Christ at the Sea of Galilee (c. 1575-80) by Tintoretto

Christ at the Sea of Galilee - Tintoretto - c. 1575-80

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Artwork Information

TitleChrist at the Sea of Galilee
ArtistTintoretto
Datec. 1575-80
MediumOil on Canvas
Dimensions117 x 168.5 cm (46 x 66 1/4 in.)
Art MovementMannerism (Late Renaissance)
Current LocationNational Gallery of Art, Washington, D.C.

About Christ at the Sea of Galilee

The artwork titled “Christ at the Sea of Galilee” is a work by Tintoretto, a renowned artist of the Mannerism movement during the Late Renaissance period. Created circa 1575-80, the oil on canvas measures 117 cm by 168.5 cm (46 in. by 66 1/4 in.) and is currently housed in the National Gallery of Art located in Washington, D.C. This painting exemplifies the dynamic and dramatic style characteristic of Mannerist art.

In the artwork, the viewer is presented with a tempestuous sea under a cloudy sky, articulating a sense of turbulent motion. To the left, the figure of Christ is depicted standing on the shore, extending his hand outward toward a distressed boat of disciples being tossed by the surging waves. The disciples’ struggle against the natural forces is palpable, with several figures working to maintain the boat’s position, and others making direct visual contact with the serene figure of Christ, whose presence indicates divine intervention.

Tintoretto’s composition skillfully contrasts the calm demeanor of Christ with the dynamic energy and urgency of the disciples’ plight. The use of chiaroscuro—the contrast of light and dark—heightens the drama and directs the viewer’s focus to the interaction between the central figures. The choice of colors, dominated by cool hues, emphasizes the stormy atmosphere while also guiding the viewer’s attention towards the illuminated figure of Christ.

The painting’s intricate depiction of movement, as well as the emotional intensity captured within the faces and body language of the figures, reinforces the narrative strength of the scene. Such vivid portrayal of religious themes is reflective of Tintoretto’s mastery in infusing his artwork with spiritual vitality and dynamism, which were both influential and esteemed during the time of the Mannerist art movement.

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