The Raft of the Medusa (Théodore Géricault, 1818-1819)

The Raft of the Medusa - Theodore Gericault - 1818 - 1819

Artwork Information

TitleThe Raft of the Medusa
ArtistTheodore Gericault
Date1818 - 1819
MediumOil on Canvas
Dimensions491 x 716 cm
Art MovementRomanticism
Current LocationLouvre, Paris, France
Location Created France

About The Raft of the Medusa

Théodore Géricault, The Raft of the Medusa, 1818-1819, Oil on canvas, 491 cm × 716 cm, Louvre Museum, Paris

The Raft of the Medusa is an oil painting by French painter and lithographer Théodore Géricault realized between 1818 and 1819. It depicts a tragic event: the wreck of the naval frigate Medusa  (Méduse), off the coast of Mauritania, happened in 1816. Because of its dramatic and emotional impact, the painting has become an iconic example of French Romanticism.

What is Depicted in The Raft of the Medusa?


The Raft of the Medusa is a painting realized between 1818 and 1819 when artist Théodore Géricault (1791-1824) was only 27 years old. It is a work of imposing size. This aspect contributes to creating a great scenic effect, drawing the viewer into the tragic scene. Exhibited at the Paris Salon that year under the generic title Scene of a Shipwreck, it caused a great stir because of the deliberately realistic and mournful rendering of the corpses.

The painting depicts a news event that provoked horror and scandal in public opinion in the early 19th century: on July 5, 1816, the Medusa, a French sailing frigate, had run aground off the coast of Mauritania. The disaster was caused by the inexperience of the commander, frigate captain Hugues Duroy de Chaumareys. Nearly 150 people had been evacuated on a hoarded raft; after 13 days of hardship, all but 15 people died who managed to survive by practicing cannibalism.

Géricault chooses to depict a specific moment in the drama: when the exhausted castaways, during a sea storm, spot a ship approaching on the horizon and try to attract its attention by raising a cloth as a flag. Two isolated figures on the raft add drama to the atmosphere: an elderly father defending his son’s body from potential acts of cannibalism; and the mutilated corpse of a castaway whose only chest remains. Géricault depicts the characters with morbid realism. The dark, high-contrast colors of the landscape, and the livid tones of the suffering bodies, charge the scene with pathos.

Artwork Analysis

The Raft of the Medusa is a painting of impressive dramatism. It is one of Géricault’s earliest paintings and had no specific commission. The artist decided, therefore, spontaneously to depict a tragedy of international resonance, representing it precisely. He collected testimonies from survivors, made a model of the raft, and numerous preparatory sketches of the characters were realized conducting research in hospitals and morgues to investigate the anatomical study of the bodies in depth.


The painting is a turning point of Romanticism from earlier Neoclassical style, as it lacks a balanced composition, and the characters are not serene and idealized. On the contrary, The Raft of the Medusa depicts an animated scene and elicits an intense emotional reaction of horror and revulsion. Even the composition has symbolism: the human pyramid painted by Géricault traces a triangular pattern, culminating in the man waving the cloth. The triangle creates tension, an emotional crescendo that tends to the sky. Thinking back to the shipwreck scene, it can be interpreted as an aspiration for salvation.

Related Artworks

Théodore Géricault devoted himself for a long time to the realistic rendering of pain and the people affected by it. His series of ten Portraits of Alienated, made between 1820 and 1824 and preserved in the Louvre, shows different forms of insanity of mental asylum patients. Among the most famous are: the Woman with Gambling Mania, Insane Woman, and Portrait of a Kleptomaniac.

What are the elements of Romanticism in The Raft of the Medusa


In terms of content, the painting is charged with drama and pathos. Horror is transformed into the sublime.

From the point of view of form, Géricault creates contrasts of color, light, and shadows to achieve a dramatic effect. The painting in spots technique gives expressive immediacy. Bodies are depicted with extreme realism. The composition is tense and dynamic.

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