color and composition to evoke a sense of divine grace and human tenderness.

31. Cavalier over a fallen adversary

Cavalier over a fallen adversary

The artwork, "Cavalier over a fallen adversary," created by Titian between 1562 and 1564, epitomizes the Mannerism (Late Renaissance) art movement. This sketch and study, currently held in a private collection, captures a dynamic and dramatic scene characteristic of Titian's mastery in portraying intense human emotions and movement. The composition features a horse rearing over a fallen figure, emphasizing the tension and drama in the confrontation between the cavalier and his adversary. The robust and expressive use of lines and shading contribute to the sense of motion and struggle, showcasing Titian's skill in capturing complex human and animal forms.

32. Cellach of Armagh

Cellach of Armagh

The artwork titled "Cellach of Armagh," created by Titian between 1520 and 1522, is a religious painting characteristic of the High Renaissance art movement. It forms part of the "Polyptych of the Resurrection" series. The composition features detailed depictions of figures in rich, dark tones. The interaction between the characters, including a knight adorned in armor and a clerical figure in a posture of supplication, imbues the scene with a sense of reverence and spiritual fervor. This represents a masterful blend of somber and dramatic elements, reflecting the heightened emotional and physical realism that defines the High Renaissance.

33. Christ

Christ
  • Artwork Name: Christ
  • Year: 1520 - 1522
  • Medium: oil,wood
  • Dimensions: 278 x 122 cm

The artwork titled "Christ," created by the renowned artist Titian between 1520 and 1522, is an oil painting on wood that measures 278 x 122 cm. Belonging to the High Renaissance art movement, this religious painting is part of the "Polyptych of the Resurrection" series. It depicts the resurrected Christ triumphantly emerging, holding a flag and seemingly ascending, with onlookers in awe at the bottom of the composition. The dramatic use of lighting and expressive details captures the spiritual fervor and artistic mastery characteristic of Titian's work during this period.

34. Christ and the Adulteress

Christ and the Adulteress

"Christ and the Adulteress" by Titian, created between 1508 and 1510, is an oil painting on canvas, representing the High Renaissance art movement. As a religious painting, it profoundly captures a biblical scene with dramatic intensity and intricate detail. The artwork is part of the collection at the Kelvingrove Art Gallery and Museum in Glasgow, UK. Within the composition, various figures, including Christ, are portrayed in a dimly lit environment, adding a somber and contemplative mood to the depicted narrative.

35. Christ and the Good Thief

Christ and the Good Thief

The artwork titled "Christ and the Good Thief" was created by the renowned artist Titian around 1566. Utilizing oil on canvas as his medium, Titian crafted this religious painting within the distinctive style of Mannerism, representative of the Late Renaissance era. The painting, measuring 137 by 149 centimeters, poignantly depicts the biblical scene of Christ on the cross, engaging with the repentant thief crucified alongside him. The artwork is imbued with dark, dramatic tones, and captures the emotional gravity and spiritual resonance of the moment with masterful use of light and shadow.

36. Christ Carrying the Cross

Christ Carrying the Cross

"Christ Carrying the Cross," an oil painting on canvas by Titian, crafted around 1565, epitomizes the Mannerism (Late Renaissance) movement. The artwork, housed in the Museo del Prado in Madrid, Spain, measures 98 by 116 centimeters and belongs to the genre of religious painting. The artwork poignantly depicts Christ bearing the heavy burden of the cross, with an evocative portrayal of his suffering and determination, while a concerned figure assists him, encapsulating a moment of profound spiritual significance.

37. Christ Carrying the Cross

Christ Carrying the Cross

The artwork, "Christ Carrying the Cross," created by Titian between 1570 and 1575, exemplifies the Mannerism (Late Renaissance) movement. This religious oil painting on canvas measures 98 x 116 cm and is housed in the Museo del Prado in Madrid, Spain. The painting depicts a poignant moment from the Passion of Christ, where Jesus, adorned with a crown of thorns, solemnly bears the weight of the cross with visible exertion and serenity. Another figure, partially shrouded in darkness, assists Christ, emphasizing the shared human burden. The artwork's dramatic use of light and shadow, coupled with Titian's masterful brushwork, evokes deep spiritual contemplation and empathy.

38. Christ Crowned with Thorns

Christ Crowned with Thorns

"Christ Crowned with Thorns," an oil painting on canvas by the renowned artist Titian, created circa 1542, is a significant piece of the Mannerism (Late Renaissance) art movement. The artwork, measuring 180 by 303 centimeters, resides in the esteemed Louvre in Paris, France. This religious painting depicts a dramatic and intense scene where multiple figures are seen torturing and mocking Christ, accentuating the raw emotions and brutality of the moment. The composition is masterfully executed with dynamic forms and strong contrasts, highlighting Titian's exceptional skill in capturing human suffering and spiritual transcendence.

39. Christ with Globe

Christ with Globe

The artwork, titled "Christ with Globe," was created by the renowned artist Titian in 1530 during the High Renaissance movement. Measuring 82.5 x 60.5 cm, this religious painting is currently housed in the Kunsthistorisches Museum in Vienna, Austria. The painting depicts Christ, draped in rich, vibrant robes of red and blue, holding a globe in His hand, symbolizing His dominion over the world. The serene and contemplative expression on Christ's face, combined with the masterful use of color and light, exemplifies Titian's skill and the characteristic grandeur of the High Renaissance period.

40. Portrait of a Venetian Gentleman

Portrait of a Venetian Gentleman

"Portrait of a Venetian Gentleman," painted by Titian between circa 1510 and circa 1515, epitomizes the art of the High Renaissance. Rendered in oil on canvas, the artwork measures 76 by 64 centimeters and resides at the National Gallery of Art in Washington, DC, USA. The portrait depicts a dignified gentleman whose confident expression and direct gaze are captured with striking realism and mastery. The setting includes a window with a subtle view outside, enhancing the depth and atmosphere of the piece. Titian's skillful use of light and shadow, along with his refined brushwork, exemplifies the artistic excellence of this period.

41. Portrait of a Woman

Portrait of a Woman

The artwork, titled "Portrait of a Woman," was created by the renowned High Renaissance artist Titian between 1508 and 1510. Executed in oil on canvas, this portrait measures 117 by 97 centimeters. The artwork features a woman dressed in a rich red garment, adorned with delicate folds and detailed textures. She stands with one hand resting on a sculpted relief of a head, which emphasizes her poised and serene expression. The background is kept relatively dark, focusing the viewer's attention on the subject's gentle countenance and the intricate details of her attire, exemplifying the refined elegance characteristic of the High Renaissance period.

42. Portrait of a Woman at her Toilet

Portrait of a Woman at her Toilet

The artwork, "Portrait of a Woman at her Toilet," created by the renowned artist Titian, is a representation of the High Renaissance art movement and falls within the portrait genre. The image depicts a woman engaged in a grooming ritual, showcasing her bare shoulders and flowing hair, which she is gently touching. The intimate scene includes another figure, presumably a maid or attendant, holding a mirror and assisting the woman. The color palette, with its rich and earthy tones, coupled with the meticulous detail characteristic of Titian's work, emphasizes the grace and elegance of the subject, capturing a moment of personal reflection and beauty.

43. Portrait of a Young Man (The young Englishman)

Portrait of a Young Man (The young Englishman)

The artwork, titled "Portrait of a Young Man (The young Englishman)," was created by the renowned artist Titian circa 1545. Executed in oil on canvas, it measures 111 by 93 centimeters and is a fine example of the Mannerism movement, part of the Late Renaissance. The painting is a portrait genre work, currently housed in the Palazzo Pitti in Florence, Italy. The artwork portrays a young man in somber attire, exuding an air of contemplation and subtle elegance, characteristic of Titian's masterful command of light and texture.

44. Portrait of a Young Woman

Portrait of a Young Woman

The artwork, titled "Portrait of a Young Woman," is a masterful creation by the eminent High Renaissance artist Titian, dating approximately from the year 1515. This portrait measures 42 by 26 centimeters and is housed in the Uffizi Gallery in Florence, Italy. Rendered with delicate yet expressive strokes, the artwork captures the serene and contemplative visage of a young woman, emblematic of the refined technique and profound emotive expression characteristic of Titian's oeuvre. The subtle interplay of light and shadow showcases the artist’s adeptness in creating depth and lifelike presence, firmly placing this piece within the pantheon of Renaissance portraiture.

45. Portrait of a young woman with feather hat

Portrait of a young woman with feather hat

The artwork, titled "Portrait of a Young Woman with Feather Hat," is a masterful oil painting on canvas created by the renowned artist Titian circa 1536. Measuring 97 by 75 centimeters, this portrait exemplifies the High Renaissance art movement. Presently housed in the Hermitage Museum in Saint Petersburg, Russia, the artwork depicts a young woman adorned with a feathered hat and draped in rich fabrics, embodying a serene yet confident elegance characteristic of Titian's portraiture.

46. Portrait of Benedetto Varchi

Portrait of Benedetto Varchi

The artwork, titled "Portrait of Benedetto Varchi" and created by Titian in 1540, is an oil on canvas painting belonging to the High Renaissance art movement. The portrait measures 117 by 91 centimeters and exemplifies the genre of portraiture. It portrays its subject with a dignified and composed demeanor, indicative of the period's emphasis on capturing the humanist spirit and individual character. The subject is depicted holding a book, adding intellectual gravitas to his appearance, while the rich textures and deep colors showcase Titian's masterful technique.

47. Portrait of Cardinal Alessandro Farnese

Portrait of Cardinal Alessandro Farnese

The artwork titled "Portrait of Cardinal Alessandro Farnese," executed by the renowned artist Titian between 1545 and 1546, is an exquisite example of a Mannerist portrait from the Late Renaissance period, rendered in oil on canvas. The painting features Cardinal Alessandro Farnese adorned in rich ecclesiastical garments, characterized by the subtle interplay of light and shadow and Titian's masterful brushwork, which captures the regal and serene presence of the Cardinal against a dark, muted background.

48. Portrait of Cardinal Cristoforo Madruzzo

Portrait of Cardinal Cristoforo Madruzzo

"Portrait of Cardinal Cristoforo Madruzzo," created by the distinguished artist Titian in 1552, is an exemplary oil on canvas work emblematic of the Mannerism (Late Renaissance) art movement. This portrait, measuring 210 x 109 cm, resides within the esteemed Museo de Arte de Sao Paulo (MASP) in São Paulo, Brazil. The artwork captures Cardinal Madruzzo in a dignified stance, accentuating the depth and grandeur typical of Titian’s portraiture, and reflects the intricate interplay of shadow and light with rich, detailed textures.

49. Portrait of Count Antonio Porcia

Portrait of Count Antonio Porcia

The artwork, titled "Portrait of Count Antonio Porcia," is an oil painting on canvas created by the renowned artist Titian around the year 1548. Measuring 90 by 105 centimeters, this portrait exemplifies the Mannerism (Late Renaissance) art movement. Currently housed in Palazzo Brera, Milan, Italy, the piece captures the dignified and imposing presence of Count Antonio Porcia. The subject is portrayed with a solemn expression, adorned in dark, luxurious garments and an ornate chain, against a backdrop that subtly contrasts his figure with a scenic landscape visible to the right. The artwork stands as a testament to Titian's masterful skill in rendering intricate details and conveying depth of character.

50. The Healing of the Wrathful Son

The Healing of the Wrathful Son

"The Healing of the Wrathful Son," created by Titian in 1511, is a High Renaissance fresco belonging to the religious painting genre, with dimensions of 340 by 207 cm. This artwork is part of the "Frescoes in the Scuola del Santo" series and depicts a miraculous healing scene, characterized by vivid colors and intricate detail. The composition portrays a central figure, possibly a saint or Christ, performing a healing act on a young man, surrounded by an array of onlookers, reflecting Titian's mastery in capturing human emotion and divine intervention.

51. The Holy Family with a Shepherd

The Holy Family with a Shepherd

"The Holy Family with a Shepherd," created by the renowned artist Titian around 1510, is an oil painting on canvas emblematic of the High Renaissance period. Exhibited at the National Gallery in London, UK, the artwork measures 106 by 143 cm and belongs to the religious painting genre. The painting depicts an intimate scene of the Holy Family, featuring the Madonna cradling the infant Jesus, accompanied by Joseph and an adoring shepherd, set against a serene landscape backdrop that highlights Titian's masterful use of color and composition.

52. The Legend of Polydorus

The Legend of Polydorus

"The Legend of Polydorus," painted by Titian between 1505 and 1510 using oil on board, epitomizes the High Renaissance art movement. The artwork, measuring 35 x 162 cm, is a mythological painting that portrays a dramatic episode from ancient legend. Rendered with exquisite detail and masterful use of color, the scene unfolds across a panoramic landscape, encompassing various figures in dynamic poses and interacting with one another. The overall composition demonstrates Titian's remarkable ability to convey complex narratives within a single frame, making it a notable example of Renaissance mythological literature brought to life through art.

53. The Marchese del Vasto Addressing his Troops

The Marchese del Vasto Addressing his Troops

The artwork titled "The Marchese del Vasto Addressing his Troops" is an oil painting on canvas created by Titian between 1540 and 1541. This piece, measuring 233 x 165 cm, belongs to the Mannerism (Late Renaissance) art movement and falls under the genre of battle painting. Currently housed in the Museo del Prado in Madrid, Spain, the painting depicts a commanding scene where a figure, likely a military leader, addresses his assembled troops, conveying both authority and solemnity amidst the forms and expressions rendered with meticulous detail characteristic of Titian's style.

54. The Martyrdom of Saint Peter

The Martyrdom of Saint Peter

"The Martyrdom of Saint Peter," created by the renowned artist Titian, is a woodcut masterpiece epitomizing the High Renaissance art movement. This religious artwork, currently held in a private collection, vividly captures the traumatic scene of Saint Peter's martyrdom. In the artwork, the central figure of Saint Peter is depicted in distress, surrounded by dynamic figures and dramatic action, all set against a backdrop of intricately detailed natural scenery. An angelic figure descending from the heavens heightens the divine atmosphere of the piece, underscoring its spiritual and narrative potency. The woodcut technique employed by Titian results in stark contrasts and fine textures, enhancing the overall impact and emotional resonance of the scene.

55. The Martyrdom of St. Lawrence

The Martyrdom of St. Lawrence

"The Martyrdom of St. Lawrence" is a religious painting by the eminent artist Titian, created between 1548 and 1559. Executed in oil on canvas, this work is representative of the Mannerism, or Late Renaissance, art movement, and measures 277 by 493 centimeters. It is housed in the Church of Santa Maria Assunta, also known as I Gesuiti, in Venice, Italy. The artwork dramatically depicts the martyrdom of St. Lawrence, with an intense scene filled with vivid expressions of suffering and anguish, set against a starkly contrasting backdrop with intricate details of the architecture and surrounding figures. The dark, almost theatrical lighting highlights the central figure of St. Lawrence on a fiery gridiron, encapsulating the horror and sanctity of his sacrifice.

56. The Miracle of the Jealous Husband

The Miracle of the Jealous Husband

"The Miracle of the Jealous Husband," created by Titian in 1511, is a fresco measuring 340 x 185 cm, belonging to the High Renaissance art movement and falling under the genre of genre painting. This artwork is part of the "Frescoes in the Scuola del Santo" series. Depicted within the fresco is a dramatic and emotionally charged scene wherein a man in vibrant red and white robes menacingly raises a dagger towards a woman who has fallen to the ground, her expression conveying distress and desperation. The background features a rustic landscape with sparse foliage and figures in the distance, accentuating the gravity of the central confrontation. The detailed and intense depiction illustrates Titian's mastery in rendering human emotion and narrative through the medium of fresco.

57. The Miracle of the Newborn Child

The Miracle of the Newborn Child

The artwork titled "The Miracle of the Newborn Child," created by Titian in 1511, is a fresco measuring 340 x 355 cm. It belongs to the High Renaissance art movement and is categorized as a genre painting. This piece is part of the "Frescoes in the Scuola del Santo" series. The artwork depicts a group of people gathered around a miraculous event involving a newborn child, showcasing Titian's mastery in bringing human expressions and interactions to life within a monumental composition.

58. The Red Sultana

The Red Sultana

"The Red Sultana," created by Titian circa 1550, is a portrait from the Mannerism (Late Renaissance) art movement. The artwork depicts a woman adorned in opulent attire, characterized by rich textures and ornate headdress, exuding a sense of regal elegance. The subject's composed demeanor and the detailed rendering of her garments reflect the artist's masterful technique and attention to detail, hallmarks of the period's aesthetic. The background of the portrait subtly contrasts with the subject, enhancing her prominence and providing depth to the composition.

59. The Resurrection

The Resurrection
  • Artwork Name: The Resurrection
  • Year: 1542 - 1544
  • Medium: oil,canvas
  • Dimensions: 163 x 104 cm

"The Resurrection" is a religious painting executed by the renowned artist Titian between 1542 and 1544. Created using oil on canvas, the artwork measures 163 by 104 centimeters and represents an exemplar of the Mannerism movement, which characterizes the late Renaissance period. The painting vividly depicts the moment of Christ's resurrection, capturing the dramatic and spiritual essence of the event. In the artwork, Christ is portrayed triumphantly ascending above, draped in a white garment, holding a flag, and bestowing a gesture of blessing, while the awestruck soldiers below witness the miraculous occurrence.

60. Concert Champetre

Concert Champetre
  • Artwork Name: Concert Champetre
  • Year: 1508 - 1509
  • Medium: oil,canvas
  • Dimensions: 105 x 136.5 cm

The artwork, titled "Concert Champetre," is an allegorical painting created by the renowned artist Titian during the years 1508 to 1509. Executed in oil on canvas, this masterful composition represents the High Renaissance art movement and measures 105 by 136.5 centimeters. Currently housed in the Louvre Museum in Paris, France, the painting delineates an idyllic pastoral scene featuring three seated figures intently engaged in conversation or music, accompanied by two partially nude women, one of whom is pouring water from a jug. The tranquil countryside setting enhances the serene atmosphere of this captivating allegory.

61. Coronation of the Virgin

Coronation of the Virgin

"The Coronation of the Virgin" is a religious painting by the esteemed High Renaissance artist Titian. The artwork depicts the Virgin Mary being crowned by Jesus Christ, with the accompaniment of angels and saints in a celestial setting. The lower portion of the artwork features the apostles surrounding an empty tomb, symbolizing the Assumption of the Virgin. The painting exemplifies the grandeur and spiritual intensity characteristic of the High Renaissance movement.

62. Cosimo de Medici, later Grand Duke of Tuscany

Cosimo de Medici, later Grand Duke of Tuscany

The artwork "Cosimo de Medici, later Grand Duke of Tuscany," created by the esteemed artist Titian, is a notable example of High Renaissance portraiture. The painting prominently features a young Cosimo de Medici, adorned in elegant, richly colored attire, complete with a lace ruff which frames his face majestically. The deep, dark background contrasts poignantly with the illuminated figure, underscoring Titian's mastery in utilizing chiaroscuro to enhance the subject's lifelike presence and dignified demeanor.

63. Crowning with Thorns

Crowning with Thorns

The artwork "Crowning with Thorns," created by Titian between circa 1570 and circa 1575, is an oil on canvas painting from the Mannerism (Late Renaissance) movement. Measuring 182 by 280 centimeters, this religious painting is currently housed in the Alte Pinakothek in Munich, Germany. The painting graphically depicts the moment in Christian narrative when Christ is crowned with thorns, a rich and evocative interpretation characterized by dramatic lighting and intense emotionality, highlighting the cruel act's brutality and the dignified suffering of Christ. The composition’s dark tones and expressive figures serve to heighten the emotional impact, adhering to the stylistic tendencies of the Mannerism period.

64. Crucifixion

Crucifixion
  • Artwork Name: Crucifixion
  • Year: c.1555
  • Medium: oil,canvas
  • Dimensions: 214 x 109 cm

The artwork titled "Crucifixion" by Titian, created circa 1555, is an oil painting on canvas belonging to the Mannerism (Late Renaissance) art movement. Measuring 214 x 109 cm, this religious painting poignantly depicts Jesus Christ nailed to the cross, a portrayal central to Christian iconography. The scene is rendered with dramatic lighting and somber tones, capturing the deep emotional and spiritual significance of the crucifixion. The background elements, including an ominous sky and desolate landscape, augment the painting's solemn and contemplative atmosphere, characteristic of Titian's mastery in evoking profound religious sentiment.

65. Cupid with the Wheel of Fortune

Cupid with the Wheel of Fortune

The artwork titled "Cupid with the Wheel of Fortune," created by Titian circa 1520, is an oil on canvas piece from the High Renaissance art movement, classified within the mythological painting genre. The artwork depicts a cherubic Cupid engaged with a large rotating wheel, symbolizing the capricious nature of fortune. The skillful rendering of the figure, draped fabric, and intricate details situates this piece as a quintessential example of High Renaissance artistry, encapsulating both the elegance and allegorical depth characteristic of Titian's oeuvre.

66. Danae

Danae
  • Artwork Name: Danae
  • Year: 1554
  • Medium: oil,canvas
  • Dimensions: 135 x 152 cm

The artwork, titled "Danae" and executed by Titian in 1554, is an oil on canvas painting measuring 135 x 152 cm. It belongs to the Mannerism art movement, also known as the Late Renaissance. The mythological painting is currently housed in the Kunsthistorisches Museum in Vienna, Austria. The composition depicts the myth of Danae, capturing a sensuous moment where Danae is showered by golden rain. The scene is imbued with rich textures and vivid details, showcasing Titian's mastery in rendering both human form and atmospheric effects, characteristic of the era's sophisticated artistic approach.

67. Danae

Danae
  • Artwork Name: Danae
  • Year: 1553 - 1554
  • Medium: oil,canvas
  • Dimensions: 129 x 180 cm

The artwork "Danae," created by the renowned artist Titian between 1553 and 1554, is an oil painting on canvas that belongs to the Mannerism (Late Renaissance) movement. Measuring 129 by 180 cm, this mythological painting is part of a series titled "Mythological paintings (poesie) for Philip II" executed between 1553 and 1562. The artwork is housed in the Museo del Prado in Madrid, Spain. The scene depicted in the painting captures the mythological moment of Danae and the shower of gold, rendered with exquisite detail and dramatic flair characteristic of Titian's style.

68. David and Goliath

David and Goliath
  • Artwork Name: David and Goliath
  • Year: 1542 - 1544
  • Medium: oil,panel
  • Dimensions: 300 x 285 cm

The artwork "David and Goliath," created by the renowned artist Titian between 1542 and 1544, is an exemplary piece of the Mannerism (Late Renaissance) art movement. This religious painting, executed in oil on panel, measures an impressive 300 x 285 cm and is housed in the Santa Maria della Salute church in Venice, Italy. The artwork vividly depicts the biblical moment of David's triumph over Goliath, with David shown in the act of celebrating or offering thanks while standing over the fallen giant, whose massive body lies dramatically foregrounded. The use of chiaroscuro heightens the intensity of the scene, emphasizing the divine intervention suggested by the illuminating burst of light in the turbulent sky.

69. Portrait of Don Fernando Alvarez of Toledo, Grand Duke of Alba

Portrait of Don Fernando Alvarez of Toledo, Grand Duke of Alba

The artwork titled "Portrait of Don Fernando Alvarez of Toledo, Grand Duke of Alba" was created by the renowned artist Titian around the year 1570. Rendered in oil and measuring 100 by 80 centimeters, this exemplary piece belongs to the High Renaissance art movement. The genre of the artwork is portraiture, and it depicts Don Fernando Alvarez of Toledo, attired in detailed and ornate armor that emphasizes his nobility and authority. The meticulous use of light, shadow, and intricate detailing in the attire underscores the artist's masterful skill in capturing the dignified presence and commanding aura of his subject.

70. Portrait of Eleonora Gonzaga

Portrait of Eleonora Gonzaga

"Portrait of Eleonora Gonzaga" is an exquisite artwork created by the renowned artist Titian in 1538. This masterful piece, rendered in oil on canvas, measures 114 x 102.2 cm and epitomizes the High Renaissance art movement. The artwork is a formal portrait, currently housed in the esteemed Uffizi Gallery in Florence, Italy. In the artwork, Eleonora Gonzaga is portrayed with a dignified demeanor, adorned in sumptuous attire indicative of her noble status. Her meticulous garment details, the rich texture of the fabrics, and the serene landscape visible through the window embody the artistic grandeur of the period.

71. Portrait of Emperor Charles V with dog

Portrait of Emperor Charles V with dog

The artwork, titled "Portrait of Emperor Charles V with Dog," is an oil on canvas painting created by the artist Titian between 1532 and 1533. This portrait belongs to the High Renaissance art movement and features dimensions of 192 by 111 cm. The painting currently resides in the Museo del Prado in Madrid, Spain. The portrait captures Emperor Charles V standing with a loyal dog at his side, emphasizing the regal and serene demeanor of the Emperor through meticulous detailing and a composition that highlights the grandeur of his presence.

72. Portrait of Fabrizio Salvaresio

Portrait of Fabrizio Salvaresio

The artwork titled "Portrait of Fabrizio Salvaresio" was masterfully created by the artist Titian in the year 1558. Executed in oil on canvas, this piece embodies the Mannerism (Late Renaissance) art movement. The portrait, measuring 112 x 88 cm, is a distinguished representation of portraiture from this period. Currently, it is housed in the Kunsthistorisches Museum in Vienna, Austria. The artwork depicts the subject, Fabrizio Salvaresio, with remarkable detail, characterized by his composed expression, enriched attire, and the stately presence conveyed through Titian's skilled brushwork.

73. Portrait of Federico II Gonzaga

Portrait of Federico II Gonzaga

The artwork, "Portrait of Federico II Gonzaga," is an oil-on-canvas piece by the renowned artist Titian, created circa 1525. This portrait, measuring 125 x 99 cm, belongs to the High Renaissance art movement and is housed in the Museo del Prado in Madrid, Spain. The artwork depicts Federico II Gonzaga with an air of nobility and sophistication. Dressed in opulent attire, he is accompanied by a small dog, symbolizing loyalty and status. The rich blue fabric and intricate detailing of his garment highlight Titian's mastery in capturing texture and depth, making this portrait a superb example of Renaissance portraiture.

74. Portrait of Francesco Maria della Rovere

Portrait of Francesco Maria della Rovere

The artwork, titled "Portrait of Francesco Maria della Rovere," is an oil painting on canvas created by the renowned High Renaissance artist Titian between 1536 and 1538. Measuring 114.3 by 100 cm, this portrait exemplifies the sophisticated techniques and stylistic elegance of the High Renaissance art movement. Currently housed in the Uffizi Gallery in Florence, Italy, the artwork portrays Francesco Maria della Rovere in a suit of armor, exuding strength and nobility. The intricate details of the armor and the subtle play of light and shadow demonstrate Titian’s masterful artistry and his ability to capture both the physical likeness and the character of his subject.

75. Portrait of Francis I

Portrait of Francis I

The artwork, titled "Portrait of Francis I," was created by the renowned artist Titian between 1538 and 1539. Executed in oil on canvas, this portrait exemplifies the High Renaissance art movement and measures 109 by 89 centimeters. Currently housed at the Louvre in Paris, France, the artwork portrays Francis I with a dignified demeanor, characterized by his elaborate clothing and composed posture, reflecting both the opulence and intricate detailing indicative of the period.

76. Portrait of Giulio Romano

Portrait of Giulio Romano

The artwork, entitled "Portrait of Giulio Romano," is a distinguished piece by Titian, completed around 1536 during the High Renaissance period. This oil painting on canvas measures 101 by 86 centimeters and belongs to the portrait genre. It depicts a solemn figure holding an architectural drawing, characterized by the mastery of Titian's use of light and shadow, enriching the subject with a profound sense of realism and depth.

77. Portrait of Ippolito de Medici in a Hungarian Costume

Portrait of Ippolito de Medici in a Hungarian Costume

The artwork, titled "Portrait of Ippolito de Medici in a Hungarian Costume," is an exquisite oil on canvas painting by the renowned artist Titian, dating from 1532 to 1533. This portrait, standing at 138 x 106 cm, exemplifies the High Renaissance art movement. It captures Ippolito de Medici adorned in elaborate Hungarian attire, showcasing Titian's mastery in rendering intricate textures and lifelike details. The artwork is a significant piece within the genre of portraiture and is currently housed in the prestigious Palazzo Pitti in Florence, Italy.

78. Portrait of Ippolito Riminaldi

Portrait of Ippolito Riminaldi

"Portrait of Ippolito Riminaldi" is a masterful oil on canvas painting created circa 1528 by the renowned High Renaissance artist Titian. Measuring 116 by 93 centimeters, the portrait is an exemplary representation of the genre, showcasing Titian's expertise in capturing the essence of his subjects with profound depth and realism. The artwork is housed in the esteemed Accademia di San Luca in Rome, Italy, and exemplifies the artist's sophisticated technique and his ability to convey subtle expression and dignified presence through his use of color and composition.

79. The Scourging of Christ

The Scourging of Christ

"The Scourging of Christ," created by the illustrious artist Titian around 1560, is an evocative oil painting on canvas. This poignant work of religious art, rendered in the Mannerism style of the Late Renaissance, is presently housed in the Borghese Gallery in Rome, Italy. The artwork depicts a deeply emotional scene, illustrating Christ's torment and psychological suffering, with a focus on his anguished expression and humble stance, encapsulated within somber and subdued tones.

80. The Tribute Money

The Tribute Money

"The Tribute Money" by Titian, an oil painting on canvas created in 1516, exemplifies the High Renaissance art movement. Measuring 56 x 75 cm, this religious painting is housed in the Gemäldegalerie Alte Meister in Dresden, Germany. The artwork depicts a serene and profound moment, focusing on an intimate exchange between two figures, highlighting Titian's masterful use of light and shadow to convey depth and emotion.

81. The Tribute Money

The Tribute Money
  • Artwork Name: The Tribute Money
  • Year: 1560 - 1568
  • Medium: oil,canvas
  • Dimensions: 109.2 x 101.6 cm

"The Tribute Money," crafted by Titian between 1560 and 1568, is an exquisite oil painting on canvas that measures 109.2 by 101.6 centimeters and falls within the Mannerism art movement, also known as the Late Renaissance. The artwork, which belongs to the genre of religious painting, depicts a scene rich in biblical narrative, where the intricate expressions and detailed clothing of the figures reflect the artist's mastery and attention to spiritual and human nuances.

82. The Trinity in Glory

The Trinity in Glory

"The Trinity in Glory" is an oil painting on canvas by Titian, created circa 1552-1554, during the Mannerism (Late Renaissance) art movement. Measuring 346 by 24 cm, the religious painting is housed in the Museo del Prado in Madrid, Spain. The artwork depicts the Holy Trinity surrounded by a host of heavenly figures, bathed in divine light, ascending amidst the grandeur of glory, showcasing Titian's masterful composition and vibrant use of color characteristic of the Mannerist period.

83. The Vendramin Family Venerating a Relic of the True Cross

The Vendramin Family Venerating a Relic of the True Cross

The artwork, titled "The Vendramin Family Venerating a Relic of the True Cross," is an oil painting on canvas created by Titian between 1540 and 1545. Spanning 206 x 289 cm, it is characteristic of the Mannerist phase of the Late Renaissance. The painting falls under the genre painting category and currently resides in the National Gallery in London, UK. This masterful work intricately depicts members of the Vendramin family in reverence before a sacred Christian relic, with an emphasis on their elaborate garments and expressions of devotion, set against a backdrop of celestial clouds and a sacred altar.

84. The Vicious Husband

The Vicious Husband

"The Vicious Husband" is a genre painting created in 1511 by the renowned High Renaissance artist Titian. The artwork, presently held in a private collection, portrays an intense and dynamic scene of domestic violence, where a husband is shown in the act of physically assaulting his wife against a backdrop of nature. The composition is characterized by the stark contrast between the vigorous movement of the male figure and the vulnerable posture of the female, emphatically capturing the brutality and emotional turmoil of the moment. Titian's masterful use of line and form brings an acute sense of drama and realism to the artwork, making it a poignant commentary on the darker aspects of human relationships.

85. The Virgin and Child with Four Saints

The Virgin and Child with Four Saints

"The Virgin and Child with Four Saints," created by the renowned artist Titian between 1515 and 1518, is an exquisite oil painting on canvas belonging to the High Renaissance art movement. This religious painting is currently housed at the Gemäldegalerie Alte Meister in Dresden, Germany. The artwork depicts the Virgin Mary holding the Child Jesus, flanked by four saints, each radiating a divine serenity that is characteristic of Titian's masterful use of color and composition.

86. The Worship of Venus

The Worship of Venus

"The Worship of Venus," created by Titian between 1516 and 1518, is a masterful oil painting on canvas that exemplifies the High Renaissance art movement. Measuring 172 x 175 cm, the artwork is a mythological painting and is part of Titian's series of "Mythological paintings (poesie)" commissioned for Philip II from 1553 to 1562. The artwork is located in the Museo del Prado in Madrid, Spain. In this entrancing scene, Titian artistically depicts myriad cherubic figures engaged in adoration and veneration of Venus, the classical goddess of love, amidst a lush and verdant landscape, embodying a harmonious fusion of divinity and nature.

87. The Young Englishman

The Young Englishman

The artwork, titled "The Young Englishman," is a portrait by the renowned artist Titian, created circa 1540 - 1545 during the Mannerism (Late Renaissance) movement. Rendered in oil on canvas, the artwork measures 96.8 x 111 cm and is currently housed in the Palazzo Pitti, Florence, Italy. The painting depicts a young man dressed in dark, elegant attire, his contemplative expression captured vividly against a muted background, exemplifying the refined and expressive characteristics of Titian's portraiture.

88. The Punishment of Tythus

The Punishment of Tythus

"The Punishment of Tythus," created by Titian between 1548 and 1549, is an oil on canvas masterpiece embodying the Mannerism (Late Renaissance) art movement. This mythological painting, measuring 253 x 217 cm, currently resides in the Museo del Prado in Madrid, Spain. The artwork vividly depicts the gruesome mythological narrative of Tythus, bound in chains and subjected to torment by a monstrous bird, capturing the intense drama and complex emotionality characteristic of Mannerist style.

89. Doge Antonio Grimani Kneeling Before the Faith

Doge Antonio Grimani Kneeling Before the Faith

"Doge Antonio Grimani Kneeling Before the Faith," an oil on canvas artwork created by the renowned artist Titian between 1575 and 1576, is an exemplary piece of Mannerism, a style that marked the Late Renaissance period. Measuring 365 x 5 cm, the artwork is an allegorical painting that presents a powerful depiction of Doge Antonio Grimani in a pose of reverence and submission. Central to the composition is a celestial figure, possibly Faith personified, accompanied by cherubs, highlighting the divine endorsement of Grimani's devotion. The scene is imbued with rich symbolism and intricate details that exemplify Titian's masterful technique and the grandeur of the Mannerist movement.

90. Do not touch me

Do not touch me
  • Artwork Name: Do not touch me
  • Year: 1511 - 1512
  • Medium: oil,canvas
  • Dimensions: 109 x 91 cm

The artwork, titled "Do not touch me", was created by the renowned artist Titian between 1511 and 1512 using oil on canvas. Measuring 109 x 91 cm, this piece belongs to the High Renaissance art movement and falls under the genre of religious painting. It is housed in the National Gallery in London, UK. The artwork depicts a poignant biblical scene where Jesus Christ, draped in a white cloth and holding a staff, gestures gently to a kneeling Mary Magdalene, who reaches out to him in a posture of reverence and devotion. The backdrop showcases a serene landscape with a solitary tree and distant architectural structures beneath a warm, glowing sky.

91. Ecce Homo

Ecce Homo

"Ecce Homo," a religious painting by the eminent High Renaissance artist Titian, is housed in the Brukenthal National Museum in Sibiu, Romania. The artwork portrays the dramatic moment when Christ, presented to the crowd by Pontius Pilate, is subjected to their scorn and rejection. The scene is bustling with detailed figures, intense emotions, and a masterful use of light and shadow that highlights Titian's skill in conveying spiritual and human drama. Through its vivid realism and dynamic composition, the painting encapsulates a pivotal narrative of the Passion of Christ, resonating with profound theological and artistic significance.

92. Ecce Homo

Ecce Homo
  • Artwork Name: Ecce Homo
  • Year: c.1548
  • Medium: oil,panel
  • Dimensions: 68 x 53 cm

The artwork "Ecce Homo," created by the esteemed artist Titian circa 1548, is an oil painting on panel exemplifying the Mannerism (Late Renaissance) art movement. Measuring 68 x 53 cm, this profound religious painting is currently housed in the Museo del Prado in Madrid, Spain. The artwork portrays a somber and contemplative Christ, characterized by its masterful use of chiaroscuro to accentuate the emotional depth and physical suffering, reflecting the solemn theme of Christ before Pilate. The darkness surrounding the figure enhances the poignant and dramatic impact, marking it as a significant piece in religious art.

93. Ecce Homo

Ecce Homo
  • Artwork Name: Ecce Homo
  • Year: c.1558 - 1560
  • Medium: oil,canvas

The artwork "Ecce Homo," created by Titian circa 1558-1560, is a poignant religious painting rendered in oil on canvas, epitomizing the Mannerism (Late Renaissance) art movement. The painting depicts a solemn and contemplative portrayal of Jesus Christ, crowned with thorns, holding a reed, and draped in a flowing crimson cloth. His downcast eyes and the faint halo of light surrounding his head amplify the sense of suffering and divinity. The intricate detailing and emotive use of light and shadow in the painting reflect Titian's exceptional artistry and the fervent spiritual themes characteristic of the period.

94. Emperor Charles V Seated

Emperor Charles V Seated

The artwork titled "Emperor Charles V Seated," created by the renowned artist Titian in 1548, is an oil painting on canvas, exemplifying the Mannerism (Late Renaissance) art movement. The substantial dimensions of the portrait, measuring 122 by 205 centimeters, contribute to its imposing presence. Currently housed in the Alte Pinakothek in Munich, Germany, the artwork portrays Emperor Charles V with a solemn and dignified demeanor, adorned in regal attire, seated against a richly ornamented backdrop with a distant landscape visible through a columned opening. This masterful portrait underscores Titian's exceptional ability to capture both the physical likeness and the imperial gravitas of his subject.

95. Emperor Charles V at Muhlberg

Emperor Charles V at Muhlberg

"Emperor Charles V at Muhlberg" is an oil painting on canvas created by Titian in 1548. Exemplifying the Mannerism (Late Renaissance) art movement, the artwork measures 279 x 332 cm and is currently housed at the Museo del Prado in Madrid, Spain. This portrait depicts Emperor Charles V in a dignified and commanding pose on horseback, clad in ornate armor, set against a dramatic landscape. The artist skillfully captures the Emperor's resolute expression and the noble stance of both the rider and the steed, highlighting the grandeur and authority of the subject.

96. Entombment of Christ

Entombment of Christ

The artwork "Entombment of Christ," executed by the eminent artist Titian between 1523 and 1526, is an exemplary piece from the High Renaissance movement. Rendered in oil on canvas, this religious painting measuring 148 x 205 cm, is currently housed in the Louvre, Paris, France. The artwork portrays the poignant biblical scene of Christ's entombment, featuring a somber composition that emphasizes the emotional gravity of the moment, with figures shrouded in dark tones and solemn expressions, invoking a sense of profound reverence and sorrow.

97. Entry of Mary into the temple

Entry of Mary into the temple

The artwork "Entry of Mary into the Temple," created by Titian between 1534 and 1538, is an oil painting on canvas that belongs to the High Renaissance art movement and falls under the genre of religious painting. It is presently held in a private collection. The painting vividly captures the moment Mary is brought to the temple, illustrating a grand procession of figures climbing steps leading to a temple entrance. The background features a scenic landscape, and the architecture is depicted with intricate details, showcasing Titian's mastery in composition and the High Renaissance style. The crowd's varied expressions and postures create a dynamic narrative, emphasizing the significance of the religious event portrayed.

98. Portrait of Isabella of Portugal, wife of Holy Roman Emperor Charles V

Portrait of Isabella of Portugal, wife of Holy Roman Emperor Charles V

The artwork titled "Portrait of Isabella of Portugal, wife of Holy Roman Emperor Charles V," crafted by Titian in 1548, is an exquisite oil painting on canvas, representative of the Mannerism movement during the Late Renaissance. Measuring 117 by 93 cm, this portrait is housed in the prestigious Museo del Prado in Madrid, Spain. In the artwork, Isabella of Portugal is depicted seated with a composed and regal demeanor, adorned in elaborate and richly textured garments, reflecting her royal status. The intricate detailing of her attire and the serene landscape in the background accentuate the luxurious yet dignified portrayal characteristic of Titian's masterful technique.

99. Portrait of Jacopo (Giacomo) Dolfin

Portrait of Jacopo (Giacomo) Dolfin

"Portrait of Jacopo (Giacomo) Dolfin," an oil painting on canvas by Titian from circa 1532, exemplifies the High Renaissance art movement. The artwork measures 105 by 91 centimeters and belongs to the portrait genre. The subject is captured in a composed and dignified manner, with the painter’s mastery evident in the use of light and shadow, conveying both the subject’s physical presence and a deeper psychological depth. The opulent yet somber attire underscores the prominence and refinement of the sitter, enhancing the overall gravitas of the piece.

100. Portrait of Jacopo Sannazaro

Portrait of Jacopo Sannazaro

The artwork, entitled "Portrait of Jacopo Sannazaro," is a masterful piece by the renowned artist Titian, created between 1514 and 1518 during the High Renaissance period. The painting, showcasing the dimensions of 85.7 by 72.7 cm, is currently housed in the Royal Collection at Buckingham Palace, London, UK. It belongs to the portrait genre and exemplifies Titian's exceptional ability to capture the essence and dignity of his subjects. The artwork portrays Jacopo Sannazaro with a contemplative expression, dressed in luxurious attire, holding a book, which denotes his scholarly and poetic pursuits. The fine details and rich color palette highlight Titian's mastery and the refined aesthetic of the High Renaissance.

101. Portrait of Jacopo Strada

Portrait of Jacopo Strada

"Portrait of Jacopo Strada," created by Titian between 1567 and 1568, is an oil on canvas painting that stands at 95 by 125 centimeters. This artwork, which belongs to the Mannerism (Late Renaissance) movement, portrays the Renaissance antiquarian and art dealer Jacopo Strada. It is housed in the Kunsthistorisches Museum in Vienna, Austria. The artwork features Strada in an opulent and poised manner, adorned in luxurious clothing with an evident display of jewels and coins, indicative of his profession and societal status. The intricate details and the rich textures of the painting underscore Titian's masterful use of oil paints to bring forth the character and persona of Strada.

102. Portrait of Laura de Dianti

Portrait of Laura de Dianti

The artwork, "Portrait of Laura de Dianti," created by the artist Titian around the year 1523, is an oil on canvas measuring 118 by 93 centimeters. It belongs to the High Renaissance art movement and is categorized as a portrait. The painting is currently housed in the Kisters Collection in Kreuzlingen, Switzerland. The artwork depicts a woman adorned in a rich blue garment with intricate gold trimming, a diaphanous yellow shawl cascading over her shoulder, and a regal headpiece studded with gems. A young boy, dressed in vivid, multi-colored attire, stands beside her, gazing upwards. The composition exudes an air of nobility and grace, characteristic of Titian's mastery in portraiture during the High Renaissance period.

103. Portrait of Lavinia, the Artist's Daughter

Portrait of Lavinia, the Artist's Daughter

The artwork, titled "Portrait of Lavinia, the Artist's Daughter," was created by the renowned artist Titian between 1560 and 1561. Executed in oil on canvas, this piece belongs to the Mannerism (Late Renaissance) art movement and falls under the genre of portraiture. The painting is part of a private collection. The artwork meticulously captures Lavinia, the artist's daughter, adorned in opulent attire with intricate jewelry, embodying the elegance and refinement characteristic of the period.

104. Portrait of Ludovico Beccadelli

Portrait of Ludovico Beccadelli

"Portrait of Ludovico Beccadelli" is an exemplar of the Mannerism (Late Renaissance) art movement, painted in 1552 by the renowned artist Titian. Rendered in oil on canvas, the artwork is a portrait that depicts Ludovico Beccadelli with meticulous attention to detail and a dignified presence indicative of the period's sophisticated style. The portrait, characterized by its rich color palette and refined composition, is currently housed in the celebrated Uffizi Gallery in Florence, Italy.

105. Portrait of Doge Marcantonio Trevisani

Portrait of Doge Marcantonio Trevisani

The artwork titled "Portrait of Doge Marcantonio Trevisani," created by the renowned artist Titian in 1554, is an exquisite oil painting on canvas. Measuring 86.5 by 100 cm, this portrait exemplifies the Mannerism movement of the Late Renaissance. It is housed in the Budapest Museum of Fine Arts in Budapest, Hungary. The artwork depicts Doge Marcantonio Trevisani adorned in opulent, richly detailed ceremonial robes, exuding an air of dignity and authority befitting his status. The intricate texture of the fabric and the subtle play of light and shadow showcase Titian's mastery in portraying both the physical and psychological presence of his subject.

106. Portrait of Nicolas Perrenot of Granvelle

Portrait of Nicolas Perrenot of Granvelle

The artwork, titled "Portrait of Nicolas Perrenot of Granvelle," is an oil painting on wood, created by Titian around 1548 during the High Renaissance period. Measuring 106 x 90 cm, this portrait resides at the Musée du Temps de Besançon in Besançon, France. It depicts a solemn and dignified figure, characterized by his composed expression and formal attire, reflecting the mastery and attention to detail typical of Titian's work. The painting emphasizes the sitter's status and personality, conveying a sense of gravitas and authority.

107. Portrait of Philip II

Portrait of Philip II

The artwork titled "Portrait of Philip II" is a masterful oil painting on canvas, created by the renowned artist Titian around the year 1553. Measuring 1005 by 1835 centimeters, this portrait exemplifies the Mannerism (Late Renaissance) art movement. The subject of the painting is depicted in an opulent and regal manner, showcasing intricate details in the attire and a dignified posture. Currently housed in the Palazzo Pitti in Florence, Italy, the artwork reflects Titian's skill in capturing the sophistication and authority of his subjects.

108. Venus and Adonis

Venus and Adonis
  • Artwork Name: Venus and Adonis
  • Year: 1550 - 1559
  • Medium: oil,canvas
  • Dimensions: 134 x 187 cm

"Venus and Adonis," an oil painting on canvas created by the renowned artist Titian between 1550 and 1559, epitomizes the Mannerism (Late Renaissance) art movement. Measuring 134 by 187 cm, this mythological painting depicts the tragic love story of Venus and Adonis, showcasing Titian's masterful use of color and composition. Venus clings to Adonis as he prepares to embark on a hunt, accompanied by his hounds, amidst a dramatic landscape rendered with emotive intensity. The artwork is housed in the National Gallery of Ancient Art (GNAA) in Rome, Italy.

109. Venus and an Organist and a Little Dog

Venus and an Organist and a Little Dog

"Venus and an Organist and a Little Dog," crafted by Titian around 1550, is an oil-on-canvas masterpiece measuring 136 x 22 cm. This mythological painting, housed in the Museo del Prado in Madrid, Spain, embodies the Mannerism art movement of the Late Renaissance. The artwork portrays Venus reclining seductively on a lavish bed, accompanied by a small dog by her side. Near the bed, an organist is depicted, adding a sense of musical reverence to the scene. In the background lies a serene landscape with a fountain, enhancing the painting’s mythological and romantic essence.

110. Venus and Cupid

Venus and Cupid
  • Artwork Name: Venus and Cupid
  • Year: c.1550
  • Medium: oil,canvas
  • Dimensions: 139 x 195 cm

The artwork titled "Venus and Cupid," created by Titian around 1550, is an oil painting on canvas that is characteristic of the Mannerism (Late Renaissance) movement. Measuring 139 x 195 cm, this mythological painting is housed in the Uffizi Gallery in Florence, Italy. The composition depicts the goddess Venus reclining languidly, in an intimate and serene pose, while her son Cupid reaches towards her, creating a tender and personal interaction. The scene is further enriched with meticulously rendered details such as a lush landscape in the background and a small dog at their feet, symbolizing fidelity. The rich, warm tones and the exquisite play of light and shadow highlight Titian's mastery in depicting the human form and his deep understanding of mythological subject matter.

111. Venus and the Lute Player

Venus and the Lute Player

"Venus and the Lute Player" by Titian, created circa 1560, is an oil on canvas painting measuring 157 x 205 cm, belonging to the Mannerism (Late Renaissance) movement. This mythological artwork depicts a reclining Venus, the Roman goddess of love, attended by a cherub, and serenaded by a lute player who sits beside her. The composition showcases Titian's masterful use of richly colored drapery and a harmonious landscape background, merging divine beauty and musical accompaniment in a serene pastoral scene.

112. Venus Blindfolding Cupid

Venus Blindfolding Cupid

"Venus Blindfolding Cupid," created by Titian around 1565, is an oil painting on canvas, exemplifying the Mannerism (Late Renaissance) movement. This mythological painting, which measures 185 by 118 cm, is housed in the Borghese Gallery in Rome, Italy. The artwork portrays Venus, the Roman goddess of love, blindfolding Cupid, her son and the god of desire, emphasizing themes of love, beauty, and deception. The composition is marked by intricate detailing and the use of rich, warm colors, characteristic of Titian's later works.

113. Venus in Front of the Mirror

Venus in Front of the Mirror

"Venus in Front of the Mirror," created by the artist Titian between 1553 and 1554, is a notable oil on canvas painting that belongs to the Mannerism (Late Renaissance) art movement. The artwork, measuring 105.5 by 124.5 cm, is a mythological painting currently housed in the National Gallery of Art in Washington, DC, United States. The piece depicts a serene and exquisite Venus admiring herself in a mirror held by Cupid, capturing the essence of divine beauty and introspection characteristic of mythological subjects from the period.

114. Vincenzo Cappello

Vincenzo Cappello

"Vincenzo Cappello," a portrait created circa 1540 by the renowned artist Titian, represents the High Renaissance art movement. The artwork captures the commanding presence of a bearded man clad in robust armor, exuding a sense of authority and nobility. The figure is depicted holding a sword in one hand while standing in front of a pedestal adorned with a helmet, signifying his martial prowess and esteemed status. The rich use of color and meticulous detailing in the armor and fabric further accentuate the subject's prominence and character, exemplifying Titian's masterful technique and the period's artistic refinement.

115. Violante

Violante
  • Artwork Name: Violante
  • Year: 1515 - 1518
  • Medium: oil,canvas
  • Dimensions: 51 x 65.5 cm

"Violante," created by the esteemed artist Titian between 1515 and 1518, is an exquisite oil on canvas portrait representative of the High Renaissance. The artwork measures 51 by 65.5 cm and is currently housed in a private collection at the Kunsthistorisches Museum in Vienna, Austria. This masterfully crafted piece portrays a young woman with delicate, flowing golden hair, adorned in luxurious garments, showcasing Titian's exceptional skill in capturing the subtleties of human expression and the opulence of the period.

116. Virgin and Child

Virgin and Child
  • Artwork Name: Virgin and Child
  • Year: c.1545
  • Medium: oil,panel
  • Dimensions: 38 x 31 cm

The artwork, titled "Virgin and Child," is an oil painting on panel created by Titian around the year 1545. Measuring 38 by 31 centimeters, this piece belongs to the Mannerism (Late Renaissance) art movement and represents a religious painting genre. Currently housed in the Thyssen-Bornemisza Museum in Madrid, Spain, the painting depicts the intimate bond between the Virgin Mary and the infant Jesus. Exuding a sense of tenderness and divine grace, the composition is characterized by the Virgin's protective embrace and the child's affectionate gesture, all set against a backdrop that emphasizes the rich, vibrant drapery typical of Titian's illustrious style.

117. Wisdom

Wisdom
  • Artwork Name: Wisdom
  • Year: 1560
  • Medium: oil,canvas
  • Dimensions: 177 x 177 cm

The artwork, entitled "Wisdom," is an allegorical painting by the renowned artist Titian, completed in 1560. Executed in oil on canvas, the painting measures 177 by 177 centimeters and belongs to the Mannerism (Late Renaissance) art movement. It is currently housed in the Biblioteca Marciana in Venice, Italy. The artwork depicts a dynamic scene with a central female figure, draped in flowing garments, seemingly interacting with an angelic being amidst a backdrop of swirling clouds, symbolizing the ethereal nature of wisdom.

118. Filippo Archinto

Filippo Archinto

The artwork, "Filippo Archinto" by Titian, created around 1550, represents the Mannerism (Late Renaissance) art movement and belongs to the portrait genre. The painting exhibits a dignified and solemn depiction of Filippo Archinto, characterized by meticulous attention to detail in facial expressions and attire. The subject is portrayed seated, exuding an aura of authority and wisdom, with a richly detailed robe and an intricately depicted hand holding a book, symbolizing knowledge and contemplation. Titian's masterful use of color and light enhances the realistic portrayal, making the artwork a remarkable example of Renaissance portraiture.

119. Flora

Flora
  • Artwork Name: Flora
  • Year: c.1515
  • Medium: oil,canvas
  • Dimensions: 79.6 x 63.5 cm

"Flora," created by Titian around 1515, is an oil on canvas painting that exemplifies the High Renaissance art movement. The artwork measures 79.6 x 63.5 cm and is housed in the Uffizi Gallery in Florence, Italy. This mythological painting portrays a woman draped in a white gown, serenely holding flowers, with an expression of calm and contemplative grace. The artist's use of light and texture enhances the tenderness and realism of the scene, making it a quintessential representation of Renaissance beauty and sophistication.

120. French Cardinal Georges d`Armagnac and his secretary G. Philandrier

French Cardinal Georges d`Armagnac and his secretary G. Philandrier

The artwork, titled "French Cardinal Georges d’Armagnac and his Secretary G. Philandrier," is an oil painting on canvas by the renowned artist Titian. Executed in the High Renaissance art movement, the piece belongs to the portrait genre. It currently resides in the Louvre Museum, Paris, France. The composition of the artwork displays a meticulous portrayal of Cardinal Georges d'Armagnac alongside his secretary, G. Philandrier, set against a subtler background that subtly enhances the solemnity and significance of the subjects depicted.

121. Giacomo Doria

Giacomo Doria

The artwork, titled "Giacomo Doria," is a portrait painted by the renowned artist Titian between 1533 and 1535. Executed in oil on canvas and representative of the High Renaissance movement, this piece captures the dignified demeanor and presence of its subject. The figure, clad in dark, voluminous robes, stands in front of a stately marble column, suggesting an air of nobility and gravitas. The painting is currently housed in the Ashmolean Museum in Oxford, UK, where it continues to be admired as a testament to Titian's exceptional skill and influence in portraiture.

122. Gian Giacomo Bartolotti da Parma

Gian Giacomo Bartolotti da Parma

The artwork titled "Gian Giacomo Bartolotti da Parma," created by the renowned artist Titian in 1518, belongs to the High Renaissance art movement. This portrait, measuring 88 x 75 cm, is a distinguished example of Titian's mastery in portraiture and is currently housed in the Kunsthistorisches Museum in Vienna, Austria. The artwork captures the dignified presence of its subject and exemplifies the refined aesthetic characteristic of the High Renaissance era.

123. Giorgio Cornaro with a Falcon

Giorgio Cornaro with a Falcon

The artwork, "Giorgio Cornaro with a Falcon," created by the renowned artist Titian in 1537, exemplifies the High Renaissance art movement. It is a portrait that depicts Giorgio Cornaro, a nobleman, holding a falcon. The subject’s dignified posture and the intricate details of both the man's attire and the falcon, reflect the mastery of Titian's technique and the period's emphasis on realism and grandeur in portraiture.

124. Girls in Furs (Portrait of a woman)

Girls in Furs (Portrait of a woman)

"Girls in Furs (Portrait of a Woman)," created by Titian circa 1535-1537, is an exemplary work of the High Renaissance movement. Executed in oil on canvas, the portrait measures 95 by 63 centimeters and is currently housed at the Kunsthistorisches Museum in Vienna, Austria. The artwork portrays a woman draped in luxurious furs, her poised and composed demeanor encapsulating the elegance and refinement characteristic of Titian's portraiture. The subject's delicate jewelry and richly textured fur garment enhance the opulence of the piece, reflecting the artist's masterful use of color and texture.

125. Girl with a Basket of Fruits (Lavinia)

Girl with a Basket of Fruits (Lavinia)

The artwork, titled "Girl with a Basket of Fruits (Lavinia)" by Titian, was created between 1555 and 1558 and belongs to the Mannerism (Late Renaissance) art movement. Executed in oil on canvas, the portrait measures 82 x 102 cm and is housed in the Gemäldegalerie, Berlin, Germany. The artwork features a young woman elegantly adorned, holding a basket of fruit aloft. The composition, rich in detail and characterized by graceful lines and delicate textures, exemplifies the refined aesthetics of the Mannerist style, showcasing Titian's masterful use of color and light.

126. Girolamo and Cardinal Marco Corner Investing Marco, Abbot of Carrara, with His Benefice

Girolamo and Cardinal Marco Corner Investing Marco, Abbot of Carrara, with His Benefice

"Girolamo and Cardinal Marco Corner Investing Marco, Abbot of Carrara, with His Benefice," created by Titian circa 1520, exemplifies the High Renaissance art movement and falls within the portrait genre. The artwork depicts a significant moment featuring three figures, with the central interaction focused on the ceremonial bestowment of a benefice by two prominently dressed individuals upon a youthful recipient. The detailed rendering and composed expressions of the subjects emphasize the solemnity and importance of the occasion, characteristic of Titian's masterful technique and evocative style.

127. Giulia Gonzaga

Giulia Gonzaga

The artwork, titled "Giulia Gonzaga," is a portrait by the renowned High Renaissance artist Titian. It depicts a serene and poised woman, Giulia Gonzaga, displaying characteristic elements of the High Renaissance with its emphasis on balanced composition, realistic detail, and subtle use of light and shadow. The woman is portrayed with a calm and introspective expression, her hand elegantly placed near her chest, wearing attire that reflects her noble status. The backdrop is simple, ensuring that the viewer's focus remains on the subject, highlighting the artist's masterful technique in capturing both the physical and emotional depth of his subject.

128. Portrait of Pietro Aretino

Portrait of Pietro Aretino

"Portrait of Pietro Aretino," rendered by the renowned artist Titian around 1545, exemplifies the Mannerism (Late Renaissance) art movement. This oil-on-canvas masterpiece, measuring 98 x 78 cm, is categorized under the genre of portraiture. The artwork is currently housed in the prestigious Palazzo Pitti, located in Florence, Italy. The portrait captures the distinguished figure of Pietro Aretino, showcasing Titian's masterful use of color and texture to convey character and nobility, hallmarks of the Mannerist style.

129. Portrait of Pietro Aretino

Portrait of Pietro Aretino

The artwork, titled "Portrait of Pietro Aretino" by the renowned artist Titian, dates back to approximately 1548 and is executed in oil on canvas. As a notable example of Mannerism within the Late Renaissance period, the painting measures 99 by 82 centimeters. It is currently housed in the esteemed Frick Collection in New York City. The portrait features a detailed and solemn depiction of Pietro Aretino, with a focus on the rich texture of his fur-lined garb and the dignified expressions captured through Titian's masterful brushwork.

130. Portrait of Pietro Bembo

Portrait of Pietro Bembo

"Portrait of Pietro Bembo," created by the esteemed artist Titian around 1540, is an illustrious example of High Renaissance portraiture. Executed in oil on canvas, the artwork measures 95 x 77 cm and captures the dignified and contemplative presence of its subject, Pietro Bembo. The painting showcases Titian's masterful use of color and detail, emphasizing the rich textures and depth of the cardinal's elaborate attire. The somber background accentuates the solemnity and introspection expressed on Bembo's face, making this portrait a remarkable testament to both the artist's skill and the period's artistic ideals.

131. Portrait of Pope Julius II

Portrait of Pope Julius II

The artwork, titled "Portrait of Pope Julius II," was created by renowned artist Titian between the years 1545 and 1546. Executed in oil on board, this notable piece belongs to the Mannerism, or Late Renaissance, art movement. Measuring 99 by 82 centimeters, the painting exemplifies portraiture and is housed in the Palazzo Pitti in Florence, Italy. The featured portrait captures Pope Julius II with a solemn and contemplative expression, highlighting his papal regalia and the intricate details of his robes, offering a striking representation of the distinguished figure.

132. Portrait of Pope Paul III

Portrait of Pope Paul III

"Portrait of Pope Paul III," crafted by the renowned artist Titian in 1548, exemplifies the Mannerism (Late Renaissance) art movement. Executed in oil on canvas, this work falls under the portrait genre and is currently housed in the Hermitage Museum in Saint Petersburg, Russia. The artwork portrays Pope Paul III in a seated position, donning the traditional ecclesiastical attire. The skilled use of light and shadow emphasizes the Pope's solemn expression and the rich textures of his garments, characteristic of Titian's masterful technique and the refined sophistication of the Mannerist artistic style.

133. Portrait of Pope Paul III, Cardinal Alessandro Farnese and Duke Ottavio Farnese

Portrait of Pope Paul III, Cardinal Alessandro Farnese and Duke Ottavio Farnese

The artwork titled "Portrait of Pope Paul III, Cardinal Alessandro Farnese and Duke Ottavio Farnese" is an oil on canvas painting created by the renowned artist Titian in 1546. Rendered in the Mannerism style of the Late Renaissance, this portrait measures 210 x 176 cm and is currently housed in the National Museum of Capodimonte in Naples, Italy. The composition features Pope Paul III seated with a contemplative gaze, flanked by Cardinal Alessandro Farnese on his right and Duke Ottavio Farnese in a deferential posture on his left. The rich use of reds and the dignified yet intimate arrangement of figures exemplify Titian's masterful portrayal of both the subjects' authority and their familial bonds.

134. Portrait of Pope Sixtus IV

Portrait of Pope Sixtus IV

The artwork, titled "Portrait of Pope Sixtus IV," is a High Renaissance portrait by the renowned artist Titian. It depicts Pope Sixtus IV in profile, adorned in ornate papal vestments with a red robe and cap, highlighting his solemn and reflective demeanor. Framed in an elaborate gold frame, the composition exudes both the grandeur of the papacy and the masterful skill of the artist in capturing the intricate details of the fabric and the Pope's thoughtful expression. The use of rich, warm colors and meticulous brushwork exemplifies the distinguished art of the High Renaissance period.

135. Portrait of Queen Christina of Denmark

Portrait of Queen Christina of Denmark

The artwork titled "Portrait of Queen Christina of Denmark" is a distinguished piece by the renowned High Renaissance artist, Titian. This portrait exemplifies the revered skills and stylistic nuances characteristic of Titian's oeuvre, capturing the regal essence and dignified presence of Queen Christina. The composition employs rich, subdued hues and intricate detailing to convey a sense of nobility and gravitas, befitting the portrait genre of the High Renaissance period.

136. Portrait of Ranuccio Farnese

Portrait of Ranuccio Farnese

The artwork, titled "Portrait of Ranuccio Farnese," was created by the renowned artist Titian in 1542. Executed in oil on canvas, this painting belongs to the Mannerism or Late Renaissance art movement and measures 89.7 by 73.6 centimeters. As a portrait, the artwork depicts Ranuccio Farnese with meticulous attention to detail, highlighting the subject's elaborate attire and poised demeanor, emblematic of the era's artistic tendencies to combine realism with an idealized presentation.

137. Portrait of the Doge Francesco Venier

Portrait of the Doge Francesco Venier

The artwork titled "Portrait of the Doge Francesco Venier", created by the renowned artist Titian between 1554 and 1556, is an oil painting on canvas, falling under the Mannerism (Late Renaissance) art movement. This portrait, measuring 114 by 99 centimeters, depicts the distinguished Doge Francesco Venier adorned in opulent attire, set against a backdrop that features a view of the sea, hinting at Venice's maritime heritage. The work is presently housed in the Thyssen-Bornemisza Museum in Madrid, Spain. The dignified representation and rich texture of the clothing highlight Titian's mastery in portraiture and his ability to convey the mood and status of his subjects.

138. Young Man with Cap and Gloves

Young Man with Cap and Gloves

The artwork, titled "Young Man with Cap and Gloves," is an oil on canvas portrait created by the esteemed artist Titian between 1512 and 1515. As a quintessential example of the High Renaissance art movement, this piece captures the realistic portrayal of a young man in a contemplative pose, adorned with a cap and gloves. Measuring 100 by 84 centimeters, the portrait exemplifies Titian's masterful use of light and shadow to evoke depth and character, making it a distinguished contribution to Renaissance portraiture.

139. Youth with Dogs

Youth with Dogs
  • Artwork Name: Youth with Dogs
  • Year: 1575 - 1576
  • Medium: oil,canvas
  • Dimensions: 100 x 117 cm

"Youth with Dogs," painted by Titian between 1575 and 1576, is an oil on canvas portrait measuring 100 x 117 cm. Belonging to the Mannerism (Late Renaissance) art movement, this artwork is housed at the Museum Boijmans van Beuningen in Rotterdam, Netherlands. The composition features a young child, clothed in a simple garment, standing alongside two dogs, one of which is seated and gazing upward, while the other lies on the ground nursing its puppies. The dark, earthy tones and lush, detailed background highlight Titian's mastery in capturing intimate and serene moments in domestic life.

140. Holy Family and Donor

Holy Family and Donor

The artwork entitled "Holy Family and Donor" is a religious painting executed in oil on canvas by the esteemed High Renaissance artist Titian between 1513 and 1514. Currently housed in the Alte Pinakothek in Munich, Germany, this work exemplifies Titian's masterful use of color and composition. The painting depicts the Holy Family, characterized by the serene presence of the Virgin Mary, the Christ Child, and an attendant figure, possibly St. Joseph or another saint. A donor kneels in reverence on the right side of the composition, enhancing the devotional nature of the scene. The background reveals a lush landscape, uniting natural beauty with the sacral foreground.

141. Horse and Rider Black chalk on blue paper

Horse and Rider Black chalk on blue paper

The artwork titled "Horse and Rider" is a high Renaissance sketch and study by the artist Titian, created around 1537. Executed in black chalk on blue paper, the piece showcases a dynamic composition featuring a powerful horse and a figure astride it. The dimensions of the artwork are 274 x 262 cm, and it is currently housed in the Ashmolean Museum in Oxford, UK. The vigorous motion captured in the lines and the detailed anatomy of the horse and rider exemplify Titian's mastery and his contribution to the Renaissance art movement.

142. Jupiter and Anthiope (Pardo Venus)

Jupiter and Anthiope (Pardo Venus)

The artwork entitled "Jupiter and Anthiope (Pardo Venus)," created by Titian between 1540 and 1542, is an exemplary oil painting on canvas, measuring 386 x 196 cm, that belongs to the Mannerism (Late Renaissance) movement. Exhibited in the Louvre in Paris, France, this mythological painting portrays the classical scene of Jupiter, disguised as a satyr, encountering the sleeping nymph Anthiope. The composition vividly captures the mythological narrative with detailed figures and a rich, dynamic setting, showcasing Titian's masterful use of color and form typical of the period.

143. Knight of Malta with a watch

Knight of Malta with a watch

The artwork titled "Knight of Malta with a Watch," created by the esteemed artist Titian, belongs to the Mannerism movement of the Late Renaissance period and serves as a distinguished portrait. In the artwork, a knight clad in rich, dark attire stands with a solemn and contemplative expression. The knight's garb features a prominent white cross on his chest, a symbol of the Knights of Malta. His right arm is gently resting on an ornate, golden watch, signifying the preciousness of time. The background is subdued, allowing the knight and his detailed attire to emerge with striking clarity and emphasis.

144. Last Supper

Last Supper

The artwork, titled "Last Supper," was created by Titian, a prominent figure of the Mannerism art movement, which is part of the Late Renaissance period. This religious painting depicts the iconic biblical scene of the Last Supper with Christ and His disciples. The scene is set within a grand architectural space featuring high arches and a scenic view through the windows. The composition reflects dynamic interactions among the figures and features rich, vivid colors typical of Titian's style. The detailed representation of characters, their expressions, and postures conveys a powerful narrative engagement with the sacred event.

145. Liggie Venus

Liggie Venus
  • Artwork Name: Liggie Venus
  • Year: 1540 - 1565
  • Medium: oil,canvas
  • Dimensions: 116 x 186 cm

The artwork titled "Liggie Venus," created by the acclaimed artist Titian between 1540 and 1565, epitomizes the Mannerism (Late Renaissance) art movement. This mythological painting, executed in oil on canvas, measures 116 x 186 cm. The artwork portrays a reclining nude female figure against a richly draped background, exuding a sense of serene sensuality and classical beauty. In the background, there are additional figures engaged in musical and domestic activities, adding depth and narrative to the composition while highlighting the luxurious surroundings. This piece exemplifies Titian's masterful use of color and composition, characteristic of the Mannerist style.

146. Madonna Aldobrandini

Madonna Aldobrandini

"Madonna Aldobrandini," created by Titian in 1530, is an oil painting on canvas that exemplifies the High Renaissance art movement. Measuring 101 by 142 centimeters, the religious painting is housed in the National Gallery in London, UK. The artwork portrays a serene and intimate moment of the Madonna holding the Christ child, with the gentle presence of surrounding figures and the tranquil landscape setting, capturing the essence of divine tenderness and human affection.

147. Madonna and Child

Madonna and Child

The artwork, "Madonna and Child," created by the renowned artist Titian, is an exemplary piece from the High Renaissance period, a movement distinguished by its emphasis on harmony, balance, and the realistic portrayal of human figures. This religious painting poignantly captures the serene and intimate relationship between the Madonna and the Christ Child. The Madonna, depicted in a flowing red and blue garment, tenderly supports the Child, who is portrayed with delicate, lifelike features. The background of the artwork is characterized by a scenic landscape, contributing to the overall tranquility and divine essence of the composition.

148. Madonna and Child

Madonna and Child
  • Artwork Name: Madonna and Child
  • Year: 1565 - 1570
  • Medium: oil,canvas
  • Dimensions: 75 x 63 cm

The artwork, "Madonna and Child," is an oil painting on canvas created by Titian between 1565 and 1570. It measures 75 x 63 cm and belongs to the Mannerism (Late Renaissance) art movement. As a religious painting, it depicts the intimate and serene bond between Madonna and the Child. The composition exudes warmth and tenderness, characteristic of Titian’s masterful use of color and light to evoke profound spirituality and emotional depth.

149. Madonna and Child in an Evening Landscape

Madonna and Child in an Evening Landscape

"Madonna and Child in an Evening Landscape," created by Titian between 1562 and 1565, is an oil on canvas painting that exemplifies the Mannerism (Late Renaissance) art movement. This religious painting is housed in the Alte Pinakothek in Munich, Germany. The artwork portrays the serene figure of Madonna cradling the Christ Child against a backdrop of an evocative evening landscape, masterfully blending the divine with the natural setting. The tender interaction between the figures is highlighted by the warm, rich palette and the intricate interplay of light and shadow, characteristic of Titian's renowned technique.

150. Portrait of the Great Elector John Frederick of Saxony

Portrait of the Great Elector John Frederick of Saxony

The artwork, titled "Portrait of the Great Elector John Frederick of Saxony," was created by the renowned artist Titian around 1550. Executed in oil on canvas, this piece belongs to the Mannerist movement of the Late Renaissance and measures 103.5 x 83 cm. The painting is a portrait genre and is currently housed in the Kunsthistorisches Museum in Vienna, Austria. It portrays the Great Elector John Frederick of Saxony with a dignified and imposing presence, characteristic of Titian's masterful use of color and chiaroscuro to convey depth and personality.

151. Portrait of Vincenzo Mosti

Portrait of Vincenzo Mosti

The artwork, entitled "Portrait of Vincenzo Mosti," was created by the artist Titian around the year 1520. Executed using oil on canvas, it epitomizes the High Renaissance style. Measuring 85 by 66 centimeters, this portrait is currently housed at the Palazzo Pitti in Florence, Italy. The artwork features a contemplative figure, clad in luxurious, dark garments with a fur-lined cloak, gazing directly at the viewer, embodying the poise and grace characteristic of Renaissance portraiture.

152. Presentation of the Virgin at the Temple

Presentation of the Virgin at the Temple

The artwork, "Presentation of the Virgin at the Temple," created by Titian in 1539, is an oil painting on canvas that belongs to the High Renaissance art movement. This religious painting measures 775 by 345 centimeters and depicts the young Virgin Mary being presented at the Temple. The scene emphasizes elaborate architectural elements and vivid characters, capturing an essential moment in Mary's life that signifies her abiding dedication and piety. The artist masterfully uses light, color, and composition to evoke a sense of reverence and solemnity, reflecting the grandeur and spiritual gravitas typical of Renaissance religious art.

153. Profane Love

Profane Love
  • Artwork Name: Profane Love
  • Year: 1514 - 1515
  • Medium: oil,canvas
  • Dimensions: 65 x 51 cm

The artwork, titled "Profane Love," is an allegorical painting by Titian, created between 1514 and 1515 during the High Renaissance movement. Executed in oil on canvas with dimensions of 65 x 51 cm, the painting resides in the Kunsthistorisches Museum in Vienna, Austria. The artwork portrays a young woman with an enigmatic expression, holding an octagonal casket filled with coins and jewelry, symbolizing the theme of profane, material love. The woman's attire and the use of light and shadow demonstrate Titian's mastery and the depth of Renaissance art.

154. Abduction of Europa

Abduction of Europa

The artwork, titled "Abduction of Europa" by the artist Titian, was created between 1559 and 1562 using oil on canvas. It belongs to the Mannerism art movement, also known as the Late Renaissance, and measures 185 by 205 centimeters. This mythological painting is part of the series "Mythological paintings (poesie)" commissioned for Philip II between 1553 and 1562. Currently, the artwork is housed in the Isabella Stewart Gardner Museum, located in Fenway Court, Boston, Massachusetts, USA. The painting vividly depicts the ancient mythological scene of Europa being abducted by Jupiter, who has transformed himself into a bull. The dynamic composition is characterized by rich coloration, expressive figures, and a dramatic interplay of movement and emotion.

155. Risen Christ

Risen Christ

"Risen Christ," created circa 1511 by the celebrated artist Titian, is a notable work from the High Renaissance art movement. This religious painting, currently held in a private collection, portrays Christ in a majestic and triumphant post-resurrection stance. The figure of Christ stands with one arm raised, symbolizing his victory over death, while the other hand holds a staff with a flag. The background features a dramatic and emotive landscape, enhancing the spiritual significance and divine aura surrounding Christ. The artwork exemplifies Titian's masterful use of color, light, and composition to convey a powerful religious narrative.

156. Sacrifice of Isaac

Sacrifice of Isaac
  • Artwork Name: Sacrifice of Isaac
  • Year: 1542 - 1544
  • Medium: oil,panel
  • Dimensions: 328 x 285 cm

The artwork titled "Sacrifice of Isaac," created by Titian between 1542 and 1544, is an oil painting on panel, measuring 328 x 285 cm, and belongs to the Mannerism (Late Renaissance) art movement. This religious painting depicts the biblical scene where Abraham is instructed by an angel to sacrifice his son, Isaac. The dramatic and emotional intensity of the moment is captured with meticulous attention to the muscular forms and flowing drapery of the figures, set against a shadowy, tumultuous sky that enhances the sense of divine intervention and obedience.

157. Saint Anthony

Saint Anthony

The artwork "Saint Anthony" by Titian, created in 1511, belongs to the High Renaissance art movement and falls within the genre of religious painting. The artwork depicts a solemn scene with figures gathered around a central figure who appears to be presenting an infant. The composition demonstrates classical Renaissance elements, including the use of perspective and detailed rendering of human forms and emotions. The backdrop includes architectural and natural elements that add depth to the scene, further enhancing its dramatic and spiritual ambiance.

158. Saint Bernadine

Saint Bernadine

"Saint Bernadine," executed by the renowned artist Titian in 1531, is an oil painting on canvas that epitomizes the High Renaissance art movement and belongs to the genre of religious paintings. The artwork portrays Saint Bernadine in a devout posture, reflecting a pronounced sense of reverence and humility. The meticulous detail and masterful use of light and shadow typical of Titian’s style create a profound sense of divinity and sanctity. Currently housed in a private collection, this piece stands as a testament to the spiritual and artistic fervor of the Renaissance period.

159. Saint Christopher

Saint Christopher

The artwork "Saint Christopher," created by the renowned artist Titian in 1524, is a fresco painting belonging to the High Renaissance art movement. Measuring 310 x 186 cm, this religious painting depicts the figure of Saint Christopher carrying the Christ Child upon his shoulders, symbolizing his role as the patron saint of travelers. The scene is rendered with dramatic use of color and dynamic composition, reflecting the stylistic characteristics of the period. Currently held in a private collection, the artwork stands as a testament to Titian's mastery of the fresco medium and his ability to convey profound spiritual themes through robust figural representation.

160. Madonna and Child with Mary Magdalene

Madonna and Child with Mary Magdalene

The artwork "Madonna and Child with Mary Magdalene," created by Titian circa 1560, is an oil painting on canvas belonging to the Mannerism movement of the Late Renaissance. This religious painting, currently housed in the Hermitage Museum in Saint Petersburg, Russia, depicts the Madonna holding the Christ Child, with Mary Magdalene presenting a symbolic object. The composition skillfully captures the intimate and devotional interaction among the subjects, rendered with fervent attention to detail and color that is characteristic of Titian's masterful style.

161. Madonna and Child with St. Catherine and a Rabbit

Madonna and Child with St. Catherine and a Rabbit

"Madonna and Child with St. Catherine and a Rabbit," created by the renowned artist Titian in 1530, is an oil painting on canvas measuring 71.5 x 25 cm. This exemplary piece of High Renaissance art is a religious painting presently housed in the Louvre Museum in Paris, France. The artwork depicts the Madonna tenderly holding the Christ Child, whereas St. Catherine gently supports him. A white rabbit near Madonna's lap symbolizes purity and innocence, reflecting the religious themes of the painting. The backdrop features lush foliage and a serene landscape, synonymous with Titian's skilled rendering of naturalistic settings.

162. Madonna and Child with Sts Anthony of Padua and Roch

Madonna and Child with Sts Anthony of Padua and Roch

The artwork, titled "Madonna and Child with Sts Anthony of Padua and Roch," is an oil painting on canvas created around 1511 by the renowned artist Titian. It is a quintessential example of the High Renaissance art movement and is currently housed in the Museo del Prado, Madrid, Spain. Measuring 92 by 133 centimeters, this religious painting features the Madonna holding the Christ child, flanked by Saint Anthony of Padua on the left and Saint Roch on the right. The composition is marked by its rich colors, detailed textures, and the serene expressions of the holy figures, reflecting the period's artistic emphasis on harmony, balance, and idealized beauty.

163. Madonna and Child with Sts Catherine and Dominic and a Donor

Madonna and Child with Sts Catherine and Dominic and a Donor

The artwork, titled "Madonna and Child with Sts Catherine and Dominic and a Donor," was created by the renowned artist Titian between the years 1512 and 1516. Rendered in oil on canvas, this high renaissance religious painting measures 138 by 185 cm. The composition features a serene Madonna cradling the Christ Child, with Saints Catherine and Dominic reverently positioned to her left and a donor kneeling in veneration to her right, set against a rich and contrasting backdrop that underscores the divine interaction.

164. Madonna and Child with Sts Dorothy and George

Madonna and Child with Sts Dorothy and George

The artwork, titled "Madonna and Child with Sts Dorothy and George," was created by the renowned artist Titian between 1516 and 1520. This exquisite painting, executed in oil on panel, epitomizes the High Renaissance art movement and belongs to the genre of religious painting. It measures 86 x 13 cm and is currently housed in the Museo del Prado in Madrid, Spain. The composition tenderly captures the Madonna holding the Christ Child, flanked by St. Dorothy, who offers a basket of flowers, and St. George, clad in armor. The harmonious arrangement of figures, vibrant palette, and intricate details highlight Titian's masterful skill in portraying divine and human elements with profound grace.

165. Madonna in Glory with the Christ Child and Sts Francis and Alvise with the Donor

Madonna in Glory with the Christ Child and Sts Francis and Alvise with the Donor

The artwork, titled "Madonna in Glory with the Christ Child and Sts Francis and Alvise with the Donor," was painted by Titian in 1520. It is an oil on canvas piece, measuring 312 x 215 centimeters, and belongs to the High Renaissance art movement. The painting is a religious genre, depicting the Madonna and Christ Child surrounded by saints and cherubs. The composition exudes a divine atmosphere, with the Madonna and Child elevated and enveloped in golden light and celestial clouds, while St. Francis, St. Alvise, and a donor figure humbly gaze upwards, emphasizing their devotional piety.

166. Madonna of the Cherries

Madonna of the Cherries

"Madonna of the Cherries," an oil on board painting created by Titian in 1515, belongs to the High Renaissance art movement. The artwork, measuring 81 by 100 cm, is a religious painting that is currently housed in the Kunsthistorisches Museum in Vienna, Austria. The painting depicts the Virgin Mary with the Christ Child, conveying a scene of intimate and tender interaction. The Madonna holds cherries, symbolizing the fruits of paradise, while surrounded by other figures, capturing a moment imbued with spiritual and symbolic significance. The use of rich colors and fine details embodies Titian's mastery and enhances the painting's solemn and reverential tone.

167. Man Holding a Flute

Man Holding a Flute

The artwork "Man Holding a Flute" by Titian, created circa 1560 to 1565, belongs to the portrait genre and is reflective of the Mannerism (Late Renaissance) art movement. The painting depicts a bearded man, clad in dark, richly textured garments, seated while grasping a flute in one hand. The somber palette emphasizes the figure, while the subtle play of light highlights the man's thoughtful expression and the intricate details of his attire, drawing the viewer's focus to the contemplation and introspection that permeates the portrait.

168. Man in Military Costume

Man in Military Costume

"Man in Military Costume" is an exquisite oil on canvas painting by Titian, created between 1550 and 1552. This artwork, representative of the Mannerism movement or Late Renaissance, spans dimensions of 229 by 156 centimeters and belongs to the portrait genre. The artwork portrays a confident figure dressed in elaborate military attire, standing with an upright posture. The man is adorned with a richly detailed, crimson-colored costume and plumed helmet, exuding a sense of authority and command. A white dog at his feet adds a touch of companionship, while the dark and formidable background enhances the grandeur of the subject. The painting masterfully exemplifies the Mannerist aesthetics of elegance, elongated form, and meticulous attention to detail.

169. Man with a Glove

Man with a Glove
  • Artwork Name: Man with a Glove
  • Year: c.1520
  • Medium: oil,canvas
  • Dimensions: 100 x 89 cm

The artwork, titled "Man with a Glove," is an oil on canvas painting created around 1520 by the eminent artist Titian. Measuring 100 by 89 centimeters, this portrait is a quintessential example of the High Renaissance art movement. The painting currently resides in the Louvre Museum in Paris, France. It features a finely dressed man with a contemplative expression, elegantly posed with one hand adorned with a glove, showcasing Titian's masterful use of light and texture to convey a sense of depth and realism.

170. Saint Margaret and the Dragon

Saint Margaret and the Dragon

"Saint Margaret and the Dragon," painted around 1565 by the renowned artist Titian, is an oil-on-canvas work embodying the Mannerism of the Late Renaissance period. This religious painting, currently housed in the Museo del Prado in Madrid, Spain, vividly portrays the biblical scene of Saint Margaret confronting a menacing dragon. The artwork captures the dramatic tension and spiritual fortitude of Saint Margaret as she holds a cross, symbolizing her faith and divine protection against the monstrous dragon. The composition, characterized by dynamic movement and bold colors typical of Titian's style, reflects the intense emotional and spiritual themes of the period.

171. Saint Jerome in Penitence

Saint Jerome in Penitence

"Saint Jerome in Penitence," a distinguished work by the artist Titian, belongs to the High Renaissance art movement and embodies the genre of portraiture. The artwork depicts Saint Jerome, an early Christian scholar, engaged in an act of penitence within a somber and pensive natural setting. His emaciated figure, clothed in minimal drapery, reaches towards a crucifix attached to a tree, symbolizing his devotion and internal struggle. The background is rich with dense, dark foliage and elements that hint at the transient nature of life, including a skull and an hourglass. This piece eloquently captures the intense spiritual contemplation characteristic of High Renaissance artistry.

172. Saint Mark Enthroned

Saint Mark Enthroned

"Saint Mark Enthroned," an oil on canvas artwork measuring 149 x 230 cm, was created by the renowned artist Titian in 1510 during the High Renaissance period. This religious painting is currently housed in Santa Maria della Salute, Venice, Italy. The artwork depicts Saint Mark enthroned above with four other figures below, embodying the serene yet powerful spiritual presence characteristic of Renaissance religious art. The harmonious composition, vibrant colors, and detailed representation exemplify Titian's mastery and the movement's emphasis on harmony, proportion, and naturalism.

173. Saint Peter

Saint Peter
  • Artwork Name: Saint Peter
  • Year: 1516 - 1518
  • Medium: oil,canvas

"Saint Peter," an oil painting on canvas created by Titian between 1516 and 1518, is a fine example of High Renaissance religious artwork. The piece depicts Saint Peter in a dramatic and devout pose, characteristic of Titian's use of expressive detail and vibrant composition. Rendered with religious reverence, the artwork exhibits the profound spiritual fervor of the saint, aligning with the thematic elements of the High Renaissance movement. Currently held in a private collection, this painting underscores Titian's remarkable ability to convey deep emotional and spiritual narratives through his masterful technique.

174. Saint Sebastian at the resurrection altin Brescia

Saint Sebastian at the resurrection altin Brescia

"Saint Sebastian at the Resurrection Altin Brescia" is a religious painting created in 1520 by the esteemed artist Titian, during the High Renaissance period. The artwork is presently housed in a private collection. The artwork depicts Saint Sebastian, a Christian martyr known for his resilience in the face of persecution. Rendered with remarkable detail and dynamic form, the piece captures the intense moment of the saint's suffering, emphasizing his muscular physique and pained expression. This rendering reflects Titian's mastery in conveying human emotion and anatomical precision, characteristic of the High Renaissance art movement.

175. Salome with the Head of John the Baptist

Salome with the Head of John the Baptist

"Salome with the Head of John the Baptist" is an exemplary piece created by Titian, embodying the Mannerism (Late Renaissance) art movement. In this poignant portrait, the artist masterfully captures a dramatic and solemn moment, exemplifying the Mannerist style's complex compositions and heightened emotional expression. The artwork features a young woman, identified as Salome, holding a platter with the severed head of John the Baptist, rendered with exquisite attention to detail and a striking use of light and shadow to enhance the dramatic intensity of the scene.

176. Self-portrait

Self-portrait
  • Artwork Name: Self-portrait
  • Year: c.1567
  • Medium: oil,canvas
  • Dimensions: 86 x 65 cm

The artwork titled "Self-portrait" by Titian, created circa 1567, is an oil painting on canvas measuring 86 x 65 cm. This masterpiece belongs to the Mannerism (Late Renaissance) art movement and is currently housed in the Museo del Prado in Madrid, Spain. The painting features a solemn and introspective portrayal of the artist himself, rendered with delicate brushstrokes and subtle use of light and shadow, emphasizing the contemplative expression and the distinguished presence of Titian, marked by his flowing beard and modest attire.

177. Self-portrait

Self-portrait
  • Artwork Name: Self-portrait
  • Year: c.1550 - 1562
  • Medium: oil,canvas
  • Dimensions: 96 x 75 cm

The artwork, titled "Self-portrait," was created by the renowned artist Titian between approximately 1550 and 1562. Executed in oil on canvas, it exemplifies the Mannerism (Late Renaissance) art movement. With dimensions of 96 by 75 cm, this self-portrait is situated in the Gemäldegalerie in Berlin, Germany. The painting portrays the artist himself, showcasing his mastery in manipulating light and shadow to create depth and realism while exuding a solemn and introspective mood.

178. Shepherd and Nymph

Shepherd and Nymph
  • Artwork Name: Shepherd and Nymph
  • Year: 1575 - 1576
  • Medium: oil,canvas
  • Dimensions: 150 x 187 cm

The artwork, titled "Shepherd and Nymph," was created by the esteemed artist Titian between 1575 and 1576. Rendered in oil on canvas, the painting measures 150 by 187 centimeters and is a notable example of the Mannerism (Late Renaissance) movement. It portrays a mythological scene with a shepherd and a reclining nymph, enveloped in a rich, natural landscape. This mythological painting is housed in the Kunsthistorisches Museum in Vienna, Austria, where it stands as a testament to Titian's mastery of the genre and his eloquent depiction of classical themes.

179. Sisyphus

Sisyphus
  • Artwork Name: Sisyphus
  • Year: 1548 - 1549
  • Medium: oil,canvas
  • Dimensions: 237 x 216 cm

The artwork titled "Sisyphus," created by the renowned artist Titian between 1548 and 1549, is an oil painting on canvas, measuring 237 by 216 centimeters. Representing the Mannerism (Late Renaissance) art movement, this mythological painting captures the eternal struggle of Sisyphus, a character from Greek mythology, who is condemned to repeatedly push a massive boulder up a hill only for it to roll back down each time he nears the top. Currently housed in the Museo del Prado in Madrid, Spain, the artwork holds a significant place in the portrayal of mythological themes within the fine arts.

180. Marriage with Vesta and Hymen as Protectors and Advisers of the Union of Venus and Mars

Marriage with Vesta and Hymen as Protectors and Advisers of the Union of Venus and Mars

The artwork titled "Marriage with Vesta and Hymen as Protectors and Advisers of the Union of Venus and Mars," crafted by Titian in 1532, is an oil painting on canvas measuring 123 x 107 cm. This High Renaissance masterpiece, a mythological painting, resides in the Louvre, Paris, France. The painting depicts the union of the gods Venus and Mars, with Vesta and Hymen portrayed as guiding and protective figures. The composition is rich in detail, embracing the Renaissance ideals of beauty, proportionality, and divine mythological themes. The figures are rendered with a sense of graceful motion, reflecting the artist's mastery over texture and color.

181. Mary Magdalen Repentant

Mary Magdalen Repentant

"Mary Magdalen Repentant," created by the renowned artist Titian in 1531, is an exquisite oil painting on canvas that exemplifies the High Renaissance art movement. This religious painting, housed at the Hermitage Museum in Saint Petersburg, Russia, captures the biblical figure Mary Magdalen in a moment of deep repentance. The artwork portrays her with an expression of solemnity and introspection, her hand placed over her heart, symbolizing her penitent state. The intricate rendering of her flowing hair and the tender use of light and shadow underscore Titian's mastery in conveying both physical beauty and profound emotion.

182. Mary of Hungary, Regent of the Netherlands

Mary of Hungary, Regent of the Netherlands

The artwork, titled "Mary of Hungary, Regent of the Netherlands," was created by the artist Titian between 1550 and 1560. This piece belongs to the Mannerism (Late Renaissance) art movement and is categorized as a portrait. The artwork depicts a regal woman, identified as Mary of Hungary, adorned in a white headdress and a fur-trimmed garment, set against a dark background. Her contemplative expression and the detailed rendering of her attire reflect the meticulous style characteristic of the period.

183. Mary with the Child and Saints

Mary with the Child and Saints

"Mary with the Child and Saints," an oil on canvas painting by Titian, created circa 1510 during the High Renaissance, exemplifies religious art of the period. Measuring 108 x 132 cm, the artwork depicts the Virgin Mary with the infant Jesus, accompanied by saints, in a serene and reverent composition. The painting currently resides in the Louvre Museum in Paris, France.

184. Mary with the Christ Child

Mary with the Christ Child

The artwork, titled "Mary with the Christ Child" and created by Titian in 1561, is an oil painting on canvas that exemplifies the Mannerism movement from the Late Renaissance period. Measuring 174 by 133 centimeters, this religious painting portrays the Virgin Mary tenderly holding the infant Christ. The serene and intimate scene is rendered with Titian's masterful use of color and light, capturing a moment of divine connection amidst a harmonious and tranquil setting. Currently housed in a private collection, the artwork reflects the rich spiritual and artistic heritage of its time.

185. Mater Dolorosa

Mater Dolorosa
  • Artwork Name: Mater Dolorosa
  • Year: 1550
  • Medium: oil,canvas
  • Dimensions: 61 x 68 cm

"Mater Dolorosa," an oil painting on canvas created by Titian in 1550, is a significant work from the Mannerism (Late Renaissance) art movement. This profound religious painting, measuring 61 x 68 cm, portrays the Virgin Mary in a moment of sorrow and piety. The artwork features her in a side profile, with her hands clasped in prayer, veiled with a brown headscarf and draped in a vivid blue cloak, exuding a poignant emotional depth. The painting is part of the prestigious collection at the Museo del Prado in Madrid, Spain.

186. Mocking of Christ

Mocking of Christ
  • Artwork Name: Mocking of Christ
  • Year: 1570 - 1575
  • Medium: oil,canvas
  • Dimensions: 109 x 92 cm

"Mocking of Christ," created by Titian between 1570 and 1575, is an oil painting on canvas measuring 109 by 92 centimeters. This religious painting exemplifies the Mannerist (Late Renaissance) art movement. The artwork depicts the poignant scene of Jesus Christ being mocked, characterized by Titian's masterful use of color, light, and shadow to convey depth of emotion and narrative. The figures within the composition are rendered with striking realism, illustrating the artist's profound skill and artistic sensitivity.

187. Virgin and Child with Saint and Saint John

Virgin and Child with Saint and Saint John

The artwork "Virgin and Child with Saint and Saint John," created by Titian circa 1530, epitomizes the High Renaissance art movement. This religious painting, which measures 105.4 x 148.3 cm, is currently housed in the Kimbell Art Museum in Fort Worth, Texas, USA. In the artwork, Titian masterfully depicts the Virgin Mary tenderly holding the Child, while another saint, fervently and devoutly, joins her in this poignant moment. Young Saint John is present beside them, accompanied by a lamb, symbolizing his future as the Baptist. The background showcases a meticulously painted landscape, embodying the distinctive style and rich detail characteristic of Titian's work from this era.

188. Portrait of a Man

Portrait of a Man

The artwork, titled "Portrait of a Man" by the renowned artist Titian, was created in 1523 during the High Renaissance period using oil on canvas. It measures 118 x 96 cm and is a notable example of portraiture from that era. Currently housed in the Louvre Museum in Paris, France, the portrait features a man dressed in dark, elegant attire, exuding a sense of confidence and sophistication, through a finely executed composition that highlights Titian's mastery in capturing human expression and texture.

189. Portrait of Caterina Cornaro (1454-1510) wife of King James II of Cyprus, dressed as St. Catherine

Portrait of Caterina Cornaro (1454-1510) wife of King James II of Cyprus, dressed as St. Catherine

The artwork, titled "Portrait of Caterina Cornaro (1454-1510) wife of King James II of Cyprus, dressed as St. Catherine," was created by the renowned artist Titian in 1542. This piece, characterized by the stylistic elements of the Mannerism or Late Renaissance period, belongs to the genre of portraiture. The subject, Caterina Cornaro, is elegantly depicted in majestic attire, adorned with rich textures and intricate embellishments, embodying the grace and nobility associated with both her historical and saintly representation.

190. Solome

Solome
  • Artwork Name: Solome
  • Year: c.1515
  • Medium: oil,canvas
  • Dimensions: 73 x 89.5 cm

"Solome," an oil painting on canvas by the esteemed artist Titian, dates back to circa 1515 and belongs to the High Renaissance art movement. Measuring 73 by 89.5 centimeters, this religious painting portrays a solemn yet evocative scene, capturing Salome's presentation of St. John the Baptist's head on a platter. The artwork exudes a profound sense of emotion through its meticulous depiction of figures, accentuated by Titian's masterful use of light and shadow. This revered piece is housed in the Galleria Doria Pamphilj in Rome, Italy.

191. Sorrows

Sorrows
  • Artwork Name: Sorrows
  • Year: 1554
  • Medium: oil,panel
  • Dimensions: 68 x 53 cm

"Sorrows" is a religious painting by Titian, dating back to 1554 and rendered in oil on panel. Measuring 68 x 53 cm, this artwork belongs to the Mannerism movement, which is often associated with the Late Renaissance period. The painting, housed in the Museo del Prado in Madrid, Spain, captures a poignant depiction of sorrow, featuring a figure expressive of deep emotional suffering, clad in attire that typifies the era's artistic style, characterized by its refined elegance and emotional depth. The use of muted colors and meticulous brushwork highlights the subject's delicate and resigned demeanor, reflecting the painting's thematic gravitas.

192. Spain Succouring Religion

Spain Succouring Religion

"Spain Succouring Religion," an allegorical oil painting by Titian, dating circa 1575, exemplifies the Mannerism (Late Renaissance) movement. Housed in the Museo del Prado in Madrid, Spain, the artwork measures 168 x 168 cm. The painting employs rich oil colors on canvas to illustrate an allegorical scene with figures that embody religious and national symbolism. Central to the composition is a female figure, possibly representing Spain, who, draped in a flowing pink garment, extends an arm holding a staff to a kneeling, semi-nude figure, embodying religion or faith. The background captures a turbulent sea scene, adding dramatic depth and reinforcing the painting's intense emotion and thematic depth.

193. St Ambrose

St Ambrose

The artwork titled "St Ambrose," created by the renowned artist Titian, is an exemplary oil on panel painting belonging to the High Renaissance movement. This religious painting, currently housed in Santa Maria della Salute in Venice, Italy, captures the revered figure of St. Ambrose. The artwork depicts a solemn, introspective moment, highlighting Titian's masterful use of color and light to convey the spiritual depth and gravity characteristic of religious artworks from this period.

194. St Augustine

St Augustine

The artwork titled "St Augustine," created by the renowned artist Titian during the High Renaissance, is an oil painting on panel and represents a religious theme. It is housed in the Santa Maria della Salute in Venice, Italy. The painting's dark, rich hues and meticulous detail reflect Titian's masterful technique and the spiritual gravitas of the figure of St. Augustine, likely depicted in deep contemplation or prayer, characterized by a prominent beard and a bishop's mitre and crozier, indicative of his religious standing.

195. St Dominic

St Dominic
  • Artwork Name: St Dominic
  • Year: c.1565
  • Medium: oil,canvas

The artwork, titled "St Dominic," is an oil painting on canvas created by Titian around 1565. As a religious painting belonging to the Mannerism (Late Renaissance) art movement, it depicts St Dominic, a prominent religious figure. The composition captures the saint in a somber, contemplative pose, utilizing chiaroscuro to emphasize the depth and spirituality of the subject. The piece is housed in the Borghese Gallery in Rome, Italy, exemplifying the profound religious and artistic themes characteristic of the period.

196. St Gregory the Great

St Gregory the Great

The artwork, titled "St Gregory the Great," is an oil on panel painting by the renowned artist Titian. Belonging to the High Renaissance art movement, this religious painting is housed in the Santa Maria della Salute in Venice, Italy. The composition captures the solemnity and reverence befitting its subject, Saint Gregory the Great, depicted in earnest contemplation, as suggested by his focused gaze on an open book, symbolizing his theological and scholarly contributions. An additional symbolic element is the dove, representing divine inspiration and the Holy Spirit, enhancing the spiritual gravitas of the piece.

197. St Jerome

St Jerome

"St Jerome," created by the renowned artist Titian, is an oil painting on a panel set within the High Renaissance art movement. This religious painting, currently housed in Santa Maria della Salute in Venice, Italy, portrays St. Jerome, a revered Christian scholar. The artwork captures the saint in a contemplative posture, engrossed in reading a book. Rendered with a rich, warm palette, the painting highlights Titian's masterful use of light and shadow to convey the depth and introspection characteristic of High Renaissance religious art.

198. St Jerome

St Jerome
  • Artwork Name: St Jerome
  • Year: c.1575
  • Medium: oil,canvas
  • Dimensions: 184 x 177 cm

The artwork titled "St Jerome," created by Titian around 1575, is an oil painting on canvas measuring 184 x 177 cm. It belongs to the Mannerism (Late Renaissance) movement and is categorized as a religious painting. The artwork portrays St. Jerome kneeling in a dark forest landscape, enveloped by rich, textured foliage and dramatic lighting. He is depicted with a solemn expression, gazing upward, with an open book resting on a rocky surface beside him. The scene reflects introspection and devotion, typical of the spiritual themes prevalent in religious paintings of the time.

199. St Jerome

St Jerome
  • Artwork Name: St Jerome
  • Year: 1560
  • Medium: oil,canvas
  • Dimensions: 125 x 235 cm

The artwork, titled "St Jerome," was painted by Titian in 1560 using oil on canvas. This religious painting, measuring 125 x 235 cm, belongs to the Mannerism (Late Renaissance) art movement and is currently housed in the Palazzo Brera in Milan, Italy. The artwork depicts St. Jerome in a rugged, natural setting, engaging in an intense moment of contemplation and asceticism. The use of dark, earthy tones and dramatic lighting highlights the solitary and penitential aspects of St. Jerome's life, evoking a somber and introspective mood.

200. Orpheus and Eurydice

Orpheus and Eurydice

The artwork titled "Orpheus and Eurydice" by Titian, created circa 1508, is an oil on canvas rendition measuring 39 x 53 cm. This mythological painting is a masterpiece of the High Renaissance and is housed at the Accademia Carrara in Bergamo, Italy. The composition portrays the poignant mythological story of Orpheus and Eurydice, set against a dark and evocative landscape, capturing the moment of their tragic separation. The dramatic sky and detailed landscape in the background enhance the emotional intensity, exemplifying Titian's masterful handling of light, shadow, and narrative depth.

201. Painting of Daniele Barbaro

Painting of Daniele Barbaro

The artwork titled "Painting of Daniele Barbaro," executed by the renowned artist Titian in 1545, epitomizes the Mannerism (Late Renaissance) movement. This oil on canvas masterpiece, measuring 81 by 69 centimeters, is a portrait genre painting that resides in the prestigious Museo del Prado in Madrid, Spain. The artwork exhibits a composed and dignified portrayal of its subject, rendered in Titian's distinguished style, characterized by a profound use of chiaroscuro and meticulous attention to detail, which evoke a sense of both realism and idealization.

202. Pentecost

Pentecost
  • Artwork Name: Pentecost
  • Year: c.1545
  • Medium: oil,canvas

The artwork titled "Pentecost," created by Titian around 1545, is an oil painting rendered on canvas. It belongs to the Mannerism or Late Renaissance art movement and exemplifies the genre of religious painting. In the artwork, a divine light descends from a dove, illuminating a gathering of figures in a architectural setting, each reacting with awe and reverence, symbolizing the outpouring of the Holy Spirit as described in the Christian narrative of Pentecost. The composition and the use of light highlight the spiritual significance of the scene, characteristic of the expressive and sophisticated style of Mannerism.

203. Perseus and Andromeda

Perseus and Andromeda

"Perseus and Andromeda," painted by Titian between 1554 and 1556, is an oil on canvas artwork measuring 175 by 189.5 cm. This mythological painting, a part of Titian's series of mythological works known as "poesie" for Philip II of Spain, exemplifies the Mannerism (Late Renaissance) art movement. Currently housed in the Wallace Collection in London, UK, the artwork depicts the dramatic rescue of Andromeda by Perseus, featuring dynamic composition, a sense of peril, and the interplay of light and shadow characteristic of Titian's mastery.

204. The Madonna of the Pesaro Family

The Madonna of the Pesaro Family

"The Madonna of the Pesaro Family," created by Titian between 1519 and 1526, is an oil painting on canvas, associated with the High Renaissance art movement. This religious painting, measuring 266 x 478 cm, is housed in the Santa Maria Gloriosa dei Frari in Venice, Italy. The artwork features a majestic composition portraying the Virgin Mary and Child enthroned, surrounded by members of the Pesaro family, along with saints and cherubs, set against the backdrop of imposing architectural elements, reflecting the grandeur and piety of its time.

205. Philip II Offering Don Fernando to Victory

Philip II Offering Don Fernando to Victory

The artwork titled "Philip II Offering Don Fernando to Victory," created by the renowned artist Titian around 1570, is an oil painting on canvas. Measuring 325 x 274 cm, this piece emerges from the Mannerism movement, also known as the Late Renaissance. Displayed in the esteemed Museo del Prado in Madrid, Spain, the allegorical painting depicts King Philip II presenting his son, Don Fernando, to the embodiment of Victory. The scene is enriched with symbolic elements, reflecting themes of triumph and dynastic continuity.

206. Philip II of Spain

Philip II of Spain

The artwork titled "Philip II of Spain" by the renowned artist Titian, created circa 1500, is an exquisite oil painting that belongs to the High Renaissance art movement. This portrait depicts Philip II of Spain in opulent attire, highlighting the grandeur and meticulous attention to detail characteristic of Titian's portraits. The subject is adorned in a richly decorated garment with intricate patterns and luxurious textures, reflecting his royal status and the artist's skill in portraying nobility.

207. Philipp II, as Prince

Philipp II, as Prince

The artwork, titled "Philipp II, as Prince," was crafted by the renowned artist Titian between 1550 and 1551. Executed using oil on canvas, this portrait belongs to the Mannerism or Late Renaissance movement and measures 111 x 193 cm. It portrays Prince Philipp II adorned in elaborate attire, reflective of his status and the detailed stylistic features characteristic of the period. The artwork is currently housed in the Museo del Prado in Madrid, Spain.

208. Polyptych of the Resurrection

Polyptych of the Resurrection

The "Polyptych of the Resurrection," created by Titian between 1520 and 1522, is a distinguished religious painting from the High Renaissance art movement. Executed in oil on board, the artwork measures 292 x 278 cm and is currently housed in the Church of Saints Nazarius and Celsus in Brescia, Italy. This polyptych skillfully depicts various scenes central to Christian theology, characterized by its vivid portrayal of figures and profound spiritual symbolism, thus reflecting Titian's masterful artistry and the era's emphasis on religious devotion.

209. Polyptych of the Resurrection Virgin Annunciate

Polyptych of the Resurrection Virgin Annunciate

The artwork, titled "Polyptych of the Resurrection Virgin Annunciate," was created by Titian between 1520 and 1522, executed in oil on board. It belongs to the High Renaissance art movement and is classified under the genre of religious painting. The piece is currently housed in Santi Nazaro e Celso, Brescia, Italy. The artwork depicts a solemn and reflective scene, focusing on a serene and contemplative Virgin Mary draped in blue and red garments, her hands gently placed over her chest, symbolizing purity and devotion. The rich use of color and delicate brushwork reflect the mastery and spiritual essence characteristic of Titian's oeuvre.

210. St Jerome

St Jerome
  • Artwork Name: St Jerome
  • Year: 1570 - 1575
  • Medium: oil,canvas
  • Dimensions: 138 x 97 cm

The artwork, titled "St Jerome," is an exquisite religious painting by the renowned artist Titian, created between 1570 and 1575. Executed in oil on canvas with dimensions of 138 by 97 cm, it belongs to the Mannerism (Late Renaissance) art movement. The painting currently resides in the Thyssen-Bornemisza Museum in Madrid, Spain. The composition depicts St Jerome, draped in red, immersed in contemplation before an open book and the crucifix, set against a dark, somber background, exemplifying the meditative and spiritual introspection characteristic of the artist’s mature style.

211. St John the Almsgiver

St John the Almsgiver

The artwork, titled "St John the Almsgiver," is a religious painting created by the artist Titian between 1549 and 1550. Executed in oil on canvas, this piece belongs to the Mannerism (Late Renaissance) art movement. It measures 264 by 148 cm and depicts St. John the Almsgiver, an early Christian saint known for his charitable acts. The artwork's composition, defined by its dramatic use of lighting and expressive figures, conveys the spiritual and compassionate nature of the saint, embodying the artist's mastery in portraying religious themes with both piety and humanism.

212. St. John the Baptist

St. John the Baptist

The artwork is entitled "St. John the Baptist," created by the renowned artist Titian around 1542. Rendered in oil on canvas with dimensions of 134 x 201 cm, this piece exemplifies the Mannerism art movement, which is also recognized as the Late Renaissance. It falls within the genre of religious paintings. The artwork features a dynamic portrayal of St. John the Baptist, depicted with vigorous musculature, pointing towards a divine message, while a lamb rests at his feet, symbolizing purity and sacrifice. The backdrop features a serene landscape, contributing to the spiritual and ethereal quality of the painting.

213. St John the Evangelist

St John the Evangelist

"St John the Evangelist," an oil painting on panel by the distinguished artist Titian, is a religious artwork emblematic of the High Renaissance movement. The artwork, located in Santa Maria della Salute in Venice, Italy, vividly portrays the apostle St John with a contemplative expression, capturing the spiritual intensity and reverence associated with the saint. This masterpiece reflects the profound religious and artistic sentiments of its era.

214. St. John the Evangelist on Patmos

St. John the Evangelist on Patmos

"St. John the Evangelist on Patmos," an oil on canvas created by Titian in 1544, epitomizes the Mannerism (Late Renaissance) movement within the genre of religious painting. The artwork, housed in the Kress Collection in Washington, DC, depicts an expressive scene with rich, dramatic colors and elaborate motion. St. John, presented in a dynamic posture, raises his hands toward a divine vision in the clouds, with figures and cherubs descending from the heavens, symbolizing his spiritual revelation. The careful composition and the interplay of light and shadow underscore Titian’s masterful execution of the religious narrative.

215. St Luke

St Luke
  • Artwork Name: St Luke
  • Medium: oil,panel

The artwork titled "St Luke" by the renowned artist Titian, is an exquisite piece created using oil on panel. Exemplifying the High Renaissance art movement, this religious painting is housed in the historic Santa Maria della Salute in Venice, Italy. The artwork vividly captures the solemn expression and contemplative nature of St. Luke, reflecting the profound depth and spiritual intensity characteristic of Titian's masterful approach to religious subjects.

216. St Mark

St Mark
  • Artwork Name: St Mark
  • Medium: oil,panel

The artwork titled "St Mark" is an oil painting on panel created by the prominent High Renaissance artist Titian. This religious painting, depicting St. Mark with a solemn and contemplative expression, showcases Titian's masterful use of light and shadow to convey deep spirituality and reverence. The artwork is located in Santa Maria della Salute, Venice, Italy, and exemplifies the artist's skill in capturing the human form and emotional depth within the framework of religious iconography.

217. St Matthew

St Matthew

The artwork titled "St. Matthew," created by the esteemed artist Titian, represents a religious painting from the High Renaissance art movement. Executed in oil on panel, this piece is housed in Santa Maria della Salute in Venice, Italy. The artwork portrays St. Matthew in a moment of deep contemplation, characterized by its dramatic use of light and shadow, which typifies the masterful techniques of the Renaissance period. The representation is intimate and solemn, capturing the spiritual essence of the apostle in a profound manner.

218. St Nicholas

St Nicholas

The artwork, titled "St Nicholas" and created by Titian in 1563, is a religious painting executed in oil on canvas. As a work within the Mannerism (Late Renaissance) art movement, it portrays the revered figure of St. Nicholas, recognizable by his bishop's attire and the faintly depicted emblems of his charity and benevolence. The composition is characterized by the rich, warm tones and fluidity typical of Titian's later works, capturing both the spiritual gravitas and the humanity of the saint through masterful use of color and brushwork. An attendant to the saint holds a mitre while gazing upwards, emphasizing the reverence and solemnity of the scene.

219. St Sebastian

St Sebastian
  • Artwork Name: St Sebastian
  • Year: c.1575
  • Medium: oil,canvas
  • Dimensions: 212 x 116 cm

The artwork, titled "St. Sebastian," is an oil painting on canvas created by the renowned artist Titian around 1575. Measuring 212 x 116 cm, this religious painting is a prime example of the Mannerism (Late Renaissance) art movement. Currently housed in the Hermitage Museum in Saint Petersburg, Russia, the artwork depicts Saint Sebastian in a state of suffering and resilience, highlighting the dramatic and emotional intensity characteristic of Mannerist style. The poignant imagery of the bound saint, pierced by arrows, evokes a profound sense of martyrdom and transcendence.

220. Adoration of the Shepherds

Adoration of the Shepherds

The artwork, titled "Adoration of the Shepherds," was created by Titian in 1533 using oil on board. It belongs to the High Renaissance art movement and falls under the genre of religious painting. Currently housed in Palazzo Pitti in Florence, Italy, this masterpiece vividly portrays the scene of shepherds humbly adoring the newborn Jesus, who is held by Mary. The use of light and shadow, a hallmark of the High Renaissance, masterfully draws attention to the central figures, emphasizing the sacred nature of the moment depicted.

221. A Knight of Malta

A Knight of Malta
  • Artwork Name: A Knight of Malta
  • Year: 1510 - 1515
  • Medium: oil,canvas
  • Dimensions: 64 x 80 cm

The artwork titled "A Knight of Malta" is a portrait painted by the renowned artist Titian between 1510 and 1515 during the High Renaissance period. Executed in oil on canvas, this piece measures 64 by 80 centimeters and is currently housed in the Uffizi Gallery in Florence, Italy. The composition portrays a knight with subdued, contemplative features underpinned by intricate lighting that emphasizes the solemn and dignified demeanor characteristic of Renaissance portraiture.

222. Alessandro Farnese

Alessandro Farnese

The artwork, entitled "Alessandro Farnese," is a portrait painted by Titian in the year 1546. This masterpiece belongs to the High Renaissance art movement and is currently housed in the National Museum of Capodimonte in Naples, Italy. The portrait features a figure in ecclesiastical attire, rendered with the masterful use of light and shadow for which Titian is renowned, presenting a dignified and contemplative expression. The use of subdued yet rich colors and the fine detailing emphasizes the subject's status and character.

223. Allegory of Time Governed by Prudence

Allegory of Time Governed by Prudence

"Allegory of Time Governed by Prudence," an allegorical painting by Titian circa 1565, stands as an eminent work within the Mannerism art movement of the Late Renaissance. Rendered in oil on canvas, the artwork measures 76 x 69 cm and resides at the National Gallery in London, UK. The painting depicts three heads representing the past, present, and future, each turned in a different direction, set upon a central motif of a triple-headed beast symbolizing prudence and wisdom. This profound composition eloquently captures the essence of time's governance through the virtue of prudence.

224. A monk with a book

A monk with a book

The artwork, titled "A Monk with a Book" and created by the renowned artist Titian around the year 1550, is a distinguished example of the Mannerism (Late Renaissance) art movement. This portrait, housed in the National Gallery of Victoria (NGV) in Melbourne, Australia, depicts a solemn monk dressed in dark, austere robes, holding a book. The composition and detail reflect the era's artistic sensibilities, with a focus on the subject's contemplative expression and the subtle interplay of light and shadow that lends a profound depth to the figure.

225. Angel

Angel
  • Artwork Name: Angel
  • Year: 1520 - 1522
  • Medium: oil,wood
  • Dimensions: 79 x 65 cm

The artwork titled "Angel," created by Titian between 1520 and 1522, is an oil painting on wood, measuring 79 by 65 centimeters. This religious piece is part of the Polyptych of the Resurrection and exemplifies the High Renaissance movement. The painting, currently housed at Santi Nazaro e Celso in Brescia, Italy, depicts an angel in meticulous detail, reflecting Titian's mastery in portraying divine figures with profound grace and spiritual depth.

226. Pope Alexander IV Presenting Jacopo Pesaro to St Peter

Pope Alexander IV Presenting Jacopo Pesaro to St Peter

The artwork, titled "Pope Alexander IV Presenting Jacopo Pesaro to St Peter," was painted by the renowned artist Titian in 1503. Executed in oil on canvas, it measures 184 by 145 centimeters and is a significant representation of the High Renaissance art movement. This religious painting, currently housed in the Royal Museum of Fine Arts in Antwerp, Belgium, depicts Pope Alexander IV presenting Jacopo Pesaro to St. Peter, capturing the sanctity and reverence of the moment with meticulous detail and depth. In the painting, St. Peter is seated with a gesture of benediction, while Pope Alexander IV stands alongside Jacopo Pesaro, who is kneeling, signifying devotion and humility. The background shows a tranquil maritime scene, adding further dimension to this powerful composition.

227. Pope Paul III

Pope Paul III
  • Artwork Name: Pope Paul III
  • Year: 1543
  • Medium: oil,canvas
  • Dimensions: 106 x 85 cm

The artwork, an oil on canvas piece entitled "Pope Paul III," was created by the artist Titian in 1543. It measures 106 x 85 cm and belongs to the Mannerism (Late Renaissance) art movement. The portrait depicts Pope Paul III with striking realism and detailed rendering, emphasizing his dignified presence and attire. It is currently housed in the National Museum of Capodimonte in Naples, Italy.

228. Portrait d`Isabella d`Este

Portrait d`Isabella d`Este

The artwork "Portrait d'Isabella d'Este," created by Titian between approximately 1534 and 1536, is a masterful example of High Renaissance portraiture. Measuring 102 by 64 cm, this piece captures the likeness of Isabella d'Este, a renowned patron of the arts. The subject is depicted with intricate detail, adorned in luxurious clothing featuring elaborate patterns and textures, indicative of her status and wealth. The artwork is currently housed in the Kunsthistorisches Museum in Vienna, Austria. Its composition and use of light highlight Titian's expert technique and contribute to the timeless elegance of the portrait.

229. Portrait of a Bearded Man

Portrait of a Bearded Man

The artwork, titled "Portrait of a Bearded Man," is a distinguished oil on canvas painting created by the renowned artist Titian around the year 1515. Representing the High Renaissance art movement, this portrait epitomizes the genre of portraiture through its masterful depiction of a contemplative bearded man. Currently housed at the Detroit Institute of Arts in Detroit, Michigan, the painting showcases Titian's exquisite skill in rendering the subtleties of human expression and texture, capturing the essence of his subject with profound depth and realism.

230. Portrait of a Girl

Portrait of a Girl

The artwork titled "Portrait of a Girl," created by the distinguished artist Titian circa 1545, is an exquisite oil on canvas measuring 85 x 75 cm. Exemplifying the Mannerism, or Late Renaissance, movement, this portrait captivates with its detailed and delicate portrayal of the subject. Currently housed in the National Museum of Capodimonte in Naples, Italy, the artwork showcases Titian's masterful command of texture and light, rendering the girl's attire and expression with a lifelike subtlety that is both graceful and sophisticated.

231. Portrait of a Lady

Portrait of a Lady

The artwork titled "Portrait of a Lady," created by the renowned artist Titian around the year 1555, is an exquisite oil painting on canvas. This masterpiece is representative of the Mannerism movement that emerged during the Late Renaissance. The portrait genre captures the elegance and stature of the lady, adorned in rich green attire with intricate details, indicative of the style and finesse characteristic of Titian’s work. The lady's poised expression and elaborate attire, adorned with delicate embroidery and jewelry, exemplify the artist’s skill in rendering texture and depth, imbuing the artwork with a timeless grace.

232. Portrait of a Lady and her Daughter

Portrait of a Lady and her Daughter

The artwork, titled "Portrait of a Lady and her Daughter," is a distinguished piece by the renowned artist Titian, created during the High Renaissance. This portrait exemplifies the genre by presenting an elegant depiction of a woman and her child. The lady, adorned in a rich, golden garment with intricate detailing, exudes a serene and composed demeanor. Her daughter, gazing upward, displays youthful innocence and an affectionate bond with her mother. The refined use of light and shadow highlights the figures against a dark background, emphasizing their presence and the depth of their expressions.

233. Portrait of a Lady in White

Portrait of a Lady in White

"Portrait of a Lady in White," an oil painting on canvas by the renowned artist Titian, dates to approximately 1561 and exemplifies the Mannerism movement of the Late Renaissance. This portrait, measuring 86 x 102 cm, depicts a young woman clad in an elegant white dress, her figure turned slightly towards the viewer with a composed and serene expression. Currently housed in the Gemäldegalerie Alte Meister in Dresden, Germany, the artwork captures the opulence and refinement characteristic of high Renaissance portraiture, reflected in the intricate detailing of the lace and the delicate rendering of the fabric's texture.

234. Portrait of Alfonso d`Avalos , in Armor with a Page

Portrait of Alfonso d`Avalos , in Armor with a Page

The artwork, titled "Portrait of Alfonso d'Avalos, in Armor with a Page," was created circa 1533 by the celebrated artist Titian. This oil on canvas piece, measuring 110 by 80 cm, is a distinguished example of High Renaissance portraiture. Presently housed in the J. Paul Getty Museum in Los Angeles, CA, the artwork depicts Alfonso d'Avalos, resplendent in ornate armor, attended by a young page. The composition evokes a sense of nobility and authority characteristic of the period, while the meticulous detailing of the armor and somber background emphasize the subject's prominence and gravitas.

235. Portrait of a Man

Portrait of a Man
  • Artwork Name: Portrait of a Man
  • Year: c.1515
  • Medium: oil,canvas
  • Dimensions: 45.1 x 50.2 cm

The artwork, titled "Portrait of a Man," is an oil painting on canvas created by the renowned artist Titian around the year 1515. It exemplifies the High Renaissance art movement and is a portrait genre piece with dimensions of 45.1 x 50.2 cm. This distinguished work is presently housed in the Metropolitan Museum of Art (Met) in New York City, NY, US. The painting features a contemplative male figure with rich, warm tones and meticulous detail, characteristic of Titian's mastery in capturing human expression and texture.

236. St Sebastian

St Sebastian
  • Artwork Name: St Sebastian
  • Year: 1520 - 1522
  • Medium: oil,wood
  • Dimensions: 170 x 65 cm

The artwork titled "St Sebastian," created by the renowned artist Titian between 1520 and 1522, is an oil painting on wood measuring 170 by 65 centimeters. This religious painting, belonging to the High Renaissance art movement, forms part of the "Polyptych of the Resurrection" series. The artwork depicts the Christian martyr Saint Sebastian at the moment of his execution, his bare torso pierced by arrows, yet exhibiting a strong and powerful physique. The dramatic use of light and shadow, as well as the detailed human anatomy, underscores Titian's mastery in evoking profound human emotion and spiritual resilience.

237. Studies of Saint Sebastian

Studies of Saint Sebastian

"Studies of Saint Sebastian," created by Titian in 1520, is a sketch and study artwork from the High Renaissance period, currently housed in a private collection. The artwork features multiple sketches of Saint Sebastian, depicted tied and pierced by arrows, a recurring subject in art to reflect themes of martyrdom and suffering. Additional figures and anatomical studies are also present, showcasing Titian's detailed exploration and mastery of human forms and movement. The informal and dynamic lines exemplify the preparatory nature of the piece, revealing the artist's process and intricate observations in rendering expressive human figures.

238. Study for the Duke of Urbino

Study for the Duke of Urbino

The artwork, titled "Study for the Duke of Urbino," was created by Titian around the year 1536 during the High Renaissance period. It measures 237 by 141 centimeters and is classified as a sketch and study genre. This piece is currently housed in the Uffizi Gallery in Florence, Italy. The artwork depicts a detailed sketch of a standing man clad in armor, featuring grid lines and clear strokes that suggest preparatory work for a larger composition. The figure's proportions and the emphasis on the armor highlight the preparation and study nature of the sketch, characterizing it as an insightful glimpse into Titian's artistic process.

239. Study of legs

Study of legs

The artwork, titled "Study of Legs," was created by the renowned artist Titian between 1548 and 1557. The piece falls under the Mannerism movement of the Late Renaissance and is classified as a sketch and study. Currently housed in a private collection, the artwork exemplifies Titian's meticulous attention to the human form, specifically focusing on the anatomical study of legs. Rendered in fine detail, it showcases the dynamic musculature and intricate shading that highlight Titian's mastery in capturing the subtle complexities of human anatomy.

240. Suicide of Lucretia

Suicide of Lucretia

The artwork, "Suicide of Lucretia" by Titian, created in 1515 using oil on canvas, exemplifies the High Renaissance era and belongs to the genre of history painting. Currently held in a private collection, this painting depicts the tragic moment of Lucretia's suicide with dramatic intensity. The composition features a sorrowful Lucretia, who holds a dagger, alluding to her imminent death, as she looks away with a stirring expression, her delicate white attire contrasting against the dark background. The artwork embodies the emotional depth and mastery of light and shadow characteristic of Titian's work during the period.

241. Supper at Emmaus

Supper at Emmaus
  • Artwork Name: Supper at Emmaus
  • Year: c.1530
  • Medium: oil,canvas
  • Dimensions: 169 x 244 cm

The artwork, "Supper at Emmaus," created by the esteemed artist Titian around 1530, is an oil painting on canvas measuring 169 x 244 cm. As a significant piece from the High Renaissance, this religious painting is housed in the Louvre Museum in Paris, France. The composition centers on the biblical scene of the supper at Emmaus, where Christ reveals himself to his disciples. The meticulous rendering of figures, expressive gestures, and the subtle play of light and shadow exemplify Titian's mastery and contribute to the evocative portrayal of this sacred moment.

242. Tarquin and Lucretia

Tarquin and Lucretia

The artwork titled "Tarquin and Lucretia" by Titian, created circa 1570, is an oil painting on canvas and belongs to the Mannerism (Late Renaissance) art movement. Measuring 188.9 x 145.1 cm, this historical painting is part of the Mythological Paintings (Poesie) series for Philip II (1553-1562). It depicts the dramatic and intense moment from classical mythology where Tarquin, the Roman prince, threatens the chastity of Lucretia, a virtuous noblewoman; the artwork captures the tension and emotion of this fateful encounter through robust, vigorous brushstrokes and a dynamic composition. It is currently housed at the Fitzwilliam Museum within the University of Cambridge in Cambridge, UK.

243. Tarquin and Lucretia

Tarquin and Lucretia

"Tarquin and Lucretia," an oil painting on canvas by Titian, created between 1570 and 1576, exemplifies the Mannerism movement of the Late Renaissance. This history painting vividly captures the dramatic and intense moment of violence and despair as Tarquin assaults Lucretia. The composition is rich with emotional tension, highlighted by the stark contrast between the light and dark areas, emphasizing the agony and turmoil within the scene. The work deftly portrays the psychological complexity and tragic nature of the historical narrative, rendering a poignant commentary on themes of power, honor, and suffering.

244. The Annunciation

The Annunciation
  • Artwork Name: The Annunciation
  • Year: c.1519
  • Medium: oil,panel
  • Dimensions: 179 x 207 cm

"The Annunciation," an oil on panel created circa 1519 by the renowned artist Titian, is a distinguished example of the High Renaissance art movement. This religious painting, measuring 179 by 207 centimeters, is prominently displayed in Treviso Cathedral, Treviso, Italy. The artwork captures the divine moment of the Annunciation, portraying the Virgin Mary and the Archangel Gabriel in a meticulously rendered architectural setting, imbued with a profound sense of spiritual reverence and celestial illumination. The intricate detailing and harmonious composition exemplify Titian's masterful skill and the era's artistic ideals.

245. The Annunciation

The Annunciation
  • Artwork Name: The Annunciation
  • Year: c.1557
  • Medium: oil,canvas
  • Dimensions: 280 x 21 cm

"The Annunciation," an oil painting on canvas by Titian, created around 1557, is a significant work of the Mannerist period, part of the Late Renaissance art movement. With dimensions of 280 x 21 cm, this religious painting vividly depicts the biblical scene of the Annunciation, where the Angel Gabriel announces to the Virgin Mary that she will conceive and become the mother of Jesus Christ. The artwork is characterized by its dynamic composition, rich color palette, and intricate details, capturing the divine and serene moment in a dramatic and expressive manner emblematic of Mannerism.

246. Venus and Cupid with an Organist

Venus and Cupid with an Organist

The artwork, "Venus and Cupid with an Organist" by Titian, created between 1548 and 1549, is an oil on canvas measuring 115 x 21 cm. It belongs to the Mannerism movement, which marked the late Renaissance period, and is a mythological painting currently housed in the Gemaeldegalerie in Berlin. The scene depicts Venus reclining with Cupid, while an organist plays in the foreground, embodying both mythological themes and intricate detail characteristic of the era.

247. Venus and Cupid with a Partridge

Venus and Cupid with a Partridge

The artwork titled "Venus and Cupid with a Partridge" was created by Titian around the year 1550. This oil on canvas painting, measuring 139 by 195 centimeters, is currently housed in the Galleria degli Uffizi in Florence. The artwork depicts Venus, the goddess of love, reclining in a sensuous pose with her son Cupid tenderly resting upon her. The painting is enriched with luxurious drapery and an idyllic landscape, while a partridge sits nearby, adding a layer of symbolism to the scene. The lush and evocative imagery encapsulates Titian’s mastery in rendering human forms and textures, along with his sophisticated use of color and light to create depth and emotion.

248. Bacchanal of the Andrians

Bacchanal of the Andrians

The artwork, titled "Bacchanal of the Andrians" and created by the renowned artist Titian between 1523 and 1525, is an oil on canvas masterpiece measuring 175 by 193 centimeters. Currently housed in the Museo del Prado in Madrid, this painting depicts a lively scene of revelry and celebration. The vivid composition portrays a group of joyous individuals indulging in a bacchanal, a scene inspired by classical mythology. The interplay of rich colors and dynamic figures within a lush, verdant landscape exemplifies Titian's masterful use of form and light, rendering the exuberant festivity with both elegance and vivacity.

249. Venus Anadyomene (Venus Emerging from the Sea)

Venus Anadyomene (Venus Emerging from the Sea)

"Venus Anadyomene (Venus Emerging from the Sea)" is a mythological painting created by Titian around 1520, and exemplifies the High Renaissance art movement. Executed in oil on canvas, the artwork has dimensions of 76 by 57 centimeters. It is currently housed in the Scottish National Gallery in Edinburgh, UK. The artwork depicts the goddess Venus emerging from the sea, beautifully illustrating her mythological birth, with a sensuous and graceful form as she combs her long, flowing hair. This vivid composition captures the delicacy and divine beauty characteristic of Titian’s style.

250. Venus of Urbino

Venus of Urbino
  • Artwork Name: Venus of Urbino
  • Year: 1538
  • Medium: Oil on Canvas
  • Dimensions: 119 x 165 cm

"Venus of Urbino," an oil on canvas painting created by the esteemed artist Titian in 1538, stands as an exemplary piece from the High Renaissance art movement. Measuring 119 by 165 cm, this mythological painting resides in the Uffizi Gallery in Florence, Italy. The artwork portrays a nude Venus reclining on a bed, exuding serene confidence and sensuality. She holds a posy of roses in one hand, while her gaze meets the viewer's eyes, conveying an intimate connection. In the background, two maids rummage through a chest, attending to domestic chores, and a small dog rests on the end of the bed, contributing to the domestic tranquility. The lush drapery and the detailed interior further enhance the opulent yet intimate setting of the scene.

251. The Flaying of Marsyas

The Flaying of Marsyas

"The Flaying of Marsyas," an oil on canvas painting by Titian, was created in 1576 and exemplifies the Mannerism (Late Renaissance) art movement. Measuring 212 by 207 centimeters, this mythological painting is housed in the Kroměříž Archbishop's Palace in Kroměříž, Czech Republic. The artwork depicts the gruesome scene of Marsyas, a figure from Greek mythology, being flayed alive as punishment. This dramatic and intense representation showcases Titian's mastery in capturing human emotion and suffering through detailed and expressive brushwork.

252. Diana and Callisto

Diana and Callisto
  • Artwork Name: Diana and Callisto
  • Year: 1556 - 1559
  • Medium: Oil on Canvas
  • Dimensions: 187 x 205 cm

"Diana and Callisto" is an oil on canvas painting by Titian, created between 1556 and 1559. The artwork, measuring 187 by 205 centimeters, belongs to the Mannerism (Late Renaissance) art movement and represents a mythological painting genre. It is part of the series of mythological paintings (poesie) that Titian created for Philip II from 1553 to 1562. Currently, it resides in the Kunsthistorisches Museum in Vienna, Austria. The composition illustrates a dynamic scene from classical mythology, where the figures of Diana and her nymphs are depicted with expressive poses and detailed natural surroundings, characteristic of Titian's mastery in conveying dramatic narratives through vivid, life-like representation.

253. Diana and Actaeon

Diana and Actaeon
  • Artwork Name: Diana and Actaeon
  • Year: 1559
  • Medium: Oil on Canvas
  • Dimensions: 190.3 x 207 cm

"Diana and Actaeon," an oil on canvas painting by Titian created in 1559, exemplifies the Mannerism (Late Renaissance) art movement. Measuring 190.3 by 207 cm, this mythological painting forms part of Titian's series of mythological paintings (poesie) for Philip II, produced between 1553 and 1562. The artwork is housed in the National Gallery, London. It vividly captures the moment from Ovid's "Metamorphoses" where Actaeon stumbles upon the goddess Diana and her nymphs bathing, showcasing Titian’s masterful use of color and composition to portray dynamic narrative and drama.

254. Bacchus and Ariadne

Bacchus and Ariadne
  • Artwork Name: Bacchus and Ariadne
  • Year: 1520 - 1523
  • Medium: Oil on Canvas
  • Dimensions: 176.5 x 191 cm

The artwork, titled "Bacchus and Ariadne," was created by the renowned artist Titian between 1520 and 1523 using oil on canvas. It belongs to the High Renaissance art movement and is part of a mythological series commissioned by Philip II of Spain between 1553 and 1562. Measuring 176.5 by 191 cm, the painting is a mythological composition depicting Bacchus, the god of wine, encountering Ariadne. Currently housed in the National Gallery in London, the artwork features vibrant colors, dynamic movement, and intricate detailing, which are hallmarks of Titian's masterful technique and the mythological genre of the time.

255. Venus and Adonis

Venus and Adonis
  • Artwork Name: Venus and Adonis
  • Year: 1553 - 1554
  • Medium: Oil on Canvas
  • Dimensions: 207 x 186 cm

"Venus and Adonis," an oil on canvas masterpiece by Titian, created between 1553 and 1554, is a quintessential example of Mannerism, belonging to the Late Renaissance period. Measuring 207 x 186 cm, this mythological painting is part of a series known as the "poesie" for Philip II, crafted between 1553 and 1562. The artwork depicts the poignant mythological scene of Venus attempting to prevent Adonis from departing for the hunt, highlighting the dramatic tension and intense emotion characteristic of the Mannerist style. Currently, this exceptionally evocative piece is housed in the Museo del Prado in Madrid.

256. Sacred and Profane Love

Sacred and Profane Love

"**Sacred and Profane Love**," completed by Titian in 1514, is an allegorical oil painting characteristic of the High Renaissance movement, currently housed in the Borghese Gallery in Rome, Italy. Measuring 279 by 118 cm, the artwork presents a vivid and finely detailed scene, showcasing two female figures, one clothed and the other nude, depicting contrasting aspects of love: sacred and profane. An elaborate background and the presence of a cherubic figure emphasize the symbolic narrative exploring the duality of human affection and desire.

257. Death of Actaeon

Death of Actaeon
  • Artwork Name: Death of Actaeon
  • Year: 1559 - 1575
  • Medium: Oil on Canvas
  • Dimensions: 179 x 189 cm

"The Death of Actaeon," crafted by Titian between 1559 and 1575, is an oil on canvas painting measuring 179 x 189 cm. It belongs to the Mannerism (Late Renaissance) art movement and is part of the mythological series, "poesie," created for Philip II between 1553 and 1562. Currently housed in the National Gallery in London, the artwork depicts a dramatic mythological scene. In this vivid portrayal, a figure, presumably the hunter Actaeon, is being attacked by his own hounds, while the goddess Artemis, in flowing attire, gestures with a bow, emblematic of the moment of divine retribution. Bathed in the rich tones and intricate brushstrokes signature to Titian, the painting embodies the grandeur and emotional intensity of Renaissance mythological narratives.

258. Venus with a Mirror

Venus with a Mirror

The artwork, titled "Venus with a Mirror," was created by the renowned artist Titian around the year 1555 and is currently housed at the National Gallery of Art in Washington, D.C. This exquisite painting depicts the Roman goddess Venus, adorned with luxurious drapery and jewelry, elegantly gazing into a mirror held by a cherub. The composition, which exudes classical beauty and sensuality, is a masterful example of Titian's skill in rendering lifelike textures and captivating human forms. The richness of the colors and the interplay of light and shadow emphasize the divinity and grace of the subject, establishing this piece as a quintessential representation of Renaissance art.

259. Danae and the Shower of Gold

Danae and the Shower of Gold

"Danae and the Shower of Gold," a mythological painting by Titian, created between 1545 and 1546, is an exemplary work of the Mannerism movement, also known as the Late Renaissance. The artwork rendered in oil on canvas, measures 120 by 172 centimeters and is currently housed at the National Museum of Capodimonte in Naples, Italy. The painting illustrates the myth of Danae, who, according to Greek mythology, was visited by Zeus in the form of a shower of gold. The composition features Danae reclining on a luxurious bed, with the shower of gold descending upon her, accompanied by a winged figure, possibly representing Eros, who witnesses the miraculous event. Titian's masterful use of light, color, and composition elevates the mythological narrative, imbuing it with an ethereal and timeless quality.

260. Woman In A Fur Coat

Woman In A Fur Coat

The artwork, titled "Woman in a Fur Coat," is a masterful piece created by the renowned artist Titian around the years 1536-1538. Currently exhibited at the Kunsthistorisches Museum in Vienna, the painting portrays a woman adorned in a sumptuous fur coat, exuding both elegance and opulence. Her serene expression and the delicate embellishments, such as the pearls and jewelry, highlight the artist's skill in rendering fine details and textures. The fine brushwork and the soft interplay of light and shadow further contribute to the overall grace and refinement of the composition.

261. Tarquin and Lucretia

Tarquin and Lucretia

"Tarquin and Lucretia," crafted by the eminent artist Titian between 1568 and 1571, is a masterful oil on canvas painting measuring 188.9 x 145.1 cm. The artwork is housed in the prestigious Fitzwilliam Museum in Cambridge. The painting depicts the harrowing and dramatic scene where Tarquin, a Roman prince, confronts Lucretia, embodying a somber and intense interaction filled with profound emotional and physical tension. The rich and dark tones employed by Titian, coupled with the dynamic interplay of light and shadow, enhance the emotional gravity of the scene, encapsulating a pivotal moment in Roman mythology.

262. Abduction of Europa

Abduction of Europa

The artwork titled "Abduction of Europa," an oil on canvas masterpiece created by Titian between 1559-62, measures 185 by 205 cm and is housed in the Isabella Stewart Gardner Museum in Boston. The artwork vividly depicts the dramatic mythological scene of Europa's abduction by Zeus, who has transformed into a bull. The composition features Europa atop the bull, a dynamic backdrop of land and sea, and celestial beings observing and participating in the scene, employing rich colors and dramatic contrasts that exemplify Titian's masterful technique.

263. La Schiavona

La Schiavona

"La Schiavona," created by Titian circa 1510, is housed in the National Gallery, London. The artwork depicts a robustly confident woman, dressed in an elaborate, rich burgundy gown, standing beside a marble relief featuring a profile bust. The composition exudes grandeur and poised elegance, underscoring the subject's noble status, while the subtle use of light and dark tones emphasizes depth and the fine details of her attire and the sculpted portrait.

264. Madonna with saints and members of the Pesaro family

Madonna with saints and members of the Pesaro family

"Madonna with Saints and Members of the Pesaro Family," painted by Titian between 1519 and 1526, measures 478 by 266 cm (188 1/8 by 104 3/4 inches). The artwork showcases the Madonna and Child enthroned, flanked by saints and members of the Pesaro family. Dominated by grand architectural elements, notably towering columns, the composition creates a strong vertical emphasis. Cherubs hover above the scene, adding a celestial touch, while the use of vibrant colors and masterful interplay of light and shadow exemplify Titian's renowned skills in Renaissance art. The scene reflects both a religious devotion and the prominence of the Pesaro family.

265. Noli Me Tangere

Noli Me Tangere
  • Artwork Name: Noli Me Tangere
  • Year: 1511-12
  • Medium: Oil on Canvas
  • Dimensions: 101 x 91 cm

"Noli Me Tangere," an oil painting on canvas by the renowned artist Titian, dates back to 1511-12 and is currently housed in the National Gallery in London. Measuring 101 x 91 cm, the artwork captures a poignant biblical scene where the resurrected Christ appears to Mary Magdalene. Christ, partially draped in a white cloth, stands with a gentle, restraining gesture, holding a gardener's tool, signifying the moment he tells Mary not to touch him. The setting is rich with meticulous details, featuring a lush landscape and distant architecture under a serene sky, reflecting Titian's mastery in composition and use of color.

266. Penitent Mary Magdalen

Penitent Mary Magdalen

The artwork titled "Penitent Mary Magdalen," created by the renowned artist Titian between 1560 and circa 1565, is an exquisite oil painting rendered on canvas, currently housed in the Hermitage Museum in Saint Petersburg, Russia. Measuring 119 by 98 centimeters, this masterpiece epitomizes the Mannerism (Late Renaissance) art movement and belongs to the genre of religious paintings. The artwork depicts Mary Magdalene in a state of penitence, characterized by her evocative expression, posture, and the presence of symbolic elements such as the open book, the skull, and the dark, dramatic landscape in the background.

267. Laura dei Dianti

Laura dei Dianti
  • Artwork Name: Laura dei Dianti
  • Year: c. 1523-25
  • Medium: Oil on Canvas
  • Dimensions: 119 x 93 cm

The artwork, titled "Laura dei Dianti," was created by the renowned artist Titian between 1523 and 1525. Rendered in oil on canvas, this piece measures 119 by 93 centimeters and is currently housed in a private collection. The painting depicts a noble woman adorned in an elaborate blue and gold garment, with intricately detailed sleeves and a bejeweled headpiece. She is accompanied by a figure dressed in colorful, patterned clothing, highlighting the disparity in their societal status. The mood of the artwork is solemn and reflective, capturing the grace and dignity of its subjects within a subdued and dark backdrop.

268. The Emperor Charles V on Horseback, in Muehlberg

The Emperor Charles V on Horseback, in Muehlberg

The artwork, "The Emperor Charles V on Horseback, in Muehlberg," is a masterpiece painted by Titian in 1548 using oil on canvas. It measures 130 3/4 x 109 7/8 inches (332 x 279 cm) and is displayed at the Museo del Prado in Madrid. The painting depicts Emperor Charles V in full armor riding a majestic horse, set against a backdrop of a serene landscape bathed in the soft glow of an overcast sky. The emperor, rendered with meticulous detail and a commanding presence, embodies the power and grandeur of his reign, symbolized by the resplendent attire and regal poise. The use of rich, dark tones and the interplay of light and shadow enhance the dramatic essence of the scene, showcasing Titian's mastery in capturing both the physical and symbolic dimensions of his subject.

269. Annunciation

Annunciation
  • Artwork Name: Annunciation
  • Year: c.1535
  • Medium: Oil on Canvas
  • Dimensions: 166 x 266 cm

The artwork, titled "Annunciation," is a religious painting executed by the renowned artist Titian around 1535. This High Renaissance masterpiece, created with oil on canvas, measures 166 x 266 cm and is currently located in the Church of San Salvador in Venice. The scene depicted in the artwork is a profound biblical moment, rich with symbolism and dramatic intensity, showcasing an angel bearing lilies, addressing the Virgin Mary, who is portrayed with a serene and humble demeanor. The interplay of light and shadow, coupled with the careful detailing, exemplifies Titian's exceptional skill and mastery of the High Renaissance artistic principles.

270. Pieta

Pieta
  • Artwork Name: Pieta
  • Year: 1576
  • Medium: Oil on Canvas
  • Dimensions: 351 x 389 cm

The artwork, titled "Pieta," was created by the renowned artist Titian in 1576 using oil on canvas. This masterpiece, which belongs to the Mannerism or Late Renaissance art movement, is a religious painting measuring 351 by 389 cm. The artwork is currently held in a private collection at the Galleria dell'Accademia in Venice, Italy. The painting depicts the sorrowful scene of the Virgin Mary cradling the lifeless body of Jesus Christ, flanked by anguished figures and framed within an architectural setting adorned with statues and an angelic figure, suffused with dramatic lighting and deep emotional resonance.

271. Portrait of a Man in a Red Cap

Portrait of a Man in a Red Cap

"Portrait of a Man in a Red Cap," created in 1516 by the renowned artist Titian, is an oil on canvas masterpiece from the High Renaissance period. This portrait, measuring 71.1 by 82.3 centimeters, epitomizes the genre's meticulous attention to detail and the study of human character. The artwork features a man adorned in opulent attire, characterized by a striking red cap and a luxurious fur-lined robe, set against a subdued, dark background that accentuates the figure's refined expression and attire. It is housed in the esteemed Frick Collection in New York City, showcasing both Titian's exceptional skill and the elegance of High Renaissance portraiture.

272. Woman with a Mirror

Woman with a Mirror

The artwork, titled "Woman with a Mirror," was created by Titian in 1515. This oil on canvas painting, measuring 93 x 76 cm, exemplifies the High Renaissance art movement and falls under the genre of genre painting. Currently housed in the Louvre in Paris, France, the artwork depicts a serene woman gazing into a mirror held by a male figure. The composition is notable for its rich, warm color palette and detailed rendering of light and texture, highlighting the reflective quality of the mirror and the woman's luminous skin.

273. Portrait of Doge Andrea Gritti

Portrait of Doge Andrea Gritti

The artwork, titled "Portrait of Doge Andrea Gritti," is a masterful oil on canvas painting created by the renowned artist Titian between 1544 and 1545. This piece, characterized by its dimensions of 103 x 134 cm, exemplifies the Mannerism art movement of the Late Renaissance period. As a portrait, it vividly captures the dignified presence of Doge Andrea Gritti, showcasing Titian's adeptness in rendering both texture and expression. The artwork currently resides in the National Gallery of Art in Washington, D.C., where it continues to be an exemplar of historical portraiture.

274. The Three Ages of Man

The Three Ages of Man

The artwork titled "The Three Ages of Man" is an allegorical painting created by Titian between 1511 and 1512 during the High Renaissance period. Executed in oil on canvas, the painting measures 90 x 150.7 cm and is currently housed in a private collection within the Scottish National Gallery in Edinburgh, UK. The artwork illustrates the three stages of human life: childhood, adulthood, and old age. Through the juxtaposition of various scenes and figures, Titian masterfully captures the different phases of existence, conveyed through meticulous details, vibrant colors, and a lush landscape background.

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