Titian, full name Tiziano Vecelli, was an Italian painter and one of the greatest artists of the High Renaissance period. Born around 1488 in Pieve di Cadore, Italy, Titian's work is known for its bold use of color, intricate detail, and emotional depth. He was a master of portraiture and religious scenes, and his work had a significant influence on later artists, including the Baroque painters. Titian's most famous works include "Bacchus and Ariadne," "Venus of Urbino," and "The Assumption of the Virgin." He died in Venice in 1576, leaving behind a legacy as one of the most important painters in art history.
1. Angel of the Annunciation
- Artwork Name: Angel of the Annunciation
- Year: c.1560
- Dimensions: 422 x 279 cm
"Angel of the Annunciation," created by Titian circa 1560, exemplifies the Mannerism (Late Renaissance) movement and is housed at the Uffizi Gallery in Florence, Italy. Measuring 422 by 279 cm, the artwork serves as a sketch and study piece. The depiction portrays a detailed and expressive rendering of the angel from the biblical Annunciation, characterized by dynamic use of charcoal that captures the ethereal and revered nature of the subject. The gestural lines and shading suggest a moment of divine revelation, aligning with the theological narrative of the Annunciation. Through this sketch, Titian provides an insightful glimpse into his preparatory process and stylistic approach during the later stages of the Renaissance period.
2. Annunciation
- Artwork Name: Annunciation
- Year: c.1564
- Medium: oil,canvas
- Dimensions: 410 x 240 cm
The artwork, titled "Annunciation," was painted by Titian around 1564 using oil on canvas. Measuring 410 x 240 cm, it is a notable example of the Mannerism movement, a phase in the Late Renaissance. The painting, housed in San Salvador, Venice, Italy, falls under the genre of religious painting. It depicts the biblical scene of the Annunciation, where the Archangel Gabriel announces to the Virgin Mary that she will bear the Son of God. The composition is characterized by a dramatic interplay of light and shadow, typical of Mannerist aesthetics, and includes an assembly of celestial beings, further accentuating the divine moment being illustrated.
3. An Unknown Man in a Black Plumed Hat
- Artwork Name: An Unknown Man in a Black Plumed Hat
The artwork, titled "An Unknown Man in a Black Plumed Hat," is a portrait created by the renowned artist Titian, an eminent figure of the High Renaissance. The painting depicts a man with fair skin and long, wavy blonde hair, who gazes outward with a composed and contemplative expression. He is adorned with a distinctive black hat embellished with a prominent white plume, which adds an element of grandeur to his appearance. The dark, muted background accentuates the subject, focusing the viewer's attention on the man's refined features and the elegance of his attire. The use of light and shadow in the painting reveals Titian's mastery in conveying depth and texture, further emphasizing the earnest and dignified demeanor of the unidentified sitter.
4. Apostles group
- Artwork Name: Apostles group
- Medium: oil,canvas
The artwork entitled "Apostles group" by the renowned artist Titian is an oil painting on canvas, exemplifying the High Renaissance art movement. This piece, classified within the genre of sketches and studies, is privately held. The composition of the artwork features a dynamic arrangement of figures, depicting the apostles in various expressive postures. The hurried and animated lines capture the essence of motion and emotion, characteristic of a preparatory study, which gives viewers a glimpse into Titian's creative process and his mastery in conveying complex human interactions.
5. Assumption of the Virgin
- Artwork Name: Assumption of the Virgin
- Year: 1516 - 1518
- Medium: oil,canvas
- Dimensions: 360 x 690 cm
"The Assumption of the Virgin," an illustrious oil on canvas created by Titian between 1516 and 1518, stands as a seminal piece of the High Renaissance. Possessing grand dimensions of 360 by 690 cm, this religious painting resides in the Santa Maria Gloriosa dei Frari in Venice, Italy. The artwork captures the moment of the Virgin Mary's assumption into heaven, characterized by dynamic composition and masterful use of color, as she is surrounded by jubilant angels and witnesses awed by the divine spectacle. Titian's skill in portraying the spiritual transcendence and human emotion encapsulates the essence of Renaissance artistry.
6. The Bacchanal of the Andrians
- Artwork Name: The Bacchanal of the Andrians
- Year: 1523 - 1524
- Medium: oil,canvas
- Dimensions: 175 x 193 cm
"The Bacchanal of the Andrians," an oil on canvas masterpiece by Titian, dates from 1523-1524 and stands as an exemplary work of the High Renaissance art movement. Measuring 175 x 193 cm, this mythological painting, part of the "Mythological paintings (poesie) for Philip II" series created between 1553-1562, resides in the Museo del Prado in Madrid, Spain. The artwork depicts a lively bacchanalian scene, emphasizing vibrant colors and dynamic figures immersed in a revelry that epitomizes the enchanted and exuberant spirit of classical mythology.
7. Cain and Abel
- Artwork Name: Cain and Abel
- Year: 1542 - 1544
- Medium: oil,panel
- Dimensions: 298 x 282 cm
The artwork "Cain and Abel," created by Titian between 1542 and 1544, is an oil painting on panel, measuring 298 by 282 centimeters. It belongs to the Mannerism (Late Renaissance) art movement and falls under the genre of religious painting. The artwork depicts the biblical story of Cain and Abel, emphasizing dramatic movement and intense emotion. In the composition, Cain is shown in a moment of violent aggression, poised to strike his brother Abel, who lies defenseless on the ground. The dark and tumultuous background adds to the somber and foreboding atmosphere, highlighting the tragic nature of the scene.
8. Cameria, daughter of Suleiman the Magnificent
- Artwork Name: Cameria, daughter of Suleiman the Magnificent
- Year: c.1555
The artwork, titled "Cameria, daughter of Suleiman the Magnificent," was created by the renowned artist Titian around circa 1555. This portrait belongs to the Mannerism movement, characteristic of the Late Renaissance period. The painting depicts a poised female figure, adorned in an intricately designed garment, showcasing a blend of elegance and regal demeanor. The subject's serene expression and exquisite attire reflect the artist's meticulous attention to detail and mastery in rendering fine textures and fabrics.
9. Cardinal Alessandro Farnese
- Artwork Name: Cardinal Alessandro Farnese
- Year: 1545 - 1546
- Medium: oil,canvas
- Dimensions: 97 x 73 cm
The artwork titled "Cardinal Alessandro Farnese," created by the renowned artist Titian between 1545 and 1546, is an oil painting on canvas embodying the Mannerism (Late Renaissance) art movement. Measuring 97 x 73 cm, the portrait genre artwork depicts Cardinal Alessandro Farnese, capturing the essence of his dignified presence. Dominated by rich, dark hues, the artwork accentuates the Cardinal's expressions and attire, reflecting Titian's masterful technique.
10. Caricature of the Laoc on group
- Artwork Name: Caricature of the Laoc on group
- Year: 1543 - 1545
The artwork titled "Caricature of the Laocoon Group", created by Titian between 1543 and 1545, forms part of the Mannerism (Late Renaissance) movement and is classified within the genre of caricature. This piece, currently housed in a private collection, depicts a humorous and exaggerated rendition of the famous Laocoon sculpture. The figures in the artwork are rendered with exaggerated features and expressions, entwined by serpents, set against a detailed landscape with architectural elements, embodying the whimsical and dramatic essence of caricature art.
11. Portrait of a Man
- Artwork Name: Portrait of a Man
- Year: 1508
- Medium: oil
The artwork, titled "Portrait of a Man," was painted by the renowned artist Titian in 1508. Executed in oil medium, this piece is exemplary of the High Renaissance art movement and falls under the genre of portraiture. Currently housed in the Indianapolis Museum of Art (IMA) in Indianapolis, Indiana, the artwork depicts a contemplative male figure, with the detailed rendering and rich color palette characteristic of Titian's masterful technique. The subject's direct gaze and the sophisticated use of light and shadow reflect the artist's ability to convey both the physical likeness and the inner depth of the sitter.
12. Portrait of a Man
- Artwork Name: Portrait of a Man
- Year: 1514
- Medium: oil,canvas
- Dimensions: 60 x 81 cm
The artwork, titled "Portrait of a Man," is a masterful piece by the renowned artist Titian, completed in the year 1514. Executed in oil on canvas, this High Renaissance portrait, measuring 60 x 81 cm, is currently housed in the Uffizi Gallery in Florence, Italy. The piece exemplifies Titian's skill in rendering lifelike representations, capturing the solemn demeanor and aristocratic bearing of the subject against a muted background, which accentuates the subject's presence and character.
13. Portrait of a Man
- Artwork Name: Portrait of a Man
- Year: 1512 - 1513
"Portrait of a Man," created by Titian between 1512 and 1513, exemplifies the High Renaissance art movement. This portrait, housed in the Neue Pinakothek in Munich, Germany, showcases Titian's masterful skill in capturing human expression and texture. The artwork depicts a man with a contemplative gaze, dressed in a fur-like garment, which emphasizes the artist's adeptness in rendering fine details and naturalistic features. Through this painting, Titian conveys a profound sense of character and presence, encapsulating the essence of Renaissance portraiture.
14. Portrait of a man with ermine coat
- Artwork Name: Portrait of a man with ermine coat
- Year: c.1560
The artwork, titled "Portrait of a Man with Ermine Coat," was created by the renowned artist Titian around the year 1560. It belongs to the High Renaissance art movement and falls under the genre of portraiture. The painting is currently housed in the Kunsthistorisches Museum in Vienna, Austria. It depicts a man adorned in a luxurious, fur-lined coat, which conveys a sense of wealth and status. The use of rich, dark tones and meticulous attention to detail characteristic of Titian’s work contributes to the figure’s dignified and commanding presence.
15. Portrait of a Musician
- Artwork Name: Portrait of a Musician
- Year: c.1515
- Medium: oil,canvas
- Dimensions: 99 x 81 cm
"Portrait of a Musician," created by the renowned artist Titian around 1515, is an exquisite oil painting on canvas, representative of the High Renaissance art movement. The artwork, measuring 99 x 81 cm, captures the subtle nuances of a male musician in a contemplative pose, exuding an air of introspective stillness. The rich, dark tones of the portrait juxtaposed with the musician's gentle expression and composed demeanor reflect Titian's masterful use of color, light, and shadow to portray depth and character.
16. Portrait of an Old Man (Pietro Cardinal Bembo)
- Artwork Name: Portrait of an Old Man (Pietro Cardinal Bembo)
- Year: 1545 - 1546
- Medium: oil,canvas
The artwork, titled "Portrait of an Old Man (Pietro Cardinal Bembo)," was created by the renowned artist Titian between 1545 and 1546. Painted with oil on canvas, this piece is an exemplar of the Mannerism movement, also known as the Late Renaissance. The portrait genre artwork is presently housed in the Budapest Museum of Fine Arts in Budapest, Hungary. The composition features a distinguished elderly man, rendered with meticulous attention to detail, showcasing his aged, contemplative visage and flowing white beard, enveloped in a crimson robe, thoughtfully capturing the essence of his character and stature.
17. Portrait of Antonio Anselmi
- Artwork Name: Portrait of Antonio Anselmi
- Year: c.1550
- Medium: oil,canvas
- Dimensions: 75 x 63 cm
The artwork, titled "Portrait of Antonio Anselmi," was crafted by the renowned artist Titian around the year 1550 during the Mannerism (Late Renaissance) art movement. Executed in oil on canvas, this distinguished portrait measures 75 by 63 centimeters and belongs to the genre of portraiture. Currently, it resides in the Thyssen-Bornemisza Museum in Madrid, Spain. The portrait displays a refined and introspective composition, highlighting the sitter in somber, dark tones with a subtle play of light and shadow, characteristic of Titian's masterful technique.
18. Portrait of a Painter with a Palm Leaf
- Artwork Name: Portrait of a Painter with a Palm Leaf
- Year: 1561
- Medium: oil,canvas
- Dimensions: 138 x 116 cm
"Portrait of a Painter with a Palm Leaf," created in 1561 by the renowned artist Titian, is a masterful oil painting on canvas that epitomizes the Mannerism (Late Renaissance) art movement. Measuring 138 by 116 centimeters, the portrait genre artwork is housed in the Gemäldegalerie Alte Meister in Dresden, Germany. The artwork features a distinguished male figure, donning dark, voluminous robes, holding a palm leaf—a symbol often associated with victory and honor. The background suggests an outdoor setting with partially illuminated, serene landscape elements. The painter's skillful use of light and shadow, as well as the intricately detailed countenance, imparts a lifelike presence and dignified character to the subject.
19. Portrait of Aretino
- Artwork Name: Portrait of Aretino
- Year: 1512
"Portrait of Aretino," created by the renowned artist Titian in 1512, is an exemplary work of the High Renaissance art movement. This portrait is housed in the esteemed Palazzo Pitti in Florence, Italy. The artwork captures the distinguished profile of its subject with a contemplative expression, characterized by meticulous details and masterful use of color. The rich textures and lifelike representation reflect Titian's profound skill in portraiture, making this piece a significant contribution to Renaissance art.
20. Portrait of Ariosto
- Artwork Name: Portrait of Ariosto
- Year: 1508 - 1510
- Medium: oil,canvas
- Dimensions: 66.3 x 81.2 cm
The artwork, "Portrait of Ariosto," by the eminent artist Titian, created between 1508 and 1510, is a prime example of the High Renaissance period. Executed in oil on canvas, the portrait measures 66.3 by 81.2 centimeters. The artwork features a poised and contemplative subject set against a subtle background, highlighting the subject’s serene expression and detailed attire. Through the use of rich textures and impeccable brushwork, Titian successfully brings a lifelike and dignified presence to the canvas, embodying the sophisticated essence of Renaissance portraiture.
21. The Beauty
- Artwork Name: The Beauty
- Year: 1536
- Medium: oil,canvas
- Dimensions: 89 x 76 cm
The artwork, titled "The Beauty," is an exquisite oil on canvas painting by the illustrious artist Titian, created in 1536 during the High Renaissance. Measuring 89 x 76 cm, this portrait exemplifies the refined elegance that characterizes the art movement of that era. It depicts a poised female figure, adorned in rich, textured clothing with intricate jewelry, set against a dark background that accentuates her serene expression and detailed attire. Currently, this magnificent piece resides in the Palazzo Pitti in Florence, Italy.
22. The Birth of Adonis
- Artwork Name: The Birth of Adonis
- Year: 1505 - 1510
- Medium: oil,board
- Dimensions: 35 x 162 cm
"The Birth of Adonis," created by the esteemed artist Titian between 1505 and 1510, is an oil painting on board. This mythological painting, which belongs to the High Renaissance art movement, measures 35 by 162 centimeters. The artwork vividly depicts the mythological birth of Adonis, set within a rich, naturalistic landscape. Various figures populate the scene, engaging in activities that signify the occasion. The painting is characterized by its harmonious composition, vibrant colors, and meticulous attention to detail, all of which are hallmarks of Titian’s esteemed oeuvre.
23. The Bravo
- Artwork Name: The Bravo
- Year: c.1520
- Medium: oil,canvas
- Dimensions: 66.5 x 77 cm
"The Bravo," an oil on canvas painting by Titian, dates to approximately 1520 and exemplifies the High Renaissance art movement. The artwork, a portrait genre piece with dimensions of 66.5 by 77 cm, resides in the Kunsthistorisches Museum in Vienna, Austria. The portrait depicts two figures, one facing the viewer with a serious expression, adorned with a wreath upon his head, and another figure in the background partially obscured, creating a dramatic and intense composition. The detailed use of light and shadow emphasizes the intricate textures and depth of the subjects.
24. The Concert
- Artwork Name: The Concert
- Year: c.1510
- Medium: oil,canvas
- Dimensions: 87 x 124 cm
The artwork, titled "The Concert," is an oil on canvas painting created by Titian around 1510, belonging to the High Renaissance movement. With dimensions of 87 x 124 cm, this portrait is housed in the Palazzo Pitti in Florence, Italy. The painting depicts a scene of three individuals, each intensely engaged in their actions and expressions, emerging from a dark background which highlights their features and interactions, characteristic of the chiaroscuro technique synonymous with the era. The central figure appears engrossed in playing a musical instrument, while the other two characters, one wearing distinctive attire, create a narrative of contemplation and musical engagement. This masterful composition exemplifies Titian's ability to infuse dynamism and realism into his work, encapsulating the essence of a musical troupe caught in a moment of profound engagement.
25. The crucifixion
- Artwork Name: The crucifixion
- Year: 1558
- Medium: oil,canvas
- Dimensions: 371 x 197 cm
"The Crucifixion," created by Titian in 1558, is a monumental oil-on-canvas painting embodying the High Renaissance art movement. The artwork, measuring 371 by 197 centimeters, falls within the genre of religious painting. The scene meticulously depicts the crucifixion of Christ, with a dramatic expression of sorrow and devotion as his followers mourn at the foot of the cross, highlighting the intense emotional and spiritual gravitas of the moment. The somber color palette and dynamic composition reflect the profound impact of the event, further accentuated by the detailed rendering of the figures and the surrounding atmospheric effects.
26. The Death of St Peter Martyr
- Artwork Name: The Death of St Peter Martyr
- Year: 1527 - 1529
- Medium: oil,canvas
"The Death of St. Peter Martyr," an oil painting on canvas created by Titian between 1527 and 1529, stands as a quintessential example of the High Renaissance art movement. This religious painting poignantly depicts the dramatic martyrdom of St. Peter Martyr, capturing intense emotion and movement. The composition features a dark and foreboding forest background, with St. Peter in the throes of his fatal attack, invoking a sense of spiritual transcendence amidst mortal agony. The dynamic interplay of light and shadow, combined with the vivid portrayal of human figures in turmoil, epitomizes Titian's mastery in rendering both the physical and emotional dimensions of this profound narrative.
27. The Doge Niccolo Marcello
- Artwork Name: The Doge Niccolo Marcello
- Year: 1542
The artwork names "The Doge Niccolo Marcello," created by the renowned artist Titian in 1542, exemplifies the Mannerism (Late Renaissance) art movement. This portrait prominently features Niccolo Marcello, the Doge of Venice, depicted in a profile view. The Doge is adorned in ornate, richly embroidered golden robes, characteristic of the opulence associated with Venetian doges. The detailed, patterned fabrics and the dignified posture of Niccolo Marcello reflect the authority and decorum befitting his status. The subdued and dark background further accentuates the subject's prominence, a hallmark of Titian's exquisite mastery in portraiture during this period.
28. The Fall of Man
- Artwork Name: The Fall of Man
- Year: c.1550
- Medium: oil,canvas
- Dimensions: 240 x 186 cm
"The Fall of Man," an oil on canvas work by Titian from approximately 1550, embodies the Mannerism movement of the late Renaissance. This religious painting, measuring 240 by 186 centimeters, is housed in the Museo del Prado in Madrid, Spain. The artwork depicts the biblical scene of Adam and Eve with the serpent, where Eve is shown offering the forbidden fruit to Adam, emphasizing the theme of temptation and sin. The composition's dramatic intensity and intricate details illustrate Titian's masterful handling of the human form and landscape, contributing to the era's distinctive artistic style.
29. The Feast of the Gods
- Artwork Name: The Feast of the Gods
- Year: 1516 - 1529
- Medium: oil,canvas
"The Feast of the Gods," crafted by Titian between 1516 and 1529, is an oil painting on canvas representative of the High Renaissance movement, falling within the genre of mythological paintings. The artwork depicts a vivid scene of divine revelry, set against a lush, wooded landscape. Various mythological figures are gathered, engaged in convivial activities, surrounded by abundant greenery that almost blends with the rocky formations in the backdrop. The lively composition and intricate details showcase the artist's mastery in portraying dynamic human forms and the interaction between nature and myth.
30. The Gipsy Madonna
- Artwork Name: The Gipsy Madonna
- Year: 1510 - 1511
- Medium: oil,canvas
- Dimensions: 83.5 x 65.8 cm
"The Gipsy Madonna," crafted by the esteemed artist Titian between 1510 and 1511, is an exquisite oil on canvas painting emblematic of the High Renaissance art movement. The artwork, measuring 83.5 by 65.8 cm, belongs to the genre of religious painting and is currently housed in the Kunsthistorisches Museum in Vienna, Austria. The painting depicts the Virgin Mary tenderly holding the Christ Child, set against a serene landscape with lush greenery and distant hills, exemplifying Titian's masterful use of color and composition to evoke a sense of divine grace and human tenderness.
31. Cavalier over a fallen adversary
- Artwork Name: Cavalier over a fallen adversary
- Year: 1562 - 1564
The artwork, "Cavalier over a fallen adversary," created by Titian between 1562 and 1564, epitomizes the Mannerism (Late Renaissance) art movement. This sketch and study, currently held in a private collection, captures a dynamic and dramatic scene characteristic of Titian's mastery in portraying intense human emotions and movement. The composition features a horse rearing over a fallen figure, emphasizing the tension and drama in the confrontation between the cavalier and his adversary. The robust and expressive use of lines and shading contribute to the sense of motion and struggle, showcasing Titian's skill in capturing complex human and animal forms.
32. Cellach of Armagh
- Artwork Name: Cellach of Armagh
- Year: 1520 - 1522
The artwork titled "Cellach of Armagh," created by Titian between 1520 and 1522, is a religious painting characteristic of the High Renaissance art movement. It forms part of the "Polyptych of the Resurrection" series. The composition features detailed depictions of figures in rich, dark tones. The interaction between the characters, including a knight adorned in armor and a clerical figure in a posture of supplication, imbues the scene with a sense of reverence and spiritual fervor. This represents a masterful blend of somber and dramatic elements, reflecting the heightened emotional and physical realism that defines the High Renaissance.
33. Christ
- Artwork Name: Christ
- Year: 1520 - 1522
- Medium: oil,wood
- Dimensions: 278 x 122 cm
The artwork titled "Christ," created by the renowned artist Titian between 1520 and 1522, is an oil painting on wood that measures 278 x 122 cm. Belonging to the High Renaissance art movement, this religious painting is part of the "Polyptych of the Resurrection" series. It depicts the resurrected Christ triumphantly emerging, holding a flag and seemingly ascending, with onlookers in awe at the bottom of the composition. The dramatic use of lighting and expressive details captures the spiritual fervor and artistic mastery characteristic of Titian's work during this period.
34. Christ and the Adulteress
- Artwork Name: Christ and the Adulteress
- Year: 1508 - 1510
- Medium: oil,canvas
"Christ and the Adulteress" by Titian, created between 1508 and 1510, is an oil painting on canvas, representing the High Renaissance art movement. As a religious painting, it profoundly captures a biblical scene with dramatic intensity and intricate detail. The artwork is part of the collection at the Kelvingrove Art Gallery and Museum in Glasgow, UK. Within the composition, various figures, including Christ, are portrayed in a dimly lit environment, adding a somber and contemplative mood to the depicted narrative.
35. Christ and the Good Thief
- Artwork Name: Christ and the Good Thief
- Year: c.1566
- Medium: oil,canvas
- Dimensions: 137 x 149 cm
The artwork titled "Christ and the Good Thief" was created by the renowned artist Titian around 1566. Utilizing oil on canvas as his medium, Titian crafted this religious painting within the distinctive style of Mannerism, representative of the Late Renaissance era. The painting, measuring 137 by 149 centimeters, poignantly depicts the biblical scene of Christ on the cross, engaging with the repentant thief crucified alongside him. The artwork is imbued with dark, dramatic tones, and captures the emotional gravity and spiritual resonance of the moment with masterful use of light and shadow.
36. Christ Carrying the Cross
- Artwork Name: Christ Carrying the Cross
- Year: c.1565
- Medium: oil,canvas
- Dimensions: 98 x 116 cm
"Christ Carrying the Cross," an oil painting on canvas by Titian, crafted around 1565, epitomizes the Mannerism (Late Renaissance) movement. The artwork, housed in the Museo del Prado in Madrid, Spain, measures 98 by 116 centimeters and belongs to the genre of religious painting. The artwork poignantly depicts Christ bearing the heavy burden of the cross, with an evocative portrayal of his suffering and determination, while a concerned figure assists him, encapsulating a moment of profound spiritual significance.
37. Christ Carrying the Cross
- Artwork Name: Christ Carrying the Cross
- Year: 1570 - 1575
- Medium: oil,canvas
- Dimensions: 98 x 116 cm
The artwork, "Christ Carrying the Cross," created by Titian between 1570 and 1575, exemplifies the Mannerism (Late Renaissance) movement. This religious oil painting on canvas measures 98 x 116 cm and is housed in the Museo del Prado in Madrid, Spain. The painting depicts a poignant moment from the Passion of Christ, where Jesus, adorned with a crown of thorns, solemnly bears the weight of the cross with visible exertion and serenity. Another figure, partially shrouded in darkness, assists Christ, emphasizing the shared human burden. The artwork's dramatic use of light and shadow, coupled with Titian's masterful brushwork, evokes deep spiritual contemplation and empathy.
38. Christ Crowned with Thorns
- Artwork Name: Christ Crowned with Thorns
- Year: c.1542
- Medium: oil,canvas
- Dimensions: 180 x 303 cm
"Christ Crowned with Thorns," an oil painting on canvas by the renowned artist Titian, created circa 1542, is a significant piece of the Mannerism (Late Renaissance) art movement. The artwork, measuring 180 by 303 centimeters, resides in the esteemed Louvre in Paris, France. This religious painting depicts a dramatic and intense scene where multiple figures are seen torturing and mocking Christ, accentuating the raw emotions and brutality of the moment. The composition is masterfully executed with dynamic forms and strong contrasts, highlighting Titian's exceptional skill in capturing human suffering and spiritual transcendence.
39. Christ with Globe
- Artwork Name: Christ with Globe
- Year: 1530
- Dimensions: 82.5 x 60.5 cm
The artwork, titled "Christ with Globe," was created by the renowned artist Titian in 1530 during the High Renaissance movement. Measuring 82.5 x 60.5 cm, this religious painting is currently housed in the Kunsthistorisches Museum in Vienna, Austria. The painting depicts Christ, draped in rich, vibrant robes of red and blue, holding a globe in His hand, symbolizing His dominion over the world. The serene and contemplative expression on Christ's face, combined with the masterful use of color and light, exemplifies Titian's skill and the characteristic grandeur of the High Renaissance period.
40. Portrait of a Venetian Gentleman
- Artwork Name: Portrait of a Venetian Gentleman
- Year: c.1510 - c.1515
- Medium: oil,canvas
- Dimensions: 76 x 64 cm
"Portrait of a Venetian Gentleman," painted by Titian between circa 1510 and circa 1515, epitomizes the art of the High Renaissance. Rendered in oil on canvas, the artwork measures 76 by 64 centimeters and resides at the National Gallery of Art in Washington, DC, USA. The portrait depicts a dignified gentleman whose confident expression and direct gaze are captured with striking realism and mastery. The setting includes a window with a subtle view outside, enhancing the depth and atmosphere of the piece. Titian's skillful use of light and shadow, along with his refined brushwork, exemplifies the artistic excellence of this period.
41. Portrait of a Woman
- Artwork Name: Portrait of a Woman
- Year: 1508 - 1510
- Medium: oil,canvas
- Dimensions: 117 x 97 cm
The artwork, titled "Portrait of a Woman," was created by the renowned High Renaissance artist Titian between 1508 and 1510. Executed in oil on canvas, this portrait measures 117 by 97 centimeters. The artwork features a woman dressed in a rich red garment, adorned with delicate folds and detailed textures. She stands with one hand resting on a sculpted relief of a head, which emphasizes her poised and serene expression. The background is kept relatively dark, focusing the viewer's attention on the subject's gentle countenance and the intricate details of her attire, exemplifying the refined elegance characteristic of the High Renaissance period.
42. Portrait of a Woman at her Toilet
- Artwork Name: Portrait of a Woman at her Toilet
The artwork, "Portrait of a Woman at her Toilet," created by the renowned artist Titian, is a representation of the High Renaissance art movement and falls within the portrait genre. The image depicts a woman engaged in a grooming ritual, showcasing her bare shoulders and flowing hair, which she is gently touching. The intimate scene includes another figure, presumably a maid or attendant, holding a mirror and assisting the woman. The color palette, with its rich and earthy tones, coupled with the meticulous detail characteristic of Titian's work, emphasizes the grace and elegance of the subject, capturing a moment of personal reflection and beauty.
43. Portrait of a Young Man (The young Englishman)
- Artwork Name: Portrait of a Young Man (The young Englishman)
- Year: c.1545
- Medium: oil,canvas
- Dimensions: 111 x 93 cm
The artwork, titled "Portrait of a Young Man (The young Englishman)," was created by the renowned artist Titian circa 1545. Executed in oil on canvas, it measures 111 by 93 centimeters and is a fine example of the Mannerism movement, part of the Late Renaissance. The painting is a portrait genre work, currently housed in the Palazzo Pitti in Florence, Italy. The artwork portrays a young man in somber attire, exuding an air of contemplation and subtle elegance, characteristic of Titian's masterful command of light and texture.
44. Portrait of a Young Woman
- Artwork Name: Portrait of a Young Woman
- Year: c.1515
- Dimensions: 42 x 26 cm
The artwork, titled "Portrait of a Young Woman," is a masterful creation by the eminent High Renaissance artist Titian, dating approximately from the year 1515. This portrait measures 42 by 26 centimeters and is housed in the Uffizi Gallery in Florence, Italy. Rendered with delicate yet expressive strokes, the artwork captures the serene and contemplative visage of a young woman, emblematic of the refined technique and profound emotive expression characteristic of Titian's oeuvre. The subtle interplay of light and shadow showcases the artist’s adeptness in creating depth and lifelike presence, firmly placing this piece within the pantheon of Renaissance portraiture.
45. Portrait of a young woman with feather hat
- Artwork Name: Portrait of a young woman with feather hat
- Year: c.1536
- Medium: oil,canvas
- Dimensions: 97 x 75 cm
The artwork, titled "Portrait of a Young Woman with Feather Hat," is a masterful oil painting on canvas created by the renowned artist Titian circa 1536. Measuring 97 by 75 centimeters, this portrait exemplifies the High Renaissance art movement. Presently housed in the Hermitage Museum in Saint Petersburg, Russia, the artwork depicts a young woman adorned with a feathered hat and draped in rich fabrics, embodying a serene yet confident elegance characteristic of Titian's portraiture.
46. Portrait of Benedetto Varchi
- Artwork Name: Portrait of Benedetto Varchi
- Year: 1540
- Medium: oil,canvas
- Dimensions: 117 x 91 cm
The artwork, titled "Portrait of Benedetto Varchi" and created by Titian in 1540, is an oil on canvas painting belonging to the High Renaissance art movement. The portrait measures 117 by 91 centimeters and exemplifies the genre of portraiture. It portrays its subject with a dignified and composed demeanor, indicative of the period's emphasis on capturing the humanist spirit and individual character. The subject is depicted holding a book, adding intellectual gravitas to his appearance, while the rich textures and deep colors showcase Titian's masterful technique.
47. Portrait of Cardinal Alessandro Farnese
- Artwork Name: Portrait of Cardinal Alessandro Farnese
- Year: 1545 - 1546
- Medium: oil,canvas
The artwork titled "Portrait of Cardinal Alessandro Farnese," executed by the renowned artist Titian between 1545 and 1546, is an exquisite example of a Mannerist portrait from the Late Renaissance period, rendered in oil on canvas. The painting features Cardinal Alessandro Farnese adorned in rich ecclesiastical garments, characterized by the subtle interplay of light and shadow and Titian's masterful brushwork, which captures the regal and serene presence of the Cardinal against a dark, muted background.
48. Portrait of Cardinal Cristoforo Madruzzo
- Artwork Name: Portrait of Cardinal Cristoforo Madruzzo
- Year: 1552
- Medium: oil,canvas
- Dimensions: 210 x 109 cm
"Portrait of Cardinal Cristoforo Madruzzo," created by the distinguished artist Titian in 1552, is an exemplary oil on canvas work emblematic of the Mannerism (Late Renaissance) art movement. This portrait, measuring 210 x 109 cm, resides within the esteemed Museo de Arte de Sao Paulo (MASP) in São Paulo, Brazil. The artwork captures Cardinal Madruzzo in a dignified stance, accentuating the depth and grandeur typical of Titian’s portraiture, and reflects the intricate interplay of shadow and light with rich, detailed textures.
49. Portrait of Count Antonio Porcia
- Artwork Name: Portrait of Count Antonio Porcia
- Year: c.1548
- Medium: oil,canvas
- Dimensions: 90 x 105 cm
The artwork, titled "Portrait of Count Antonio Porcia," is an oil painting on canvas created by the renowned artist Titian around the year 1548. Measuring 90 by 105 centimeters, this portrait exemplifies the Mannerism (Late Renaissance) art movement. Currently housed in Palazzo Brera, Milan, Italy, the piece captures the dignified and imposing presence of Count Antonio Porcia. The subject is portrayed with a solemn expression, adorned in dark, luxurious garments and an ornate chain, against a backdrop that subtly contrasts his figure with a scenic landscape visible to the right. The artwork stands as a testament to Titian's masterful skill in rendering intricate details and conveying depth of character.
50. The Healing of the Wrathful Son
- Artwork Name: The Healing of the Wrathful Son
- Year: 1511
- Medium: fresco
- Dimensions: 340 x 207 cm
"The Healing of the Wrathful Son," created by Titian in 1511, is a High Renaissance fresco belonging to the religious painting genre, with dimensions of 340 by 207 cm. This artwork is part of the "Frescoes in the Scuola del Santo" series and depicts a miraculous healing scene, characterized by vivid colors and intricate detail. The composition portrays a central figure, possibly a saint or Christ, performing a healing act on a young man, surrounded by an array of onlookers, reflecting Titian's mastery in capturing human emotion and divine intervention.